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They're usually called Nu Metal rather than Rap Rock
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''Three Dollar Bill, Y'all$'' is the debut album by American {{rap rock}} band Music/LimpBizkit, released on July 1, 1997 by Flip and Interscope Records.
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''Three Dollar Bill, Y'all$'' is the debut album by American {{rap rock}} NuMetal band Music/LimpBizkit, released on July 1, 1997 by Flip and Interscope Records.
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Corrected trope
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* GenreMashup: This album combined NuMetal, FunkMetal and PunkRap, with elements of {{Jazz}}, [[PsychedelicRock Psychedelia]], ThrashMetal and [[HipHop Turntablism]].
to:
* GenreMashup: This album combined fused NuMetal, FunkMetal and PunkRap, RapMetal, with elements of {{Jazz}}, [[PsychedelicRock Psychedelia]], ThrashMetal and [[HipHop Turntablism]].
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BACK BACK BACK BACK BACK BACK
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----
to:
->''"And, um... we're done."''
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The big hits from the album were "[[SignatureSong Counterfeit]]" and the band's [[CoveredUp cover]] of Music/GeorgeMichael's "Faith".
to:
The big hits from the album were "[[SignatureSong Counterfeit]]" "Counterfeit" and the band's [[CoveredUp cover]] of Music/GeorgeMichael's "Faith".
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cut trope
* GenreMashup: This album combined NuMetal, FunkMetal and PunkRap, with elements of {{Jazz}}, [[PsychedelicRock Psychedelia]], ThrashMetal and [[HipHop Turntablism]].
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* NeoclassicalPunkZydecoRockabilly: This album combined NuMetal, FunkMetal and PunkRap, with elements of {{Jazz}}, [[PsychedelicRock Psychedelia]], ThrashMetal and [[HipHop Turntablism]].
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TRS cleanup
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* SomethingCompletelyDifferent: The jam "Everything" is slow and fairly mellow compared to the rest of the album.
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* MohsScaleOfRockAndMetalHardness: Generally about a 7; occasionally some songs hit a hard 8 or soft 9
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The album showed the band developing their trademark NuMetal cross of aggression and funk aggressive by [[GenreMashup combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emotional outpouring, Music/{{Primus}}' funky rhythms and nasal vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Wes Borland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation to create an album that [[EnsembleDarkhorse even some of the band's detractors admit is not bad]].
The album was produced by Ross Robinson, who was introduced to the band through Reginald "Fieldy" Arvizu, bassist for Music/{{Korn}}, who persuaded Robinson to listen to the band's demo. Impressed by the band's motivation and sound, he agreed to work with them, with the end result being an abrasive and angry sound which the band felt would attract a fanbase. While it didn't necessarily have the best reviews or sales early on, extensive touring eventually made it a hit and it did get some good reviews.
The album was produced by Ross Robinson, who was introduced to the band through Reginald "Fieldy" Arvizu, bassist for Music/{{Korn}}, who persuaded Robinson to listen to the band's demo. Impressed by the band's motivation and sound, he agreed to work with them, with the end result being an abrasive and angry sound which the band felt would attract a fanbase. While it didn't necessarily have the best reviews or sales early on, extensive touring eventually made it a hit and it did get some good reviews.
to:
The album showed the band developing their trademark NuMetal cross of aggression and funk aggressive by [[GenreMashup combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emotional outpouring, Music/{{Primus}}' funky rhythms and nasal vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Wes Borland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation to create an album that [[EnsembleDarkhorse even some of the band's detractors admit is not bad]].
The album was produced by Ross Robinson, who was introduced to the band through Reginald "Fieldy" Arvizu, bassist for Music/{{Korn}}, who persuaded Robinson to listen to the band's demo. Impressed by the band's motivation and sound, he agreed to work with them, with the end result being an abrasive and angry sound which the band felt would attract a fanbase. While it didn't necessarily have the best reviews or sales early on, extensive touring eventually made it ahit hit, and it did get some good reviews.
