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* MinisculeRocking: "Had to Phone Ya" and "TM Song" are both under two minutes.
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* HymnToMusic: "That Same Song", which somehow tries to argue that ThePowerOfRock has its roots in [[OminousLatinChanting Gregorian chant]].
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''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with ''Music/TwentyTwenty'' which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973's ''Music/{{Holland|1973}}'') and especially for Music/BrianWilson who is credited as the sole producer (10 years after ''Music/PetSounds'' which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the ''Brian's Back'' trilogy (followed by ''Music/TheBeachBoysLoveYou'' and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).

to:

''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with ''Music/TwentyTwenty'' which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973's ''Music/{{Holland|1973}}'') and especially for Music/BrianWilson who is credited as the sole producer (10 years after ''Music/PetSounds'' which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the ''Brian's Back'' "Brian's Back" trilogy (followed by ''Music/TheBeachBoysLoveYou'' and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).



''15 Big Ones'' comprises of 7 original songs and 9 covers (there are two covers, ''Talk To Me and Tallahassee Lassie'', which are compressed into a single track). Most of the covers reflect Brian’s admiration for classic rock n roll legends as well as pop figures who inspired him early in his career (Music/ChuckBerry, Music/FatsDomino and Music/PhilSpector just to name a few). The Beach Boys cover of "Rock and Roll Music" was a top 10 US charter and remains a concert staple for the rest of the band's career on stage. In terms of original songs, some of them were already written years prior to this album’s release (especially ''Back Home'' whose first recording dates back to the early 60s). With the presence of 15 songs all lasting over a minute and a half, 15 Big Ones is one of the Beach Boys’ longest albums, lasting close to 40 minutes.

to:

''15 Big Ones'' comprises of 7 original songs and 9 covers (there are two covers, ''Talk "Talk To Me Me" and Tallahassee Lassie'', "Tallahassee Lassie", which are compressed into a single track). Most of the covers reflect Brian’s admiration for classic rock n roll legends as well as pop figures who inspired him early in his career (Music/ChuckBerry, Music/FatsDomino and Music/PhilSpector just to name a few). The Beach Boys cover of "Rock and Roll Music" was a top 10 US charter and remains a concert staple for the rest of the band's career on stage. In terms of original songs, some of them were already written years prior to this album’s release (especially ''Back Home'' "Back Home" whose first recording dates back to the early 60s). With the presence of 15 songs all lasting over a minute and a half, 15 Big Ones is one of the Beach Boys’ longest albums, lasting close to 40 minutes.
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* AmusementPark: ''Palisades Park''
* BrokenRecord: ''It’s OK''’s outro:

to:

* AmusementPark: ''Palisades Park''
"Palisades Park"
* BrokenRecord: ''It’s OK''’s "It’s OK"’s outro:



** ''Had To Phone Ya''’s bridge and outro:

to:

** ''Had "Had To Phone Ya''’s Ya"’s bridge and outro:



** And ''Susie Cincinnati''’s outro.

to:

** And ''Susie Cincinnati''’s "Susie Cincinnati"’s outro.



* DownOnTheFarm: ''Back Home'':

to:

* DownOnTheFarm: ''Back Home'':"Back Home":



* EpiphanyTherapy: ''TM Song'' whose lyrics are sung after an intro involving an argument:

to:

* EpiphanyTherapy: ''TM Song'' "TM Song" whose lyrics are sung after an intro involving an argument:



* HeavyMeta: ''Rock And Roll Music''.

to:

* HeavyMeta: ''Rock "Rock And Roll Music''.Music".



* LocationSong: ''Chapel Of Love'', ''Palisades Park'' and ''Blueberry Hill''.
* LyricalColdOpen: ''Rock And Roll Music'' (which also serves as a lyrical cold open to the album), ''Talk To Me/Tallahasse Lassie'', ''A Casual Look'' and ''Just Once In My Life'' (you could also argue that ''TM Song'' has one since it starts with a spoken word sequence).
* MediumAwareness: ''TM Song'':

to:

