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* In the Creator/{{CBC}} movie ''Film/{{Jack|2013}}'', about [[CanadaEh Canadian]] [[UsefulNotes/CanadianPolitics politician]] Jack Layton, Olivia is portrayed early in the movie as living with her mother out of tradition; said mother is portrayed as being very picky about who her daughter should date, and very critical of Jack.

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* In the Creator/{{CBC}} movie ''Film/{{Jack|2013}}'', about [[CanadaEh Canadian]] [[UsefulNotes/CanadianPolitics Canadian politician]] Jack Layton, Olivia is portrayed early in the movie as living with her mother out of tradition; said mother is portrayed as being very picky about who her daughter should date, and very critical of Jack.
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* ''Film/GodzillaVsKong'': The film hints that [[Characters/MonsterVerseMarkRussell Mark Russell]] has developed shades of this towards his daughter Madison after [[Film/GodzillaKingOfTheMonsters2019 the events of the previous film]] which left her in his custody -- besides dismissing everything she tries to tell him about Godzilla's rampage no matter how common-sensed her pointers are, Mark makes it clear he flat-out just wants her completely cut off from the current Titan situation because he out of personal bias doesn't want to have to deal with the stress of worrying about her on top of everything else; but he also clearly thinks Madison is JustAKid who doesn't know what she's talking about, even though she proved in the previous film that she is anything but. The {{novelization}}'s expansion portrays Mark as being even worse than this and slightly [[DeconstructedTrope deconstructs]] it: Mark would rather try and mould Madison to be what he thinks she should be (an ordinary teenage girl) instead of accepting what she went through in the previous film has irrevocably made her [[WiseBeyondTheirYears Wise Beyond Her Years]] and instead of making any real attempts to understand her differences from him, and because of this Madison has a strained relationship with Mark and resents him, CallingTheOldManOut more than once. Is it any wonder that a portion of the Franchise/MonsterVerse fandom prefer to headcanon a [[Characters/MonsterVerseGodzilla giant prehistoric animal]] as Madison's father figure over Mark?

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* ''Film/GodzillaVsKong'': The film hints that [[Characters/MonsterVerseMarkRussell [[Characters/MonsterVerseRussellFamily Mark Russell]] has developed shades of this towards his daughter Madison after [[Film/GodzillaKingOfTheMonsters2019 the events of the previous film]] which left her in his custody -- besides dismissing everything she tries to tell him about Godzilla's rampage no matter how common-sensed her pointers are, Mark makes it clear he flat-out just wants her completely cut off from the current Titan situation because he out of personal bias doesn't want to have to deal with the stress of worrying about her on top of everything else; but he also clearly thinks Madison is JustAKid who doesn't know what she's talking about, even though she proved in the previous film that she is anything but. The {{novelization}}'s expansion portrays Mark as being even worse than this and slightly [[DeconstructedTrope deconstructs]] it: Mark would rather try and mould Madison to be what he thinks she should be (an ordinary teenage girl) instead of accepting what she went through in the previous film has irrevocably made her [[WiseBeyondTheirYears Wise Beyond Her Years]] and instead of making any real attempts to understand her differences from him, and because of this Madison has a strained relationship with Mark and resents him, CallingTheOldManOut more than once. Is it any wonder that a portion of the Franchise/MonsterVerse fandom prefer to headcanon a [[Characters/MonsterVerseGodzilla giant prehistoric animal]] as Madison's father figure over Mark?
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* In ''Nice Girls Don't Explode'', the protagonist's mother tries to keep her from meeting other boys because when she becomes aroused her pyrokineticist powers activate and she sets things on fire [[spoiler:by being a secret arsonist who plants pryotechnics all over town and sets the occasional building on fire and makes her daughter believe that she has pyrokineticist powers that activate when she is aroused.]]
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* ''Film/HolidayOnTheBuses'': Mrs. Hudson won't let Mavis have any time alone while they're on holiday at Pontins.
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* ''Film/ABadMomsChristmas'':
** Sandy literally babies Kiki and meddles in her marriage.
** Amy's mom Ruth insults her Christmas decorations, overindulges her grandkids and acts rudely towards her daughter's boyfriend Jesse.
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* ''Film/Snapshot1979'': Despite appearing only briefly, Angela's mother cements herself as this when she blames Angela for being stalked and slaps her.
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* ''Film/{{Awake}}'': Clayton's mother Lillith's over-protective nature is the main reason that he is afraid of telling her about his engagement, as he knows she would never accept Sam. She also tries to get him to drop Jack, his best friend, as his heart surgeon in favor of an acquaintance of hers who is at the top of the field. [[spoiler:As it turns out, she was right on both counts.]]

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* ''Film/{{Awake}}'': ''Film/Awake2007'': Clayton's mother Lillith's over-protective nature is the main reason that he is afraid of telling her about his engagement, as he knows she would never accept Sam. She also tries to get him to drop Jack, his best friend, as his heart surgeon in favor of an acquaintance of hers who is at the top of the field. [[spoiler:As it turns out, she was right on both counts.]]

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* Gordon/Fester's mother Abigail in ''Series/TheAddamsFamily''. Although to be fair, [[spoiler:she's not actually his mother; she just took him in after finding him unconscious and amnesiac many years ago and took full advantage of his blank slate to fill it with her personal agenda.]].

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[[MyBelovedSmother Mothers who smother and control their offspring]] in LiveActionFilms.
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* Gordon/Fester's mother Abigail in ''Series/TheAddamsFamily''. Although to be fair, [[spoiler:she's not actually his mother; she just took him in after finding him unconscious and amnesiac many years ago and took full advantage of his blank slate to fill it with her personal agenda.]].agenda]].
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* Sam Witwicky's mom in the ''Film/{{Transformers}}'' movies.

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* Sam Witwicky's mom in the ''Film/{{Transformers}}'' movies.''Film/TransformersFilmSeries''.
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* Penny Pingleton's mother Prudy treats her like this in ''Film/{{Hairspray}}'', forbidding her from watching "The Corny Collins Show" and from visiting Tracy's house.

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* Penny Pingleton's mother Prudy treats her like this in ''Film/{{Hairspray}}'', ''Film/{{Hairspray|2007}}'', forbidding her from watching "The Corny Collins Show" and from visiting Tracy's house.

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%%* The premise of the film ''Guilt Trip''.

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%%* The premise of the film ''Guilt Trip''.''Film/GuiltTrip''.



* Jessica Lange plays Martha, an EvilMatriarch version of the trope in the movie ''Hush'', opposite Gwyneth Paltrow as her daughter in law Helen. Not only [[spoiler:she killed her husband to cover up how she was cheating on him ''and'' she aborted her unborn first baby when she learned said baby was a girl and not a boy]], but she intends to [[spoiler:isolate Helen from everyone ''even during childbirth'' (she succeeds) and then kill her so she can have her son Jackson and her baby grandson Kyle all to herself. (She fails).]]

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* Jessica Lange plays Martha, an EvilMatriarch version of the trope in the movie ''Hush'', ''Film/{{Hush}}'', opposite Gwyneth Paltrow as her daughter in law Helen. Not only [[spoiler:she killed her husband to cover up how she was cheating on him ''and'' she aborted her unborn first baby when she learned said baby was a girl and not a boy]], but she intends to [[spoiler:isolate Helen from everyone ''even during childbirth'' (she succeeds) and then kill her so she can have her son Jackson and her baby grandson Kyle all to herself. (She fails).]]