The album was produced by Ross Robinson, who was introduced to the band through Reginald "Fieldy" Arvizu, bassist for Music/{{Korn}}, who persuaded Robinson to listen to the band's demo. Impressed by the band's motivation and sound, he agreed to work with them, with the end result being an abrasive and angry sound which the band felt would attract a fanbase. While it didn't necessarily have the best reviews or sales early on, extensive touring eventually made it a
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''Three Dollar Bill, Y'all$'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emotional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Wes Borland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
to:
''Three Dollar Bill,
The album showed
The album was produced by Ross Robinson, who was introduced to the band through Reginald "Fieldy" Arvizu, bassist for Music/{{Korn}}, who persuaded Robinson to listen to the band's demo. Impressed by the band's motivation and sound, he agreed to work with them, with the end result being an abrasive and angry sound which the band felt would attract a fanbase. While it didn't necessarily have the best reviews or sales early on,
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** One of the verses of "Stuck" references "Institutionalized" by Music/SuicidalTendencies: "All I wanted was a Pepsi, just one Pepsi / Far from suicidal still I get them tendencies"
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--->'''Fred:''' limp bizkit You know what's up, dialed into the planet, and God, '''''I LOVE YOUUUUUUUUUUUUU!!!!!'''''
to:
--->'''Fred:''' limp bizkit You Terry Parker you know what's up, dialed into the planet, and God, '''''I LOVE YOUUUUUUUUUUUUU!!!!!'''''
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* HiddenTrack: "Faith" itself clocks in at 2:27; the rest of the song is an unlisted interlude called "Blind".
to:
* HiddenTrack: "Faith" itself clocks in at 2:27; the rest of the song is an unlisted interlude called "Blind"."Stereotype Me".
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Correcting the name of the hidden track that comes after the cover of Faith
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#"Faith" (Music/GeorgeMichael {{cover|version}}) (3:52)[[labelnote:*]]song ends at 2:27; contains hidden track "Blind"[[/labelnote]]
to:
#"Faith" (Music/GeorgeMichael {{cover|version}}) (3:52)[[labelnote:*]]song ends at 2:27; contains hidden track "Blind"[[/labelnote]]"Stereotype Me"[[/labelnote]]
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* ShoutOut: "Indigo Flow" entirely consists of this, thanking associates like FearFactory, Music/{{Korn}}, Music/{{Deftones}} and [[Music/HouseOfPain Everlast]].
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* ShoutOut: "Indigo Flow" entirely consists of this, thanking associates like FearFactory, Music/{{Fear Factory}}, Music/{{Korn}}, Music/{{Deftones}} and [[Music/HouseOfPain Everlast]].
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* ShoutOut: "Indigo Flow" entirely consists of this, thanking associates like Music/{{FearFactory}}, Music/{{Korn}}, Music/{{Deftones}} and [[Music/HouseOfPain Everlast]].
to:
* ShoutOut: "Indigo Flow" entirely consists of this, thanking associates like Music/{{FearFactory}}, FearFactory, Music/{{Korn}}, Music/{{Deftones}} and [[Music/HouseOfPain Everlast]].
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* ShoutOut: "Indigo Flow" entirely consists of this, thanking associates like Music/{{Korn}}, Music/{{Deftones}} and [[Music/HouseOfPain Everlast]].
to:
* ShoutOut: "Indigo Flow" entirely consists of this, thanking associates like Music/{{FearFactory}}, Music/{{Korn}}, Music/{{Deftones}} and [[Music/HouseOfPain Everlast]].
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#"[[CoverVersion Faith]]" (Music/GeorgeMichael [[CoveredUp cover]]) (3:52[[labelnote:*]]song ends at 2:27; contains hidden track "Blind"[[/labelnote]])
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-->'''Fred:''' You know what's up, dialed into the planet, and God, '''''I LOVE YOUUUUUUUUUUUUU!!!!!'''''