* LocationSong: ''Chapel "Chapel Of Love'', ''Palisades Park'' Love", "Palisades Park" and ''Blueberry Hill''.
"Blueberry Hill".
* LyricalColdOpen: ''Rock "Rock And Roll Music'' Music" (which also serves as a lyrical cold open to the album), ''Talk "Talk To Me/Tallahasse Lassie'', ''A Lassie", "A Casual Look'' Look" and ''Just "Just Once In My Life'' Life" (you could also argue that ''TM Song'' "TM Song" has one since it starts with a spoken word sequence).
* MediumAwareness: ''TM Song'':"TM Song":



* MoodWhiplash: ''Talk To Me/Tallahassee Lassie'' features a sweet ballad on the first half and then a raucous banger during the second half.
* OneWomanSong: ''Susie Cincinnati''.
* ThePowerOfRock: ''That Same Song'':

to:

* MoodWhiplash: ''Talk "Talk To Me/Tallahassee Lassie'' Lassie" features a sweet ballad on the first half and then a raucous banger during the second half.
* OneWomanSong: ''Susie Cincinnati''.
"Susie Cincinnati".
* ThePowerOfRock: ''That "That Same Song'':Song":



** Dennis Wilson, even though his moaning voice was already established back in the late 60s, also sounds way throatier than usual compared to the ballads he sang on Music/CarlAndThePassionsSoTough 4 years ago (and the deterioration of his voice from the late 70s to the early 80s never came to a halt).
* VocalTagTeam: ''Had To Phone Ya'' is the only song in the Beach Boys’ discography to feature all members (or at least all five current members back then) sharing a co-lead.

to:

** Dennis Wilson, even though his moaning voice was already established back in the late 60s, also sounds way throatier than usual compared to the ballads he sang on Music/CarlAndThePassionsSoTough "Music/CarlAndThePassionsSoTough" 4 years ago (and the deterioration of his voice from the late 70s to the early 80s never came to a halt).
* VocalTagTeam: ''Had "Had To Phone Ya'' Ya" is the only song in the Beach Boys’ discography to feature all members (or at least all five current members back then) sharing a co-lead.



--> '''Dennis:'''Some times you’re busy for a while, but when I get through it makes me smile''

to:

--> '''Dennis:'''Some '''Dennis:''' ''Some times you’re busy for a while, but when I get through it makes me smile''



* WomenDrivers: Subverted with ''Susie Cincinnati'' who is a skilled taxi driver and never fails her rides (despite having a smoking problem).

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* WomenDrivers: Subverted with ''Susie Cincinnati'' "Susie Cincinnati" who is a skilled taxi driver and never fails her rides (despite having a smoking problem).

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''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with ''Music/TwentyTwenty'' which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973's ''Music/{{Holland|1973}}'') and especially for Music/BrianWilson who is credited as the sole producer (10 years after ''Music/PetSounds'' which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the ''Brian's Back'' trilogy (followed by Music/TheBeachBoysLoveYou and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).

to:

''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with ''Music/TwentyTwenty'' which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973's ''Music/{{Holland|1973}}'') and especially for Music/BrianWilson who is credited as the sole producer (10 years after ''Music/PetSounds'' which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the ''Brian's Back'' trilogy (followed by Music/TheBeachBoysLoveYou ''Music/TheBeachBoysLoveYou'' and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).


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* TheSomethingSong: "TM Song".
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''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with ''Music/TwentyTwenty'' which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973's {{Music/Holland}}) and especially for Music/BrianWilson who is credited as the sole producer (10 years after ''Music/PetSounds'' which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the ''Brian's Back'' trilogy (followed by Music/TheBeachBoysLoveYou and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).

to:

''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with ''Music/TwentyTwenty'' which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973's {{Music/Holland}}) ''Music/{{Holland|1973}}'') and especially for Music/BrianWilson who is credited as the sole producer (10 years after ''Music/PetSounds'' which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the ''Brian's Back'' trilogy (followed by Music/TheBeachBoysLoveYou and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).
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Dewicked trope


* LoadsAndLoadsOfCharacters: Just take a look at the [[https://cdn.shopify.com/s/files/1/1377/6983/products/35332214_1024x1024.jpg?v=1579890355 back cover]]. In an attempt to bring back the same feeling found in ''Pet Sounds''’ recording experience, some members of the Wrecking Crew came back along with more than a dozen of session musicians, including some touring musicians and guests.
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* Al Jardine - lead vocals, guitar

to:

* Al Jardine Music/AlJardine - lead vocals, guitar



* Carl Wilson - lead vocals, guitar, bass, synthesizers

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* Carl Wilson Music/CarlWilson - lead vocals, guitar, bass, synthesizers
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* Mike Love - lead vocals

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* Mike Love Music/MikeLove - lead vocals
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* ShoutOut: The Maharishi Mahesh Yogi (a transcendental meditation guru who was a major influence on some of the Beach Boys) is referenced twice on the album (first time indirectly on ''Everyone's In Love You'' and the second time directly on ''TM Song'').
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--> ''come on come on(I hope you’re home)''

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--> ''come on come on(I on (I hope you’re home)''
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* SpokenWordInMusic: TM Song’s intro features arguing between the Beach Boys and Palisades Park has bridge in which Carl Wilson is amazed

to:

* SpokenWordInMusic: TM Song’s ''TM Song''’s intro features arguing between the Beach Boys and Palisades Park ''Palisades Park'' has a bridge in which Carl Wilson is amazedhaving the time of his life at the amusement park.
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* OneWomanSong: ''Susie Cincinnati''.
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* HeavyMeta: ''Rock And Roll Music''.

Added: 785

Changed: 114

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* CoverVersion: More than half of the album features cover songs and the inclusion of that many covers was a major conflicting element in the album’s production.

to:

* CoverVersion: More than half of the album features cover songs and the inclusion of that many covers was a major conflicting element in the album’s production.production (as well as a major point of criticism when the album was released).



--> ''Well I'm goin' to spend this summer back home''

to:

--> ''Well I'm goin' to spend this summer back home'' ''(...)''
--> ''I'm gonna get up every morning before the roosters''
--> ''I'll run downstairs fix my breakfast all alone''
--> ''I'll milk those cows feed the chickens and the horses''
* EpiphanyTherapy: ''TM Song'' whose lyrics are sung after an intro involving an argument:
--> ''Transcendental meditation really works for me good''
--> ''More much more than I thought it would''


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* {{Irony}}: ''TM Song'' is a track which starts with a spoken word sequence where the Beach Boys are arguing (on an album which had a troubled production and many arguments over what the album's format should be).


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* MediumAwareness: ''TM Song'':
--> ''Transcendental meditation should be part of your time''
--> ''It's simple it's easy as making this rhyme''


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* TwelveBarBlues: on ''Rock And Roll Music'' and ''Back Home''

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Changed: 4

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* FinishingEachOthersSentences: On Had To Phone Ya:

to:

* FinishingEachOthersSentences: On Had ''Had To Phone Ya:Ya'':


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* VocalDissonance: While Brian still seemed to have his falsetto in the Beach Boys' previous album ''Holland'', his voice sounds completely hoarse and husky on this album. Brian explained that he had a case of laryngitis during the short recording sessions and had to "assume his voice".
** Dennis Wilson, even though his moaning voice was already established back in the late 60s, also sounds way throatier than usual compared to the ballads he sang on Music/CarlAndThePassionsSoTough 4 years ago (and the deterioration of his voice from the late 70s to the early 80s never came to a halt).
Is there an issue? Send a MessageReason:
None


''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with Music/TwentyTwenty which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973’s {{Music/Holland}}) and especially for Music/BrianWilson who is credited as the sole producer (10 years after Music/PetSounds which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the ''Brian’s Back'' trilogy (followed by Music/TheBeachBoysLoveYou and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).

The production of this album was troubled by the band’s ambitions. While some members wanted to release a double-album containing cover of old songs on one disc and brand new songs on the second one, other members wanted a mix of the two on a single disc. They settled on the latter and the 15 tracks also coincide with the 15 years of the band’s career up until that point (1976). Other conflicting elements were the presence of psychiatrist Eugene Landy who was supervising group meetings and Brian’s role as a producer which left his fellow Beach Boys worried (one of the sessions musicians recalled Brian approving a song after the first take and putting it out without any modification). Nevertheless, the album was a commercial success, reaching the the US top 10 chart. This contrasts with the album’s mixed reception especially from the band’s own fanbase. Two major points of criticism were the choice of including cover songs on more than half of the album’s tracklist as well as Brian and Dennis Wilson’s vocal performances.

