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* ShoutOut: "I Bet You Look Good On the Dancefloor" references the chorus to "Rio" by Music/DuranDuran:
--> ''Your name isn't Rio, and I don't care for sand''
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''Whatever People Say I Am, That's What I'm Not'' is the first studio album by the Music/{{Indie rock}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. It has since gone quintuple platinum and quickly established the Monkeys as a mainstream AlternativeIndie act, though the band more or less eschewed this label with their constant experimentation on later albums such as ''Humbug'' and ''Suck It and See''.

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''Whatever People Say I Am, That's What I'm Not'' is the first studio album by the Music/{{Indie rock}} Indie Rock band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. It has since gone quintuple platinum and quickly established the Monkeys as a mainstream AlternativeIndie act, though the band more or less eschewed this label with their constant experimentation on later albums such as ''Humbug'' and ''Suck It and See''.
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''Whatever People Say I Am, That's What I'm Not'' is the first studio album by the Music/{{Britpop}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. It has since gone quintuple platinum and quickly established the Monkeys as a mainstream AlternativeIndie act, though the band more or less eschewed this label with their constant experimentation on later albums such as ''Humbug'' and ''Suck It and See''.

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''Whatever People Say I Am, That's What I'm Not'' is the first studio album by the Music/{{Britpop}} Music/{{Indie rock}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. It has since gone quintuple platinum and quickly established the Monkeys as a mainstream AlternativeIndie act, though the band more or less eschewed this label with their constant experimentation on later albums such as ''Humbug'' and ''Suck It and See''.
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We should avoid Beam Me Up Scotty as much as possible.


[[caption-width-right:300:"''What a scummy man/Give him another chance, he'll try to rob ya if he can...''" [[note]]This guy isn't a band member; he's a friend of Alex Turner's, named Chris [=McClure=][[/note]]]]

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[[caption-width-right:300:"''What [[caption-width-right:300:"''And what a scummy man/Give man/Just give him another half a chance, I bet he'll try to rob ya if he can...''" [[note]]This guy isn't a band member; he's a friend of Alex Turner's, named Chris [=McClure=][[/note]]]]
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[[RollingStone Rolling Stone Magazine]] named it as the #371th [[Music/RollingStone500GreatestAlbumsOfAllTime best album of all time]], and Magazine/{{NME}} named it as the #19th best album on their list.

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[[RollingStone [[Magazine/RollingStone Rolling Stone Magazine]] named it as the #371th [[Music/RollingStone500GreatestAlbumsOfAllTime best album of all time]], and Magazine/{{NME}} named it as the #19th best album on their list.



* LongTitle: Most of the songs, as seen above, average about six words per title. The fifth track takes this UpToEleven (literally) with ''a fourteen-word long'' title. Most MP3 versions of the album truncate it.

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* LongTitle: Most of the songs, as seen above, average about six words per title. The fifth track takes this UpToEleven (literally) with ''a fourteen-word long'' title. Most MP3 [=MP3=] versions of the album truncate it.

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* DrowningMySorrows: "You Probably Couldn't See for the Lights but You Were Staring Straight at Me" is about a guy so desperate to hookup with a girl that when she ignores him, he goes and drinks a few.

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* DrowningMySorrows: DrowningMySorrows:
**
"You Probably Couldn't See for the Lights but You Were Staring Straight at Me" is about a guy so desperate to hookup with a girl that when she ignores him, he goes and drinks a few.



* OopNorth: Alex Turner's strong Sheffield accent is very prominent on this album. Most non-Englanders can't really understand a word that he's saying.

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* OopNorth: OopNorth:
**
Alex Turner's strong Sheffield accent is very prominent on this album. Most non-Englanders can't really understand a word that he's saying.



* StopAndGo: In the middle of "The View From The Afternoon", before it picks up speed again.

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* StopAndGo: StopAndGo:
**
In the middle of "The View From The Afternoon", before it picks up speed again.



* UpperClassTwit: Turner pokes fun at these guys in "Red Light", where he describes a preppy townie chatting up a girl while drinking a Smirnoff, which is a fruity drink light in alcohol content (as opposed to the harder beers that middle-class kids like Turner drink).

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* UpperClassTwit: UpperClassTwit:
**
Turner pokes fun at these guys in "Red Light", where he describes a preppy townie chatting up a girl while drinking a Smirnoff, which is a fruity drink light in alcohol content (as opposed to the harder beers that middle-class kids like Turner drink).
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* LiteraryAllusionTitle: The album title itself is a reference to a line from Alan Sillitoe's novel ''Saturday Night and Sunday Morning'', which is about a character who goes on a drunken night out.

