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* AsTheGoodBookSays: Black Francis loves allusions to the Old Testament.

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* SurrealHumour: Francis loves this.

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* SurrealHorror: Francis loves this.
* SurrealHumour: Francis also loves this.
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* NightmareFetishist: Black Francis gleefully sings about molestation, EyeScream and violent Old Testament stories, among other things.

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* NightmareFetishist: Black Francis gleefully sings about molestation, EyeScream and violent Old Testament stories, among other things.things, though he toned it down on later albums.
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* NightmareFetishist: Black Francis.

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* NightmareFetishist: Black Francis.Francis gleefully sings about molestation, EyeScream and violent Old Testament stories, among other things.
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Another highly influential 1980s AlternativeRock band that reached a moderate level of popularity but enjoyed widespread critical acclaim. [[BigNameFan Famous fans]] include: [[Music/ModestMouse Isaac Brock]], [[Music/{{Nirvana}} Kurt Cobain]], Music/DavidBowie, Music/{{Radiohead}}, Music/PJHarvey, Music/{{Weezer}}, [[Music/{{U2}} Bono]], and [[Music/TheSmashingPumpkins Billy Corgan]], among others.

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Another highly influential 1980s AlternativeRock band that reached a moderate level of popularity but enjoyed widespread critical acclaim. [[BigNameFan Famous fans]] include: [[Music/ModestMouse Isaac Brock]], [[Music/{{Nirvana}} Kurt Cobain]], Music/KurtCobain, Music/DavidBowie, Music/{{Radiohead}}, Music/PJHarvey, Music/{{Weezer}}, [[Music/{{U2}} Bono]], and [[Music/TheSmashingPumpkins Billy Corgan]], among others.

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->''[[SuddenlyShouting Then GOD IS SEVEN!]]"''
-->-- '''Pixies''', "Monkey Gone to Heaven" - ''Music/{{Doolittle}}''.

->''"We can play loud or quiet — that's it."''
-->-- '''Black Francis''', quoted in the article [[http://aleceiffel.free.fr/gods.html "The Pixies: Gods of Almost Pop"]]

->''"In 1988, the Pixies sounded like no other band. By 1991, [[FollowTheLeader every band sounded like the Pixies]]."''
-->-- '''bogoslav''', contributor to [=RateYourMusic.com=]

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->''[[SuddenlyShouting Then GOD ->''Then'' '''GOD IS SEVEN!]]"''
SEVEN!'''''"''
-->-- '''Pixies''', "Monkey Gone to Heaven" - ''Music/{{Doolittle}}''.

->''"We can play loud or quiet — that's it."''
-->-- '''Black Francis''', quoted in the article [[http://aleceiffel.free.fr/gods.html "The Pixies: Gods of Almost Pop"]]

->''"In 1988, the Pixies sounded like no other band. By 1991, [[FollowTheLeader every band sounded like the Pixies]]."''
-->-- '''bogoslav''', contributor to [=RateYourMusic.com=]
Heaven", ''Music/{{Doolittle}}''
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Another highly influential 1980s AlternativeRock band that reached a moderate level of popularity but enjoyed widespread critical acclaim. Famous fans include: [[Music/ModestMouse Isaac Brock]], [[Music/{{Nirvana}} Kurt Cobain]], Music/DavidBowie, Music/{{Radiohead}}, Music/PJHarvey, Music/{{Weezer}}, [[Music/{{U2}} Bono]], and [[Music/TheSmashingPumpkins Billy Corgan]], among others.

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Another highly influential 1980s AlternativeRock band that reached a moderate level of popularity but enjoyed widespread critical acclaim. [[BigNameFan Famous fans fans]] include: [[Music/ModestMouse Isaac Brock]], [[Music/{{Nirvana}} Kurt Cobain]], Music/DavidBowie, Music/{{Radiohead}}, Music/PJHarvey, Music/{{Weezer}}, [[Music/{{U2}} Bono]], and [[Music/TheSmashingPumpkins Billy Corgan]], among others.
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* PopPunk: An UrExample with their melodic songs cranked up to eleven.
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* AudienceParticipationSong: There's a video on YouTube of the audience shouting the lyrics to "Stormy Weather" during (appropriately enough) a performance hit by thunderstorm.