''15 Big Ones'' comprises of 7 original songs and 9 covers (there are two covers, ''Talk To Me and Tallahassee Lassie'', which are compressed into a single track). Most of the covers reflect Brian’s admiration for classic rock n roll legends as well as pop figures who inspired him early in his career (Music/ChuckBerry, Music/FatsDomino and Music/PhilSpector just to name a few). The Beach Boys cover of ''Rock And Roll Music'' was a top 10 US charter and remains a concert staple for the rest of the band’s career on stage. In terms of original songs, some of them were already written years prior to this album’s release (especially ''Back Home'' whose first recording dates back to the early 60s). With the presence of 15 songs all lasting over a minute and a half, 15 Big Ones is one of the Beach Boys’ longest albums, lasting close to 40 minutes.

to:

''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with Music/TwentyTwenty ''Music/TwentyTwenty'' which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973’s 1973's {{Music/Holland}}) and especially for Music/BrianWilson who is credited as the sole producer (10 years after Music/PetSounds ''Music/PetSounds'' which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the ''Brian’s ''Brian's Back'' trilogy (followed by Music/TheBeachBoysLoveYou and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).

The production of this album was troubled by the band’s band's ambitions. While some members wanted to release a double-album containing cover of old songs on one disc and brand new songs on the second one, other members wanted a mix of the two on a single disc. They settled on the latter and the 15 tracks also coincide with the 15 years of the band’s career up until that point (1976). Other conflicting elements were the presence of psychiatrist Eugene Landy who was supervising group meetings and Brian’s role as a producer which left his fellow Beach Boys worried (one of the sessions musicians recalled Brian approving a song after the first take and putting it out without any modification). Nevertheless, the album was a commercial success, reaching the the US top 10 chart. This contrasts with the album’s mixed reception especially from the band’s own fanbase. Two major points of criticism were the choice of including cover songs on more than half of the album’s tracklist as well as Brian and Dennis Wilson’s vocal performances.

''15 Big Ones'' comprises of 7 original songs and 9 covers (there are two covers, ''Talk To Me and Tallahassee Lassie'', which are compressed into a single track). Most of the covers reflect Brian’s admiration for classic rock n roll legends as well as pop figures who inspired him early in his career (Music/ChuckBerry, Music/FatsDomino and Music/PhilSpector just to name a few). The Beach Boys cover of ''Rock And "Rock and Roll Music'' Music" was a top 10 US charter and remains a concert staple for the rest of the band’s band's career on stage. In terms of original songs, some of them were already written years prior to this album’s release (especially ''Back Home'' whose first recording dates back to the early 60s). With the presence of 15 songs all lasting over a minute and a half, 15 Big Ones is one of the Beach Boys’ longest albums, lasting close to 40 minutes.



# "It’s OK" (2:12)

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# "It’s "It's OK" (2:12)



# "Everyone’s In Love With You" (2:52)

to:

# "Everyone’s "Everyone's In Love With You" (2:52)

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Changed: 4

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* MoodWhiplash: The ''Talk To Me/Tallahassee Lassie'' features a sweet ballad on the first half and then a raucous banger during the second half.

to:

* MoodWhiplash: The ''Talk To Me/Tallahassee Lassie'' features a sweet ballad on the first half and then a raucous banger during the second half.



* TelephoneSong: ''Had To Phone Ya''.



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''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with Music/TwentyTwenty which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973’s {{Music/Holland}}) and especially for Music/BrianWilson who is credited as the sole producer (10 years after Music/PetSounds which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the Brian’s Back trilogy (followed by Music/TheBeachBoysLoveYou and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).

to:

''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with Music/TwentyTwenty which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973’s {{Music/Holland}}) and especially for Music/BrianWilson who is credited as the sole producer (10 years after Music/PetSounds which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the Brian’s Back ''Brian’s Back'' trilogy (followed by Music/TheBeachBoysLoveYou and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).
Is there an issue? Send a MessageReason:
None


* CoverVersion: More than half of the album features cover songs, and the inclusion of that many covers was a major conflicting element in the album’s production.