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* In ''Film/TheKillingKind'', Terry and his mother Thelma have a relationship of unusual intimacy. Thelma, an amateur photographer, obsessively photographs Terry, and frames the numerous portraits in the house. One day at the poolside, Terry pulls Lori into the water after she playfully pushes him in, and becomes aggressive, holding her head underwater. The altercation is witnessed by Thelma, who blames Lori for "leading Terry on" and calls her a slut. Thelma also obsessively feeds Terry chocolate milk like he is a still a little boy.
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Moving to the Literature folder.


* In ''Film/TheManchurianCandidate'' war hero Raymond Shaw is dominated by his mother Eleanor to the point where she's able to force him to break up with the girl he's fallen in love with. This winds up central to the plot as [[spoiler:being so conditioned to obey his mother leaves him ripe for Soviet brainwashing. His trigger is even a Queen Of Diamonds playing card because it reminds him of his mother. Oh, and Mrs. Shaw is the Communist agent who's feeding him his orders.]]
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* ''Film/GodzillaVsKong'': The film hints that [[Characters/MonsterVerseFamilies Mark Russell]] has developed shades of this towards his daughter Madison after [[Film/GodzillaKingOfTheMonsters2019 the events of the previous film]] which left her in his custody -- besides dismissing everything she tries to tell him about Godzilla's rampage no matter how common-sensed her pointers are, Mark makes it clear he flat-out just wants her completely cut off from the current Titan situation because he out of personal bias doesn't want to have to deal with the stress of worrying about her on top of everything else; but he also clearly thinks Madison is JustAKid who doesn't know what she's talking about, even though she proved in the previous film that she is anything but. The {{novelization}}'s expansion portrays Mark as being even worse than this and slightly [[DeconstructedTrope deconstructs]] it: Mark would rather try and mould Madison to be what he thinks she should be (an ordinary teenage girl) instead of accepting what she went through in the previous film has irrevocably made her [[WiseBeyondTheirYears Wise Beyond Her Years]] and instead of making any real attempts to understand her differences from him, and because of this Madison has a strained relationship with Mark and resents him, CallingTheOldManOut more than once. Is it any wonder that a portion of the Franchise/MonsterVerse fandom prefer to headcanon a [[Characters/MonsterVerseGodzilla giant prehistoric animal]] as Madison's father figure over Mark?

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* ''Film/GodzillaVsKong'': The film hints that [[Characters/MonsterVerseFamilies [[Characters/MonsterVerseMarkRussell Mark Russell]] has developed shades of this towards his daughter Madison after [[Film/GodzillaKingOfTheMonsters2019 the events of the previous film]] which left her in his custody -- besides dismissing everything she tries to tell him about Godzilla's rampage no matter how common-sensed her pointers are, Mark makes it clear he flat-out just wants her completely cut off from the current Titan situation because he out of personal bias doesn't want to have to deal with the stress of worrying about her on top of everything else; but he also clearly thinks Madison is JustAKid who doesn't know what she's talking about, even though she proved in the previous film that she is anything but. The {{novelization}}'s expansion portrays Mark as being even worse than this and slightly [[DeconstructedTrope deconstructs]] it: Mark would rather try and mould Madison to be what he thinks she should be (an ordinary teenage girl) instead of accepting what she went through in the previous film has irrevocably made her [[WiseBeyondTheirYears Wise Beyond Her Years]] and instead of making any real attempts to understand her differences from him, and because of this Madison has a strained relationship with Mark and resents him, CallingTheOldManOut more than once. Is it any wonder that a portion of the Franchise/MonsterVerse fandom prefer to headcanon a [[Characters/MonsterVerseGodzilla giant prehistoric animal]] as Madison's father figure over Mark?
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No longer a trope


* Howard Hughes' mother in ''Film/TheAviator'', who caused his SuperOCD.

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* Howard Hughes' mother in ''Film/TheAviator'', who caused his SuperOCD.OCD.
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* Hilary from ''Film/Beast2017''. Dear ''god'' Hilary. She closely monitors Moll at all times and controls almost all aspects of her life, including her job, her hobbies, her friends and her birthday party. She gets angry and berates and guilt-trips Moll if she does anything to assert her independence. Hilary even quit her job to homeschool Moll full time and keep an eye on her when she was a teenager; while Hilary's controlling behavior was more understandable when Moll was younger and had just been kicked out of school for stabbing a student, it looks a lot less reasonable in the present day, where Moll is a grown woman who hasn't acted out in years.

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Alphabetical ordering


* ''Film/GodzillaVsKong'': The film hints that [[Characters/MonsterVerseFamilies Mark Russell]] has developed shades of this towards his daughter Madison after [[Film/GodzillaKingOfTheMonsters2019 the events of the previous film]] which left her in his custody -- besides dismissing everything she tries to tell him about Godzilla's rampage no matter how common-sensed her pointers are, Mark makes it clear he flat-out just wants her completely cut off from the current Titan situation because he out of personal bias doesn't want to have to deal with the stress of worrying about her on top of everything else; but he also clearly thinks Madison is JustAKid who doesn't know what she's talking about, even though she proved in the previous film that she is anything but. The {{novelization}}'s expansion portrays Mark as being even worse than this and slightly [[DeconstructedTrope deconstructs]] it: Mark would rather try and mould Madison to be what he thinks she should be (an ordinary teenage girl) instead of accepting what she went through in the previous film has irrevocably made her [[WiseBeyondTheirYears Wise Beyond Her Years]] and instead of making any real attempts to understand her differences from him, and because of this Madison has a strained relationship with Mark and resents him, CallingTheOldManOut more than once.
* ''Radio/OurMissBrooks'': In the series' [[TheMovie the cinematic]] GrandFinale, Mr. Boynton's mother is this way. Mr. Boynton ends up buying a house to take care of his ailing mother. However, the elder Mrs. Boynton is ultimately a kind woman and eventually conspires with Mrs. Davis to ensure Miss Brooks is able to marry her son and live HappilyEverAfter.
--> '''Mrs. Boynton''': Believe me, my dear, I wouldn't stand in the way of your happiness for all the world!
* Aunt Martha in ''Film/SleepawayCamp'' is an adoptive version of this to Angela. [[spoiler:Who is actually her nephew Peter; she wanted a girl, so she forced Peter to adopt his recently-drowned sister's identity.]]

to:

