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* "Tone Float" (1969 - as Organisation) [[hottip:*:The common CD edition of this album, released without the band's consent (as they've disowned their first four LP's) amends the credit to 'Kraftwerk/Organisation'.]]
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Their songs mainly have to do with technology ("Kraftwerk" is German for "Power Plant"). Their gimmick basically was that they were robots; Kraftwerk will often put on concerts and give interviews through robotic replicas of themselves. The robots became less and less human-like over the years.

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Their songs mainly have to do with technology ("Kraftwerk" is German for "Power Plant"). Their gimmick basically [[KayfabeMusic gimmick]] was that they were robots; Kraftwerk will often put on concerts and give interviews through robotic replicas of themselves. The robots became less and less human-like over the years.
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* KeepCirculatingTheTapes: Ralph Hutter has disowned their first three albums as [[OldShame "prehistoric"]], and thus they will never be legally reprinted.
** Although it seems that Hutter has had a change of mind recently, with hints that they might be restored and made available sometime after they release another studio album.

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* KeepCirculatingTheTapes: Ralph Hutter Hütter has disowned their first three albums as [[OldShame "prehistoric"]], and thus they will never be legally reprinted.
** Although it seems that Hutter Hütter has had a change of mind recently, with hints that they might be restored and made available sometime after they release another studio album.
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* {{Trope 2000}}: The single Expo 2000, filled with repeating soundbytes of different voices saying "das einundzwanzigsten jahrhundert"/"the twenty-first century" throughout.

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* {{Trope 2000}}: The single Expo 2000, filled with repeating soundbytes of different voices saying "das einundzwanzigsten einundzwanzigste jahrhundert"/"the twenty-first century" throughout.
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* MachineMonotone: Emulated in the vocals of some of their songs, most prominently, "The Robots."
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* EveryEpisodeEnding: Ever since their 1990 tour, Musique Non-Stop has closed all regular Kraftwerk concerts. Part MeaningfulName, this also gives each band member a brief solo before he leaves the stage. With the current stage layout, it's also the only indication of ''what'' each of the band members actually do during a concert.
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* MundaneMadeAwesome: Pocket Calculator

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* MundaneMadeAwesome: A common theme, although the best-known examples would be Autobahn and Pocket CalculatorCalculator.
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* LoopedLyrics[=/=]TitleOnlyChorus

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* LoopedLyrics[=/=]TitleOnlyChorusLoopedLyrics[=/=]TitleOnlyChorus: Several songs, almost the majority of them in fact.

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* LoopedLyrics

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* LoopedLyricsLoopedLyrics[=/=]TitleOnlyChorus


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* MundaneMadeAwesome: Pocket Calculator
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--> "By pressing down a special key, it plays a little melody."

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** "The Robots": ''"Я твои слуга, я твои работник."'' [[spoiler: "I'm your slave, I'm your worker."]]

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** "The Robots": ''"Я твои твой слуга, я твои твой работник."'' [[spoiler: "I'm your slave, servant, I'm your worker."]]
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* RealSongThemeTune: Happened at least twice. For its initial 1983-1990 run, the {{Edutainment}} show ''Newton's Apple'' used "Ruckzuck" (from their long-disowned debut album) as its theme (it was replaced for the home soundtrack due to licensing issues), and the ''SaturdayNightLive'' sketch "Sprockets" used a sped up version of "Electric Café"'s first couple of seconds.

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* RealSongThemeTune: Happened at least twice. For its initial 1983-1990 run, the {{Edutainment}} show ''Newton's Apple'' used "Ruckzuck" (from their long-disowned debut album) as its theme (it was replaced for the home soundtrack due to licensing issues), and the ''SaturdayNightLive'' sketch "Sprockets" used a sped up up[[hottip:*:specifically, playing a 33RPM record at 45RPM]] version of "Electric Café"'s first couple of seconds.
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** AdaptationDistillation: The version [[http://www.youtube.com/watch?v=mZgULbLm5do played live]], post-''The Mix'', is compressed down to 9 minutes, but retains all the high points of the original.