to:

* CoverVersion: More than half of the album features cover songs, songs and the inclusion of that many covers was a major conflicting element in the album’s production.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/7ba64475_fdde_4589_853e_49b4ad99e306.jpeg]]
[[caption-width-right:350:''We’re singing that same song, that same song, that same song'']]

''15 Big Ones'' is the twentieth album from Music/TheBeachBoys (not to confuse with Music/TwentyTwenty which was their twentieth album including best-of compilations). This album marks a come-back for the band (whose last album was 1973’s {{Music/Holland}}) and especially for Music/BrianWilson who is credited as the sole producer (10 years after Music/PetSounds which was the last album where he had major creative control on top of being its producer). As such, it is considered the first album of the Brian’s Back trilogy (followed by Music/TheBeachBoysLoveYou and the cancelled ''Adult/Child''). It is also a come-back for Brian as a touring member for the band, since the end of 1964 where his mental struggles lead him to quit the scene and focus on writing songs (although he did rare appearances in 1965 and 1971).

The production of this album was troubled by the band’s ambitions. While some members wanted to release a double-album containing cover of old songs on one disc and brand new songs on the second one, other members wanted a mix of the two on a single disc. They settled on the latter and the 15 tracks also coincide with the 15 years of the band’s career up until that point (1976). Other conflicting elements were the presence of psychiatrist Eugene Landy who was supervising group meetings and Brian’s role as a producer which left his fellow Beach Boys worried (one of the sessions musicians recalled Brian approving a song after the first take and putting it out without any modification). Nevertheless, the album was a commercial success, reaching the the US top 10 chart. This contrasts with the album’s mixed reception especially from the band’s own fanbase. Two major points of criticism were the choice of including cover songs on more than half of the album’s tracklist as well as Brian and Dennis Wilson’s vocal performances.

''15 Big Ones'' comprises of 7 original songs and 9 covers (there are two covers, ''Talk To Me and Tallahassee Lassie'', which are compressed into a single track). Most of the covers reflect Brian’s admiration for classic rock n roll legends as well as pop figures who inspired him early in his career (Music/ChuckBerry, Music/FatsDomino and Music/PhilSpector just to name a few). The Beach Boys cover of ''Rock And Roll Music'' was a top 10 US charter and remains a concert staple for the rest of the band’s career on stage. In terms of original songs, some of them were already written years prior to this album’s release (especially ''Back Home'' whose first recording dates back to the early 60s). With the presence of 15 songs all lasting over a minute and a half, 15 Big Ones is one of the Beach Boys’ longest albums, lasting close to 40 minutes.

----

!! Tracklist:

[[AC: Side One]]

# "Rock And Roll Music" (2:29)
# "It’s OK" (2:12)
# "Had To Phone Ya" (1:43)
# "Chapel Of Love" (2:34)
# "Everyone’s In Love With You" (2:52)
# "Talk To Me/Tallahassee Lassie" (2:14)
# "That Same Song" (2:16)
# "TM Song" (1:34)

[[AC: Side Two]]

# "Palisades Park" (2:27)
# "Susie Cincinnati" (2:57)
# "A Casual Look" (2:45)
# "Blueberry Hill" (3:01)
# "Back Home" (2:49)
# "In The Still Of The Night" (3:03)
# "Just Once In My Life" (3:47)

----

!!Principal Members:

* Al Jardine - lead vocals, guitar
* Mike Love - lead vocals
* Music/BrianWilson - lead vocals, piano, synthesizers, guitar, bass, organ
* Carl Wilson - lead vocals, guitar, bass, synthesizers
* Music/DennisWilson - lead vocals, drums