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* AudienceParticipationSong: There's a video on YouTube Website/YouTube of the audience shouting the lyrics to "Stormy Weather" during (appropriately enough) a performance hit by thunderstorm.

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* RearrangeTheSong: The band began playing a drastically slower and creepier sounding version of "Wave of Mutilation" live, which proved very popular with the fans and was recorded in studio as the B-side "Wave of Mutilation (UK Surf Version)". Later on, they have been known to play both the fast and slow versions in the same set list.



* ShoutOut: To ''Film/UnChienAndalou'' in "Debaser."

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* ShoutOut: ShoutOut:
**
To ''Film/UnChienAndalou'' in "Debaser."



** The spelling of P-I-X-I-E-S on "Cactus" is a reference to a [[Music/MarcBolan T. Rex]] song in which they do the same thing.

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** The spelling of P-I-X-I-E-S by the backing vocals on "Cactus" is a reference to a [[Music/MarcBolan T. Rex]] song in which they do the same thing.
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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", "There Goes My Gun", and "Velouria", make copious use of 7/4 or 14/4. "Brick Is Red" has an opening with 10/4 (4+4+2) and 14/4 (4+4+4+2), and "Oh My Golly" and "Alec Eiffel" use 11/4 at various points. "Bird Dream of the Olympus Mons" is in 9/4. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song. Black Francis has noted that he listened to a lot of Music/EmersonLakeAndPalmer and Music/CaptainBeefheart growing up; this may be part of the explanation for his frequent use of this trope.

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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", "There Goes My Gun", and "Velouria", make copious use of 7/4 or 14/4. "Brick Is Red" has an opening with 10/4 (4+4+2) and 14/4 (4+4+4+2), and "Oh My Golly" and "Alec Eiffel" use 11/4 at various points. "Bird Dream of the Olympus Mons" is almost entirely in 9/4. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song. Black Francis has noted that he listened to a lot of Music/EmersonLakeAndPalmer and Music/CaptainBeefheart growing up; this may be part of the explanation for his frequent use of this trope.
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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", "There Goes My Gun", and "Velouria", make copious use of 7/4 or 14/4. "Brick Is Red" has an opening with 10/4 (4+4+2) and 14/4 (4+4+4+2), and "Oh My Golly" and "Alec Eiffel" use 11/4 at various points. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song. Black Francis has noted that he listened to a lot of Music/EmersonLakeAndPalmer and Music/CaptainBeefheart growing up; this may be part of the explanation for his frequent use of this trope.

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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", "There Goes My Gun", and "Velouria", make copious use of 7/4 or 14/4. "Brick Is Red" has an opening with 10/4 (4+4+2) and 14/4 (4+4+4+2), and "Oh My Golly" and "Alec Eiffel" use 11/4 at various points. "Bird Dream of the Olympus Mons" is in 9/4. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song. Black Francis has noted that he listened to a lot of Music/EmersonLakeAndPalmer and Music/CaptainBeefheart growing up; this may be part of the explanation for his frequent use of this trope.
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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", "There Goes My Gun", and "Velouria", make copious use of 7/4 or 14/4. "Brick Is Red" has an opening with 10/4 (4+4+2) and 14/4 (4+4+4+2), and "Oh My Golly" uses 11/4 at various points. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song. Black Francis has noted that he listened to a lot of Music/EmersonLakeAndPalmer and Music/CaptainBeefheart growing up; this may be part of the explanation for his frequent use of this trope.

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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", "There Goes My Gun", and "Velouria", make copious use of 7/4 or 14/4. "Brick Is Red" has an opening with 10/4 (4+4+2) and 14/4 (4+4+4+2), and "Oh My Golly" uses and "Alec Eiffel" use 11/4 at various points. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song. Black Francis has noted that he listened to a lot of Music/EmersonLakeAndPalmer and Music/CaptainBeefheart growing up; this may be part of the explanation for his frequent use of this trope.
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* MinisculeRocking: A lot of their songs are under two minutes long - just between the first four albums, ''Complete 'B' Sides'', and ''Come On Pilgrim'', you have nineteen examples. "Allison", at 1:18, takes the cake, though.