* ''Film/GodzillaVsKong'': The film hints that [[Characters/MonsterVerseFamilies Mark Russell]] has developed shades of this towards Gordon/Fester's mother Abigail in ''Series/TheAddamsFamily''. Although to be fair, [[spoiler:she's not actually his daughter Madison mother; she just took him in after [[Film/GodzillaKingOfTheMonsters2019 finding him unconscious and amnesiac many years ago and took full advantage of his blank slate to fill it with her personal agenda.]].
-->'''Gordon/Fester''': ''(before opening
the events of book, '[[MeaningfulName The Hurricane]]')'' "You were a terrible mother! ''(laughs)'' THERE! I SAID IT!!!
* Howard Hughes' mother in ''Film/TheAviator'', who caused his SuperOCD.
* ''Film/{{Awake}}'': Clayton's mother Lillith's over-protective nature is
the previous film]] which left main reason that he is afraid of telling her in about his custody -- besides dismissing everything engagement, as he knows she would never accept Sam. She also tries to tell get him about Godzilla's rampage no matter how common-sensed her pointers are, Mark makes it clear he flat-out just wants her completely cut off from to drop Jack, his best friend, as his heart surgeon in favor of an acquaintance of hers who is at the current Titan situation because he out of personal bias doesn't want to have to deal with the stress of worrying about her on top of everything else; but he also clearly thinks Madison is JustAKid who doesn't know what she's talking about, even though the field. [[spoiler:As it turns out, she proved in the previous film that she is anything but. The {{novelization}}'s expansion portrays Mark as being even worse than this and slightly [[DeconstructedTrope deconstructs]] it: Mark would rather try and mould Madison to be what he thinks she should be (an ordinary teenage girl) instead of accepting what she went through in the previous film has irrevocably made her [[WiseBeyondTheirYears Wise Beyond Her Years]] and instead of making any real attempts to understand her differences from him, and because of this Madison has a strained relationship with Mark and resents him, CallingTheOldManOut more than once.
was right on both counts.]]
* ''Radio/OurMissBrooks'': In the series' [[TheMovie the cinematic]] GrandFinale, Mr. Boynton's Nina's mother is this way. Mr. Boynton ends up buying a house to take care of his ailing mother. However, the elder Mrs. Boynton is ultimately a kind woman in ''Film/BlackSwan'' who cripples her daughter's development by her [[StageMom overbearing parenting style]] and eventually conspires with Mrs. Davis to ensure Miss Brooks is able to marry interference.
* Lionel's mother in ''Film/{{Braindead}}''. Even when she turns into a zombie,
her son and live HappilyEverAfter.
--> '''Mrs. Boynton''': Believe me, my dear, I wouldn't stand in
is unable to confront her until the way of your happiness for all the world!
* Aunt Martha in ''Film/SleepawayCamp'' is an adoptive version of this to Angela. [[spoiler:Who is actually her nephew Peter; she wanted a girl, so she forced Peter to adopt his recently-drowned sister's identity.]]
very end.



* Jonathan from ''Film/ClunyBrown'' only needs his mother to clear her throat to know that she's disapproving of whatever he does.



* In the 1994 documentary ''Crumb'', Seminal underground comic artist [[Creator/RobertCrumb R. Crumb]] and his brothers describe growing up terrorized by their harridan of a mother. The boys' traumatic childhoods manifest in Crumb's comics, which become increasingly fetishized and twisted. Charles Crumb, the eldest brother, committed suicide mere months after filming. His mother's response? "How could you do this to me!?"
* In ''Film/DeadlyAdvice'', Iris Greenwood rules the house with an iron hand and has such power over her daughters that they see themselves as becoming bitter old spinsters.



* In ''Film/{{Deranged}}'', Ezra's mother Amanda is a domineering [[TheFundamentalist religious fanatic]] who indoctrinates him to believe that all other women are sinners. When she dies, her son completely loses his mind and becomes a GraveRobbing SerialKiller.



* Lionel's mother in ''Film/{{Braindead}}''. Even when she turns into a zombie, her son is unable to confront her until the very end.

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* Lionel's ''Film/DuckButter'': Sergio and Nima both don't get along with their mothers well, resenting how they tried to control them in different ways which clashed with their desires.
* ''Film/GodzillaVsKong'': The film hints that [[Characters/MonsterVerseFamilies Mark Russell]] has developed shades of this towards his daughter Madison after [[Film/GodzillaKingOfTheMonsters2019 the events of the previous film]] which left her in his custody -- besides dismissing everything she tries to tell him about Godzilla's rampage no matter how common-sensed her pointers are, Mark makes it clear he flat-out just wants her completely cut off from the current Titan situation because he out of personal bias doesn't want to have to deal with the stress of worrying about her on top of everything else; but he also clearly thinks Madison is JustAKid who doesn't know what she's talking about, even though she proved in the previous film that she is anything but. The {{novelization}}'s expansion portrays Mark as being even worse than this and slightly [[DeconstructedTrope deconstructs]] it: Mark would rather try and mould Madison to be what he thinks she should be (an ordinary teenage girl) instead of accepting what she went through in the previous film has irrevocably made her [[WiseBeyondTheirYears Wise Beyond Her Years]] and instead of making any real attempts to understand her differences from him, and because of this Madison has a strained relationship with Mark and resents him, CallingTheOldManOut more than once. Is it any wonder that a portion of the Franchise/MonsterVerse fandom prefer to headcanon a [[Characters/MonsterVerseGodzilla giant prehistoric animal]] as Madison's father figure over Mark?
%%* MrsRobinson from ''Film/TheGraduate''.
%%* The premise of the film ''Guilt Trip''.
* Penny Pingleton's
mother Prudy treats her like this in ''Film/{{Braindead}}''. Even ''Film/{{Hairspray}}'', forbidding her from watching "The Corny Collins Show" and from visiting Tracy's house.
* In the movie ''Film/{{Heartbreakers}}'', Creator/SigourneyWeaver plays a Smother, although quite tame by the rest of the examples on this page. She sincerely doesn't want her daughter's heart to be broken. However, she will con and lie to her daughter to achieve this. But near the end, [[spoiler:when she sees that her daughter truly was in love with their last con, the con that the Smother drugged, she comes clean, and lets her daughter live her life.]]
* [[{{Ingenue}} Della's]] loud and gauche mother Mrs. Lorna Hathaway in ''Heller In Pink Tights'' is such an example: she controls her daughter, babies her, tells her what to wear and do her hair at age 20 (almost 21), slut-shames [[Creator/SophiaLoren Angela]], and when Della stands up to her, Lorna starts exclaiming how she gave her own acting career up for her and gets nothing in return from her daughter.
* Jessica Lange plays Martha, an EvilMatriarch version of the trope in the movie ''Hush'', opposite Gwyneth Paltrow as her daughter in law Helen. Not only [[spoiler:she killed her husband to cover up how she was cheating on him ''and'' she aborted her unborn first baby
when she turns into learned said baby was a zombie, girl and not a boy]], but she intends to [[spoiler:isolate Helen from everyone ''even during childbirth'' (she succeeds) and then kill her so she can have her son is unable to confront Jackson and her until the very end.baby grandson Kyle all to herself. (She fails).]]



* [[GodSaveUsFromTheQueen The Black Queen]] in ''Film/MirrorMask''. Her smothering behaviour is why the RebelliousPrincess ran away and used for one hell of a {{Brainwashed}} sequence.
-->'''Black Queen''': You mean, let her choose her own food... her own clothes, make her own decisions. Love her, don't try to possess her?\\
'''Helena''': That's exactly what I mean.\\
'''Black Queen''': ''({{beat}})'' Absolutely out of the question.
* ''Film/MonsterInLaw'' pits a Beloved Smother against the woman her son is engaged to. However [[spoiler:she gets better after her assistant points out both that she is far worse than her own mother-in-law and that her actions (to make her son happy) are unwarranted: he IS happy]].

