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* {{Mascot}}: The iconic Skanking Man, also known as Moshman and the Thrashing Man, which was designed by Eric Brecht for school assignment to create a corporate logo according to Wiki/TheOtherWiki. It appears on pretty much anything D.R.I. related, such as shirts, album art, and even Spike Cassidy's guitar.

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* {{Mascot}}: The iconic Skanking Man, also known as Moshman and the Thrashing Man, which was designed by Eric Brecht for school assignment to create a corporate logo according to Wiki/TheOtherWiki.Website/TheOtherWiki. It appears on pretty much anything D.R.I. related, such as shirts, album art, and even Spike Cassidy's guitar.
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Dewicked trope


* AdultFear: "Abduction" and "Syringes in the Sandbox", both being ExactlyWhatItSaysOnTheTin.
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* GreenAesop: "Acid Rain".

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* GreenAesop: "Acid Rain".Rain", which is a ProtestSong about climate change and the depletion of the ozone layer.
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* GreenAesop: Acid Rain.

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* GreenAesop: Acid Rain."Acid Rain".



* HeavyMeta: Thrashard, about what else but [[ExactlyWhatItSaysOnTheTin thrashing really hard.]]

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* HeavyMeta: Thrashard, "Thrashard", about what else but [[ExactlyWhatItSaysOnTheTin thrashing really hard.]]
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The band has a very dedicated fanbase, despite Beavis and Butthead reviewing Acid Rain being about as much "mainstream" attention as they got, and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with Music/SuicidalTendencies, Music/StormtroopersOfDeath, The Cro-Mags, and many others.

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The band has a very dedicated fanbase, despite Beavis and Butthead WesternAnimation/BeavisAndButtHead reviewing Acid Rain "Acid Rain" being about as much "mainstream" 'mainstream' attention as they got, and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with Music/SuicidalTendencies, Music/StormtroopersOfDeath, The Cro-Mags, and many others.
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* ProtestSong: As one would expect from their punk origins, the band has many. Examples include "I Don't Need Society", "Snap", "Do The Dream", "Suit and Tie Guy", "Violent Pacification", "Stupid, Stupid War"... you get the point.

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* ProtestSong: As one would expect from their punk origins, the band has many. Examples include "I Don't Need Society", "Snap", "Do The Dream", "Suit and Tie Guy", "Reaganomics", "Capitalists Suck", " "Violent Pacification", "Stupid, Stupid War"... you get the point.

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[[quoteright:250:https://static.tvtropes.org/pmwiki/pub/images/c_12439__844041557814849.jpg]]
[[caption-width-right:250:[[MetalBandMascot The Skanker Man.]]]]



The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with Music/SuicidalTendencies, Music/StormtroopersOfDeath, MOD, and COC.

to:

The band has a very dedicated fanbase, despite never gaining much attention (Beavis Beavis and Butthead reviewing Acid Rain is being about as much "mainstream" attention as they got) got, and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with Music/SuicidalTendencies, Music/StormtroopersOfDeath, MOD, The Cro-Mags, and COC.
many others.



* AdultFear: Abduction and Syringes in the Sandbox.

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* AdultFear: Abduction "Abduction" and Syringes "Syringes in the Sandbox.Sandbox", both being ExactlyWhatItSaysOnTheTin.



** Who Am I? also has this.

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** Who The lyrics of "Who Am I? I?" are also has this.composed solely of the title and the retort "D-R-I!".



* [[DualMeaningChorus Dual Meaning Song]]: The aforementioned Equal People can be seen as either [[http://www.examiner.com/metal-music-in-austin/the-best-songs-of-dri "a plea for understanding or a sarcastic comment on the ideas that gave way to the political correctness phenomenon"]].



