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In this or similar form the legend spread to England, where Creator/ChristopherMarlowe would embody it in ''[[Theatre/DoctorFaustus The Tragical History of the Life and Death of Doctor Faustus]]'' (first published 1604, probably written ''c''. 1590). Marlowe suggests a more complicated figure than the mere seeker after wealth and pleasure presented in earlier versions; his play establishes Faustus as a great scholar, one who longs for Knowledge as well as Power, who turns to sorcery after he has already reached the limits of human science and philosophy. His Faustus vacillates more between God and the Devil than the simple character of the chapbook (his [[GoodAngelBadAngel Good and Evil Angels]] appearing bodily, though presumably not in miniature form a few inches above his shoulders, given the conditions of the Elizabethan stage); given several opportunities to repent, he nevertheless proves obdurate, and is duly haled off to Hell, leaving the Chorus to point out the {{Aesop}} that there are [[TheseAreThingsManWasNotMeantToKnow Some Things Man Was Not Meant To Know]].

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In this or similar form the legend spread to England, where Creator/ChristopherMarlowe would embody it in ''[[Theatre/DoctorFaustus The Tragical History of the Life and Death of Doctor Faustus]]'' (first published 1604, probably written ''c''. 1590). Marlowe suggests a more complicated figure than the mere seeker after wealth and pleasure presented in earlier versions; his play establishes Faustus as a great scholar, one who longs for Knowledge as well as Power, who turns to sorcery after he has already reached the limits of human science and philosophy. His Faustus vacillates more between God and the Devil than the simple character of the chapbook (his [[GoodAngelBadAngel Good and Evil Angels]] appearing bodily, though presumably not in miniature form a few inches above his shoulders, given the conditions of the Elizabethan stage); given several opportunities to repent, he nevertheless proves obdurate, and is duly haled hauled off to Hell, leaving the Chorus to point out the {{Aesop}} that there are [[TheseAreThingsManWasNotMeantToKnow Some Things Man Was Not Meant To Know]].
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Not to be confused with animator Creator/LaurenFaust, [[VideoGame/GuiltyGear a certain baldheaded ex-homicidal doctor]], or the German experimental band.

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Not to be confused with animator Creator/LaurenFaust, [[VideoGame/GuiltyGear [[Characters/GuiltyGearFaust a certain baldheaded ex-homicidal doctor]], or the German experimental band.
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Faust is not so much "wooing" Gretchen than trying to seduce her.


* CorruptChurch: The church in Goethe's Faust. Faust and Mephistopheles try to woo Gretchen together by giving her jewelry. She may like it, but her mother suspects it to be from a devil. So she calls her priest, who tells her that there is only one way to cleanse the house: donating the jewelry to the church, what is finally done.

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* CorruptChurch: The church in Goethe's Faust. Faust and Mephistopheles try to woo seduce Gretchen together by giving her jewelry. She may like it, but her mother suspects it to be from a devil. So she calls her priest, who tells her that there is only one way to cleanse the house: donating the jewelry to the church, what is finally done.
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Gretchen killing her newborn child is not abortion, but infanticide. Abortion is not discussed in the play.


* GoodGirlsAvoidAbortion: Deconstructed in Goethe's version. Gretchen may carry her illegitimate child with Faust to term, but drowns it after birth instead out of despair. She ends up convicted and executed for murder, but God's voice nevertheless says that she is saved, showing that God still views her as good. In her afterlife, she is also in heaven, and her pleas to Mary make way for Faust's final salvation.
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Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Creator/{{Rembrandt|VanRijn}} and [[Creator/EugeneDelacroix Delacroix]]; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Charles Gounod, Arrigo Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and Creator/JanSvankmajer's ''Faust'' (1994); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).

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Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Creator/{{Rembrandt|VanRijn}} and [[Creator/EugeneDelacroix Delacroix]]; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Charles Gounod, Arrigo Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and (1926), Creator/JanSvankmajer's ''Faust'' (1994); (1994), and Alexander Sokurov's [[note]]The director of ''Film/RussianArk''[[/note]] ''Faust'' (2011); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).
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* CorruptChurch: The church in Goethe's Faust. Faust and Mephistopheles try to woo Gretchen together by giving her jewelry. She may like it, but her mother suspects it to be from a devil. So she calls her priest, who tells her that there is only one way to cleanse the house: donating the jewelry to the church, what is finally done.