----
!! ''Just let me trope some of that rock and roll music !'':
* AmusementPark: ''Palisades Park''
* BrokenRecord: ''It’s OK''’s outro:
--> ''Find a ride, find a ride''
--> ''In the sum-sum-summertime''
**''Had To Phone Ya''’s bridge and outro:
--> ''You (you) you (you) you (you) you (you)''
--> ''Come on (come on) come on and answer the phone''
--> ''come on come on(I hope you’re home)''
** And ''Susie Cincinnati''’s outro.
* TheCameo: Marilyn Rovell, Brian Wilson’s wife at the time, can be heard at the very end of ''Had To Phone Ya''.
* CoverVersion: More than half of the album features cover songs, and the inclusion of that many covers was a major conflicting element in the album’s production.
* DoubleMeaningTitle: 15 Big Ones directly refers to the 15 songs on the tracklist and symbolically refers to the 15th anniversary of the band’s career.
* DownOnTheFarm: ''Back Home'':
--> ''I'm goin' back to that farm that I remember''
--> ''Well I'm goin' to spend this summer back home''
* FaceOnTheCover: All current Beach Boys (after Blondie Chaplin and Ricky Fataar left the band in the mid-seventies but before Bruce Johnston re-integrated it in the late seventies) are featured in an olympic layout. This coincides with the album’s release year (1976) which was also an olympic year (although the summer and winter games took place in Canada and Austria, not in the US)
** This cover is also notorious for featuring the definitive logo of The Beach Boys which was designed by Dean Torrance (of Music/JanAndDean fame) and was the first of three collaborations between the singer-turned-graphic artist and the band).
* FadeOut: Off the album’s 15 tracks, only ''Everyone’s In Love With You'' and ''TM Song'' don’t end with a fade-out.
* FinishingEachOthersSentences: On Had To Phone Ya:
--> '''Al:''' ''It lifts my spirits...''
--> '''Carl:''' ''...every single time''
* HesBack: Even though Brian never retired as a Beach Boy, this was the first album in 10 years in which he was the sole producer and the album’s release had a promotional campaign appropriately titled ''Brian’s Back''.
* LoadsAndLoadsOfCharacters: Just take a look at the [[https://cdn.shopify.com/s/files/1/1377/6983/products/35332214_1024x1024.jpg?v=1579890355 back cover]]. In an attempt to bring back the same feeling found in ''Pet Sounds''’ recording experience, some members of the Wrecking Crew came back along with more than a dozen of session musicians, including some touring musicians and guests.
* LocationSong: ''Chapel Of Love'', ''Palisades Park'' and ''Blueberry Hill''.
* LyricalColdOpen: ''Rock And Roll Music'' (which also serves as a lyrical cold open to the album), ''Talk To Me/Tallahasse Lassie'', ''A Casual Look'' and ''Just Once In My Life'' (you could also argue that ''TM Song'' has one since it starts with a spoken word sequence).
* MoodWhiplash: The ''Talk To Me/Tallahassee Lassie'' features a sweet ballad on the first half and then a raucous banger during the second half.
* ThePowerOfRock: ''That Same Song'':
-->''The rock of ages''
-->''Built that rockin' sound''
-->''Til more and more people start to come around''
-->''They worshipped in church''
-->''And built that great big choir''
-->''It grew and it grew''
-->''Until it spread like fire''
* SpecialGuest: although they were out of the band as official members, Bruce Johnston and Ricky Fataar are featured as guest musicians. Other notable guests are adult-contemporary duo Music/CaptainAndTennille, Brian Wilson’s wife Marilyn Rovell and former Music/ElectricLightOrchestra member Roy Wood.
* SpokenWordInMusic: TM Song’s intro features arguing between the Beach Boys and Palisades Park has bridge in which Carl Wilson is amazed
*TheresNoPlaceLikeHome: ''Back Home'':
-->''Well I'm going back this summer to Ohio''
-->''I'm gonna seek out all my friends I've always known''
-->''I'm goin' back to that farm that I remember''
-->''Well I'm goin' to spend this summer back home''

* VocalTagTeam: ''Had To Phone Ya'' is the only song in the Beach Boys’ discography to feature all members (or at least all five current members back then) sharing a co-lead.
--> '''Mike:''' ''Had to phone ya, just to tell you I was missing you''
--> '''Al:''' ''It lifts my spirits...''
--> '''Carl:''' ''...every single time''
--> '''Dennis:'''Some times you’re busy for a while, but when I get through it makes me smile''
--> ''(...)''
--> '''Brian:''' ''Come on, come on and answer the phone''
* WomenDrivers: Subverted with ''Susie Cincinnati'' who is a skilled taxi driver and never fails her rides (despite having a smoking problem).

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