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Giuseppe Fortunino Francesco Verdi (10 October 1813 -- 27 January 1901) (or [[Creator/VictorBorge Joe Green]], if you like) was an Italian composer and perhaps ''the'' biggest name in Romantic-era Italian {{opera}}. His ''Requiem Mass'', which he composed in memory of Creator/AlessandroManzoni, is also one of the most popular classical choral works.
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Giuseppe Fortunino Francesco Verdi (10 October 1813 -- 27 January 1901) (or Verdi, or [[Creator/VictorBorge Joe Green]], if you like) like, (10 October 1813 -- 27 January 1901) was an Italian composer and perhaps ''the'' biggest name in Romantic-era Italian {{opera}}. His ''Requiem Mass'', which he composed in memory of Creator/AlessandroManzoni, is also one of the most popular classical choral works.
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Cleanup requirement.
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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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%% * GettingCrapPastThe Getting Crap Past The Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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Giuseppe Fortunino Francesco Verdi (10 October 1813 -- 27 January 1901) (or [[Creator/VictorBorge Joe Green]], if you like) was an Italian composer and perhaps ''the'' biggest name in Romantic-era Italian {{opera}}. His ''Requiem Mass'' is also one of the most popular classical choral works.
to:
Giuseppe Fortunino Francesco Verdi (10 October 1813 -- 27 January 1901) (or [[Creator/VictorBorge Joe Green]], if you like) was an Italian composer and perhaps ''the'' biggest name in Romantic-era Italian {{opera}}. His ''Requiem Mass'' Mass'', which he composed in memory of Creator/AlessandroManzoni, is also one of the most popular classical choral works.
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* AuthorAppeal
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* DeusAngstMachina
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* {{Melodrama}}
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* StarCrossedLovers: So many.
* TheWoobie: Many.[[invoked]]
* TheWoobie: Many.[[invoked]]
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[[caption-width-right:901:Portrait of Joe Green by Giovanni Boldini, 1886]]
->''"I wish that every young man when he begins to write music would not concern himself with being a melodist, a harmonist, a realist, an idealist or a futurist or any other such devilish pedantic things. Melody and harmony should be simply tools in the hands of the artist, with which he creates music; and if a day comes when people stop talking about the German school, the Italian school, the past, the future, etc., etc., then art will perhaps come into its own."''
-->-- '''Giuseppe Verdi''', Letter to Opprandino Arrivabene
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Giuseppe Fortunino Francesco Verdi (10 October 1813 -- 27 January 1901) (or [[Creator/VictorBorge Joe Green]], if you like) was an Italian composer and perhaps ''the'' biggest name in Romantic-era Italian {{opera}}.
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Giuseppe Fortunino Francesco Verdi (10 October 1813 -- 27 January 1901) (or [[Creator/VictorBorge Joe Green]], if you like) was an Italian composer and perhaps ''the'' biggest name in Romantic-era Italian {{opera}}.
{{opera}}. His ''Requiem Mass'' is also one of the most popular classical choral works.
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* FollowTheLeader: His early operas were inspired by Rossini's and Donizetti's.
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* FollowTheLeader: His early operas were inspired by Rossini's and Donizetti's.Creator/GaetanoDonizetti's.
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* BadassBaritone: Some of the most famous baritone roles come from here. Theatre/{{Rigoletto}}, [[Theatre/IlTrovatore Count di Luna]], [[Theatre/DonCarlo Rodrigo]], Theatre/{{Nabucco}}, and [[Theatre/{{Otello}} Iago]] are just a few of them.
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* BadassBaritone: BaritoneOfStrength: Some of the most famous baritone roles come from here. Theatre/{{Rigoletto}}, [[Theatre/IlTrovatore Count di Luna]], [[Theatre/DonCarlo Rodrigo]], Theatre/{{Nabucco}}, and [[Theatre/{{Otello}} Iago]] are just a few of them.
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* KillEmAll: How ''Theatre/IVespriSiciliani/Les vêpres siciliennes'' ends.
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* BadassBaritone: Some of the most famous baritone roles come from here. Theatre/{{Rigoletto}}, [[Theatre/IlTrovatore Count di Luna]], [[Theatre/DonCarlo Rodrigo]], Theatre/{{Nabucco}}, and [[Theatre/{{Othello}} Iago]] are just a few of them.
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* BadassBaritone: Some of the most famous baritone roles come from here. Theatre/{{Rigoletto}}, [[Theatre/IlTrovatore Count di Luna]], [[Theatre/DonCarlo Rodrigo]], Theatre/{{Nabucco}}, and [[Theatre/{{Othello}} [[Theatre/{{Otello}} Iago]] are just a few of them.
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* ''Theatre/{{I Lombardi alla prima crociata}}''
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* ''Theatre/SimonBoccanegra''
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* ''Theatre/SimonBoccanegra''
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* HistoricalFiction
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* HistoricalFictionHistoricalFiction:
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** ''Un Ballo In Maschera'' deals with the assassination of Gustav III of Sweden.
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** ''Un Ballo In in Maschera'' deals with the assassination of Gustav III of Sweden.
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** ''Theatre/SimonBoccanegra'' is about the first Doge of the Venetian Republic.
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** ''Theatre/SimonBoccanegra'' is about the first Doge of the Venetian Republic.Genoa.
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* OutlivingOnesOffspring: For many of his characters (Rigoletto, Miller, Fiesco…). Verdi’s own two children died early, so he understood what it was like.