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* GoodGirlsAvoidAbortion: Deconstructed in Goethe's version. Gretchen may carry her illegitimate child with Faust to term, but drowns it after birth instead out of despair. She ends up convicted and executed for murder, but God's voice nevertheless says that she is saved, showing that God still views her as good. In her afterlife, she is also in heaven, and her pleas to Mary make way for Faust's final salvation.


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* HairOfGoldHeartOfGold: Gretchen is a very nice, helpful, pious and selfless blonde girl who is first seen going to her confessional although not having any sins to confess.
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Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Rembrandt and Delacroix; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Charles Gounod, Arrigo Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and Creator/JanSvankmajer's ''Faust'' (1994); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).

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Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Rembrandt Creator/{{Rembrandt|VanRijn}} and Delacroix; [[Creator/EugeneDelacroix Delacroix]]; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Charles Gounod, Arrigo Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and Creator/JanSvankmajer's ''Faust'' (1994); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).
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I don't think this is an example because 1) like the example says, there are many versions of the Faust legend and Goethe's drama is just one of them. We have a separate page for the Goethe version. 2) Though Goethe's play is often (not "always") referred to as "Goethe's Faust", it's not an official title. Just a colloquialism.


* InCaseYouForgotWhoWroteIt: The work is never simply mentioned as ''Faust'', but is always ''Goethe's Faust''. In large part, this is to distinguish it from both the loose corpus of popular legend that inspired it and the long list of adaptations and derivative stories that would follow it.
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* BlackMagic: As in, derived from devils.
* CastFromLifespan: The price Faust has to pay for his magic.

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* %%* BlackMagic: As in, derived from devils.
* %%* CastFromLifespan: The price Faust has to pay for his magic.%%Is?



* InCaseYouForgotWhoWroteIt: The work is never simply mentioned as ''Faust'', but is always ''Goethe's Faust''. In large part, this is to distinguish it from both the loose corpus of popular culture that inspired it and the long list of adaptations and derivative stories that would follow it.

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* InCaseYouForgotWhoWroteIt: The work is never simply mentioned as ''Faust'', but is always ''Goethe's Faust''. In large part, this is to distinguish it from both the loose corpus of popular culture legend that inspired it and the long list of adaptations and derivative stories that would follow it.

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The original seems to have been a John or George Sabellicus, born near the end of the 15th century, a ne'er-do-well con-man who passed himself off as a scholar and conjuror. There is some confusion as to whether ''Faust'' was his real surname or a pseudonym, and as to whether it was derived from Latin ''faustus'' (="lucky") or the German ''Faust'' (="fist"); he seems originally to have been described, not as a doctor, but a master of arts; there is even some doubt as to his given names ([[Creator/JohannWolfgangVonGoethe Goethe]] calls him neither ''Johannes'' or ''Georg'', but ''Heinrich'') or whether there might not have been more than one Faustus. Be all that as it may, he seems to have made a living by various snake-oil type schemes (one was for a depilatory that took off not only the client's beard, but "the skin and most of the flesh as well"), until he came to a bad end -- his body is said to have been found mutilated, sometime around the year 1540. Various magical manuals ascribed to Faust circulated the first quarter of the 16th century, at least one of which contains the name of a demon, "Mephostophiles" [''sic''].

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The original seems to have been a John or George Sabellicus, born near the end of the 15th century, a ne'er-do-well con-man who passed himself off as a scholar and conjuror. There is some confusion as to whether ''Faust'' was his real surname or a pseudonym, and as to whether it was derived from Latin ''faustus'' (="lucky") ("lucky") or the German ''Faust'' (="fist"); ''faust'' ("fist"); he seems originally to have been described, described not as a doctor, but a master of arts; there is even some doubt as to his given names ([[Creator/JohannWolfgangVonGoethe Goethe]] calls him neither ''Johannes'' or ''Georg'', but ''Heinrich'') or whether there might not have been more than one Faustus. Be all that as it may, he seems to have made a living by various snake-oil type schemes (one was for a depilatory that took off not only the client's beard, but "the skin and most of the flesh as well"), until he came to a bad end -- his body is said to have been found mutilated, sometime around the year 1540. Various magical manuals ascribed to Faust circulated the first quarter of the 16th century, at least one of which contains the name of a demon, "Mephostophiles" [''sic''].



