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* InformationWantsToBeFree: The goal of the Starset Society thanks to Thomas' transmissions being the catalyst, no matter if the oppressive futures try to invade the present or if any malevolent parties in the present try to interfere.

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Put the point under Metal Scream about "Everglow" under Overly Long Scream.


** The scream in the outro for "Everglow" gets a special mention for being 30 seconds long... All in one take.


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* OverlyLongScream: The scream in the outro for "Everglow" is 30 seconds long... And it was done in one take. Outside of it being a long song, it's no wonder it's not performed live.
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** The flags that Brock and Ron (and sometimes Siobhan) during "TRIALS".

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** The flags that Brock and Ron (and sometimes Siobhan) wave during "TRIALS".
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Added Iconic Outfit and Iconic Item under the Band & Demonstrations folder.

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* IconicItem
** The transparent touchscreen during the ''Transmissions'' and ''Vessels'' eras.
** The flags that Brock and Ron (and sometimes Siobhan) during "TRIALS".
* IconicOutfit
** The spacesuits that Ron, Brock, and Adam have worn since the band's beginnings.
** Dustin's glasses, white collared shirt, and bowtie.
** The entire rebel themed outfits.
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Added more to Metal Scream thanks for producer Rob Graves' session walkthrough of "Everglow".

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** The scream in the outro for "Everglow" gets a special mention for being 30 seconds long... All in one take.
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[[foldercontrol]]
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Added Story Arc.

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* StoryArc: An interesting example in regards to a band, especially for hard rock/metal. Every album marks a significant transition in the story with the associated materials from the novels and their social media expanding upon the events. ''Transmissions'' acts as the story's beginning: after enduring the violent struggle surrounding the acquisition of Thomas Bell's transmissions, Aston Wise establishes the Starset Society and gets into contact with an old acquaintance who he felt could help spread the Message of the society; this person being Dustin Bates, himself. This eventually culminates in ''Transmissions'' being released and Starset being formed.
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Zuzana is part of Lost Symphony now.


+ Lost Symphony (Cronin)

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+ Lost Symphony (Cronin)(Cronin, Engererova)

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* BackToCameraPose: The [[https://cloudinary-cdn.ffm.to/s--rMQtuOfT--/f_png/https%3A%2F%2Fimagestore.ffm.to%2Flink%2F9493d9f179317874e8dcbe9a9fba12ba.png cover]] of "Waiting on the Sky to Change" shows an astronaut with their back to the audience, standing on a rocky outcrop and looking forward into a triangular portal in the sky, through which an enormous eclipse can be seen. A variation on this image appears at the start of [[https://www.youtube.com/watch?v=baQVB2W1KAQ the music video]]; some environmental details are changed, including swapping the eclipse for a plain starry sky.



* CuteMachines: The robot worker protagonist of the music video for "Back to The Earth". Many viewers have noted that the robot looks similar to the titular character from ''WesternAnimation/WallE''. This trope can also be applied to the Echo Unit as seen in the music video for "ECHO".

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* CuteMachines: The robot worker protagonist of the music video for "Back to The the Earth". Many viewers have noted that the robot looks similar to the titular character from ''WesternAnimation/WallE''. This trope can also be applied to the Echo Unit as seen in the music video for "ECHO".

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* August 19th, 2022 - [[https://www.youtube.com/watch?v=baQVB2W1KAQ Waiting on the Sky to Change]][[note]]w/ Music/BreakingBenjamin[[/note]]

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* August 19th, 2022 - [[https://www.youtube.com/watch?v=baQVB2W1KAQ Waiting on the Sky to Change]][[note]]w/ Music/BreakingBenjamin[[/note]]
Change]] (with Music/BreakingBenjamin)

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* LotusEaterMachine: The [=BMIs=] (Brain Machine Interface) within ''DIVISIONS'' and ''HORIZON'''s lore allow their users to experience whatever they want, whenever they want, resulting in a population that is completely subservient since they can just live in an ideal world in their minds and ignore everything else. Not everyone is happy with this, as the video for "THE BREACH" shows.