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* BoleroEffect: Despite the self-deprecating page quote above, they have a few songs with crescendi. "River Euphrates" and "No. 13 Baby" are probably the most noteworthy.

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* BoleroEffect: Despite the self-deprecating page quote above, they have a few songs with crescendi. "River Euphrates" and "No. 13 Baby" are probably the most noteworthy. "Gouge Away" also employs crescendi before each verse.



* MoodWhiplash: A lot of songs, especially given the band's signature quiet verse/loud chorus (or occasionally, loud verse/quiet chorus) contrast. Often, there'll also be mood whiplash between songs. The first three songs on ''Bossanova'' provide a particularly pertinent example.



** The formula is inverted by "Bone Machine", which has loud verses and a quiet chorus.

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** The formula is inverted by "Bone Machine", which has loud verses and a quiet chorus. "Gouge Away" also inverts it.
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* EpicInstrumental: The first 1:13 of "Brick Is Red" are instrumental. That might not seem like all that long by the standards of this trope, but the song itself only runs for 2:02.

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* EpicInstrumental: EpicInstrumentalOpener: The first 1:13 of "Brick Is Red" are instrumental. That might not seem like all that long by the standards of this trope, but the song itself only runs for 2:02.
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** "Besando, chichando con Surfer Rosa" ("Oh My Golly!") translates as "kissing, fucking with Surfer Rosa".
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** BlackIsBiggerInBed: Also "Gigantic".

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* ContemptibleCover: ''Surfer Rosa'', with its topless flamenco dancer.

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* ContemptibleCover: ''Surfer Rosa'', with its topless flamenco dancer.dancer, though it's pretty tasteful by the standards of this trope.



* EpicInstrumental: The first 1:13 of "Brick Is Red" are instrumental. That might not seem like all that long by the standards of this trope, but the song itself only runs for 2:02.



** "All Over the World", "The Happening", and "No. 13 Baby" also have elements of this, though it should be noted that none of them actually exceed six minutes. They could be considered somewhat to be condensed examples of this, since they abandon the band's traditional verse/chorus/bridge structure for much weirder song structures.

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** "All Over the World", "The Happening", and "No. 13 Baby" also have elements of this, though it should be noted that none of them these examples actually exceed six minutes. They could be considered somewhat to be condensed examples of this, since they abandon the band's traditional verse/chorus/bridge structure for much weirder song structures.



* LyricalDissonance: "Wave of Mutilation", "Gigantic", "Here Comes Your Man", "Debaser", etc.

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* LyricalDissonance: "Wave of Mutilation", "Gigantic", "Here Comes Your Man", "Debaser", etc."Debaser"... really, almost all their songs.
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** "I am un chien andalusia" (from "Debaser") might be one for listeners unfamiliar with the film ''Film/UnChienAndalou''.


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** "Crackity Jones".
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** "There Goes My Gun".

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** "Something Against You" is another noteworthy example, since in addition to Francis' traditional CarefulWithThatAxe, his vocals are also extremely distorted.
** While CarefulWithThatAxe in general results in a lot of these, some other songs qualify as much due to the speed at which Francis sings them, such as "Oh My Golly!" and "Crackity Jones".

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** "Something Against You" is another noteworthy example, since in addition to Francis' traditional CarefulWithThatAxe, his vocals are also extremely distorted.
distorted. Though downplayed, since most of the lyrics are just "I've got something against you".
** While CarefulWithThatAxe in general results in a lot of these, some other songs qualify as much due to the [[MotorMouth speed at which Francis sings them, them]], such as "Oh My Golly!" and "Crackity Jones".Jones". Doubly so if they're in Spanish, as almost all of "Oh My Golly!" is (really, only the title is in English).