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* BunnyEarsLawyer[=/=]ReclusiveArtist: They rarely give interviews. They usually uses dummies or custom-made robots for promo photo shoots instead of themselves. All we know about their studio is its name. They are also extremely hard to contact with. For example, their studio telephone didn't have a ringer because they considered it a "noise pollution" during recording. If you really wanted to contact them they would instruct you to precisely call at a certain time, and Ralf Hütter would answer the call himself despite there was no phone ring.
** Allegedly, Chris Martin of Coldplay contacted them (through their lawyers) to request permission to sample "Computerliebe..." and got just a piece of paper with "Yes" written on it.



* ReclusiveArtist: They rarely give interviews. They usually uses dummies or custom-made robots for promo photo shoots instead of themselves. All we know about their studio is its name. They are also extremely hard to contact with. For example, their studio telephone didn't have a ringer because they considered it a "noise pollution" during recording. If you really wanted to contact them they would instruct you to precisely call at a certain time, and Ralf Hütter would answer the call himself despite there was no phone ring.
** Allegedly, Chris Martin of Coldplay contacted them (through their lawyers) to request permission to sample "Computerliebe..." and got just a piece of paper with "Yes" written on it.

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** Hütter suffered a cycling accident that left him in a coma during the initial sessions for ''Techno Pop'' (the album that became ''Electric Café''), and Karl Bartos once mentioned that the first thing Hütter said after waking up was "Where's my bicycle?" (Hütter dismissed this as untrue.)

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** Hütter suffered a cycling accident that left him in a coma during the initial sessions for ''Techno Pop'' (the album that became ''Electric Café''), and Karl Bartos once mentioned that the first thing Hütter said after waking up was "Where's my bicycle?" (Hütter dismissed this as untrue.)although Hütter begged to differ,



* BilingualBonus: At least among the songs not in German or translated to English.
** "The Robots": ''"Ya tvoi sluga, ya tvoi rabotnik."'' [[spoiler: "I'm your slave, I'm your worker."]]
** "Dentaku" is "Pocket Calculator" translated into Japanese.

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* BilingualBonus: At least among the While they translate many of their songs not into foreign languages, some songs are done in German or translated to English.
two separate languages:
** "The Robots": ''"Ya tvoi sluga, ya tvoi rabotnik.''"Я твои слуга, я твои работник."'' [[spoiler: "I'm your slave, I'm your worker."]]
** "Dentaku" is "Pocket Calculator" translated into Japanese.
"]]



* LoopedLyrics



** [[FridgeHorror "It's in the air, for you and me."]]

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** [[FridgeHorror "It's in the air, for you and me."]]"



* ReclusiveArtist: They rarely give interviews. They usually uses dummies or custom-made robots for promo photo shoots instead of themselves. They are also extremely hard to contact with. For example, their studio telephone didn't have a ringer because they considered it a "noise pollution" during recording. If you really wanted to contact them they would instruct you to precisely call at a certain time, and Ralf Hütter would answer the call himself despite there was no phone ring.
** They are pretty seclusive, and their original studio was located in the middle of an industrial district in Düsseldorf. The Other Wiki has a couple of anecdotes on that, attributing the phone story to [[TheSmiths John Marr]] and how [[ColdPlay Chris Martin]] contacted them through their lawyers to ask for permission to use a sample of "Computerliebe"... receiving a piece of paper in hand-writing that only said "yes". So... ja.
** Nobody really knows what's in their studio Kling Klang Studios either, as the band members are very secretive about it. One wonders if its something like a SupervillainLair.
*** It is. They're building an army of robots to [[TakeOverTheWorld take over the world]].

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* ReclusiveArtist: They rarely give interviews. They usually uses dummies or custom-made robots for promo photo shoots instead of themselves. All we know about their studio is its name. They are also extremely hard to contact with. For example, their studio telephone didn't have a ringer because they considered it a "noise pollution" during recording. If you really wanted to contact them they would instruct you to precisely call at a certain time, and Ralf Hütter would answer the call himself despite there was no phone ring.
** They are pretty seclusive, and their original studio was located in the middle of an industrial district in Düsseldorf. The Other Wiki has a couple of anecdotes on that, attributing the phone story to [[TheSmiths John Marr]] and how [[ColdPlay Allegedly, Chris Martin]] Martin of Coldplay contacted them through (through their lawyers lawyers) to ask for request permission to use a sample of "Computerliebe"... receiving "Computerliebe..." and got just a piece of paper in hand-writing that only said "yes". So... ja.
** Nobody really knows what's in their studio Kling Klang Studios either, as the band members are very secretive about it. One wonders if its something like a SupervillainLair.
*** It is. They're building an army of robots to [[TakeOverTheWorld take over the world]].
with "Yes" written on it.