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* IndenturedServitude: Invoked by name in the music video for "ICARUS", during the section featuring the BMI's Werk app.
* LotusEaterMachine: The [=BMIs=] (Brain Machine Interface) within ''DIVISIONS'' and ''HORIZON'''s lore allow their users to experience whatever they want, whenever they want, resulting in a population that is completely subservient since they can just live in an ideal world in their minds and ignore everything else. Not everyone is happy with this, as the video for "THE BREACH" shows.shows, and the horrific effects of the BMI's apps are on full display in the videos for "SYMBIOTIC" and "ICARUS".



* PeoplePuppets: The music video for "SYMBIOTIC" invokes this as [[spoiler: the man making use of the BMI's Voyeur app is able to take control of the body of the celebrity he is seeing through the eyes of due to a glitch, proceeding to cause a bloodbath in the process before he is forced out of the body. Needless to say, the celebrity isn't too thrilled with this development.]]

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* PeoplePuppets: PeoplePuppets:
**
The music video for "SYMBIOTIC" invokes this as [[spoiler: the man making use of the BMI's Voyeur app is able to take control of the body of the celebrity he is seeing through the eyes of due to a glitch, proceeding to cause a bloodbath in the process before he is forced out of the body. Needless to say, the celebrity isn't too thrilled with this development.]]]]
** The music video for "ICARUS" invokes this, as [[spoiler: the BMI's Werk app puppets the user's body to keep it working while the user's mind is sent on vacation]].
* ThePowerOfLust: Invoked in the video for "ICARUS" by [[spoiler: the BMI's E-Scort app successfully manipulating the user into substantial debt via in-app purchases to undress the titular E-Scort]].



** The existence of [[LaResistance rebels aiming to fight against the New East and the [=BMI=]]] can be seen in the theme of the band's demonstrations alongside the video for "THE BREACH". They are shown to be able to cut off people from a system known as the ARCHITECTURE, allowing those who desire to time to escape before the connection is reestablished.

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** The existence of [[LaResistance rebels aiming to fight against the New East and the [=BMI=]]] can be seen in the theme of the band's demonstrations alongside the video for "THE BREACH". They are shown to be able to cut off people from a system known as the ARCHITECTURE, allowing those who desire to time to escape before the connection is reestablished. They also counter the New East's propaganda in "ICARUS" by showing the truth of each app advertised.

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Actually I was right originally-


* TwentyMinutesIntoTheFuture: The settings of both timelines exist within the time frame of the 2030s and 2040s with the initial transmissions that started the story originating from 2047.



* TwentyMinutesIntoTheFuture: The settings of both timelines exist within the time frame of the 2030s and 2040s with the initial transmissions that started the story originating from 2047.
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* SeriesContinuityError: The music video for "Halo", which depicts a part of Thomas' search for Haley, designates the year as 2044. This contradicts the timeline since Thomas arrives onto Prox in 2046 with him sending the transmissions a year later in 2047. The events of "Halo" would have to be within the 2047 time frame.

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* SeriesContinuityError: The music video for "Halo", which depicts a part of Thomas' search for Haley, designates the year as 2044. This contradicts the timeline since Thomas arrives onto Prox in 2046 with him sending the transmissions a year later in 2047. The events of "Halo" would have to be within the 2047 time frame. The same video also contradicts what Haley's last name is; the video says it's Borden while the comic in the booklet for ''Transmissions'' says it's Rochester.
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* Dramatization: The music video for "My Demons" is stated to be one right as the video starts, depicting the events that lead to the beginning of the Starset story (Thomas sending the transmissions then Stephen Browning and Nikola Tesla receiving them in their respective years).

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* Dramatization: {{Dramatization}}: The music video for "My Demons" is stated to be one right as the video starts, depicting the events that lead to the beginning of the Starset story (Thomas sending the transmissions then Stephen Browning and Nikola Tesla receiving them in their respective years).

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Put Twenty Minutes Into The Future in its correct position alphabetically and added Dramatization.