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* [[GodSaveUsFromTheQueen The Black Queen]] in ''Film/MirrorMask''. Her smothering behaviour is why In the RebelliousPrincess ran away Creator/{{CBC}} movie ''Film/{{Jack|2013}}'', about [[CanadaEh Canadian]] [[UsefulNotes/CanadianPolitics politician]] Jack Layton, Olivia is portrayed early in the movie as living with her mother out of tradition; said mother is portrayed as being very picky about who her daughter should date, and used for one hell very critical of a {{Brainwashed}} sequence.
-->'''Black Queen''': You mean, let her choose her own food... her own clothes, make her own decisions. Love her, don't try to possess her?\\
'''Helena''': That's exactly what I mean.
Jack.
-->'''Jack''': Ten years in civic politics, and I'm not afraid of your mother.
\\
'''Black Queen''': ''({{beat}})'' Absolutely out of '''Olivia''': You ''should'' be.
%%* Almost
the question.
premise of ''Film/JEdgar''.
* ''Film/MonsterInLaw'' pits a Beloved Smother against the woman ''Film/ListenToYourHeart'': Victoria closely controls her son is engaged to. However [[spoiler:she gets better after daughter Ariana's life, trying to drive her assistant points out both away from Danny as he's not good enough in her view. She tries to dictate whether Ariana has a cochlear implant or not as well. It's indicated that she partly became overprotective because Ariana is far worse than deaf, and lost her own mother-in-law father to the same disease which caused this disability. However, even when Ariana is grown up she still won't ever let her decide things for herself. Nor was she very accommodating to Ariana's deafness, not learning sign language to facilitate an easier communication or having her even taught it (though she did hire a translator after Ariana learned this on her own). Ariana finally rebels and that breaks out of her actions (to make her son happy) are unwarranted: he IS happy]].control.



* Vicente's mom in the Colombian {{Dramedy}} ''"Mama, Tomate La Sopa"'' ("Mom, Drink the Soup"). The main conflict of the story is Vicente trying to get a business on his own and getting the woman he wants, as his mother's smothering nature have impeded him from getting anything on his own, which he thinks makes him of no value.
* In ''Film/TheManchurianCandidate'' war hero Raymond Shaw is dominated by his mother Eleanor to the point where she's able to force him to break up with the girl he's fallen in love with. This winds up central to the plot as [[spoiler:being so conditioned to obey his mother leaves him ripe for Soviet brainwashing. His trigger is even a Queen Of Diamonds playing card because it reminds him of his mother. Oh, and Mrs. Shaw is the Communist agent who's feeding him his orders.]]
* The film ''Film/{{Marty}}'' starring Ernest Borgnine also counts as this, as the John Candy version is actually a remake.
%%* Gaylord Focker's mom in ''Film/MeetTheFockers''.
* The most famous character of Brazilian comedian Paulo Gustavo was D. Hermínia, from ''Minha Mãe é Uma Peça'' (My Mom Is A Character; or more literally, My Mom Is a Play[er], [[TheFilmOfThePlay given it originated in the theater]]... and was inspired by Gustavo's own mother!) and its sequels, a mother who keeps overly protective and controlling of her two children who remained at her home, even as they're teens or adults. [[https://www.youtube.com/watch?v=mKb5GhtDGRo One scene]] has Hermínia going to the club in her nightgown (though it fit the pajama party-themed event) to make her youngest daughter leave - by taking over the sound system to tell humiliating things about the daughter.
* [[GodSaveUsFromTheQueen The Black Queen]] in ''Film/MirrorMask''. Her smothering behaviour is why the RebelliousPrincess ran away and used for one hell of a {{Brainwashed}} sequence.
-->'''Black Queen''': You mean, let her choose her own food... her own clothes, make her own decisions. Love her, don't try to possess her?\\
'''Helena''': That's exactly what I mean.\\
'''Black Queen''': ''({{beat}})'' Absolutely out of the question.
* ''Film/MonsterInLaw'' pits a Beloved Smother against the woman her son is engaged to. However [[spoiler:she gets better after her assistant points out both that she is far worse than her own mother-in-law and that her actions (to make her son happy) are unwarranted: he IS happy]].
* Lowell from ''Film/MostLikelyToMurder2018'' was accepted into Stanford, but his mom wouldn't let him go because she wanted to keep him around.
* Rhonda's mother in ''Film/MurielsWedding'', though she's a lot more well-meaning about it than many of these examples.
* Hitchcock gives us another nightmare mother in ''Film/{{Notorious|1946}}''. Alex's mother not only seems to be instrumental in his Nazi activities, but she responds very badly to his falling for Alicia.
* In ''Film/NowVoyager'', Charlotte Vale's mother is a particularly nasty version of this trope, controlling her daughter and keeping her from being independent through emotional abuse.



* Mrs. Railton-Bell, Sybil's awful mother in ''Film/SeparateTables''. She tells Sylvia what to do, what to eat, and what to think. She won't let Sybil get a job and she's determined to stop any hint of romance between Sybil and Major Pollock.
* In ''Film/NowVoyager'', Charlotte Vale's mother is a particularly nasty version of this trope, controlling her daughter and keeping her from being independent through emotional abuse.



** The film ''Film/{{Marty}}'' starring Ernest Borgnine also counts as this, as the John Candy version is actually a remake.

to:

** * ''Radio/OurMissBrooks'': In the series' [[TheMovie the cinematic]] GrandFinale, Mr. Boynton's mother is this way. Mr. Boynton ends up buying a house to take care of his ailing mother. However, the elder Mrs. Boynton is ultimately a kind woman and eventually conspires with Mrs. Davis to ensure Miss Brooks is able to marry her son and live HappilyEverAfter.
--> '''Mrs. Boynton''': Believe me, my dear, I wouldn't stand in the way of your happiness for all the world!
*
The film ''Film/{{Marty}}'' starring Ernest Borgnine also counts as this, as female protagonist of ''Film/ThePianoTeacher'' is aged around 40, but still single and living with her mother. It's suggested that the John Candy version absence of her father (who is actually in a remake.mental institution) and her mother's overbearing behavior has made her incredibly repressed, to the point that she refuses Walter's advances because she's "going out with {her} mother on the weekend". Both women even sleep in double beds pushed together, to boot.



* Hitchcock gives us another nightmare mother in ''Film/{{Notorious|1946}}''. Alex's mother not only seems to be instrumental in his Nazi activities, but she responds very badly to his falling for Alicia.
* Jonathan from ''Film/ClunyBrown'' only needs his mother to clear her throat to know that she's disapproving of whatever he does.

to:

* Hitchcock gives us another nightmare The Mexican MindScrew ''Film/SantaSangre'' (''Holy Blood''), directed by Creator/AlejandroJodorowsky, is about an armless mother -- maimed by her husband after she discovers about his affair -- literally taking control of his son's hands and using them to exact vengeance and commit murder, [[spoiler:although TheReveal suggests that it is all in ''Film/{{Notorious|1946}}''. Alex's the son's mind, the mother not only seems to be instrumental in his Nazi activities, but she responds very badly to his falling for Alicia.
having survived the mutilation.]]
* Jonathan from ''Film/ClunyBrown'' only needs his Mrs. Railton-Bell, Sybil's awful mother in ''Film/SeparateTables''. She tells Sylvia what to clear her throat do, what to know that eat, and what to think. She won't let Sybil get a job and she's disapproving determined to stop any hint of whatever he does.romance between Sybil and Major Pollock.
* There is a mother/daughter version in ''Film/{{Sightseers}}''. Carol is not happy to see her thirty-something daughter Tina go off on a holiday with her new boyfriend Chris. In one scene, we see Carol lying in a heap at the foot of the stairs, pressing the button on her panic alarm pendant. When Tina does not reply, Carol gets up and walks off.
* Aunt Martha in ''Film/SleepawayCamp'' is an adoptive version of this to Angela. [[spoiler:Who is actually her nephew Peter; she wanted a girl, so she forced Peter to adopt his recently-drowned sister's identity.]]