** A good chunk of the album is comprised of these actually, with "Pollution" and "Nobody Loves Me" being particular of note
* CoveredUp: With regards to Music/GeorgeMichael's "Faith", to the extent of making people to believe that it's an original song made by them. In spite of the fact that Fred Durst gave interviews to MTV and others talking about the George Michael version, and MTV showing clips from Michael's music video while talking about the Limp Bizkit cover.
* EpicRocking: 16-minute song "Everything" is definitely a huge example of this trope! "Stalemate" also qualifies, to a lesser extent.
** A good chunk of the album is comprised of these actually, with "Pollution" and "Nobody Loves Me" being particular of note
* CoveredUp: With regards to Music/GeorgeMichael's "Faith", to the extent of making people to believe that it's an original song made by them. In spite of the fact that Fred Durst gave interviews to MTV and others talking about the George Michael version, and MTV showing clips from Michael's music video while talking about the Limp Bizkit cover.
* EpicRocking: 16-minute song "Everything" is definitely a huge example of this trope! "Stalemate" also qualifies, to a lesser extent.
to:
--->'''Fred:''' limp bizkit You know what's up, dialed into the planet, and God, '''''I LOVE YOUUUUUUUUUUUUU!!!!!'''''
** A good chunk of the album is comprised of these actually, with "Pollution" and "Nobody Loves Me" being particular of
* CoveredUp: With regards to Music/GeorgeMichael's "Faith", to the extent of making people to believe that it's an original song made by them. In spite of the fact that Fred Durst gave interviews to MTV and others talking about the George Michael version, and MTV showing clips from Michael's music video while talking about the Limp Bizkit cover.
* EpicRocking: 16-minute song "Everything" is definitely a huge example of this
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* ThrowItIn: The album contains a few of these, due to Ross Robinson's raw production style, including the ending of the album, a 16-minute jam. The band was just jamming, and Ross started recording it, and left the tape on until it ran out. The end of the album is literally the point where they ran out of tape.
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** A good chunk of the album is comprised of these actually, with "Pollution" and "Nobody Loves Me" being particular of note
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#"Intro" 0:48
#"Pollution" 3:52
#"Counterfeit" 5:08
#"Stuck" 5:21
#"Nobody Loves Me" 4:33
#"Sour" 3:33
#"Stalemate" 6:13
#"Clunk" 4:03
#"[[CoverVersion Faith]]" (Music/GeorgeMichael [[CoveredUp cover]]) 3:52[[labelnote:*]]song ends at 2:27; contains hidden track "Blind"[[/labelnote]]
#"Stinkfinger" 3:03
#"Indigo Flow" 2:23
#"Leech" (demo version) 2:11
#"Everything" 16:26
#"Pollution" 3:52
#"Counterfeit" 5:08
#"Stuck" 5:21
#"Nobody Loves Me" 4:33
#"Sour" 3:33
#"Stalemate" 6:13
#"Clunk" 4:03
#"[[CoverVersion Faith]]" (Music/GeorgeMichael [[CoveredUp cover]]) 3:52[[labelnote:*]]song ends at 2:27; contains hidden track "Blind"[[/labelnote]]
#"Stinkfinger" 3:03
#"Indigo Flow" 2:23
#"Leech" (demo version) 2:11
#"Everything" 16:26
to:
#"Pollution" 3:52
#"Counterfeit" 5:08
#"Stuck" 5:21
#"Pollution" (3:52)
#"Counterfeit" (5:08)
#"Stuck" (5:21)
#"Nobody Loves
#"Sour" 3:33
#"Stalemate" 6:13
#"Clunk" 4:03
#"Sour" (3:33)
#"Stalemate" (6:13)
#"Clunk" (4:03)
#"[[CoverVersion Faith]]" (Music/GeorgeMichael [[CoveredUp cover]])
#"Stinkfinger" 3:03
#"Stinkfinger" (3:03)
#"Indigo
#"Leech" (demo
#"Everything" 16:26
#"Everything" (16:26)
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* EpicRocking: 16-minute song "Everything" is definitely a huge example of this trope!
to:
* EpicRocking: 16-minute song "Everything" is definitely a huge example of this trope! "Stalemate" also qualifies, to a lesser extent.