* DealWithTheDevil: Pretty much the story's entire plot.

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* DealWithTheDevil: Pretty much The core of the story's entire plot.primary version is that Faust makes a bargain with the demon Mephistopheles where the latter will provide Faust will all the knowledge and pleasures of the cosmos but, if Faust should ever experience a moment of contentedness so profound that he'll wish to stay there forever, his soul will be forfeit and belong to Mephistopheles.



* DraggedOffToHell: The standard finale until Goethe came along.

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* DraggedOffToHell: The standard finale until Goethe came along.along was that Faust experiences transcendent pleasure at some point or another and, as per the terms of the contrast, his soul becomes property of Mephistopheles and is duly taken away to eternal damnation.



* InCaseYouForgotWhoWroteIt: The work is never simply mentioned as ''Faust''. It is always ''Goethe's Faust''! Justified with so many adaptions though.

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* InCaseYouForgotWhoWroteIt: The work is never simply mentioned as ''Faust''. It ''Faust'', but is always ''Goethe's Faust''! Justified with so many adaptions though.Faust''. In large part, this is to distinguish it from both the loose corpus of popular culture that inspired it and the long list of adaptations and derivative stories that would follow it.



* KidWithTheLeash: Devils are at his beck and call...for a while.

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* KidWithTheLeash: Devils are at his Faust's beck and call...call... for a while.



* {{Mephistopheles}}: The trope's maker. The demon Mephistopheles appears to Dr. Faustus, an academic bored and frustrated with life, and offers him infinite knowledge and all the pleasures of the flesh in exchange for Faustus' soul when his life is over. In most versions of the story, Mephistopheles stays by Faustus' side all this time, acting as a confidant and chaperone, until time comes to collect.



* NobleDemon: Mephistopheles, in some versions.

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* %%* NobleDemon: Mephistopheles, in some versions.
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* WholePlotReference: The essential story of ''Faust'', in particular the Marlowe and Goethe versions, has been lifted for dozens, if not hundreds, of works over the centuries. Modern examples include ''ComicBook/{{Spawn}}'', ''ComicBook/{{Preacher}}'', ''Anime/BlackButler'' and ''Anime/PuellaMagiMadokaMagica'' (though the last isn't obvious at first). Even done in an important episode of ''WesternAnimation/GravityFalls'', a Disney XD cartoon of all things, and quite intentionally too. Also seen in the ''Manga/BlueExorcist'' anime- notice the name Mephistopheles.

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* WholePlotReference: The essential story of ''Faust'', in particular the Marlowe and Goethe versions, has been lifted for dozens, if not hundreds, of works over the centuries. Modern examples include ''Literature/{{Eric}}'' (which even has a crossed-out "Faust" on the cover), ''ComicBook/{{Spawn}}'', ''ComicBook/{{Preacher}}'', ''Anime/BlackButler'' and ''Anime/PuellaMagiMadokaMagica'' (though the last isn't obvious at first). Even done in an important episode of ''WesternAnimation/GravityFalls'', a Disney XD cartoon of all things, and quite intentionally too. Also seen in the ''Manga/BlueExorcist'' anime- notice the name Mephistopheles.
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* FaustianRebellion: Trope namer.

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* FaustianRebellion: Trope namer.The trope namer. Faust trades his soul to the devil in exchange for knowledge and magic powers but later attempts to repent for his sins; in earlier versions he fails, though in Goethe's version he succeeds.
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character names aren't italicized


''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus, and others going back as far as ancient Sumer), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].

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''Faust'' Faust is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus, and others going back as far as ancient Sumer), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].
theme]].
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Moving to Trivia.


* {{Defictionalization}}: Up to the 18th century, shady booksellers made a buck with weird "[[{{Spellbook}} grimoires]]" that supposedly were written by Faust, or contained his "real" magic spells.

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* MundaneUtility: The all-powerful magician uses his magic to do things like draw wine from a table and play pranks on detractors.



* MundaneUtility: The all-powerful magician uses his magic to do things like draw wine from a table and play pranks on detractors.
* PopculturalOsmosis: C'mon, how many versions of the Faustian Bargain have ''you'' seen actually featuring a guy named Faust?


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* PopculturalOsmosis: C'mon, how many versions of the Faustian Bargain have ''you'' seen actually featuring a guy named Faust?
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Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Rembrandt and Delacroix; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Charles Gounod, Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and Creator/JanSvankmajer's ''Faust'' (1994); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).