* TwentyMinutesIntoTheFuture: The settings of both timelines exist within the time frame of the 2030s and 2040s with the initial transmissions that started the story originating from 2047.


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* Dramatization: The music video for "My Demons" is stated to be one right as the video starts, depicting the events that lead to the beginning of the Starset story (Thomas sending the transmissions then Stephen Browning and Nikola Tesla receiving them in their respective years).


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* TwentyMinutesIntoTheFuture: The settings of both timelines exist within the time frame of the 2030s and 2040s with the initial transmissions that started the story originating from 2047.
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* YouAreNumberSix: While it's uncertain whether this is a stylistic choice or something that connects to the narrative, each member of the band is given a member number. In order, they are 3301 (Dustin), 5501 (Ron), 5502 (Brock), 5503 (Adam), 7701 (Siobhan), 7702 (Zuzana), and 7703 (Cory). The fanbase as a whole is given one collective member number: 5001. These numbers can be seen on the band's jackets both for members and VIPs.

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* YouAreNumberSix: While it's uncertain whether this is a stylistic choice or something that connects to the narrative, each member of the band is given a member number. In order, they are 3301 (Dustin), 5501 (Ron), 5502 (Brock), 5503 (Adam), 7701 (Siobhan), 7702 (Zuzana), and 7703 (Cory). The fanbase as a whole is given one collective member number: 5001. These numbers can be seen on the band's jackets both for members and VIPs.[=VIPs=].
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Added You Are Number Six. Probably the wrong trope for the usage here but this was close, I think.

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* YouAreNumberSix: While it's uncertain whether this is a stylistic choice or something that connects to the narrative, each member of the band is given a member number. In order, they are 3301 (Dustin), 5501 (Ron), 5502 (Brock), 5503 (Adam), 7701 (Siobhan), 7702 (Zuzana), and 7703 (Cory). The fanbase as a whole is given one collective member number: 5001. These numbers can be seen on the band's jackets both for members and VIPs.
** Interestingly enough, Dustin has his tattooed on the left side of his neck, albeit in the form of symbols.
** Dustin has mentioned that the numbers do have lore behind them, it's just that nothing has been mentioned about what that lore specifically is.
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* GriefSong: "Let It Die" is remarkably unsubtle about this. The aforementioned grief could be to due a person someone cares for leaving their life for various reasons, the person is on their death bed, or some other form of significant loss. However, the song also shares the message that [[MovingBeyondBereavement letting go is the best course of action in response.]]

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* GriefSong: "Let It Die" is remarkably unsubtle about this. The aforementioned grief could be to due to a person someone cares for leaving their life for various reasons, the person is on their death bed, or some other form of significant loss. However, the song also shares the message that [[MovingBeyondBereavement letting go is the best course of action in response.]]



There's no dreams in the waves, only monsters\\

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There's no dreams in the waves, lakes, only monsters\\
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* CrapsackWorld: No matter what timeline, the future is painted in this manner. In one outcome, poverty and oppression are aplenty with war on the rise both on Earth itself and on Prox in the Bernard's Star system. In the other, a totalitarian government is able to control its citizens with the use of the [[LotusEaterMachine Brain Machine Interface]] and can easily put a person out of commission by trapping them within their minds if they fall out of line. [[SarcasmMode Fun!]]

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* CrapsackWorld: No matter what timeline, the future is painted in this manner. In one outcome, poverty and oppression are aplenty with war on the rise both on Earth itself and on Prox in the Bernard's Star system. In the other, a totalitarian government is able to control its citizens with the use of the [[LotusEaterMachine Brain Machine Interface]] and can easily put a person out of commission by trapping them within their minds if they fall out of line. [[SarcasmMode Fun!]]Fun!
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Proper and simpler format


A few songs, specifically "Unbecoming" and "Monster" from ''Vessels'' alongside "INFECTED" from ''HORIZONS'', saw an additional rise in popularity for the band thanks to their usage and collaboration in regards to the mobile game [[VideoGame/{{Arknights}} Arknights]]. In fact, a lot of their popularity is thanks to the gaming and anime communities due to their uses in [[{{Fanvid}} fan videos]], something the band fully supports if their [[OfficialFanSubmittedContent fanart based]] [[https://www.youtube.com/watch?v=WzohzJCTm2E music video for "TRIALS"]] is anything to go by.

