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* 2023 - ''Bury the Lede''
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* ColbertBump: Senator UsefulNotes/AmyKlobuchar of Minnesota, Dessa's home state, used "The Bullpen" as her campaign theme song during the 2020 Democratic primary, as the lyrics also fit very well to Klobuchar's rise in the still heavily male-dominated world of politics -- something which brought the artist a lot of attention from people who would otherwise have never known who she was.
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* ColbertBump: Senator UsefulNotes/AmyKlobuchar of Minnesota, Dessa's home state, used "The Bullpen" as her campaign theme song during the 2020 Democratic primary, as the lyrics also fit very well to Klobuchar's rise in the still heavily male-dominated world of politics -- something which brought the artist a lot of attention from people who would otherwise have never known who she was.
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* BreakupSong:
** "Matches to Paper Dolls" is one of the "we keep hurting each other every time we try to make this work" variety.
** "Call Off Your Ghost" is a heartbroken plea to the memories of her ex to let her move on fully, particularly after seeing his new partner.
-->"We've been living, too long, too close, and I'm ready to let you go. I'm ready, so call off your ghost."


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* IWantMyBelovedToBeHappy: A variation in "Call Off Your Ghost" in that she's trying to move on, but her memories of the time she had with her ex are keeping her from fully doing it, compounded by knowing that he himself has moved on.
-->"I think she lives around here. I see her almost daily. All I can do to stop myself from saying something crazy. I don't think badly of her. I hope she makes you happy. It's just a lot to ask to watch your future walking past me."


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* TheOneThatGotAway: Heavily implied in "Call Off Your Ghost," as although she's trying to move on, seeing her ex's new partner has stirred too many memories for her to do it.
-->"I know that jealousy is a perfect waste of time, but left to my devices, I've spent far too long wasting mine."

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* ExcessiveMourning: "If & When" is about a widow who refuses to accept her husband's death and finds herself driven to self-destructive behavior in her grief.



* WidowWoman: "If & When" is about a widow who refuses to accept her husband's death and finds herself driven to self-destructive behavior in her grief.

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Adding context to ZCE/PCE and fixing formatting/indentation. Removed Easily Forgiven because aversions shouldn't be listed on trope pages. Moved Badass Boast to Boastful Rap since most of the examples were whole songs rather than just one badass line. Removed Ironic Echo because the official lyrics say "abuse" both times.


In 2016, she contributed the song "Congratulations" to ''Music/TheHamiltonMixtape''.

Discography:
* 2005 - ''False Hopes''
* 2010 - ''A Badly Broken Code''
* 2011 - ''Castor, The Twin''
* 2013 - ''Parts of Speech''
* 2018 - ''Chime''

She is also a member of Music/{{Doomtree}}, a hip-hop collective consisting of her and fellow artists P.O.S, Cecil Otter, Sims, Mike Mictlan, Lazerbeak, and Paper Tiger.

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In 2016, she contributed the song She has released three albums: 2010's ''A Badly Broken Code'', 2013's ''Parts of Speech'', and 2018's ''Chime'', as well as an album-length collection of re-recordings called ''Castor, The Twin'' in 2011. She has also released two [=EPs=], ''False Hopes'' and ''IDES'', as well as a handful of non-album singles, including a recording of "Congratulations" for ''Music/TheHamiltonMixtape'' and a song dedicated to ''Music/TheHamiltonMixtape''.

Discography:
* 2005 - ''False Hopes''
* 2010 - ''A Badly Broken Code''
* 2011 - ''Castor, The Twin''
* 2013 - ''Parts of Speech''
* 2018 - ''Chime''

Treasury Secretary Janet Yellen entitled "Who's Yellen Now?" penned in response to a call for a ''Theatre/{{Hamilton}}''-esque musical about Yellen's life.

She is also a member of Music/{{Doomtree}}, a hip-hop collective consisting of her and fellow artists P.O.S, Cecil Otter, Sims, Mike Mictlan, Lazerbeak, and Paper Tiger. \n In addition to music, she has also published two poetry compilations, 2009's ''Spiral Bound'' and 2013's ''A Pound of Steam'', as well as an autobiographical collection of short stories, 2018's ''My Own Devices''.



!!Discography:
* 2005 - ''False Hopes'' (EP)
* 2010 - ''A Badly Broken Code'' (Album)
* 2011 - ''Castor, The Twin'' (Album)
* 2013 - ''Parts of Speech'' (Album)
* 2018 - ''Chime'' (Album)
* 2021 - ''IDES'' (EP)
----



* AgeProgressionSong: "Children's Work" and "The Chaconne".
* AlbumClosure: ''Chime'' ends with "I Hope I'm Wrong," a sad song about her grandmother's death.