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Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Rembrandt and Delacroix; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Charles Gounod, Arrigo Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and Creator/JanSvankmajer's ''Faust'' (1994); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).
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''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].

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''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), Theophilus, and others going back as far as ancient Sumer), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].
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Claim [[breaks the flow of the article; seems like a digression on a page dedicated to the legend of Faust, not the trope Deal With The Devil in general; factuality seems doutbful (if there are so many tales, why not name one? how can we have tales "from the Indus Valley" when we cannot actually read the Indus script?)
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Claim breaks the flow of the article, seems k


''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]]. While ''Faust'' has become the TropeNamer and TropeCodifier, similar tales of bargaining with devils or demons for superlative skill or riches have been found [[OlderThanDirt as far back, and as widely scattered as Sumeria, pre-dynastic China, and the Indus Valley.]]

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''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]]. While ''Faust'' has become the TropeNamer and TropeCodifier, similar tales of bargaining with devils or demons for superlative skill or riches have been found [[OlderThanDirt as far back, and as widely scattered as Sumeria, pre-dynastic China, and the Indus Valley.]]\n
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''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].

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''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].
theme]]. While ''Faust'' has become the TropeNamer and TropeCodifier, similar tales of bargaining with devils or demons for superlative skill or riches have been found [[OlderThanDirt as far back, and as widely scattered as Sumeria, pre-dynastic China, and the Indus Valley.]]
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Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Rembrandt and Delacroix; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Music/CharlesGounod, Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and Creator/JanSvankmajer's ''Faust'' (1994); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).

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Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Rembrandt and Delacroix; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Music/CharlesGounod, Charles Gounod, Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and Creator/JanSvankmajer's ''Faust'' (1994); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).
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Classic Parabomb


''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus, and others from many other cultures around teh world. It may be one of the most universal stories in world mythology), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].

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''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus, and others from many other cultures around teh world. It may be one of the most universal stories in world mythology), Theophilus), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].
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''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].

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''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), Theophilus, and others from many other cultures around teh world. It may be one of the most universal stories in world mythology), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].

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Renamed trope


* AltumVidetur: Various versions use Latin for Faust's spells.


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* GratuitousLatin: Various versions use Latin for Faust's spells.
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* {{Defictionalization}}: Up to the 18th century shady booksellers made a buck with weird [[{{Spellbook}} 'grimoires']] that supposedly were written by Faust, or contained his 'real' magic spells.

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* {{Defictionalization}}: Up to the 18th century century, shady booksellers made a buck with weird [[{{Spellbook}} 'grimoires']] "[[{{Spellbook}} grimoires]]" that supposedly were written by Faust, or contained his 'real' "real" magic spells.
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Found the right trope.

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* DiesDifferentlyInAdaptation: While many, if not most, versions of the legend end with Faust's demise, the method in which he goes often differs. Originally, Faust is allowed until he finds a moment of satisfaction. Eventually, that moment comes and he dies on the spot. Others simply end with Faust being taken to Hell by the demons he trafficked with. The 1994 movie ends with Faust being struck by a car.

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Trope doesn't exist.


* AdaptationDeathChange: While many, if not most, versions of the legend end with Faust's demise, the method in which he goes often differs. Originally, Faust is allowed until he finds a moment of satisfaction. Eventually, that moment comes and he dies on the spot. Others simply end with Faust being taken to Hell by the demons he trafficked with. The 1994 movie ends with Faust being struck by a car.



* EvilIsNotAToy: Faust's bargain generally involves a great deal of trouble, even if he eventually manages to wriggle out of it.
** In some adaptations, Faust is part of a wager between God and the Devil in which Faust's fate will determine the fate of countless others.