* Leo's mother is said to have been this in "Mr. Steinway" segment of ''Film/TortureGarden'': driving away all his girlfriends so they cannot disrupt his career. It is strongly implied that it is her spirit that is [[HauntedTechnology possessing his grand piano]].
* Sam Witwicky's mom in the ''Film/{{Transformers}}'' movies.
* In ''Film/UnderThePiano'', Regina always had this problem, but it gets especially bad after her four oldest children move out. She moves her autistic daughter Rosetta's bed into her room so she can watch her sleep and forces her to stay in bed until Regina gets up on non-workdays.



* In ''Film/TheManchurianCandidate'' war hero Raymond Shaw is dominated by his mother Eleanor to the point where she's able to force him to break up with the girl he's fallen in love with. This winds up central to the plot as [[spoiler:being so conditioned to obey his mother leaves him ripe for Soviet brainwashing. His trigger is even a Queen Of Diamonds playing card because it reminds him of his mother. Oh, and Mrs. Shaw is the Communist agent who's feeding him his orders.]]
* Sam Witwicky's mom in the ''Film/{{Transformers}}'' movies.
* The Mexican MindScrew ''Film/SantaSangre'' (''Holy Blood''), directed by Creator/AlejandroJodorowsky, is about an armless mother -- maimed by her husband after she discovers about his affair -- literally taking control of his son's hands and using them to exact vengeance and commit murder, [[spoiler:although TheReveal suggests that it is all in the son's mind, the mother not having survived the mutilation.]]
* Vicente's mom in the Colombian {{Dramedy}} ''"Mama, Tomate La Sopa"'' ("Mom, Drink the Soup"). The main conflict of the story is Vicente trying to get a business on his own and getting the woman he wants, as his mother's smothering nature have impeded him from getting anything on his own, which he thinks makes him of no value.
* In the movie ''Film/{{Heartbreakers}}'', Creator/SigourneyWeaver plays a Smother, although quite tame by the rest of the examples on this page. She sincerely doesn't want her daughter's heart to be broken. However, she will con and lie to her daughter to achieve this. But near the end, [[spoiler:when she sees that her daughter truly was in love with their last con, the con that the Smother drugged, she comes clean, and lets her daughter live her life.]]
* Howard Hughes' mother in ''Film/TheAviator'', who caused his SuperOCD.
* Gordon/Fester's mother Abigail in ''Series/TheAddamsFamily''. Although to be fair, [[spoiler:she's not actually his mother; she just took him in after finding him unconscious and amnesiac many years ago and took full advantage of his blank slate to fill it with her personal agenda.]].
-->'''Gordon/Fester''': ''(before opening the book, '[[MeaningfulName The Hurricane]]')'' "You were a terrible mother! ''(laughs)'' THERE! I SAID IT!!!
* Nina's mother in ''Film/BlackSwan'' who cripples her daughter's development by her [[StageMom overbearing parenting style]] and interference.



* Jessica Lange plays Martha, an EvilMatriarch version of the trope in the movie ''Hush'', opposite Gwyneth Paltrow as her daughter in law Helen. Not only [[spoiler:she killed her husband to cover up how she was cheating on him ''and'' she aborted her unborn first baby when she learned said baby was a girl and not a boy]], but she intends to [[spoiler:isolate Helen from everyone ''even during childbirth'' (she succeeds) and then kill her so she can have her son Jackson and her baby grandson Kyle all to herself. (She fails).]]
* ''Film/{{Awake}}'': Clayton's mother Lillith's over-protective nature is the main reason that he is afraid of telling her about his engagement, as he knows she would never accept Sam. She also tries to get him to drop Jack, his best friend, as his heart surgeon in favor of an acquaintance of hers who is at the top of the field. [[spoiler:As it turns out, she was right on both counts.]]
%%* Almost the premise of ''Film/JEdgar''.
%%* MrsRobinson from ''Film/TheGraduate''.
* In the Creator/{{CBC}} movie ''Film/{{Jack|2013}}'', about [[CanadaEh Canadian]] [[UsefulNotes/CanadianPolitics politician]] Jack Layton, Olivia is portrayed early in the movie as living with her mother out of tradition; said mother is portrayed as being very picky about who her daughter should date, and very critical of Jack.
-->'''Jack''': Ten years in civic politics, and I'm not afraid of your mother.\\
'''Olivia''': You ''should'' be.
%%* The premise of the film ''Guilt Trip''.
%%* Gaylord Focker's mom in ''Film/MeetTheFockers''.
* There is a mother/daughter version in ''Film/{{Sightseers}}''. Carol is not happy to see her thirty-something daughter Tina go off on a holiday with her new boyfriend Chris. In one scene, we see Carol lying in a heap at the foot of the stairs, pressing the button on her panic alarm pendant. When Tina does not reply, Carol gets up and walks off.
* Penny Pingleton's mother Prudy treats her like this in ''Film/{{Hairspray}}'', forbidding her from watching "The Corny Collins Show" and from visiting Tracy's house.
* Rhonda's mother in ''Film/MurielsWedding'', though she's a lot more well-meaning about it than many of these examples.
* The female protagonist of ''Film/ThePianoTeacher'' is aged around 40, but still single and living with her mother. It's suggested that the absence of her father (who is in a mental institution) and her mother's overbearing behavior has made her incredibly repressed, to the point that she refuses Walter's advances because she's "going out with {her} mother on the weekend". Both women even sleep in double beds pushed together, to boot.
* [[{{Ingenue}} Della's]] loud and gauche mother Mrs. Lorna Hathaway in ''Heller In Pink Tights'' is such an example: she controls her daughter, babies her, tells her what to wear and do her hair at age 20 (almost 21), slut-shames [[Creator/SophiaLoren Angela]], and when Della stands up to her, Lorna starts exclaiming how she gave her own acting career up for her and gets nothing in return from her daughter.
* In ''Film/DeadlyAdvice'', Iris Greenwood rules the house with an iron hand and has such power over her daughters that they see themselves as becoming bitter old spinsters.
* In ''Film/UnderThePiano'', Regina always had this problem, but it gets especially bad after her four oldest children move out. She moves her autistic daughter Rosetta's bed into her room so she can watch her sleep and forces her to stay in bed until Regina gets up on non-workdays.
* ''Film/ListenToYourHeart'': Victoria closely controls her daughter Ariana's life, trying to drive her away from Danny as he's not good enough in her view. She tries to dictate whether Ariana has a cochlear implant or not as well. It's indicated that she partly became overprotective because Ariana is deaf, and lost her father to the same disease which caused this disability. However, even when Ariana is grown up she still won't ever let her decide things for herself. Nor was she very accommodating to Ariana's deafness, not learning sign language to facilitate an easier communication or having her even taught it (though she did hire a translator after Ariana learned this on her own). Ariana finally rebels and breaks out of her control.
* Leo's mother is said to have been this in "Mr. Steinway" segment of ''Film/TortureGarden'': driving away all his girlfriends so they cannot disrupt his career. It is strongly implied that it is her spirit that is [[HauntedTechnology possessing his grand piano]].
* The most famous character of Brazilian comedian Paulo Gustavo was D. Hermínia, from ''Minha Mãe é Uma Peça'' (My Mom Is A Character; or more literally, My Mom Is a Play[er], [[TheFilmOfThePlay given it originated in the theater]]... and was inspired by Gustavo's own mother!) and its sequels, a mother who keeps overly protective and controlling of her two children who remained at her home, even as they're teens or adults. [[https://www.youtube.com/watch?v=mKb5GhtDGRo One scene]] has Hermínia going to the club in her nightgown (though it fit the pajama party-themed event) to make her youngest daughter leave - by taking over the sound system to tell humiliating things about the daughter.
* Lowell from ''Film/MostLikelyToMurder2018'' was accepted into Stanford, but his mom wouldn't let him go because she wanted to keep him around.
* In the 1994 documentary ''Crumb'', Seminal underground comic artist [[Creator/RobertCrumb R. Crumb]] and his brothers describe growing up terrorized by their harridan of a mother. The boys' traumatic childhoods manifest in Crumb's comics, which become increasingly fetishized and twisted. Charles Crumb, the eldest brother, committed suicide mere months after filming. His mother's response? "How could you do this to me!?"
* In ''Film/{{Deranged}}'', Ezra's mother Amanda is a domineering [[TheFundamentalist religious fanatic]] who indoctrinates him to believe that all other women are sinners. When she dies, her son completely loses his mind and becomes a GraveRobbing SerialKiller.