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* AgeProgressionSong: AgeProgressionSong:
**
"Children's Work" chronicles Dessa's relationship with her younger brother, recalling how they recognized each other as kindred spirits immediately and relied on each other as they grew up.
**
"The Chaconne".
Chaconne" is about the life of a gifted violinist, from his youth practicing in the living room to his late adulthood after finding success but alienating his loved ones.
* AlbumClosure: ''Chime'' ''Chime'', which varies from introspective rap bangers to soft pop songs, ends with "I Hope I'm Wrong," a sad song about her grandmother's death.



* AllTakeAndNoGive: A version with the giver as the controller in the relationship is the theme of "Seamstress"; it's implied to be stemming from a combination of a need to be needed and a fear of abandonment.
-->''Fixing up boys is different that way;\\
You fix a bird, you buy a cage''
* BadassBoast: The entirety of "Dutch", "The Bullpen", "Skeleton Key" and "Fighting Fish" is one.
** "Crew" has one about her music skills partway through, "If the hinges creak, then break the door down / All I need is a beat, I break a four-count".
* BadassCreed: "Seamstress". The creed of the seamstress is "you're pretty in pieces".

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* AllTakeAndNoGive: A version with In "Seamstress", she uses the giver as the controller allegory of sewing up dolls to explain how she becomes invested in the relationship is the theme of "Seamstress"; it's implied to be stemming from a combination of a need to be needed and a fear of abandonment.
-->''Fixing up boys is different that way;\\
You fix a bird, you buy a cage''
* BadassBoast: The entirety of "Dutch", "The Bullpen", "Skeleton Key" and "Fighting Fish" is one.
** "Crew" has one about
"fixing" her music skills partway through, "If the hinges creak, then break the door down / All toxic lovers to an unhealthy extent.
-->''When
I need is a beat, ran out of thread, I break a four-count".
couldn't let go\\
But that's not sewing, that's just poking holes''
* BadassCreed: "Seamstress". The creed of the seamstress in "Seamstress", a serial [[ICanChangeMyBeloved fixer of her broken lovers]], is "you're pretty in pieces". pieces" - that is, you're most attractive when you're in need of fixing.



** Overlaps with SubvertedRhymeEveryOccasion earlier in the same song.
-->''6’2” in my highest kicks\\
Dolled up, I’m the baddest person.''
* TheCaretaker: "Seamstress" is a dark take on this.

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* BoastfulRap:
** Overlaps with SubvertedRhymeEveryOccasion earlier In "Dutch", she lays out her aspirations for success while bragging about her talents as a writer and her dedication to her craft.
** "The Bullpen" is a FemaleEmpowermentSong in which she flaunts her unprecedented success
in the same song.
-->''6’2” in my highest kicks\\
Dolled up, I’m
very male-dominated field of hip-hop.
** In "Skeleton Key", she inhabits
the baddest person.''
persona of a traveler who can unlock any door as a metaphor for her resilience and intellect.
** "Fighting Fish" is a stream of boastful raps about her prowess as a writer, rapper, and overall badass person.
** "Crew" has one about her music skills partway through, "If the hinges creak, then break the door down / All I need is a beat, I break a four-count".
* TheCaretaker: "Seamstress" is a somewhat dark take on this.the idea of a caretaker, about a woman who cares for her broken lovers so thoroughly it hurts them both.



* TheCharmer: The narrator of "Dear Marie"; "that charm of mine was easy to abuse".
* CoolBigSis: "Children's Work" was written for her younger brother Max.
* CloudcuckoolandersMinder: "Children's Work": "The little mystic, and his handler."
** "Annabelle" has her pleading the song's title character to 'come back down'
** "The Man I Knew" is a song about a decade-long relationship with a drug addict.
* DomesticAbuse: What the narrator finds out is going on in "Dixon's Girl"- "You gotta be big to treat pretty girls bad".
* DrowningMySorrows: Said by name in "Seamstress" and a theme touched on in multiple songs (including "Mineshaft 2" and "The Man I Knew"), coming from Dessa's own struggles with alcoholism.
* EasilyForgiven: Averted hugely in "Mineshaft 2" and "The Lamb".
* FramingDevice: "Dear Marie" is a letter the narrator is writing to Marie.
* FriendlessBackground: Implied in "Children's Work": "Before you came along, I was a lone cub."

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* TheCharmer: The narrator of "Dear Marie"; "that charm Marie" betrayed the friend to whom the song is addressed by "smiling bright for everyone but her", charming away her loved ones and even enabling her partner's unfaithfulness out of mine was easy to abuse".
her own selfishness.
* CoolBigSis: "Children's Work" Work", which was written for her younger brother Max.Max, describes how she took him under her wing and provided him with companionship and understanding during his tumultuous childhood.
* CloudcuckoolandersMinder:
** "Children's Work" is about her protective attitude towards her younger brother, who struggled with communication and being misunderstood by adults.