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* EvilIsNotAToy: Faust's bargain generally involves a great deal of trouble, even if he eventually manages to wriggle out of it.
**
it. In some adaptations, Faust is part of a wager between God and the Devil in which Faust's fate will determine the fate of countless others.
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[[caption-width-right:350:''Faust's Pact with Mephisto'' by Julius Nisle.]]
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[[quoteright:237:https://static.tvtropes.org/pmwiki/pub/images/RembrandtFaust.jpg]]
[[caption-width-right:237:Faust, by Rembrandt]]

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[[quoteright:237:https://static.%% Image selected per Image Pickin' thread: https://tvtropes.org/pmwiki/posts.php?discussion=1541615724055788800
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[[quoteright:350:https://static.
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[[caption-width-right:237:Faust, by Rembrandt]]
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[[quoteright:237:https://static.tvtropes.org/pmwiki/pub/images/RembrandtFaust.jpg]]
[[caption-width-right:237:Faust, by Rembrandt]]

''Faust'' is the central character of the archetypal story of a DealWithTheDevil. Though there were earlier stories of individuals bargaining with demons for magical power (such as Simon Magus, Cyprian, and Theophilus), it is the legend of an [[UsefulNotes/TheRenaissance early 16th century]] [[UsefulNotes/HolyRomanEmpire German]] scholar that has been [[TropeCodifier the most frequent and profoundest inspiration for works of art on this theme]].

The original seems to have been a John or George Sabellicus, born near the end of the 15th century, a ne'er-do-well con-man who passed himself off as a scholar and conjuror. There is some confusion as to whether ''Faust'' was his real surname or a pseudonym, and as to whether it was derived from Latin ''faustus'' (="lucky") or the German ''Faust'' (="fist"); he seems originally to have been described, not as a doctor, but a master of arts; there is even some doubt as to his given names ([[Creator/JohannWolfgangVonGoethe Goethe]] calls him neither ''Johannes'' or ''Georg'', but ''Heinrich'') or whether there might not have been more than one Faustus. Be all that as it may, he seems to have made a living by various snake-oil type schemes (one was for a depilatory that took off not only the client's beard, but "the skin and most of the flesh as well"), until he came to a bad end -- his body is said to have been found mutilated, sometime around the year 1540. Various magical manuals ascribed to Faust circulated the first quarter of the 16th century, at least one of which contains the name of a demon, "Mephostophiles" [''sic''].

The legend that he had sold his soul for magical powers, and had been torn to pieces by devils upon the expiration of the contract, seems to have sprung up immediately, spread by Lutheran preachers who used him as an Awful Example. The first surviving fictional account of his adventures was a chapbook that appeared in 1587, ''Historia von D. Johan. Fausten dem weitbeschreyten Zauberer und Schwartzkünstler'' ("History of Dr. Jno. Faust, the far-famed Wizard and Sorcerer").

In this or similar form the legend spread to England, where Creator/ChristopherMarlowe would embody it in ''[[Theatre/DoctorFaustus The Tragical History of the Life and Death of Doctor Faustus]]'' (first published 1604, probably written ''c''. 1590). Marlowe suggests a more complicated figure than the mere seeker after wealth and pleasure presented in earlier versions; his play establishes Faustus as a great scholar, one who longs for Knowledge as well as Power, who turns to sorcery after he has already reached the limits of human science and philosophy. His Faustus vacillates more between God and the Devil than the simple character of the chapbook (his [[GoodAngelBadAngel Good and Evil Angels]] appearing bodily, though presumably not in miniature form a few inches above his shoulders, given the conditions of the Elizabethan stage); given several opportunities to repent, he nevertheless proves obdurate, and is duly haled off to Hell, leaving the Chorus to point out the {{Aesop}} that there are [[TheseAreThingsManWasNotMeantToKnow Some Things Man Was Not Meant To Know]].

Throughout the 16th and 17th centuries, the story proved popular in Germany in the form of chapbooks and puppet plays, often incorporating a great deal of humor and spectacular effects. Certain episodes became standard: Faust summoning up Mephistopheles; Faust disputing with him on the nature of God and the universe; Mephistopheles mocking Faust's scholar-servant, Wagner; Faust gaining the love of Helen of Troy; Faust appearing at the court of the [[UsefulNotes/HolyRomanEmpire Emperor]]; Faust or Mephistopheles in invisible form playing pranks on UsefulNotes/ThePope; Faust being given the chance to repent and refusing; and, finally and inevitably, Faust being dragged off to Hell by devils on the expiration of his contract. A subsidiary episode, in which Faust demands marriage with a virtuous peasant girl and is refused by Mephistopheles on the grounds that marriage, being a sacrament and thus pleasing to God, is against the terms of the contract, would form the basis for the story of Margaret (Margarethe, Gretchen, Marguerite) in subsequent versions of the story.