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* GettingCrapPastTheRadar: It has been [[http://en.wikipedia.org/wiki/Va,_pensiero quite discussed among scholars]] if the famous ''Va pensiero'' from ''Nabucco'' is or not a thinly-veiled allegory to the war between the Austrian Empire and the Italian territories and the wish for an Italian Unification.
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%% * GettingCrapPastTheRadar: It has been [[http://en.wikipedia.org/wiki/Va,_pensiero quite discussed among scholars]] if GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the famous ''Va pensiero'' from ''Nabucco'' is or not a thinly-veiled allegory to future, please check the war between trope page to make sure your example fits the Austrian Empire and the Italian territories and the wish for an Italian Unification.current definition.
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* PoorCommunicationKills: Literally, many times. One that comes to mind is ''[[Theatre/IntrigueAndLove Luisa Miller]], where the title character is forced to pretend that she never loved Rodolfo in the first place, driving Rodolfo to murder-suicide.
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* PoorCommunicationKills: Literally, many times. One that comes to mind is ''[[Theatre/IntrigueAndLove Luisa Miller]], Miller]]'', where the title character is forced to pretend that she never loved Rodolfo in the first place, driving Rodolfo to murder-suicide.
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* BadassBaritone: Some of the most famous baritone roles come from here. Sparafucile from ''Rigoletto'' comes to mind.
** Sparafucile is a bass, technically speaking. Better examples are Rigoletto himself, [[Theatre/IlTrovatore Count di Luna]], [[Theatre/DonCarlo Rodrigo]], Theatre/{{Nabucco}}, [[Theatre/{{Othello}} Iago]].
** Sparafucile is a bass, technically speaking. Better examples are Rigoletto himself, [[Theatre/IlTrovatore Count di Luna]], [[Theatre/DonCarlo Rodrigo]], Theatre/{{Nabucco}}, [[Theatre/{{Othello}} Iago]].
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* BadassBaritone: Some of the most famous baritone roles come from here. Sparafucile from ''Rigoletto'' comes to mind.
** Sparafucile is a bass, technically speaking. Better examples are Rigoletto himself,Theatre/{{Rigoletto}}, [[Theatre/IlTrovatore Count di Luna]], [[Theatre/DonCarlo Rodrigo]], Theatre/{{Nabucco}}, and [[Theatre/{{Othello}} Iago]].Iago]] are just a few of them.
** Sparafucile is a bass, technically speaking. Better examples are Rigoletto himself,
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* PoorCommunicationKills: Literally, many times.
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* PoorCommunicationKills: Literally, many times. One that comes to mind is ''[[Theatre/IntrigueAndLove Luisa Miller]], where the title character is forced to pretend that she never loved Rodolfo in the first place, driving Rodolfo to murder-suicide.
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* FunWithAcronyms: During the Italian independence wars in the mid-19th century, graffiti saying "Viva Verdi" (long live Verdi) were a common sight in North-eastern Italy, then under Austrian rule. What looked like an innocuous fanboy thing was in fact a coded political message, with "VERDI" standing in for '''V'''ittorio '''E'''manuele '''R'''e '''D'I'''talia ("Victor Emmanuel, King of Italy"; Victor Emmanuel II of Savoy was the King of Sardinia who eventually united Italy under his rule in 1861).
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* ''[[Theatre/{{Othello}} Otello]]'' (''someone'' was a Creator/{{Shakespeare}} {{fanboy}})
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* ''[[Theatre/{{Othello}} Otello]]'' ''Theatre/{{Otello}}'' (''someone'' was a Creator/{{Shakespeare}} {{fanboy}})
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* ''[[Theatre/AidaVerdi Aïda]]'' (known for the [[https://www.youtube.com/watch?v=dMCQgzsQ5uw Triumphal March]] and for being remade as the Elton John musical ''Theatre/{{Aida}}'')
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* ''[[Theatre/AidaVerdi Aïda]]'' (known for the [[https://www.youtube.com/watch?v=dMCQgzsQ5uw Triumphal March]] and for being remade as the Elton John musical ''Theatre/{{Aida}}'')''Theatre/{{Aida|JohnRice}}'')
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* ''[[Opera/{{Aida}} Aïda]]'' (known for the [[https://www.youtube.com/watch?v=dMCQgzsQ5uw Triumphal March]] and for being remade as the Elton John musical ''Theatre/{{Aida}}'')
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* ''[[Opera/{{Aida}} ''[[Theatre/AidaVerdi Aïda]]'' (known for the [[https://www.youtube.com/watch?v=dMCQgzsQ5uw Triumphal March]] and for being remade as the Elton John musical ''Theatre/{{Aida}}'')
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Giuseppe Fortunino Francesco Verdi (10 October 1813 –- 27 January 1901) (or [[Creator/VictorBorge Joe Green]], if you like) was an Italian composer and perhaps ''the'' biggest name in Romantic-era Italian {{opera}}.
to:
Giuseppe Fortunino Francesco Verdi (10 October 1813 –- -- 27 January 1901) (or [[Creator/VictorBorge Joe Green]], if you like) was an Italian composer and perhaps ''the'' biggest name in Romantic-era Italian {{opera}}.
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* ''[[Opera/Aida Aïda]]'' (known for the [[https://www.youtube.com/watch?v=dMCQgzsQ5uw Triumphal March]] and for being remade as the Elton John musical ''Theatre/{{Aida}}'')
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* ''[[Opera/Aida ''[[Opera/{{Aida}} Aïda]]'' (known for the [[https://www.youtube.com/watch?v=dMCQgzsQ5uw Triumphal March]] and for being remade as the Elton John musical ''Theatre/{{Aida}}'')