* ''Film/DuckButter'': Sergio and Nima both don't get along with their mothers well, resenting how they tried to control them in different ways which clashed with their desires.
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* ''Film/DuckButter'': Sergio and Nima both don't get along with their mothers well, resenting how they tried to control them in different ways which clashed with their desires.
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* Thomas Perry from ''Film/DeadPoetsSociety'' is an extreme version who manages to smother Neil throughout the story even though he’s old enough to make his own choices.
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* ''Film/YoungAndWild'': Daniela's mother attempts to control her through different punishments and spying on her, as she's appalled by Daniela having any extramarital sex (due to being a devout Evangelical Christian).
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* In ''Film/{{Deranged}}'', Ezra's mother Amanda is a domineering [[TheFundamentalist religious fanatic]] who indoctrinates him to believe that all other women are sinners. When she dies, her son completely loses his mind and becomes a GraveRobbing SerialKiller.
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* ''Film/GodzillaVsKong'': The film hints that [[Characters/MonsterVerseFamilies Mark Russell]] has developed shades of this towards his daughter Madison after [[Film/GodzillaKingOfTheMonsters2019 the events of the previous film]] which left her in his custody -- besides dismissing everything she tries to tell him about Godzilla's rampage no matter how common-sensed her pointers are, Mark makes it clear he flat-out just wants her completely cut off from the current Titan situation because he out of personal bias doesn't want to have to deal with the stress of worrying about her on top of everything else; but he also clearly thinks Madison is JustAKid who doesn't know what she's talking about, even though she proved in the previous film that she is anything but. The {{novelization}}'s expansion portrays Mark as being even worse than this and slightly [[DeconstructedTrope deconstructs]] it: Mark would rather try and mould Madison to be what he thinks she should be (an ordinary teenage girl) instead of accepting what she went through in the previous film has irrevocably made her [[WiseBeyondTheirYears Wise Beyond Her Years]] and instead of making any real attempts to understand her differences from him, and because of this Madison has a strained relationship with Mark and resents him, CallingTheOldManOut more than once.
* ''Radio/OurMissBrooks'': In the series' [[TheMovie the cinematic]] GrandFinale, Mr. Boynton's mother is this way. Mr. Boynton ends up buying a house to take care of his ailing mother. However, the elder Mrs. Boynton is ultimately a kind woman and eventually conspires with Mrs. Davis to ensure Miss Brooks is able to marry her son and live HappilyEverAfter.
--> '''Mrs. Boynton''': Believe me, my dear, I wouldn't stand in the way of your happiness for all the world!
* Aunt Martha in ''Film/SleepawayCamp'' is an adoptive version of this to Angela. [[spoiler:Who is actually her nephew Peter; she wanted a girl, so she forced Peter to adopt his recently-drowned sister's identity.]]
* Arguably, Violet's mother in ''Film/CharlieAndTheChocolateFactory'' (2005). Mother and daughter dress alike (Violet, thankfully, does not wear Mom's slathered-on makeup), and Mom is constantly pushing Violet to ''compete''. That said, Violet seems to enjoy it.
* The mom from ''Film/AChristmasStory'', especially with the younger kid. She wraps him in so many layers for the walk to school, he can't put his arms down. Even his freak-out fear-crying doesn't faze her. Plus, the tolerance of his bizarre eating habits. Ralphie gets the smothering too, but to a lesser extent ("You'll shoot your eye out!").
* Though she only appears in one scene, Max's mother in ''Film/{{Collateral}}'' had full control over her son despite being confined to a wheelchair. Memorably, she chastises him for bringing her flowers, only to do an about-face when he tells her the flowers are from his "friend" Vincent.
* Polly Cronin, Lizzie's mother in ''Film/DropDeadFred''.
* Lionel's mother in ''Film/{{Braindead}}''. Even when she turns into a zombie, her son is unable to confront her until the very end.
* ''Film/IcePrincess''. Both the main character's mother and TheRival's mother are forcing their own ambitions upon their daughters. Even the parents of [[DysfunctionJunction secondary and background characters]] seem to follow this trope.
* Jack Spade's mother in ''Film/ImGonnaGitYouSucka'', who insists that he put on a sweater before he goes out and fights against men twice her size to protect him. When he goes up against Mr. Big, she shows up with a shotgun to join in. Her son eventually breaks free by locking her in a closet until the fight's over — which pisses her off no end.
* [[GodSaveUsFromTheQueen The Black Queen]] in ''Film/MirrorMask''. Her smothering behaviour is why the RebelliousPrincess ran away and used for one hell of a {{Brainwashed}} sequence.
-->'''Black Queen''': You mean, let her choose her own food... her own clothes, make her own decisions. Love her, don't try to possess her?\\
'''Helena''': That's exactly what I mean.\\
'''Black Queen''': ''({{beat}})'' Absolutely out of the question.
* ''Film/MonsterInLaw'' pits a Beloved Smother against the woman her son is engaged to. However [[spoiler:she gets better after her assistant points out both that she is far worse than her own mother-in-law and that her actions (to make her son happy) are unwarranted: he IS happy]].
* In ''Film/TheLoveGuru'' part of Darren Roanoke's mother pressured him to succeed from a young age, and only showed him affection when he did. Part of his marriage troubles stems from the belief that his wife would only love him as long as he succeeded, like his mom. When Darren felt afraid of playing again, his mother believed his fear meant she needed to [[ComicallyMissingThePoint pressure him even harder.]]
* In ''Oedipus Wrecks'', Creator/WoodyAllen's segment from the 1989 anthology film ''Film/NewYorkStories'', Allen's character has one of these. When the mother "permanently" disappears as part of a magic show, he thinks his troubles are over... until she re-appears as a giant disembodied head in the New York sky and starts bossing him around for the entire city to hear.
* Billy Bibbit in ''Literature/OneFlewOverTheCuckoosNest'' is a particularly dark example, as [[spoiler:the Big Nurse's threat of telling his mom about his sexual escapades in the final part [[DrivenToSuicide drives him to suicide]]]].
* Mrs. Railton-Bell, Sybil's awful mother in ''Film/SeparateTables''. She tells Sylvia what to do, what to eat, and what to think. She won't let Sybil get a job and she's determined to stop any hint of romance between Sybil and Major Pollock.
* In ''Film/NowVoyager'', Charlotte Vale's mother is a particularly nasty version of this trope, controlling her daughter and keeping her from being independent through emotional abuse.