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A few songs, specifically "Unbecoming" and "Monster" from ''Vessels'' alongside "INFECTED" from ''HORIZONS'', saw an additional rise in popularity for the band thanks to their usage and collaboration in regards to the mobile game [[VideoGame/{{Arknights}} Arknights]].''VideoGame/{{Arknights}}''. In fact, a lot of their popularity is thanks to the gaming and anime communities due to their uses in [[{{Fanvid}} fan videos]], something the band fully supports if their [[OfficialFanSubmittedContent fanart based]] [[https://www.youtube.com/watch?v=WzohzJCTm2E music video for "TRIALS"]] is anything to go by.
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Added video source for quote.


--> '''Dustin:''' It used to be, back in the day, that our stuff would break. Now we're breaking the venue's stuff.

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--> '''Dustin:''' [[https://youtu.be/N5qm-hJ7H9s?t=3733 It used to be, back in the day, that our stuff would break. Now we're breaking the venue's stuff.]]
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Changed the footer's flavor text to something more fitting...


--> And though this story is not inevitable and a society does evolve... \\
We can change ''our fate.'' We can change ''the future.'' We can change ''the past.''

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--> And though this story is not inevitable and a society does evolve... \\
We can change ''our fate.'' We can change ''the future.'' We can change ''the past.''
This article has been approved for release by the Starset Society.
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Added Shout Out.

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* ShoutOut: A clip from an interview with Carl Sagen plays during the instrumental part of the bridge in "My Demons"; showing him explaining that if we don't retain our critical thinking in regards to the world around us, then we'll be at greater risk of manipulation; a belief that is shared with both Starset and the Starset Society as a whole.
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* CarefulWithThatAxe: Dustin takes the axe and swings it with purpose. The latter half of "Everglow" is the most notable example due to the song suddenly going quiet before it immediately goes heavy with an accompanying scream from Bates.
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* NotChristianRock: "My Demons" sounds almost like something off a Music/{{Skillet}} album with lyrics like "I need a savior to heal my pain".
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Fixed up Ron's last name in the float box!


+ Downplay (Bates, Ron)

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+ Downplay (Bates, Ron)De''''Chant)
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Edited related acts so that they're with last names. Ron's is kept untouched, however, since the formatting that keeps his last name from turning into a Wiki Word link breaks the float box.


+ Downplay (Dustin, Ron)
+ MNQN (Dustin)
+ Live My Last (Brock)
+ Lost Symphony (Siobhan)

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+ Downplay (Dustin, (Bates, Ron)
+ MNQN (Dustin)
(Bates)
+ Live My Last (Brock)
(Richards)
+ Lost Symphony (Siobhan)(Cronin)
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Added secondary image.

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[[quoteright:350:[[labelnote:Click here to see the principal members in their space themed attire.]]https://static.tvtropes.org/pmwiki/pub/images/early_starset.png \\
Left to Right: Brock Richards, Dustin Bates, Adam Gilbert, Ron [=DeChant=][[/labelnote]]]]
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* SeriesContinuityError: The music video for "Halo", which depicts a part of Thomas' search for Haley, designates the year as 2044. This contradicts the timeline since Thomas arrives onto Prox in 2046 with him sending the transmissions a year later in 2047. The events of "Halo" would have to be within the 2047 time frame.


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* WhatWereYouThinking: Thomas asks this in regards to himself when he begins his trek across Prox to find Haley.
--> '''Thomas:''' Borden, it is looking increasingly unlikely that I will make it back alive, but I must continue. She means too much.\\
'''Thomas:''' ''[Literally the next panel.]'' What am I thinking, Quasi? What are my chances anyway?

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