History Music / YouWontGetWhatYouWant

You Won't Get What You Want is the fourth studio album by Rhode Island Main/NoiseRock band Music/{{Daughters}} and their first album since their reunion, following what was originally their Main/GrandFinale, their 2010 self titled album. While they were known in the past for countless harsh Main/MinisculeRocking Main/{{Grindcore}} and Main/{{Metalcore}}, this album saw them releasing [[Main/EpicRocking much longer,]] [[Main/DarkerAndEdgier harsher]] music than ever before.

says the spit and spatter of broken glass from above."''\\
--"Satan in the Wait"

* DarkerAndEdgier: Even though this band is no stranger to dark subject matter and noisy songs, this trope gets cranked Main/UpToEleven throughout the entire album, the end result being the band's absolute darkest, heaviest and scariest work to date.

* DroneOfDread: See Main/LastNoteNightmare.

* LastNoteNightmare: "Ocean Song" ends with nearly 2 minutes of [[Main/DroneOfDread dissonant and unsettling riffs.]]

* MohsScaleOfRockAndMetalHardness: Overall an 8-9, with lows around 6 ("Less Sex") and peaking at 10 ("The Flammable Man").

* DarkerAndEdgier: Even though this band is no stranger to dark subject matter and noisy songs, this trope gets cranked Main/UpToEleven throughout the entire album.

* MohsScaleOfRockAndMetalHardness: Overall a 9, with a few going as low as a 7 ("City Song", "Less Sex") or as high as an 11 ("Guest House", "The Flammable Man").

->''"I've been knocking and knocking and knocking and knocking and knocking and knocking and knocking,\\
let me in!"''

* NightmareFace: The cover is a ghostly white painted face with empty eyes floating in a black background.

You Won't Get What You Want is the fourth studio album by Rhode Island Main/NoiseRock band Daughters and their first album since their reunion, following what was originally their Main/GrandFinale, their 2010 self titled album. While they were known in the past for countless harsh Main/MinisculeRocking Main/{{Grindcore}} and Main/{{Metalcore}}, this album saw them releasing [[Main/EpicRocking much longer,]] [[Main/DarkerAndEdgier harsher]] music than ever before.

[[caption-width-right:316: ''This city is an empty glass...'']]

-- ''Satan in the Wait''

* BreatherEpisode: ''Less Sex'' and ''Daughter'', while still terrifying in their own right, are less manic and harsh than the preceding and proceeding songs, with the former being a [[Music/TheDownwardSpiral Downward Spiral era]] Music/NineInchNails-esque song featuring Marshall's low, baritone singing voice contrasted to his standard mid-range shouted spoken-word heard throughout the rest of the album and the latter, while still having said spoken-word singing, is still slower in tempo and straight up groovier than most of the other songs on the album.
** A case could be made for ''The Reason They Hate Me'' being this as well. While it's still rather abrasive instrumentally, the song actually follows a standard verse/chorus, verse/chours, bridge, outro, formula.
* ConceptAlbum: While there's no official story to the album except for ''Ocean Song'' and ''maybe'' a few other songs, the album can very much be interpreted as one.

* DownerEnding: ''Guest House''.

* EpicRocking: While not as extreme as many other examples of this trope, ''Satan in the Wait'' and ''Ocean Song'' extend beyond the 7 minute mark, which is incredibly long for a band whose past 3 albums didn't reach 30 minutes total (this album almost reaches 50 minutes).
* LastNoteNightmare: ''Ocean Song'' ends with nearly 2 minutes of [[Main/DroneOfDread dissonant and unsettling riffs.]]

* LyricalColdOpen: ''The Flammable Man''.
* MadnessMantra: So many to count.
** City Song: "This city is an empty glass."
** The Flammable Man: "I don't lie!"
** Less Sex: "I let it into my home/heart/head/bed."
** Daughter: "Knowing they'll die here or there."
** The Reason They Hate Me: "Don't tell me how to do my job!"
** Ocean Song: "To know, to see for himself, if there is an ocean beyond the waves."
** Guest House: "Let me in!", also one instance of the word "knocking" being said 7 times over and over.

* MohsScaleOfRockAndMetalHardness: Overall a 9, with a few going as low as a 7 (''City Song'', ''Less Sex'') or as high as an 11 (''Guest House'', ''The Flammable Man'').

* TheSomethingSong: ''City Song'', ''The Lords Song'' and ''Ocean Song''.
* SurrealHorror: Incarnate, at least in music form.

-- ''"Satan in the Wait"''

let me in!"''

* LastNoteNightmare: ''Ocean Song'' ends with nearly 2 minutes of dissonant and unsettling riffs.

* NewSoundAlbum: This album sees the band moving further away from their Main/{{Metalcore}} roots and into no wave and the more abstract side of Main/NoiseRock.