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#"[[CoverVersion Faith]]" (Music/GeorgeMichael [[CoveredUp cover]]) 3:52
#"Stink Finger" 3:03
#"Stink Finger" 3:03
to:
#"[[CoverVersion Faith]]" (Music/GeorgeMichael [[CoveredUp cover]]) 3:52
#"Stink Finger"3:52[[labelnote:*]]song ends at 2:27; contains hidden track "Blind"[[/labelnote]]
#"Stinkfinger" 3:03
#"Stink Finger"
#"Stinkfinger" 3:03
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Refrain From Assuming, much?
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* HiddenTrack: "Faith" itself clocks in at 2:27; the rest of the song is an unlisted interlude commonly referred to as "Stereotype Me".
to:
* HiddenTrack: "Faith" itself clocks in at 2:27; the rest of the song is an unlisted interlude commonly referred to as "Stereotype Me".called "Blind".
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''Three Dollar Bill, Y'all'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emotional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Wes Borland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
to:
''Three Dollar Bill, Y'all'', Y'all$'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emotional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Wes Borland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
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* AlbumTitleDrop: In "Sour", from ''Three Dollar Bill, Y'all$'' (sort of):
to:
* AlbumTitleDrop: In "Sour", from ''Three Dollar Bill, Y'all$'' (sort of):sort of:
* HiddenTrack: "Faith" itself clocks in at 2:27; the rest of the song is an unlisted interlude commonly referred to as "Stereotype Me".
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* MohsScaleOfRockAndMetalHardness: Generally about a 7, occasionally some songs hit a hard 8 or soft 9
to:
* LuckyCharmsTitle: Not only the album itself, but also the track "Nobody Loves Me", which is listed as "Nobody ♥'s Me".
* MohsScaleOfRockAndMetalHardness: Generally about a7, 7; occasionally some songs hit a hard 8 or soft 9
* MohsScaleOfRockAndMetalHardness: Generally about a
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* SomethingCompletelyDifferent: The jam "Everything" is slow and fairly mellow compared to the rest of ''Three Dollar Bill''.
* SurprisinglyGentleSong: "Everything,"
* ThrowItIn: ''Three Dollar Bill, Yall$'' contains a few of these, due to Ross Robinson's raw production style, including the ending of the album, a 16-minute jam. The band was just jamming, and Ross started recording it, and left the tape on until it ran out. The end of the album is literally the point where they ran out of tape.
* SurprisinglyGentleSong: "Everything,"
* ThrowItIn: ''Three Dollar Bill, Yall$'' contains a few of these, due to Ross Robinson's raw production style, including the ending of the album, a 16-minute jam. The band was just jamming, and Ross started recording it, and left the tape on until it ran out. The end of the album is literally the point where they ran out of tape.
to:
* SomethingCompletelyDifferent: The jam "Everything" is slow and fairly mellow compared to the rest of ''Three Dollar Bill''.
the album.
* SurprisinglyGentleSong:"Everything,"
"Everything".
* ThrowItIn:''Three Dollar Bill, Yall$'' The album contains a few of these, due to Ross Robinson's raw production style, including the ending of the album, a 16-minute jam. The band was just jamming, and Ross started recording it, and left the tape on until it ran out. The end of the album is literally the point where they ran out of tape.
* SurprisinglyGentleSong:
* ThrowItIn:
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''Three Dollar Bill, Y'all'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emptional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Wes Borland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
to:
''Three Dollar Bill, Y'all'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emptional emotional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Wes Borland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
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* OutOfGenreExperience: The [[{{Jazz}} Jazz Fusion]] section on "Stuck", especially contrasted with the generally aggressive NuMetal sound of the rest of the song. It happened largely because Fred Durst is a Jazz fan. There was another Jazz part at the end of "Douchebag" on ''Music/GoldCobra''.