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* TitleOnlyChorus

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** Hütter suffered a cycling accident that left him in a coma during the initial sessions for ''Techno Pop'' (the album that became ''Electric Café''), and Karl Bartos once mentioned that the first thing Hütter said after waking up was "Where's my bicycle?"

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** Hütter suffered a cycling accident that left him in a coma during the initial sessions for ''Techno Pop'' (the album that became ''Electric Café''), and Karl Bartos once mentioned that the first thing Hütter said after waking up was "Where's my bicycle?"bicycle?" (Hütter dismissed this as untrue.)
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* BeepingComputers: "Pocket Calculator"
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http://static.tvtropes.org/pmwiki/pub/images/Kraftwerk.jpg
[[caption-width:331: The classic lineup, from left to right: Wolfgang Flür, Karl Bartos, Florian Schneider, Ralf Hütter]]


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http://static.[[quoteright:330:http://static.tvtropes.org/pmwiki/pub/images/Kraftwerk.jpg
[[caption-width:331:
jpg]]
[[caption-width-right:330:
The classic lineup, from left to right: Wolfgang Flür, Karl Bartos, Florian Schneider, Ralf Hütter]]

Hütter]]












!Tropes

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!Tropes!! Tropes exemplified by Kraftwerk and their songs:
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** The Chinese film ''MasterOfTheFlyingGuillotine'' uses "Mitternacht" and "Morgenspaziergang" off of the ''Autobahn'' album as most of its {{BGM}}.

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** The Chinese film ''MasterOfTheFlyingGuillotine'' uses "Kometenmelodie", "Mitternacht" and "Morgenspaziergang" off of the ''Autobahn'' album as most of its {{BGM}}.
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** The Chinese film ''MasterOfTheFlyingGuillotine'' uses "Mitternacht" and "Morgenspaziergang" off of the ''Autobahn'' album as most of its {{BGM}}.

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* FaceOfTheBand: Ralf and Florian, the co-founders of the band. Until Florian left in 2008.



* RealSongThemeTune: Happened at least twice. For its initial 1983-1990 run, the {{Edutainment}} show ''Newton's Apple'' used "Ruckzuck" (from their long-disowned debut album) as its theme (it was replaced for the home soundtrack due to licensing issues), and the ''SaturdayNightLive'' sketch "Sprockets" used a sped up version of "Electric Café"'s first couple of seconds.



* SampledUp: Most people never recognize it when bands sample from Kraftwerk, but it happens a lot. A lot of Industrial and EBM acts do it, and it occasionally crops up in hip-hop as well.

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* ''Electric Café'' (1986) [[hottip:*: It was originally named ''Techno Pop'', and was rereleased in 2009 with that title.]]

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* ''Electric Café'' (1986) [[hottip:*: It [[hottip:*:It was originally named ''Techno Pop'', and was rereleased in 2009 with that title.]]
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* ''Die Mensch Maschine'' (1978) [[hottip:*: An English version was released titled "The Man Machine".]]

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* ''Die Mensch Maschine'' Mensch-Maschine'' (1978) [[hottip:*: An English version was released titled "The Man Machine".]]

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* ''Electric Café'' (1986)

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* ''Electric Café'' (1986)(1986) [[hottip:*: It was originally named ''Techno Pop'', and was rereleased in 2009 with that title.]]



** Hütter suffered a cycling accident that left him in a coma during the initial sessions for ''Techno Pop'' (the album that became ''Electric Café''), and Karl Bartos once mentioned that the first thing Hütter said after waking up was "Where's my bicycle?"



* PoeticJustice: The single ''Tour de France'' was supposed to have been issued as the first single from the album ''Techno Pop'', before the production work on the album had been completed. The album was shelved when Ralf ended up in a coma from a cycling accident.