* The mother of John Candy's policeman character in ''Only the Lonely'', right up to the guilt trips and the relentless tormenting of the son's shy, withdrawn LoveInterest. Many of the guilt trips even occurred within her own son's imagination, as he'd guilt-trip ''himself'' with vivid fantasies of all the horrible things that might happen to her without him around (inevitably ending with a close-up of her ironically wishing him a good time with whatever he was doing at that moment).
** The film ''Film/{{Marty}}'' starring Ernest Borgnine also counts as this, as the John Candy version is actually a remake.
* Mrs. Bates from ''Film/{{Psycho}}'' who manages to smother Norman throughout the story [[spoiler:even though she's dead]].
** From a meta-point of view, the franchise zig-zag's this trope. It is speculated that [[spoiler:the relationship between Norman and his real mother was something of an inversion of this trope, with him being obsessively dependent on and possessive of her despite her wish for him to be more independent, ultimately leading him to murder her and her lover as he did not want to share her.]] However, the later prequel film and TV series go right back to blaming Mrs. Bates for keeping Normal unnaturally close to her, up to and including ParentalIncest.
* Hitchcock gives us another nightmare mother in ''Film/{{Notorious|1946}}''. Alex's mother not only seems to be instrumental in his Nazi activities, but she responds very badly to his falling for Alicia.
* Jonathan from ''Film/ClunyBrown'' only needs his mother to clear her throat to know that she's disapproving of whatever he does.
* There's an actual movie called ''Film/{{Smother}}''. Care to guess what the mother's like?
* The entire point of ''Film/StopOrMyMomWillShoot'' is Stallone's character being humiliated by the presence of his mother.
* ''Film/SurfNazisMustDie'': Smeg, the youngest member of the titular surfing criminal gang, is constantly harangued by his mother for being with such a crowd. He even [[PutOnABus ends his role on the film]] with his mother grounding him and standing guard outside of his room's window so he won't sneak out, so he is unable to warn the Surf Nazis about [[MamaBear Mama Eleanor Washington]] coming for them in full RoaringRampageOfRevenge mode.
* Owen's mother from ''Film/ThrowMommaFromTheTrain''.
* The mother of Bobby Boucher (Creator/AdamSandler's character) in ''Film/TheWaterboy''. She eventually reveals that she was pretending to be a domineering EvilMatriarch due to the pain of [[spoiler:his father deserting them]], realizing that Bobby needs to have his own life, and helps him get to the big game at the end.
* In ''Film/TheManchurianCandidate'' war hero Raymond Shaw is dominated by his mother Eleanor to the point where she's able to force him to break up with the girl he's fallen in love with. This winds up central to the plot as [[spoiler:being so conditioned to obey his mother leaves him ripe for Soviet brainwashing. His trigger is even a Queen Of Diamonds playing card because it reminds him of his mother. Oh, and Mrs. Shaw is the Communist agent who's feeding him his orders.]]
* Sam Witwicky's mom in the ''Film/{{Transformers}}'' movies.
* The Mexican MindScrew ''Film/SantaSangre'' (''Holy Blood''), directed by Creator/AlejandroJodorowsky, is about an armless mother -- maimed by her husband after she discovers about his affair -- literally taking control of his son's hands and using them to exact vengeance and commit murder, [[spoiler:although TheReveal suggests that it is all in the son's mind, the mother not having survived the mutilation.]]
* Vicente's mom in the Colombian {{Dramedy}} ''"Mama, Tomate La Sopa"'' ("Mom, Drink the Soup"). The main conflict of the story is Vicente trying to get a business on his own and getting the woman he wants, as his mother's smothering nature have impeded him from getting anything on his own, which he thinks makes him of no value.
* In the movie ''Film/{{Heartbreakers}}'', Creator/SigourneyWeaver plays a Smother, although quite tame by the rest of the examples on this page. She sincerely doesn't want her daughter's heart to be broken. However, she will con and lie to her daughter to achieve this. But near the end, [[spoiler:when she sees that her daughter truly was in love with their last con, the con that the Smother drugged, she comes clean, and lets her daughter live her life.]]
* Howard Hughes' mother in ''Film/TheAviator'', who caused his SuperOCD.
* Gordon/Fester's mother Abigail in ''Series/TheAddamsFamily''. Although to be fair, [[spoiler:she's not actually his mother; she just took him in after finding him unconscious and amnesiac many years ago and took full advantage of his blank slate to fill it with her personal agenda.]].
-->'''Gordon/Fester''': ''(before opening the book, '[[MeaningfulName The Hurricane]]')'' "You were a terrible mother! ''(laughs)'' THERE! I SAID IT!!!
* Nina's mother in ''Film/BlackSwan'' who cripples her daughter's development by her [[StageMom overbearing parenting style]] and interference.
* ''Film/WhiteWolves: Cry of the White Wolf'': : Pamela’s mother spends a while fretting over whether she has proper clothes for the boot camp, trying to make sure she won’t get motion sickness during the ride, and asking if the plane has a first aid kit while hugging her slightly embarrassed daughter. Given how the plane ends up crashing, she turns out to be ProperlyParanoid.
* ''Film/XMenFilmSeries'':
** Although Charles is Raven's foster brother in ''Film/XMenFirstClass'', he tends to behave more like her ParentalSubstitute (this is confirmed in ''Film/XMenDaysOfFuturePast'' when he tells Erik that he had "raised" her). Xavier is so overprotective of his sister that it had stifled Raven's psychological growth as an adult, and she resents his pushiness to the point where they become estranged. Erik reminds Charles that the latter "...grew up with her. She couldn't stay a little girl forever, that's why she left." By the end of ''Days of Future Past'', Xavier finally accepts that Raven is her own person and stops trying to influence her.
** In a more general sense, Professor X doesn't encourage those who are closest to him to be fully independent as adults. Although most of his students eventually leave the school after graduation and assimilate into human society, those who are part of the X-Men never "leave the nest," so to speak. They stay together as a surrogate family while living under Xavier's roof, working as teachers, and Charles continues to exert his paternal authority over them even when they're roughly 57 years old (as shown with Jean Grey, Cyclops, and Storm in the AlternateTimeline 2023 scene of ''Days of Future Past''--heck, Beast would be around 80!).