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* LiteraryAllusionTitle: The album title itself is a reference to a line from Alan Sillitoe's novel ''Saturday Night and Sunday Morning'', and film ''Film/SaturdayNightAndSundayMorning'', which is are about a character who goes on a drunken night out.working-class AntiHero.
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* DigitalPiracyIsOkay: The band actually began to [[KeepCirculatingTheTapes encourage the circulation of their bootlegged material]] after it began to spread on MySpace and other sites, which led to the debut's massive success.

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* DigitalPiracyIsOkay: The band actually began to [[KeepCirculatingTheTapes encourage the circulation of their bootlegged material]] after it began to spread on MySpace Website/MySpace and other sites, which led to the debut's massive success.
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Its massive success stems from the fact that their demo album was [[DigitalPiracyIsOkay leaked onto the Internet in 2003]] (called ''Beneath the Boardwalk'') and the fans subsequently began widespread file-sharing on websites such as Main/MySpace. The songs "I Bet You Look Good on the Dancefloor" and "When the Sun Goes Down" were both released prior to the album, and both hit number one on the UK Singles chart. The band thus became one of the first to emerge through Internet popularity, and the album became a landmark in the TurnOfTheMillennium since they won a widespread audience of millennials in a way almost no other band had done before.

to:

Its massive success stems from the fact that their demo album was [[DigitalPiracyIsOkay leaked onto the Internet in 2003]] (called ''Beneath the Boardwalk'') and the fans subsequently began widespread file-sharing on websites such as Main/MySpace.Website/MySpace. The songs "I Bet You Look Good on the Dancefloor" and "When the Sun Goes Down" were both released prior to the album, and both hit number one on the UK Singles chart. The band thus became one of the first to emerge through Internet popularity, and the album became a landmark in the TurnOfTheMillennium since they won a widespread audience of millennials in a way almost no other band had done before.
Is there an issue? Send a MessageReason:
None


[[caption-width-right:300:"''What a scummy man/Give him another chance he'll try to rob ya if he can...''" [[note]]This guy isn't a band member; he's a friend of Alex Turner's, named Chris [=McClure=][[/note]]]]

to:

[[caption-width-right:300:"''What a scummy man/Give him another chance chance, he'll try to rob ya if he can...''" [[note]]This guy isn't a band member; he's a friend of Alex Turner's, named Chris [=McClure=][[/note]]]]
Is there an issue? Send a MessageReason:
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'''''Whatever People Say I Am, That's What I'm Not''''' is the first studio album by the Music/{{Britpop}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. It has since gone quintuple platinum and quickly established the Monkeys as a mainstream AlternativeIndie act, though the band more or less eschewed this label with their constant experimentation on later albums such as ''Humbug'' and ''Suck It and See''.

to:

'''''Whatever ''Whatever People Say I Am, That's What I'm Not''''' Not'' is the first studio album by the Music/{{Britpop}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. It has since gone quintuple platinum and quickly established the Monkeys as a mainstream AlternativeIndie act, though the band more or less eschewed this label with their constant experimentation on later albums such as ''Humbug'' and ''Suck It and See''.

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'''''Whatever People Say I Am, That's What I'm Not''''' is the first studio album by the Music/{{Britpop}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. Its massive success stems from the fact that their demo album was [[DigitalPiracyIsOkay leaked onto the Internet in 2003]] (called ''Beneath the Boardwalk'') and the fans subsequently began widespread file-sharing on websites such as Main/MySpace.

The album spawned a series of hits such as "I Bet You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371th [[Music/RollingStone500GreatestAlbumsOfAllTime best album of all time]], and the album has become somewhat of a monumental AlternativeIndie hit similar to Music/TheStrokes ''Is This It'' and Music/ArcadeFire's ''Funeral''.

to:

'''''Whatever People Say I Am, That's What I'm Not''''' is the first studio album by the Music/{{Britpop}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. It has since gone quintuple platinum and quickly established the Monkeys as a mainstream AlternativeIndie act, though the band more or less eschewed this label with their constant experimentation on later albums such as ''Humbug'' and ''Suck It and See''.

Its massive success stems from the fact that their demo album was [[DigitalPiracyIsOkay leaked onto the Internet in 2003]] (called ''Beneath the Boardwalk'') and the fans subsequently began widespread file-sharing on websites such as Main/MySpace.

Main/MySpace. The album spawned a series of hits such as songs "I Bet You Look Good on the Dancefloor", "Fake Tales of San Francisco", Dancefloor" and "The View From "When the Sun Goes Down" were both released prior to the album, and both hit number one on the UK Singles chart. The Afternoon". band thus became one of the first to emerge through Internet popularity, and the album became a landmark in the TurnOfTheMillennium since they won a widespread audience of millennials in a way almost no other band had done before.