* HeavyMeta: Thrashard.
* KarmaHoudini: The protagonist of Slumlord.
* KillThePoor: Again, Slumlord.
* {{Mascot}}: The Skanking Man, also known as Moshman and the Thrashing Man, which was designed by Eric Brecht for a corporate logo, according to Wiki/TheOtherWiki. It appears on pretty much anything D.R.I. related, such as shirts, album art, etc.
** To a lesser extent, the soldier on the Dirty Rotten LP.
* MotorMouth: Kurt Brecht is this, bordering on TheUnintelligible.
* PrecisionFStrike: Stupid, Stupid War's "nothing to fight ''fucking'' for" stands out.
* ProtestSong: Naturally, coming from a punk band. Examples include: I Don't Need Society, Snap, Do The Dream, Suit and Tie Guy, Violent Pacification, Stupid, Stupid War...
* PunctuatedForEmphasis: Slumlord, Abduction, Beneath The Wheel...let's just say there's a few of their songs that use this trope.

to:

* HeavyMeta: Thrashard.
Thrashard, about what else but [[ExactlyWhatItSaysOnTheTin thrashing really hard.]]
* KarmaHoudini: The protagonist of Slumlord.
eponymous character in "Slumlord", who wrings money from his financially struggling tenants and then burns the property down in order to collect the insurance money, never facing any punishment.
* KillThePoor: Again, Slumlord.
"Slumlord", who burns down the building with people still inside as mentioned above.
* {{Mascot}}: The iconic Skanking Man, also known as Moshman and the Thrashing Man, which was designed by Eric Brecht for school assignment to create a corporate logo, logo according to Wiki/TheOtherWiki. It appears on pretty much anything D.R.I. related, such as shirts, album art, etc.
and even Spike Cassidy's guitar.
** To a lesser extent, the soldier skeletal soldier[[note]][[Music/StormtroopersOfDeath No, not that one]][[/note]] on the cover of the Dirty Rotten LP.
* MotorMouth: Kurt Brecht is this, has wildly fast delivery, bordering on TheUnintelligible.
TheUnintelligible. This is especially apparent in "No Sense", where only the TitleOnlyChorus is sung slow enough to understand.
* PrecisionFStrike: Stupid, From "Stupid, Stupid War's "nothing War":
-->"There's nothing
to fight ''fucking'' for" stands out.
[[AtomicFBomb FUCKING]] for!"
* ProtestSong: Naturally, coming As one would expect from a their punk band. origins, the band has many. Examples include: I include "I Don't Need Society, Snap, Do Society", "Snap", "Do The Dream, Suit Dream", "Suit and Tie Guy, Violent Pacification, Stupid, Guy", "Violent Pacification", "Stupid, Stupid War...
War"... you get the point.
* PunctuatedForEmphasis: Slumlord, Abduction, Beneath "Slumlord", "Abduction", "Beneath The Wheel...Wheel"...let's just say there's a few of their songs that use Kurt Brecht really enjoys employing this trope.trope in his lyrical delivery.



* SomethingBlues: Nursing Home Blues.
** Soup Kitchen is sometimes labeled as "Soup Kitchen Blues".
* TheReasonYouSuckSpeech: Problem Addict.
* ThrashMetal: Another important element to the crossover genre.
* ThreeChordsAndTheTruth
* TropeNamer: For the genre of crossover thrash.

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* SomethingBlues: Nursing "Nursing Home Blues.
Blues".
** Soup Kitchen is sometimes labeled as "Soup Kitchen Blues".
Blues" on some releases.
* TheReasonYouSuckSpeech: Problem Addict.
"Problem Addict" is one directed towards an emotionally abusive person.
* ThrashMetal: Another important element Being pioneers of the Crossover Thrash genre, the band is an equal blend of this and HardcorePunk.
* ThreeChordsAndTheTruth: Many of the band's songs are relatively short and simple (albeit ''blisteringly'' fast) numbers that get straight
to the crossover genre.
* ThreeChordsAndTheTruth
point with their politically charged lyrics. Later material from ''Crossover'' onward features somewhat longer and more complex arrangements with the ThrashMetal influences but retains the same highly direct approach.
* TropeNamer: For the genre of crossover thrash.thrash, the name being taken from ''Crossover'', their second full-length.

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Administrivia/NeedsABetterDescription.

'''Discography:'''

to:

Administrivia/NeedsABetterDescription.

'''Discography:'''
!!Discography:



D.R.I. provides examples of the following tropes:

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D.!!D.R.I. provides examples of the following tropes:
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Added DiffLines:

* HardcorePunk: One of the main ingredients of the crossover thrash genre.