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* CoveredUp: With regards to Music/GeorgeMichael's "Faith", to the extent of making people to believe that it's an original song made by them. In spite of the fact that Fred Durst gave interviews to MTV and others talking about the George Michael version, and MTV showing clips from Michael's music video while talking about the Limp Bizkit cover.
Added DiffLines:
* ThrowItIn: ''Three Dollar Bill, Yall$'' contains a few of these, due to Ross Robinson's raw production style, including the ending of the album, a 16-minute jam. The band was just jamming, and Ross started recording it, and left the tape on until it ran out. The end of the album is literally the point where they ran out of tape.
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* NeoclassicalPunkZydecoRockabilly: This album combined NuMetal, FunkMetal and PunkRap, with elements of {{Jazz}}, [[PsychecelicRock Psychedelia]], ThrashMetal and [[HipHop Turntablism]].
to:
* NeoclassicalPunkZydecoRockabilly: This album combined NuMetal, FunkMetal and PunkRap, with elements of {{Jazz}}, [[PsychecelicRock [[PsychedelicRock Psychedelia]], ThrashMetal and [[HipHop Turntablism]].
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Changed line(s) 2,3 (click to see context) from:
''Three Dollar Bill, Y'all'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emptional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Music/WesBorland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
to:
''Three Dollar Bill, Y'all'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emptional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Music/WesBorland's Wes Borland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
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Added DiffLines:
[[quoteright:225:https://static.tvtropes.org/pmwiki/pub/images/download_84.jpeg]]
''Three Dollar Bill, Y'all'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emptional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Music/WesBorland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
The big hits from the album were "[[SignatureSong Counterfeit]]" and the band's [[CoveredUp cover]] of Music/GeorgeMichael's "Faith".
----
!Track listing:
#"Intro" 0:48
#"Pollution" 3:52
#"Counterfeit" 5:08
#"Stuck" 5:21
#"Nobody Loves Me" 4:33
#"Sour" 3:33
#"Stalemate" 6:13
#"Clunk" 4:03
#"[[CoverVersion Faith]]" (Music/GeorgeMichael [[CoveredUp cover]]) 3:52
#"Stink Finger" 3:03
#"Indigo Flow" 2:23
#"Leech" (demo version) 2:11
#"Everything" 16:26
----
!Tropes:
* AlbumTitleDrop: In "Sour", from ''Three Dollar Bill, Y'all$'' (sort of):
-->Maybe you won't, maybe you will,\\
But baby, you're still about as real as a three-dollar bill.
* BreakupSong: "Sour"
* CarefulWithThatAxe:
-->'''Fred:''' You know what's up, dialed into the planet, and God, '''''I LOVE YOUUUUUUUUUUUUU!!!!!'''''
* EpicRocking: 16-minute song "Everything" is definitely a huge example of this trope!
* IntercourseWithYou: Inverted in their cover of "Faith", about turning down sex.
* LampshadeHanging: The sample at the end of "Clunk" lampshades that Limp Bizkit plays ''louder'' than their favorite bands because they can't reproduce the sound of those bands, and that the band performs solely to entertain themselves, not for critical respect.
* LongestSongGoesLast: "Everything" (16:26)
* MohsScaleOfRockAndMetalHardness: Generally about a 7, occasionally some songs hit a hard 8 or soft 9
* NeoclassicalPunkZydecoRockabilly: This album combined NuMetal, FunkMetal and PunkRap, with elements of {{Jazz}}, [[PsychecelicRock Psychedelia]], ThrashMetal and [[HipHop Turntablism]].
* NuMetal[=/=]RapMetal: TropeCodifier.
* OminousPipeOrgan: In "Counterfeit". It's an electric keyboard imitating an organ, but it's put to the same use.