** ''Film/XMenApocalypse'': Although Xavier is wiser in the AlternateTimeline and knows that he shouldn't [[spoiler:"cage the beast" when it comes to the Phoenix]], he still keeps his daughter figure Jean on a tight leash by the way he nurtures her. His goal is to [[spoiler:placate as much as possible the "fire" within her before it consumes everything and everyone in its path. To borrow a theme from ''First Class'', Charles carefully molds the emotional comfort he offers to Jean as the "serenity" which can quell to some degree the "rage" of her wild "flames." [[GuileHero His manipulation of her is so well-crafted]] that ''he'' dictates when the Phoenix -- a ''force of nature'' -- is free to spread its wings. Jean is now a "goddess" in comparison to Professor X, yet]] she remains subservient to her surrogate father, and it's implied that they're closer in the new timeline than in the old one. While there's no denying that he controls her with love, it does bring about the best outcome Xavier can hope for in terms of [[spoiler:Jean being wholly in charge of the Phoenix, and not vice-versa]]. In this instance, his coddling is portrayed as having a positive impact on her psychological maturation. Creator/BryanSinger outlines in his commentary the sway Charles has over Jean:
--->'''Singer''': 'It was just a dream' [...] He lies to her. Because he knows, because he's such a powerful psychic, [...] [[spoiler:the power of Phoenix is growing inside her]], and it's going to become out of control. And she's terrified of it, but doesn't understand it. And he does understand it. And he can't let on to her that he understands it because it would be too frightening, and she would run away. So this scene is all about control. All about keeping that power, and keeping it all under control. And only at the end of the movie does he give her permission [...] to [[spoiler:explore her power]].
* Jessica Lange plays Martha, an EvilMatriarch version of the trope in the movie ''Hush'', opposite Gwyneth Paltrow as her daughter in law Helen. Not only [[spoiler:she killed her husband to cover up how she was cheating on him ''and'' she aborted her unborn first baby when she learned said baby was a girl and not a boy]], but she intends to [[spoiler:isolate Helen from everyone ''even during childbirth'' (she succeeds) and then kill her so she can have her son Jackson and her baby grandson Kyle all to herself. (She fails).]]
* ''Film/{{Awake}}'': Clayton's mother Lillith's over-protective nature is the main reason that he is afraid of telling her about his engagement, as he knows she would never accept Sam. She also tries to get him to drop Jack, his best friend, as his heart surgeon in favor of an acquaintance of hers who is at the top of the field. [[spoiler:As it turns out, she was right on both counts.]]
%%* Almost the premise of ''Film/JEdgar''.
%%* MrsRobinson from ''Film/TheGraduate''.
* In the Creator/{{CBC}} movie ''Film/{{Jack|2013}}'', about [[CanadaEh Canadian]] [[UsefulNotes/CanadianPolitics politician]] Jack Layton, Olivia is portrayed early in the movie as living with her mother out of tradition; said mother is portrayed as being very picky about who her daughter should date, and very critical of Jack.
-->'''Jack''': Ten years in civic politics, and I'm not afraid of your mother.\\
'''Olivia''': You ''should'' be.
%%* The premise of the film ''Guilt Trip''.
%%* Gaylord Focker's mom in ''Film/MeetTheFockers''.
* There is a mother/daughter version in ''Film/{{Sightseers}}''. Carol is not happy to see her thirty-something daughter Tina go off on a holiday with her new boyfriend Chris. In one scene, we see Carol lying in a heap at the foot of the stairs, pressing the button on her panic alarm pendant. When Tina does not reply, Carol gets up and walks off.
* Penny Pingleton's mother Prudy treats her like this in ''Film/{{Hairspray}}'', forbidding her from watching "The Corny Collins Show" and from visiting Tracy's house.
* Rhonda's mother in ''Film/MurielsWedding'', though she's a lot more well-meaning about it than many of these examples.
* The female protagonist of ''Film/ThePianoTeacher'' is aged around 40, but still single and living with her mother. It's suggested that the absence of her father (who is in a mental institution) and her mother's overbearing behavior has made her incredibly repressed, to the point that she refuses Walter's advances because she's "going out with {her} mother on the weekend". Both women even sleep in double beds pushed together, to boot.
* [[{{Ingenue}} Della's]] loud and gauche mother Mrs. Lorna Hathaway in ''Heller In Pink Tights'' is such an example: she controls her daughter, babies her, tells her what to wear and do her hair at age 20 (almost 21), slut-shames [[Creator/SophiaLoren Angela]], and when Della stands up to her, Lorna starts exclaiming how she gave her own acting career up for her and gets nothing in return from her daughter.
* In ''Film/DeadlyAdvice'', Iris Greenwood rules the house with an iron hand and has such power over her daughters that they see themselves as becoming bitter old spinsters.
* In ''Film/UnderThePiano'', Regina always had this problem, but it gets especially bad after her four oldest children move out. She moves her autistic daughter Rosetta's bed into her room so she can watch her sleep and forces her to stay in bed until Regina gets up on non-workdays.
* ''Film/ListenToYourHeart'': Victoria closely controls her daughter Ariana's life, trying to drive her away from Danny as he's not good enough in her view. She tries to dictate whether Ariana has a cochlear implant or not as well. It's indicated that she partly became overprotective because Ariana is deaf, and lost her father to the same disease which caused this disability. However, even when Ariana is grown up she still won't ever let her decide things for herself. Nor was she very accommodating to Ariana's deafness, not learning sign language to facilitate an easier communication or having her even taught it (though she did hire a translator after Ariana learned this on her own). Ariana finally rebels and breaks out of her control.
* Leo's mother is said to have been this in "Mr. Steinway" segment of ''Film/TortureGarden'': driving away all his girlfriends so they cannot disrupt his career. It is strongly implied that it is her spirit that is [[HauntedTechnology possessing his grand piano]].
* The most famous character of Brazilian comedian Paulo Gustavo was D. Hermínia, from ''Minha Mãe é Uma Peça'' (My Mom Is A Character; or more literally, My Mom Is a Play[er], [[TheFilmOfThePlay given it originated in the theater]]... and was inspired by Gustavo's own mother!) and its sequels, a mother who keeps overly protective and controlling of her two children who remained at her home, even as they're teens or adults. [[https://www.youtube.com/watch?v=mKb5GhtDGRo One scene]] has Hermínia going to the club in her nightgown (though it fit the pajama party-themed event) to make her youngest daughter leave - by taking over the sound system to tell humiliating things about the daughter.
* Lowell from ''Film/MostLikelyToMurder2018'' was accepted into Stanford, but his mom wouldn't let him go because she wanted to keep him around.
* In the 1994 documentary ''Crumb'', Seminal underground comic artist [[Creator/RobertCrumb R. Crumb]] and his brothers describe growing up terrorized by their harridan of a mother. The boys' traumatic childhoods manifest in Crumb's comics, which become increasingly fetishized and twisted. Charles Crumb, the eldest brother, committed suicide mere months after filming. His mother's response? "How could you do this to me!?"
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