Added DiffLines:

* ThrashMetal: Another important element to the crossover genre.
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None


* {{Mascot}}: The Skanking Man, also known as Moshman and the Thrashing Man, which was designed by Eric Brecht for a corporate logo, according to TheOtherWiki. It appears on pretty much anything D.R.I. related, such as shirts, album art, etc.

to:

* {{Mascot}}: The Skanking Man, also known as Moshman and the Thrashing Man, which was designed by Eric Brecht for a corporate logo, according to TheOtherWiki.Wiki/TheOtherWiki. It appears on pretty much anything D.R.I. related, such as shirts, album art, etc.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* MotorMouth: Kurt Brecht is this, bordering on TheUnintelligible.
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None


The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with Music/SuicidalTendencies, M.O.D., C.O.C., and S.O.D.

to:

The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with Music/SuicidalTendencies, M.O.D., C.O.C., Music/StormtroopersOfDeath, MOD, and S.O.D.
COC.
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None


The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with Suicidal Tendencies, M.O.D., C.O.C., and S.O.D.

to:

The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with Suicidal Tendencies, Music/SuicidalTendencies, M.O.D., C.O.C., and S.O.D.



* ThreeChordsAndTheTruth:

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* ThreeChordsAndTheTruth:ThreeChordsAndTheTruth

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** "Reaganomics" has a total of four different words used in its lyrics: "Reagonomics killing me / Reaganomics killing me / Reaganomics killing me / Reaganomics killing you".



* SingleStanzaSong: Most notably "Reaganomics", a 43 second ProtestSong which, if you don't count repetition, has four words worth of lyrics:
-->Reaganomics killing me!
-->Reaganomics killing me!
-->Reaganomics killing me!
-->Reaganomics killing you!

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adding examples and moving one to trivia.


* AuthorExistenceFailure: Averted with guitarist Spike Cassidy. He was diagnosed with colon cancer in the mid 2000's, and with the help of chemotherapy and surgery, he managed to pull through.


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* ReligionRantSong: "God Is Broke", about corrupt religious leaders exploiting believers for money.
* SingleStanzaSong: Most notably "Reaganomics", a 43 second ProtestSong which, if you don't count repetition, has four words worth of lyrics:
-->Reaganomics killing me!
-->Reaganomics killing me!
-->Reaganomics killing me!
-->Reaganomics killing you!
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None


* PrecisionFStrike: Stupid, Stupid War's "nothing to ''fucking'' fight for" stands out.

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* PrecisionFStrike: Stupid, Stupid War's "nothing to fight ''fucking'' fight for" stands out.
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* PrecisionFStrike: I Don't Need Society, Stupid, Stupid War,

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* PrecisionFStrike: I Don't Need Society, Stupid, Stupid War,War's "nothing to ''fucking'' fight for" stands out.

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* AdultFear: Abduction, naturally.
** Arguably Syringes in the Sandbox.

to:

* AdultFear: Abduction, naturally.
** Arguably
Abduction and Syringes in the Sandbox.



* PrecisionFStrike: The "fuck you!" at the end of I Don't Need Society is rather well placed.
* ProtestSong: I Don't Need Society, Snap, Do The Dream, Suit and Tie Guy, Violent Pacification...

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* PrecisionFStrike: The "fuck you!" at the end of I Don't Need Society is rather well placed.
Society, Stupid, Stupid War,
* ProtestSong: Naturally, coming from a punk band. Examples include: I Don't Need Society, Snap, Do The Dream, Suit and Tie Guy, Violent Pacification...Pacification, Stupid, Stupid War...
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None


UsefulNotes/NeedsABetterDescription.

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UsefulNotes/NeedsABetterDescription.
Administrivia/NeedsABetterDescription.
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None


NeedsABetterDescription.

to:

NeedsABetterDescription.
UsefulNotes/NeedsABetterDescription.

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* AGoodNameForARockBand: The name came from Kurt Brecht's father complaining about the group playing in his house and calling them "a bunch of dirty rotten imbeciles".


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* AppropriatedAppellation: The name came from Kurt Brecht's father complaining about the group playing in his house and calling them "a bunch of dirty rotten imbeciles".

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Removed: 96

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The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with SuicidalTendencies, M.O.D., C.O.C., and S.O.D.

to:

The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with SuicidalTendencies, Suicidal Tendencies, M.O.D., C.O.C., and S.O.D.



* FaceOfTheBand: Kurt Brecht and Spike Cassidy, for being the only original members of the band.

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Removed: 121

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* PunctuatedForEmphasis: Slumlord, Abduction, Beneath The Wheel...let's just say there's a few of their songs that use this trope.