* ShoutOut: "Indigo Flow" entirely consists of this, thanking associates like Music/{{Korn}}, Music/{{Deftones}} and [[Music/HouseOfPain Everlast]].
** During the bridge and ending of "Nobody Loves Me", Durst sings the chorus InTheStyleOf [[Music/{{Tool}} Maynard James Keenan]].
* SomethingCompletelyDifferent: The jam "Everything" is slow and fairly mellow compared to the rest of ''Three Dollar Bill''.
* SurprisinglyGentleSong: "Everything,"
----
''Three Dollar Bill, Y'all'', Music/LimpBizkit's debut album, showed them developing their trademark, [[NuMetal aggressive, but funky sound]] by [[NeoclassicalPunkZydecoRockabilly combining the influences of]] Music/BeastieBoys' snotty attitudes, Music/{{Korn}}'s intense emptional outpouring, Music/{{Primus}}' funky rhythms and nasally vocals (when Fred's not screaming or rapping), Music/{{Deftones}}' sonic experimentation (especially in Music/WesBorland's guitar playing) and some of Music/{{Tool}}'s spacey vocals and instrumentation, to create an album that [[EnsembleDarkHorse even some of the band's detractors admit is not bad]]. It didn't necessarily have the best reviews or sales early on, but extensive touring eventually made it a hit and it did get some good reviews.
The big hits from the album were "[[SignatureSong Counterfeit]]" and the band's [[CoveredUp cover]] of Music/GeorgeMichael's "Faith".
----
!Track listing:
#"Intro" 0:48
#"Pollution" 3:52
#"Counterfeit" 5:08
#"Stuck" 5:21
#"Nobody Loves Me" 4:33
#"Sour" 3:33
#"Stalemate" 6:13
#"Clunk" 4:03
#"[[CoverVersion Faith]]" (Music/GeorgeMichael [[CoveredUp cover]]) 3:52
#"Stink Finger" 3:03
#"Indigo Flow" 2:23
#"Leech" (demo version) 2:11
#"Everything" 16:26
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!Tropes:
* AlbumTitleDrop: In "Sour", from ''Three Dollar Bill, Y'all$'' (sort of):
-->Maybe you won't, maybe you will,\\
But baby, you're still about as real as a three-dollar bill.
* BreakupSong: "Sour"
* CarefulWithThatAxe:
-->'''Fred:''' You know what's up, dialed into the planet, and God, '''''I LOVE YOUUUUUUUUUUUUU!!!!!'''''
* EpicRocking: 16-minute song "Everything" is definitely a huge example of this trope!
* IntercourseWithYou: Inverted in their cover of "Faith", about turning down sex.
* LampshadeHanging: The sample at the end of "Clunk" lampshades that Limp Bizkit plays ''louder'' than their favorite bands because they can't reproduce the sound of those bands, and that the band performs solely to entertain themselves, not for critical respect.
* LongestSongGoesLast: "Everything" (16:26)
* MohsScaleOfRockAndMetalHardness: Generally about a 7, occasionally some songs hit a hard 8 or soft 9
* NeoclassicalPunkZydecoRockabilly: This album combined NuMetal, FunkMetal and PunkRap, with elements of {{Jazz}}, [[PsychecelicRock Psychedelia]], ThrashMetal and [[HipHop Turntablism]].
* NuMetal[=/=]RapMetal: TropeCodifier.
* OminousPipeOrgan: In "Counterfeit". It's an electric keyboard imitating an organ, but it's put to the same use.
* ShoutOut: "Indigo Flow" entirely consists of this, thanking associates like Music/{{Korn}}, Music/{{Deftones}} and [[Music/HouseOfPain Everlast]].
** During the bridge and ending of "Nobody Loves Me", Durst sings the chorus InTheStyleOf [[Music/{{Tool}} Maynard James Keenan]].
* SomethingCompletelyDifferent: The jam "Everything" is slow and fairly mellow compared to the rest of ''Three Dollar Bill''.
* SurprisinglyGentleSong: "Everything,"
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