[[RollingStone Rolling Stone Magazine]] even named it as the #371th [[Music/RollingStone500GreatestAlbumsOfAllTime best album of all time]], and Magazine/{{NME}} named it as the #19th best album has become somewhat of a monumental AlternativeIndie hit similar to Music/TheStrokes ''Is This It'' and Music/ArcadeFire's ''Funeral''.
on their list.
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The Monkeys have since continued to diversify the themes and ideas expressed in their songs since the lyrical themes in the album often revolve around Saturday Night clubbing and regret following the dangers of letting oneself loose. Arctic Monkeys have enjoyed considerable success, evven though following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.

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Is there an issue? Send a MessageReason:
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'''''Whatever People Say I Am, That's What I'm Not''''' is the first studio album by the Music/{{Britpop}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. Its massive success stems from the fact that their demo album was [[DigitalPiracyIsOkay leaked onto the Internet in 2003]] (called ''Beneath the Boardwalk'') and the subsequent widespread file-sharing on websites such as Main/MySpace.

The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371th [[Music/RollingStone500GreatestAlbumsOfAllTime best album of all time]], and the Monkeys have since continued to diversify the themes and ideas expressed in their songs. However, following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.

to:

'''''Whatever People Say I Am, That's What I'm Not''''' is the first studio album by the Music/{{Britpop}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. Its massive success stems from the fact that their demo album was [[DigitalPiracyIsOkay leaked onto the Internet in 2003]] (called ''Beneath the Boardwalk'') and the subsequent fans subsequently began widespread file-sharing on websites such as Main/MySpace.

The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371th [[Music/RollingStone500GreatestAlbumsOfAllTime best album of all time]], and the album has become somewhat of a monumental AlternativeIndie hit similar to Music/TheStrokes ''Is This It'' and Music/ArcadeFire's ''Funeral''.

The
Monkeys have since continued to diversify the themes and ideas expressed in their songs. However, songs since the lyrical themes in the album often revolve around Saturday Night clubbing and regret following the dangers of letting oneself loose. Arctic Monkeys have enjoyed considerable success, evven though following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.
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* Matt Helders – drums, percussion, backing vocals (2002–present)

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* Matt Helders – drums, percussion, backing vocals (2002–present)
vocals



* DigitalPiracyIsOkay: The band actually began to [[KeepCirculatingTheTapes encourage the circulation of their bootlegged material]] after it began to spread on MySpace and other sites, which led to the debut's massive success.



* LoveNostalgiaSong: "Mardy Bum" and "Baby I'm Yours".



* QuestioningTitle: "Who the Fuck Are Arctic Monkeys?", which lampshades the

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* QuestioningTitle: "Who the Fuck Are Arctic Monkeys?", which lampshades the fact that the band blew up in popularity thanks to the Internet and file-sharing services.

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A ConceptAlbum of sorts, its lyrical themes mainly revolve around a night of clubbing among [[OopNorth northern Englanders]]. The [[LongTitle excessively long ''sentence'']] of a title comes from a line from Alan Sillitoe's novel ''Saturday Night and Sunday Morning'', which is about a man going on a reckless bender on a Saturday night. The album was thus able to resonate with a substantial portion of London youth, for it effectively straddled the concepts of the fun of partying along with the guilt, materialism, jealousy, and disorder that follows letting oneself loose.






----
!!"When the Sun Goes Down" EP

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----
!!"When
[[folder: "When the Sun Goes Down" EPEP]]
# "When the Sun Goes Down" (3:20)



----

!!"I Bet You Look Good on the Dancefloor" EP

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----

!!"I
[[/folder]]

[[folder: "I
Bet You Look Good on the Dancefloor" EPEP]]
# "I Bet You Look Good on the Dancefloor" (2:53)




----
!!"Leave Before the Lights Come On" EP

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\n----\n!!"Leave [[/folder]]

[[folder: "Leave
Before the Lights Come On" EPEP]]




----
!! "Who the Fuck Are Arctic Monkeys?" EP

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\n----\n!! [[/folder]]


[[folder:
"Who the Fuck Are Arctic Monkeys?" EPEP]]
# "The View from the Afternoon" (3:38)




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[[/folder]]



* AllLoveIsUnrequited: "No Buses" is about a one-way relationship and how the love may not actually be that unique:
--> ''Lady, where has your love gone?\\
I was looking but can't find it anywhere\\
They always offer when there's loads of love around\\
But, when you're short of some, it's nowhere to be found''
* AllMenArePerverts: "Dancing Shoes" plays the idea that men are pigs sarcastically toward the end, when the narrator tells a guy to just go up and talk to the girl:
--> ''Get on your dancing shoes\\
You sexy little swine''



* ClingyJealousGirl: The video for the single "Leave Before the Lights Come On" is about a girl who attempts to jump off of a building before being saved by man. When he takes her to a cafe afterward, she tries to seduce him, but he maintains that he already has a fiance/wife, but she continues to pursue him. In the end, [[spoiler: after he firmly tells her to stop following him around, she goes back to the building, before revealing that the whole suicide act was a ruse all along to win men's attention]].