* PoeticJustice: The single ''Tour de France'' was supposed to have been issued as the first single from the album ''Techno Pop'', before the production work on the album had been completed. The album was shelved when Ralf broke his leg - in a cycling accident.
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** The version of "Computer World" on the 2005 live album ''Minimum-Maximum'' still references [[TheGreatPoliticsMessUp the KGB.]]
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--> ''Sellafield-2 will produce 7.5 tons of plutonium every year. [[ThereIsNoKillLikeOverkill 1.5 kilogram of plutonium make a nuclear bomb.]] Sellafield-2 will release the same amount of radioactivity into the environment as [[GoingCritical Chernobyl]] every 4.5 years. One of these radioactive substances, Krypton-85, will cause death and skin cancer.''

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--> ''Sellafield-2 will produce 7.5 tons of plutonium every year. [[ThereIsNoKillLikeOverkill [[YouFailNuclearPhysicsForever 1.5 kilogram of plutonium make a nuclear bomb.]] Sellafield-2 will release the same amount of radioactivity into the environment as [[GoingCritical Chernobyl]] every 4.5 years. One of these radioactive substances, Krypton-85, will cause death and skin cancer.''
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** [[FridgeHorror "It's in the air, for you and me."]]

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* ProtestSong: "Radioactivity." Later live versions, and the version from the 1991 album The Mix, make it an explicitly anti-nuclear anthem.

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* ProtestSong: "Radioactivity." Later live versions, and the version from the 1991 album The Mix, make it an explicitly anti-nuclear anthem.anthem, specifically the proposed second processing plant at the Sellafield processing site in Seascale, England:
--> ''Sellafield-2 will produce 7.5 tons of plutonium every year. [[ThereIsNoKillLikeOverkill 1.5 kilogram of plutonium make a nuclear bomb.]] Sellafield-2 will release the same amount of radioactivity into the environment as [[GoingCritical Chernobyl]] every 4.5 years. One of these radioactive substances, Krypton-85, will cause death and skin cancer.''
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trope will be cut due to TRS discussion.


* {{Synthesizeritis}}: The trope arguably wouldn't exist without them.

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[[redirect:{{Kraftwerk}}]]

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[[redirect:{{Kraftwerk}}]]http://static.tvtropes.org/pmwiki/pub/images/Kraftwerk.jpg
[[caption-width:331: The classic lineup, from left to right: Wolfgang Flür, Karl Bartos, Florian Schneider, Ralf Hütter]]


Kraftwerk is a German electronic group based in Düsseldorf, Germany, noted for such songs as "Autobahn", "The Robots", and "Trans-Europe Express". Originating in the [[{{Krautrock}} highly experimental rock scene]] of 1970s WestGermany, they're practically the TropeMaker of ElectronicMusic in general, being among the very first groups to begin experimenting making music electronically, starting in the early 1970's. They are directly responsible for for the existence of dance, techno, {{Industrial}}, EBM, SynthPop, and even early Hip-Hop.

Their songs mainly have to do with technology ("Kraftwerk" is German for "Power Plant"). Their gimmick basically was that they were robots; Kraftwerk will often put on concerts and give interviews through robotic replicas of themselves. The robots became less and less human-like over the years.

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'''Discography :'''

* ''Kraftwerk'' (1970)
* ''Kraftwerk 2'' (1972)
* ''Ralf und Florian'' (1973)
* ''Autobahn'' (1974)
* ''Radioactivity'' (1975)
* ''Trans-Europe-Express'' (1977)
* ''Die Mensch Maschine'' (1978) [[hottip:*: An English version was released titled "The Man Machine".]]
* ''Computerworld'' (1981)
* ''Electric Café'' (1986)
* ''The Mix'' (1991)
* ''Tour de France'' (2003)
* ''Minimum-Maximum'' (2005) (Live album)