* ThisIsSparta: Slumlord, Abduction, Beneath The Wheel...let's just say there's a few of their songs that use this trope.
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None


* TropeNamer: For the genre of crossover thrash.

to:

* TropeNamer: For the genre of crossover thrash.thrash.
----

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* [[DualMeaningChorus Dual Meaning Song]]: The aforementioned Equal People can be seen as either "a plea for understanding or a sarcastic comment on the ideas that gave way to the political correctness phenomenon", says the author of [[http://www.examiner.com/metal-music-in-austin/the-best-songs-of-dri this post]].

to:

** Who Am I? also has this.
* [[DualMeaningChorus Dual Meaning Song]]: The aforementioned Equal People can be seen as either "a plea for understanding or a sarcastic comment on the ideas that gave way to the political correctness phenomenon", says the author of [[http://www.examiner.com/metal-music-in-austin/the-best-songs-of-dri this post]]."a plea for understanding or a sarcastic comment on the ideas that gave way to the political correctness phenomenon"]].



* KarmaHoudini: Slumlord.

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* KarmaHoudini: The protagonist of Slumlord.



** Soup Kitchen is sometimes labeled as "Soup Kitchen ''Blues''".

to:

** Soup Kitchen is sometimes labeled as "Soup Kitchen ''Blues''".Blues".



* ThreeChordsAndTheTruth: Naturally.
* ThisIsSparta: Slumlord, Abduction, Beneath The Wheel, Who Am I?...let's just say there's a few of their songs that use this trope.

to:

* ThreeChordsAndTheTruth: Naturally.
ThreeChordsAndTheTruth:
* ThisIsSparta: Slumlord, Abduction, Beneath The Wheel, Who Am I?...Wheel...let's just say there's a few of their songs that use this trope.
Is there an issue? Send a MessageReason:
None


* DualMeaningChorus: The aforementioned Equal People can be seen as either "a plea for understanding or a sarcastic comment on the ideas that gave way to the political correctness phenomenon", according to the author of [[http://www.examiner.com/metal-music-in-austin/the-best-songs-of-dri this post]].

to:

* DualMeaningChorus: [[DualMeaningChorus Dual Meaning Song]]: The aforementioned Equal People can be seen as either "a plea for understanding or a sarcastic comment on the ideas that gave way to the political correctness phenomenon", according to says the author of [[http://www.examiner.com/metal-music-in-austin/the-best-songs-of-dri this post]].



* ProtestSong: I Don't Need Society, Snap, Do The Dream, Suit and Tie Guy...

to:

* ProtestSong: I Don't Need Society, Snap, Do The Dream, Suit and Tie Guy...Guy, Violent Pacification...
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None

Added DiffLines:

* DualMeaningChorus: The aforementioned Equal People can be seen as either "a plea for understanding or a sarcastic comment on the ideas that gave way to the political correctness phenomenon", according to the author of [[http://www.examiner.com/metal-music-in-austin/the-best-songs-of-dri this post]].
Is there an issue? Send a MessageReason:
None

Added DiffLines:

Formed in Houston, Texas in 1982, the Dirty Rotten Imbeciles (D.R.I. for short) started from the remains of the hardcore band Suburbanites with Kurt Brecht on vocals, Spike Cassidy on guitar, Eric Brecht on drums, and Dennis Johnson on bass. Although the positions of bassist and drummer in the band would change, Kurt and Spike have remained in their positions since the beginning.

The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with SuicidalTendencies, M.O.D., C.O.C., and S.O.D.

NeedsABetterDescription.

'''Discography:'''

* 1983 -- ''Dirty Rotten LP''
* 1985 -- ''Dealing With It''
* 1987 -- ''Crossover''
* 1988 -- ''4 of a Kind''
* 1989 -- ''Thrash Zone''
* 1992 -- ''Definition''
* 1995 -- ''Full Speed Ahead''

----
D.R.I. provides examples of the following tropes:

* AGoodNameForARockBand: The name came from Kurt Brecht's father complaining about the group playing in his house and calling them "a bunch of dirty rotten imbeciles".
* AdultFear: Abduction, naturally.
** Arguably Syringes in the Sandbox.
* AuthorExistenceFailure: Averted with guitarist Spike Cassidy. He was diagnosed with colon cancer in the mid 2000's, and with the help of chemotherapy and surgery, he managed to pull through.
* BrokenRecord: Equal People only has the lines "Look at you, then look at me/There's no difference I can see" repeated again and again.
* FaceOfTheBand: Kurt Brecht and Spike Cassidy, for being the only original members of the band.
* GreenAesop: Acid Rain.
* HeavyMeta: Thrashard.
* KarmaHoudini: Slumlord.
* KillThePoor: Again, Slumlord.
* {{Mascot}}: The Skanking Man, also known as Moshman and the Thrashing Man, which was designed by Eric Brecht for a corporate logo, according to TheOtherWiki. It appears on pretty much anything D.R.I. related, such as shirts, album art, etc.
** To a lesser extent, the soldier on the Dirty Rotten LP.
* PrecisionFStrike: The "fuck you!" at the end of I Don't Need Society is rather well placed.
* ProtestSong: I Don't Need Society, Snap, Do The Dream, Suit and Tie Guy...
* SomethingBlues: Nursing Home Blues.
** Soup Kitchen is sometimes labeled as "Soup Kitchen ''Blues''".
* TheReasonYouSuckSpeech: Problem Addict.
* ThreeChordsAndTheTruth: Naturally.
* ThisIsSparta: Slumlord, Abduction, Beneath The Wheel, Who Am I?...let's just say there's a few of their songs that use this trope.
* TropeNamer: For the genre of crossover thrash.
Is there an issue? Send a MessageReason:
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Formed in Houston, Texas in 1982, the Dirty Rotten Imbeciles (D.R.I. for short) started from the remains of the hardcore band Suburbanites with Kurt Brecht on vocals, Spike Cassidy on guitar, Eric Brecht on drums, and Dennis Johnson on bass. Although the positions of bassist and drummer in the band would change, Kurt and Spike have remained in their positions since the beginning.

The band has a very dedicated fanbase, despite never gaining much attention (Beavis and Butthead reviewing Acid Rain is about as "mainstream" as they got) and are probably best known as the TropeNamer and TropeCodifier of Crossover Thrash, and is a TropeMaker in the genre, along with SuicidalTendencies, M.O.D., C.O.C., and S.O.D.

NeedsABetterDescription.

'''Discography:'''

* 1983 -- ''Dirty Rotten LP''
* 1985 -- ''Dealing With It''
* 1987 -- ''Crossover''
* 1988 -- ''4 of a Kind''
* 1989 -- ''Thrash Zone''
* 1992 -- ''Definition''
* 1995 -- ''Full Speed Ahead''

----
D.R.I. provides examples of the following tropes:

* AGoodNameForARockBand: The name came from Kurt Brecht's father complaining about the group playing in his house and calling them "a bunch of dirty rotten imbeciles".
* AdultFear: Abduction, naturally.
** Arguably Syringes in the Sandbox.
* AuthorExistenceFailure: Averted with guitarist Spike Cassidy. He was diagnosed with colon cancer in the mid 2000's, and with the help of chemotherapy and surgery, he managed to pull through.
* BrokenRecord: Equal People only has the lines "Look at you, then look at me/There's no difference I can see" repeated again and again.
* FaceOfTheBand: Kurt Brecht and Spike Cassidy, for being the only original members of the band.
* GreenAesop: Acid Rain.
* HeavyMeta: Thrashard.
* KarmaHoudini: Slumlord.
* KillThePoor: Again, Slumlord.
* {{Mascot}}: The Skanking Man, also known as Moshman and the Thrashing Man, which was designed by Eric Brecht for a corporate logo, according to TheOtherWiki. It appears on pretty much anything D.R.I. related, such as shirts, album art, etc.
** To a lesser extent, the soldier on the Dirty Rotten LP.
* PrecisionFStrike: The "fuck you!" at the end of I Don't Need Society is rather well placed.
* ProtestSong: I Don't Need Society, Snap, Do The Dream, Suit and Tie Guy...
* SomethingBlues: Nursing Home Blues.
** Soup Kitchen is sometimes labeled as "Soup Kitchen ''Blues''".
* TheReasonYouSuckSpeech: Problem Addict.
* ThreeChordsAndTheTruth: Naturally.
* ThisIsSparta: Slumlord, Abduction, Beneath The Wheel, Who Am I?...let's just say there's a few of their songs that use this trope.
* TropeNamer: For the genre of crossover thrash.

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