* ConceptVideo: The video for the single "Leave Before the Lights Come On", in which the band doesn't make an appearance ([[spoiler: Although Matt Helders, the drummer, does [[TheCameo a cameo]] at the very end]]). It is about a girl who attempts to jump off of a building before being saved by man. When he takes her to a cafe afterward, she tries to seduce him, but he maintains that he already has a fiance/wife, but she continues to pursue him. In the end, [[spoiler: after he firmly tells her to stop following him around, she goes back to the building, before revealing that the whole suicide act was a ruse all along to win men's attention]].

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* ConceptVideo: The video for "The View from the single Afternoon", and "Leave Before the Lights Come On", in which the band doesn't make an appearance ([[spoiler: Although (Although Matt Helders, the drummer, does [[TheCameo a cameo]] at the very end]]). It is about a girl who attempts to jump off of a building before being saved by man. When he takes her to a cafe afterward, she tries to seduce him, but he maintains that he already has a fiance/wife, but she continues to pursue him. In the end, [[spoiler: after he firmly tells her to stop following him around, she goes back to the building, before revealing that the whole suicide act was a ruse all along to win men's attention]].end).



* DoubleStandard: Lampshaded InUniverse in "Settle for a Draw":
--> ''Well you're right it is one set of rules for her\\
And then another set for you\\
But that's just the way it is I suppose\\
And there's nowt you can do''



* FemmeFatale: The girl in "Bigger Boys and Stolen Sweethearts" is one.
--> ''Now you don't know what she's up to you can only assume\\
If she's not in the front of the shops then they've gone to his room\\
Bet she's gone 'round in her school stuff, bet that’s what he likes\\
I know you thought she were different and you thought she were nice''



* LongTitle: Most of the songs, as seen above, average about six words per title. The fifth track takes this UpToEleven (literally) with ''a fourteen-word long'' title. Most MP3 versions of the album truncate that title.

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* InVinoVeritas: Deconstructed in songs such as "From the Ritz to the Rubble", which shows the lack of authenticity in love during drunken nights out and one night stands.
* LiteraryAllusionTitle: The album title itself is a reference to a line from Alan Sillitoe's novel ''Saturday Night and Sunday Morning'', which is about a character who goes on a drunken night out.
* LongTitle: Most of the songs, as seen above, average about six words per title. The fifth track takes this UpToEleven (literally) with ''a fourteen-word long'' title. Most MP3 versions of the album truncate that title.it.
* LyricalColdOpen: "Chun-Li's Flying Bird Kick" begins with Turner saying "''Show us your special move!''" followed by some laughter.
* MinisculeRocking: "You Probably Couldn't See for the Lights But...", "Seven", "Stickin' to the Floor", "Dancing Shoes", "Riot Van", and "Red Light Indicates Doors Are Secured"



* OneWomanSong: "Cigarette Smoker Fiona", about a FemmeFatale of that name.



* PrecisionFStrike: Quite a few, from "Stickin' to the Floor" to "Fake Tales of San Francisco".
* QuestioningTitle: "Who the Fuck Are Arctic Monkeys?", which lampshades the



* SmokingIsCool: Chris [=McClure=], a friend of the band, taking a drag from his cigarette on the album cover.

to:

* SillyLoveSongs: "Baby I'm Yours", though it is a cover of a classic '60s song.
* SmokingIsCool: Chris [=McClure=], a friend of the band, taking a drag from his cigarette on the album cover. The band had to repeatedly stress that the cover wasn't supposed to encourage smoking, but that didn't stop some distributors from removing the cigarette from the cover altogether.
* SmokingIsGlamorous: "Cigarette Smoker Fiona" subverts this, saying that even an attractive girl at a party can't play off her drunkenness with a cigarette in her mouth:
--> ''Cigarette Smoker\\
Cigarette smoke doesn't hide\\
As well as you think\\
And you'd think that it oughta\\
Act as the perfect disguise''


Added DiffLines:

* TakeAThirdOption: "Settle for a Draw", about, well, [[ExactlyWhatItSaysOnTheTin settling for a compromise]] within a relationship.
--> ''And lets not fall in the trap of answering back\\
I am just a beginner but she'll be the only winner\\
That's for sure\\
So take the draw, if it's available''
* ThreeChordsAndTheTruth: "Riot Van", for the most part, since it is built around a three-chord riff until the guitar solo.