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!Tropes
* AuthorAppeal: Ralf Hütter loves cycling so much he and his band wrote a song about the biggest race in cycling completed with sampled voices and mechanical sounds associated with cycling. They even go further by writing an album about it.
* BilingualBonus: At least among the songs not in German or translated to English.
** "The Robots": ''"Ya tvoi sluga, ya tvoi rabotnik."'' [[spoiler: "I'm your slave, I'm your worker."]]
** "Dentaku" is "Pocket Calculator" translated into Japanese.
** "Numbers" includes numbers spoken in several different languages.
* ConceptAlbum: All of their studio albums since 1975, to some degree. Though it's being done most consistently on ''Radio-Activity'', ''Computerworld'' and ''Tour de France Soundtracks''.
* EarlyInstallmentWeirdness: Basically everything before ''Autobahn'' is quite a bit different from their later work.
** [[http://www.youtube.com/watch?v=lCg7hPeUdvE Compare this to anything after ''Autobahn''...]]
* EpicRocking: The 24 minute long ''Autobahn''.
* FaceOfTheBand: Ralf and Florian, the co-founders of the band. Until Florian left in 2008.
* GermanicEfficiency: If you've ever wondered what GermanicEfficiency ''sounds'' like, this is it.
** They wanted to make music that sounded like 70s Germany, in the same way that the music of TheBeachBoys sounded like early 60s California.
* HallOfMirrors: The title of one of their songs, which is of course [[ExactlyWhatItSaysOnTheTin about a hall of mirrors.]]
* KeepCirculatingTheTapes: Ralph Hutter has disowned their first three albums as [[OldShame "prehistoric"]], and thus they will never be legally reprinted.
** Although it seems that Hutter has had a change of mind recently, with hints that they might be restored and made available sometime after they release another studio album.
* KrautRock: They were classified as this in their early years, back before they started using exclusively electronic instruments.
* MoodWhiplash: Occasionally they'd throw in a love song on their albums, such as "The Model", "Computer Love" and "Sex Object" (though that last one is more of an AntiLoveSong), quite a shift from singing about robots, pocket calculators and radioactivity.
* OldShame: All pre-''Autobahn'' material has been disowned as "prehistoric".
* OneHitWonder: In the United States, they only have one Top 40 hit: A severely edited version of their 25-minute opus "Autobahn".
* OminousPipeOrgan: On ''The Mix'' version of ''Trans-Europe Express''. Orchestration in their music is very rare, but it was of course a synthesized organ.
* OurGraphicsWillSuckInTheFuture: A few of their album covers.
* ProtestSong: "Radioactivity." Later live versions, and the version from the 1991 album The Mix, make it an explicitly anti-nuclear anthem.
* ReclusiveArtist: They rarely give interviews. They usually uses dummies or custom-made robots for promo photo shoots instead of themselves. They are also extremely hard to contact with. For example, their studio telephone didn't have a ringer because they considered it a "noise pollution" during recording. If you really wanted to contact them they would instruct you to precisely call at a certain time, and Ralf Hütter would answer the call himself despite there was no phone ring.
** They are pretty seclusive, and their original studio was located in the middle of an industrial district in Düsseldorf. The Other Wiki has a couple of anecdotes on that, attributing the phone story to [[TheSmiths John Marr]] and how [[ColdPlay Chris Martin]] contacted them through their lawyers to ask for permission to use a sample of "Computerliebe"... receiving a piece of paper in hand-writing that only said "yes". So... ja.
** Nobody really knows what's in their studio Kling Klang Studios either, as the band members are very secretive about it. One wonders if its something like a SupervillainLair.
*** It is. They're building an army of robots to [[TakeOverTheWorld take over the world]].
* PoeticJustice: The single ''Tour de France'' was supposed to have been issued as the first single from the album ''Techno Pop'', before the production work on the album had been completed. The album was shelved when Ralf broke his leg - in a cycling accident.
* RidiculouslyHumanRobot: Perhaps at some point in the early to mid-seventies, but as time went on their robot personas became less and less human.
* {{Robot or Spaceman Alter Ego}}: See above.
* SampledUp: Most people never recognize it when bands sample from Kraftwerk, but it happens a lot. A lot of Industrial and EBM acts do it, and it occasionally crops up in hip-hop as well.
* SelfTitledAlbum: Their first two albums.
* SpeedyTechnoRemake: Their remake of ''Autobahn'' on their album of self-made remakes, ''The Mix''. It is speedy only in comparison though, given that they've taken the original version which was over twenty minutes long and condensed it to only over nine minutes long, by making it a little faster.
* SyntheticVoiceActor: Or rather, synthetic singer, in many of their songs.
* {{Synthesizeritis}}: The trope arguably wouldn't exist without them.
* {{Trope 2000}}: The single Expo 2000, filled with repeating soundbytes of different voices saying "das einundzwanzigsten jahrhundert"/"the twenty-first century" throughout.
* TrrrillingRrrs: "Wirrr sind die Roboterrrrr"
* {{Zeerust}}: Some of their older works sounded futuristic at the time but are somewhat dated now, or they've already come true, like ''Computer World''.
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