The greatest embodiment of the story is probably [[Creator/JohannWolfgangVonGoethe Johann Wolfgang von Goethe's]] ''[[Theatre/{{Faust}} Faust: Eine Tragödie]]'' (begun ''c''. 1770). Published in two parts: the first (1808) tells the story of Faust's pact with Mephistopheles and his affair with the hapless Gretchen; the second (1832) recounts his union with Helen of Troy and the birth of Euphorion, the Spirit of Poetry, from this mating of northern Romanticism and Greek classicism. Despite the work's title, Goethe would seem to have been the first to have given the Faust story itself a happy ending (though earlier DealWithTheDevil stories had sometimes featured [[UsefulNotes/{{Jesus}} Christ]], the Virgin Mary, or some saint, tricking the devil out of his prey, often in an elaborate trial scene featuring a number of quite far-fetched legalistic quibbles) -- Faust is redeemed from Hell because he uses his magical power to ''serve'' his fellow men, rather than exploit them. Goethe also popularized the image of Mephistopheles as a DeadpanSnarker in red silk doublet and hose (leading to the modern "devil in tights" image); his devil is less an elemental spirit of pure Evil than a sort of universal cynic.

Most subsequent versions of the Faust story either base themselves on one of these two dramas or react against them. The character has been depicted by artists such as Rembrandt and Delacroix; and by composers such as Music/HectorBerlioz, Music/FranzLiszt, Music/CharlesGounod, Boïto and Music/RichardWagner. Faust has also appeared in cinematic versions, such as Murnau's ''[[Film/{{Faust}} Faust: Eine deutsche Volkssage]]'' (1926) and Creator/JanSvankmajer's ''Faust'' (1994); while Goethe's version of the story inspired a musical adaptation in two linked albums from metal band Kamelot, ''Epica'' (2003) and ''The Black Halo'' (2005).

Not to be confused with animator Creator/LaurenFaust, [[VideoGame/GuiltyGear a certain baldheaded ex-homicidal doctor]], or the German experimental band.

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!!Tropes associated with the Faust story in its various versions:

* AdaptationDeathChange: While many, if not most, versions of the legend end with Faust's demise, the method in which he goes often differs. Originally, Faust is allowed until he finds a moment of satisfaction. Eventually, that moment comes and he dies on the spot. Others simply end with Faust being taken to Hell by the demons he trafficked with. The 1994 movie ends with Faust being struck by a car.
* AllWomenAreLustful: Almost all the women lust after Mephistopheles in Goethe's ''Faust'', especially if they're witches. The attraction, however, is not mutual. In Marlowe's version, the only female presences are the spirit of Lust, Helen of Troy (who is presented as a succubus), and the pregnant Duchess.
* AlternateContinuity: Different authors have different takes on this story, including several that show Faust actually outsmarting the devil with whom he makes a pact.
* AltumVidetur: Various versions use Latin for Faust's spells.
* AnAesop: BeCarefulWhatYouWishFor.
* AntiHero: More or less, depending on how sympathetic the author is with Faust's dissatisfaction with the moral set-up of his world.
* BlackMagic: As in, derived from devils.
* CastFromLifespan: The price Faust has to pay for his magic.
* CelebrityIsOverrated: Depending on the author, can be the reason Faust makes his bargain -- or the reason he regrets it.
* TheDarkSideWillMakeYouForget: In many versions, Faust starts out with good intentions, which he gradually pays less and less attention to as he goes along -- even, in some versions, to the point of complete dehumanization.
* DealWithTheDevil: Pretty much the story's entire plot.
* {{Defictionalization}}: Up to the 18th century shady booksellers made a buck with weird [[{{Spellbook}} 'grimoires']] that supposedly were written by Faust, or contained his 'real' magic spells.
* DraggedOffToHell: The standard finale until Goethe came along.
* EarnYourHappyEnding: Despite being the story of a man who makes a DealWithTheDevil, being referred to as a tragedy, and being based on a story with a DownerEnding, Goethe's Faust is ultimately saved; the ending explicitly states that he earned his happy ending through his endless striving in his search for philosophical truth.
* EvilIsNotAToy: Faust's bargain generally involves a great deal of trouble, even if he eventually manages to wriggle out of it.
** In some adaptations, Faust is part of a wager between God and the Devil in which Faust's fate will determine the fate of countless others.
* EvilSoundsDeep: In musical adaptations, expect Mephistopheles to be a bass or baritone -- who at some point will most likely burst into a [[EvilLaugh HAHAHAHAHAHAAAAA]]!
* FaustianRebellion: Trope namer.
* FlamingDevil: Mephistopheles is commonly characterized as latently or overtly homosexual in stage productions. Both Marlowe's and Goethe's versions of the story support these interpretations.
* ForTheEvulz: In the stage play "Faust: A Love Story", the devil's true goal isn't to actually capture Faust's soul, but to make him absolutely miserable for the sheer fun of it. Fortunately, Faust turns to God for forgiveness, implying that he'll be alright in the end. The play itself is extremely trippy and may have actually been Faust's fantasy.
* AGodAmI: In some versions, Faust actually aspires to divinity.
* GoodAngelBadAngel: Some versions have good angels appear to debate with the demons.
* HistoricalDomainCharacter: Besides Faust himself, the [[UsefulNotes/HolyRomanEmpire Emperor]], usually Charles V, and UsefulNotes/ThePope, though he is rarely specified (Alexander VI and Julius II are possibilities).
* InCaseYouForgotWhoWroteIt: The work is never simply mentioned as ''Faust''. It is always ''Goethe's Faust''! Justified with so many adaptions though.
* InWithTheInCrowd: As a result of his bargain, Faust gets to hang with the Emperor and the Pope, not to mention Helen of Troy and {{Satan}}.
* KidWithTheLeash: Devils are at his beck and call...for a while.
* LoopholeAbuse: In the ComicBookAdaptation of ''WesternAnimation/PinkyAndTheBrain'', Brain's version of Faust makes a DealWithTheDevil to obtain the ultimate knowledge and isn't worried because [[InvokedTrope there's no contract without a loophole out of it]]. When Mephistopheles shows up to collect, Faust [[SubvertedTrope couldn't find a loophole]] and says that means [[DoubleSubversion Mephistepheles failed to give him the ultimate knowledge the deal requires him to]]. [[spoiler:Mephistopheles lets Faust keep his soul but rewinds time back to when the deal was made so the accomplishments made with help from the deal never happened and erases everything about the deal from Faust's memory.]]
* NobleDemon: Mephistopheles, in some versions.
* MundaneUtility: The all-powerful magician uses his magic to do things like draw wine from a table and play pranks on detractors.
* PopculturalOsmosis: C'mon, how many versions of the Faustian Bargain have ''you'' seen actually featuring a guy named Faust?
* OffingTheOffspring: Gretchen drowns the illegitimate child she had with Faust.
* RageAgainstTheHeavens: In some versions, Faust is driven to his course by his sense of God's cruelty and injustice to mankind.
* {{Satan}}: He and various associate devils will often show up to support Mephistopheles.
* SparedByTheAdaptation: The original version of the legend is very dark, with not only Faust being damned, but several others being corrupted or killed due to his actions. Some later adaptations end with God forgiving Faust and saving him.
* SummoningRitual: Nearly every version will feature the scene in which Faust summons Mephistopheles -- and sometimes various other summoning scenes as well.
* SympathyForTheDevil: Mephistopheles, in several versions of the story, seems much more sympathetic -- and certainly more intelligent -- than the relatively blind and completely self-centered Faust. Being a demon, though, it could be his image...
* VillainsNeverLie: In Marlowe's version, Mephistopheles actually tries to talk Faust out of the deal, pointing out that the fact that he, Mephistopheles, a demon, really exists, suggests that God also really exists, and that Faust would, by implication, be making a horrible mistake. Faust replies that that does not logically follow, since just because one part of a story turns out to be true, it does not necessarily follow that the whole story is true. Mephistopheles concedes the point.
* WholePlotReference: The essential story of ''Faust'', in particular the Marlowe and Goethe versions, has been lifted for dozens, if not hundreds, of works over the centuries. Modern examples include ''ComicBook/{{Spawn}}'', ''ComicBook/{{Preacher}}'', ''Anime/BlackButler'' and ''Anime/PuellaMagiMadokaMagica'' (though the last isn't obvious at first). Even done in an important episode of ''WesternAnimation/GravityFalls'', a Disney XD cartoon of all things, and quite intentionally too. Also seen in the ''Manga/BlueExorcist'' anime- notice the name Mephistopheles.
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