Added DiffLines:

* WhatDidIDoLastNight: "From the Ritz to the Rubble", "Red Light Indicates Doors Are Secured", and "Leave Before the Lights Come On" follow a theme in many Arctic Monkeys songs about being unable to remember or reconcile your actions following an intense night out.
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* {{Instrumental}}: "Chun-Li's Flying Bird Kick", which was even nominated for a GrammyAward.

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* {{Instrumental}}: "Chun-Li's Flying Bird Kick", which was even nominated for a GrammyAward.UsefulNotes/GrammyAward.
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--> ''Just like a robot from 1984''

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--> ''Just ''Dancing to electro-pop like a robot from 1984''



* SurprisinglyGentleSong: "Mardy Bum", "Riot Van", and "A Certain Romance" are all gentle romantic songs amidst the more loud and rocking tracks on the rest of the album.

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* SurprisinglyGentleSong: "Mardy Bum", "Riot Van", and "A Certain Romance" are all gentle romantic songs amidst amid the more loud and rocking tracks on the rest of the album.album. "Mardy Bum" is a romantic song, "Riot Van" is a Nostalgia Song, and "A Certain Romance" is a reflective summation about how the narrator should accept his friends.
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The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371th [[Music/RollingStone500GreatestAlbumOfAllTime best album of all time]], and the Monkeys have since continued to diversify the themes and ideas expressed in their songs. However, following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.

to:

The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371th [[Music/RollingStone500GreatestAlbumOfAllTime [[Music/RollingStone500GreatestAlbumsOfAllTime best album of all time]], and the Monkeys have since continued to diversify the themes and ideas expressed in their songs. However, following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.

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The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371 best album of all time, and the Monkeys have since continued to diversify the themes and ideas expressed in their songs. However, following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.

to:

The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371 #371th [[Music/RollingStone500GreatestAlbumOfAllTime best album of all time, time]], and the Monkeys have since continued to diversify the themes and ideas expressed in their songs. However, following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.



* DancingIsSeriousBusiness: "I Bet That You Look Good On The Dance Floor"
--> ''I bet that you look good on the dance floor''
--> ''Just like a robot from 1984''
* DeliberatelyMonochrome: The black-and-white album cover.



--> The only reason that you came\\

to:

--> The ''The only reason that you came\\



It's what you there for

to:

It's what you there forfor''



--> Oh there ain't no love no, [[Theatre/RomeoAndJuliet Montagues or Capulets]]\\
Just banging tunes and DJ sets

to:

--> Oh ''Oh there ain't no love no, [[Theatre/RomeoAndJuliet Montagues or Capulets]]\\
Just banging tunes and DJ setssets''
* SmokingIsCool: Chris [=McClure=], a friend of the band, taking a drag from his cigarette on the album cover.



* SurprisinglyGentleSong: "Mardy Bum", "Riot Van", and "A Certain Romance".

to:

* SurprisinglyGentleSong: "Mardy Bum", "Riot Van", and "A Certain Romance".Romance" are all gentle romantic songs amidst the more loud and rocking tracks on the rest of the album.



** He continues to mock them in "A Certain Romance", citing their Converses and tacky bottoms they wear to appear hip and cool. However, he appears to vindicate them by the end of the song, saying that despite all their show, they're still his friends and he just can't get angry at them.

to:

** He continues to mock them in "A Certain Romance", citing their Converses and tacky bottoms they wear to appear hip and cool. However, he appears to vindicate them by the end of the song, saying that despite all their show, they're still his friends and he just can't get angry at them.them.
----
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The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371 best album of all time, and spurred on the Monkeys' successful career. However, following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.

to:

The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". [[RollingStone Rolling Stone Magazine]] even named it as the #371 best album of all time, and spurred on the Monkeys' successful career.Monkeys have since continued to diversify the themes and ideas expressed in their songs. However, following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.
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The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". Following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.

to:

The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". Following [[RollingStone Rolling Stone Magazine]] even named it as the #371 best album of all time, and spurred on the Monkeys' successful career. However, following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.
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* UpperClassTwit: Turner pokes fun at these guys in "Red Light", where he describes a preppy townie chatting up a girl while drinking a Smirnoff, which is a soft, fruity drink (as opposed to the harder stuff middle-class kids like Turner drink).

to:

* UpperClassTwit: Turner pokes fun at these guys in "Red Light", where he describes a preppy townie chatting up a girl while drinking a Smirnoff, which is a soft, fruity drink light in alcohol content (as opposed to the harder stuff beers that middle-class kids like Turner drink).drink).
** He continues to mock them in "A Certain Romance", citing their Converses and tacky bottoms they wear to appear hip and cool. However, he appears to vindicate them by the end of the song, saying that despite all their show, they're still his friends and he just can't get angry at them.
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It's what you there for\\

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It's what you there for\\for
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# "7" (2:10)

to:

# "7" "Seven" (2:10)



* BreakUpSong: "Mardy Bum", which is about the narrator and his girlfriend fighting over minor things, with the narrator pining for more romantic, simpler times in their relationship.

to:

* BreakUpSong: "Mardy Bum", which is about the narrator and his girlfriend fighting over minor things, with the narrator pining for the more [[LoveNostalgiaSong romantic, simpler times in their relationship.relationship]] despite its impending end.



* ConceptVideo: The video for the single "Leave Before the Lights Come On", which is about a girl who attempts to jump off of a building before being saved by man. When he takes her to a cafe afterward, she tries to seduce him, but he maintains that he already has a fiance/wife, but she continues to pursue him. In the end, [[spoiler: after he firmly tells her to stop following him around, she goes back to the building, before revealing that the whole suicide act was a ruse all along to win men's attention]]. Matt Helders, the drummer, even does [[TheCameo a cameo]] at the very end.

to:

* ConceptVideo: The video for the single "Leave Before the Lights Come On", in which the band doesn't make an appearance ([[spoiler: Although Matt Helders, the drummer, does [[TheCameo a cameo]] at the very end]]). It is about a girl who attempts to jump off of a building before being saved by man. When he takes her to a cafe afterward, she tries to seduce him, but he maintains that he already has a fiance/wife, but she continues to pursue him. In the end, [[spoiler: after he firmly tells her to stop following him around, she goes back to the building, before revealing that the whole suicide act was a ruse all along to win men's attention]]. Matt Helders, the drummer, even does [[TheCameo a cameo]] at the very end.



* SerenadeYourLover: "Dancing Shoes"
--> The only reason that you came\\
So what you scared for?\\
don't you always do the same\\
It's what you there for\\



--> Just banging tunes and DJ sets

to:

--> Just banging tunes and DJ sets



* SurprisinglyGentleSong: "Mardy Bum" and "Riot Van". The latter overlaps more with a NostalgiaSong.

to:

* SurprisinglyGentleSong: "Mardy Bum" and Bum", "Riot Van". The latter overlaps more with a NostalgiaSong.Van", and "A Certain Romance".

Added: 1856

Changed: 244

Removed: 272

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!!Principal Members:

* Alex Turner - lead vocals, lead & rhythm guitar, keyboards
* Jamie Cook - lead & rhythm guitar
* Andy Nicholson – bass, backing vocals
* Matt Helders – drums, percussion, backing vocals (2002–present)

to:

!!Principal Members:

* Alex Turner - lead vocals, lead & rhythm guitar, keyboards
* Jamie Cook - lead & rhythm guitar
* Andy Nicholson – bass, backing vocals
* Matt Helders – drums, percussion, backing vocals (2002–present)
!!"When the Sun Goes Down" EP
# "Stickin' to the Floor" (1:18)
# "Settle for a Draw" (3:19)
# "7" (2:10)




!!"I Bet You Look Good on the Dancefloor" EP
# "Bigger Boys and Stolen Sweethearts" (2:59)
# "Chun-Li's Flying Bird Kick" (instrumental) (4:40)

----
!!"Leave Before the Lights Come On" EP
# "Leave Before the Lights Come On" (3:52)
# "Put Your Dukes Up John" (The Little Flames cover) (3:03)
# "Baby I'm Yours" (Barbara Lewis cover) (2:32)

----
!! "Who the Fuck Are Arctic Monkeys?" EP
# "Cigarette Smoker Fiona" (2:56)
# "Despair in the Departure Lounge" (3:22)
# "No Buses" (3:17)
# "Who the Fuck Are Arctic Monkeys?" (5:36)

----
!!Principal Members:

* Alex Turner - lead vocals, lead & rhythm guitar, keyboards
* Jamie Cook - lead & rhythm guitar
* Andy Nicholson – bass, backing vocals
* Matt Helders – drums, percussion, backing vocals (2002–present)

----



* AndThatLittleGirlWasMe: In "Bigger Boys and Stolen Sweethearts", where Turner describes a boy being played by a girl before he reveals in the end that he was the boy all along.