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* MotorMouth: Several songs are examples of this. "Oh My Golly!" combines this with Spanish.

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* IndecipherableLyrics: "Rock Music". Don't even bother looking in the ''Bossanova'' booklet, that song wasn't included in the printed lyrics.

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* IndecipherableLyrics: "Rock Music". Don't even bother looking in the ''Bossanova'' booklet, booklet; that song wasn't included in the printed lyrics.lyrics.
** "Something Against You" is another noteworthy example, since in addition to Francis' traditional CarefulWithThatAxe, his vocals are also extremely distorted.
** While CarefulWithThatAxe in general results in a lot of these, some other songs qualify as much due to the speed at which Francis sings them, such as "Oh My Golly!" and "Crackity Jones".

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** "All Over the World", "The Happening", and "No. 13 Baby" also have elements of this, though it should be noted that none of them actually exceed six minutes. They could be considered somewhat to be condensed examples of this, since they abandon the band's traditional verse/chorus/bridge structure for much weirder song structures.



* ThreeChordsAndTheTruth: Kind of zigzagged, since they usually have fairly simple chorus/verse/bridge structure without all that many chords, but they often use unusual chord progressions and rhythms (see UncommonTime below), and some of their songs ("No. 13 Baby", "The Happening", etc.) use highly unusual song structures as well. ("No. 13 Baby" is practically a proto-PostRock song.)

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* ThreeChordsAndTheTruth: Kind of zigzagged, since they usually have fairly simple chorus/verse/bridge structure without all that many chords, but they often use unusual chord progressions and rhythms (see UncommonTime below), and some of their songs ("No. 13 Baby", "All Over the World", "The Happening", etc.) use highly unusual song structures as well. ("No. 13 Baby" is practically a proto-PostRock song.)
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* LimitedLyricsSong: Quite a few, though "Stormy Weather" has to take the cake ("It is time for stormy weather" are literally the only words in the song).
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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", and "Velouria", make copious use of compound meters like 7/4. "Brick Is Red" has an opening with 10/4 and 14/4, and "Oh My Golly" uses 11/4 at various points. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song.

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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", "There Goes My Gun", and "Velouria", make copious use of compound meters like 7/4. 7/4 or 14/4. "Brick Is Red" has an opening with 10/4 (4+4+2) and 14/4, 14/4 (4+4+4+2), and "Oh My Golly" uses 11/4 at various points. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song. Black Francis has noted that he listened to a lot of Music/EmersonLakeAndPalmer and Music/CaptainBeefheart growing up; this may be part of the explanation for his frequent use of this trope.
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* BoleroEffect: Despite the self-deprecating page quote above, they have a few songs with crescendi. "River Euphrates" and "No. 13 Baby" are probably the most noteworthy.
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* ThreeChordsAndTheTruth

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* ThreeChordsAndTheTruthThreeChordsAndTheTruth: Kind of zigzagged, since they usually have fairly simple chorus/verse/bridge structure without all that many chords, but they often use unusual chord progressions and rhythms (see UncommonTime below), and some of their songs ("No. 13 Baby", "The Happening", etc.) use highly unusual song structures as well. ("No. 13 Baby" is practically a proto-PostRock song.)



* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", and "Velouria", make copious use of compound meters like 7/4.

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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", and "Velouria", make copious use of compound meters like 7/4. "Brick Is Red" has an opening with 10/4 and 14/4, and "Oh My Golly" uses 11/4 at various points. This is undoubtedly nowhere near a complete list; this trope could almost be considered part of the band's SignatureStyle, though it doesn't appear in every song.
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* UncommonTime: Several songs, such as "River Euphrates", "No. 13 Baby", and "Velouria", make copious use of compound meters like 7/4.
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* NoBudget: "Velouria"'s infamous music video. To have the song play on the UK's Top of the Pops to promote it while it was charting, it either needed a music video, or for them to fly to London and mime to a backing track in the studio. Not actually having money or time on hand to make a full video, the band just decided "screw it" and filmed 23 seconds of footage of them running towards a camera from across a quarry and stretched it out to the full length of the song.

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