* ConceptAlbum: Alex Turner maintains that he didn't intend for most of the songs to have a similar theme, but concedes that the album is mostly about the dark side of partying.

to:

* ConceptAlbum: Alex Turner maintains that he didn't intend for most of the songs to have a similar theme, but concedes that the album is mostly an introspective reflection about the dark side troubles he caused while partying.
* ConceptVideo: The video for the single "Leave Before the Lights Come On", which is about a girl who attempts to jump off
of partying.a building before being saved by man. When he takes her to a cafe afterward, she tries to seduce him, but he maintains that he already has a fiance/wife, but she continues to pursue him. In the end, [[spoiler: after he firmly tells her to stop following him around, she goes back to the building, before revealing that the whole suicide act was a ruse all along to win men's attention]]. Matt Helders, the drummer, even does [[TheCameo a cameo]] at the very end.



* {{Instrumental}}: "Chun-Li's Flying Bird Kick", which was even nominated for a GrammyAward.



** Defied InUniverse in "Fake Tales of San Francisco", which is about a guy putting on an American accent while pretending to be from UsefulNotes/SanFrancisco. The narrator can easily see through his PaperThinDisguise, and can recognize his Sheffield accent.



* SignatureSong: "Dancefloor" is their most well-known song from this album, and it was never kept off of a single one of their setlists until their more recent albums.

Added: 2130

Changed: 358

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[[caption-width-right:300:"''What a scummy man/Give him another chance he'll try to rob ya if he can...''" [[note]]This guy isn't a band member; he's a friend of Alex Turner's, named Chris McClure[[/note]]]]

to:

[[caption-width-right:300:"''What a scummy man/Give him another chance he'll try to rob ya if he can...''" [[note]]This guy isn't a band member; he's a friend of Alex Turner's, named Chris McClure[[/note]]]]
[=McClure=][[/note]]]]



# "Still Take You Home" (Turner, Jamie Cook) (2:53)

to:

# "Still Take You Home" (Turner, Jamie Cook) (2:53)



* {{Bouncer}}: The narrator gets into a fight with one in "From the Ritz to the Rubble".
* BreakUpSong: "Mardy Bum", which is about the narrator and his girlfriend fighting over minor things, with the narrator pining for more romantic, simpler times in their relationship.
* ConceptAlbum: Alex Turner maintains that he didn't intend for most of the songs to have a similar theme, but concedes that the album is mostly about the dark side of partying.
* DrowningMySorrows: "You Probably Couldn't See for the Lights but You Were Staring Straight at Me" is about a guy so desperate to hookup with a girl that when she ignores him, he goes and drinks a few.
** Also "Red Light Indicates Doors Are Secured", which is about how the narrator, in his drunken stupor, pretends to be macho while still feeling depressed about the night.
* EpicRocking: "A Certain Romance" and "Perhaps Vampires Is a Bit Strong But..." both feature long, if contrasting, rock jams. The former is more gentle and tinny while the latter is more intense.



* OopNorth: Alex Turner's strong Sheffield accent is very prominent on this album. Most non-Englanders can't really understand a word that he's saying.

to:

* NonAppearingTitle: "The View from the Afternoon", "You Probably Couldn't See for the Lights but You Were Staring Straight at Me", "From the Ritz to the Rubble", "A Certain Romance", and "Perhaps Vampires Is a Bit Strong But...".
* OopNorth: Alex Turner's strong Sheffield accent is very prominent on this album. Most non-Englanders can't really understand a word that he's saying.saying.
* ShoutOutToShakespeare: "I Bet That You Look Good on the Dancefloor":
--> Oh there ain't no love no, [[Theatre/RomeoAndJuliet Montagues or Capulets]]\\
--> Just banging tunes and DJ sets
* SignatureSong: "Dancefloor" is their most well-known song from this album, and it was never kept off of a single one of their setlists until their more recent albums.
* StopAndGo: In the middle of "The View From The Afternoon", before it picks up speed again.
** Also in "Vampires", where the aforementioned jam stops for a moment before one of the band members screams, "All you people are vampires!" and the song starts up again.
* SurprisinglyGentleSong: "Mardy Bum" and "Riot Van". The latter overlaps more with a NostalgiaSong.
* UpperClassTwit: Turner pokes fun at these guys in "Red Light", where he describes a preppy townie chatting up a girl while drinking a Smirnoff, which is a soft, fruity drink (as opposed to the harder stuff middle-class kids like Turner drink).
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1. "The View from the Afternoon" (3:38)
2. "I Bet You Look Good on the Dancefloor" (2:53)
3. "Fake Tales of San Francisco" (2:57)
4. "Dancing Shoes" (2:21)
5. "You Probably Couldn't See for the Lights but You Were Staring Straight at Me" (2:10)
6. "Still Take You Home" (Turner, Jamie Cook) (2:53)
7. "Riot Van" (2:14)
8. "Red Light Indicates Doors Are Secured" (2:23)
9. "Mardy Bum" (2:55)
10. "Perhaps Vampires Is a Bit Strong But..." (4:28)
11. "When the Sun Goes Down" (3:20)
12. "From the Ritz to the Rubble" (3:13)
13. "A Certain Romance" (5:31)

to:

1. # "The View from the Afternoon" (3:38)
2. # "I Bet You Look Good on the Dancefloor" (2:53)
3. # "Fake Tales of San Francisco" (2:57)
4. # "Dancing Shoes" (2:21)
5. # "You Probably Couldn't See for the Lights but You Were Staring Straight at Me" (2:10)
6. # "Still Take You Home" (Turner, Jamie Cook) (2:53)
7. # "Riot Van" (2:14)
8. # "Red Light Indicates Doors Are Secured" (2:23)
9. # "Mardy Bum" (2:55)
10. # "Perhaps Vampires Is a Bit Strong But..." (4:28)
11. # "When the Sun Goes Down" (3:20)
12. # "From the Ritz to the Rubble" (3:13)
13. # "A Certain Romance" (5:31)



!!"Whatever People Say I Trope, That's What I Trope":

to:

!!"Whatever People Say I Trope, That's What I Trope":
I'm Not":
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Added DiffLines:

[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/22e4653ba10499e4a2aa4ae742e9b951.jpg]]
[[caption-width-right:300:"''What a scummy man/Give him another chance he'll try to rob ya if he can...''" [[note]]This guy isn't a band member; he's a friend of Alex Turner's, named Chris McClure[[/note]]]]

'''''Whatever People Say I Am, That's What I'm Not''''' is the first studio album by the Music/{{Britpop}} band Music/ArcticMonkeys. It was released in 2006, to near universal acclaim, and it became the fastest selling debut album ''ever'' by any band in the history of the UK[[note]]Since surpassed by Music/LeonaLewis's ''Spirit'' and Music/SusanBoyle's ''I Dreamed A Dream''[[/note]]. Its massive success stems from the fact that their demo album was [[DigitalPiracyIsOkay leaked onto the Internet in 2003]] (called ''Beneath the Boardwalk'') and the subsequent widespread file-sharing on websites such as Main/MySpace.

A ConceptAlbum of sorts, its lyrical themes mainly revolve around a night of clubbing among [[OopNorth northern Englanders]]. The [[LongTitle excessively long ''sentence'']] of a title comes from a line from Alan Sillitoe's novel ''Saturday Night and Sunday Morning'', which is about a man going on a reckless bender on a Saturday night. The album was thus able to resonate with a substantial portion of London youth, for it effectively straddled the concepts of the fun of partying along with the guilt, materialism, jealousy, and disorder that follows letting oneself loose.

The album spawned a series of hits such as "I Bet That You Look Good on the Dancefloor", "Fake Tales of San Francisco", and "The View From The Afternoon". Following the album promotion tour, bassist Andy Nicholson decided to leave the band after feeling overwhelmed by their overnight success. He has since been replaced by Nick O'Malley.

----
!!Tracklist:

1. "The View from the Afternoon" (3:38)
2. "I Bet You Look Good on the Dancefloor" (2:53)
3. "Fake Tales of San Francisco" (2:57)
4. "Dancing Shoes" (2:21)
5. "You Probably Couldn't See for the Lights but You Were Staring Straight at Me" (2:10)
6. "Still Take You Home" (Turner, Jamie Cook) (2:53)
7. "Riot Van" (2:14)
8. "Red Light Indicates Doors Are Secured" (2:23)
9. "Mardy Bum" (2:55)
10. "Perhaps Vampires Is a Bit Strong But..." (4:28)
11. "When the Sun Goes Down" (3:20)
12. "From the Ritz to the Rubble" (3:13)
13. "A Certain Romance" (5:31)

----
!!Principal Members:

* Alex Turner - lead vocals, lead & rhythm guitar, keyboards
* Jamie Cook - lead & rhythm guitar
* Andy Nicholson – bass, backing vocals
* Matt Helders – drums, percussion, backing vocals (2002–present)

----
!!"Whatever People Say I Trope, That's What I Trope":

* LongTitle: Most of the songs, as seen above, average about six words per title. The fifth track takes this UpToEleven (literally) with ''a fourteen-word long'' title. Most MP3 versions of the album truncate that title.
* OopNorth: Alex Turner's strong Sheffield accent is very prominent on this album. Most non-Englanders can't really understand a word that he's saying.

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