* CloudcuckoolandersMinder: "Children's Work": "The --->''The little mystic, and his handler."
''
** "Annabelle" has her pleading the song's title character is about living with someone suffering from SanitySlippage and struggling to 'come back down'
ground them in reality.
** "The Man I Knew" is a song about a decade-long relationship with a drug addict.
addict and her efforts to keep him healthy and sane throughout his addiction.
* DomesticAbuse: What the narrator finds out is going on in "Dixon's Girl"- "You Girl" is about the narrator striking up a friendship with the lover of a famous man who's abusive behind closed doors.
-->''You
gotta be big to treat pretty girls bad".
bad.''
* DrowningMySorrows: Dessa frequently references her struggles with alcoholism in her lyrics:
**
Said by name in "Seamstress" and when she discusses how the sadness she's been trying to suppress with alcohol is forcing itself to the fore:
--->''I came to write
a theme touched on in multiple songs (including letter, but my pen was full of hymns\\
I came to drown a sorrow, it seems they've learned to swim''
** In
"Mineshaft 2" and II", the narrator's ex laments that she's been "drinking something awful" to cope with the sorry state of her life.
** In
"The Man I Knew"), coming from Dessa's own struggles with alcoholism.
* EasilyForgiven: Averted hugely in "Mineshaft 2"
Knew", she questions whether she even has the right to criticize her lover for being addicted to drugs since the only real difference between him using drugs to cope and "The Lamb".
her using alcohol to cope is legality.
* FramingDevice: "Dear Marie" is structured as a letter the narrator is writing to Marie.
* FriendlessBackground: Implied in In "Children's Work": Work", she describes how her precociousness and solemn attitude alienated her from just about everyone else before she found a kindred spirit in her brother, saying "Before you came along, I was a lone cub."



-->''Now our roles reverse, your tables turning now...''
* IronicEcho: In "Dear Marie", the narrator says that Marie warns her "that charm of mine was easy to abuse"; later, after the narrator has her HeelRealization about how badly she's treated Marie, Marie says "that charm of mine was to refuse".
* TheMasochismTango: "Matches to Paper Dolls", which is about a couple who are too attached/attracted to each other to leave even though the relationship hurts both of them.
* MasterOfUnlocking: The protagonist of "Skeleton Key", who builds a career out of opening any lock that people are willing to pay to have opened.
* MotorMouth: When Dessa ''really'' gets into rap-mode, she's scarily quick with her rhymes. [[https://www.youtube.com/watch?v=35SAEUbdUQE For example, "Matches to Paper Dolls"]], [[https://www.youtube.com/watch?v=6Qe3jruM9pg "Mineshaft"]], and [[https://www.youtube.com/watch?v=4tvSaALk-wc "Press On"]].
** {{Lampshaded}} in “Shrimp.”

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-->''Now our roles reverse, your tables table's turning now...''
* IronicEcho: In "Dear Marie", the narrator says that Marie warns her "that charm of mine was easy to abuse"; later, after the narrator has her HeelRealization about how badly she's treated Marie, Marie says "that charm of mine was to refuse".
* TheMasochismTango: "Matches to Paper Dolls", which Dolls" is about a couple who are too attached/attracted to each other to leave even though the relationship hurts both of them.
* MasterOfUnlocking: The protagonist of "Skeleton Key", who Key" builds a career out of opening any lock that people are willing to pay to have opened.
* MotorMouth: When Dessa ''really'' gets into rap-mode, she's scarily quick with her rhymes. [[https://www.youtube.com/watch?v=35SAEUbdUQE For example, "Matches to Paper Dolls"]], [[https://www.youtube.com/watch?v=6Qe3jruM9pg "Mineshaft"]], and [[https://www.youtube.com/watch?v=4tvSaALk-wc "Press On"]]. \n** {{Lampshaded}} in “Shrimp.”



* MyFutureSelfAndMe: The narrator visits her past self to ask for a favor in "Mineshaft 2".
* NeverASelfMadeWoman: Mentioned in "Dixon's Girl". Currently the page quote.
* RelationshipRevolvingDoor: “Matches to Paper Dolls” is about this type of love affair and the toll it takes on the narrator over many years.

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* MyFutureSelfAndMe: The narrator visits her past self to ask for a favor in "Mineshaft 2".
II".
* NeverASelfMadeWoman: Mentioned in In "Dixon's Girl". Currently Girl", a song about the page quote.
lover of an abusive celebrity, she laments that "Dixon's girl" is only known as "the wife of a famous man" despite her own artistic merits.
* RelationshipRevolvingDoor: “Matches to Paper Dolls” is about this type of love affair and the toll a couple who have a toxic relationship but are too attracted to one other to call it takes on the narrator over many years.quits for good, causing them to get caught in an endless breakup-makeup cycle.



* SanitySlippage: "If & When" has the narrator burning more and more things to keep the candle alight as she waits for her husband to come home.
* SecondPersonNarration: "Mineshalf 2", although it switches to first person in the last verse
* SequelSong: "Mineshaft" released on ''Castor, the Twin'' deals with a painful break-up. "Mineshaft 2" dealt with the ex calling her up years later and asking for forgiveness.

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* SanitySlippage: "If & When" has the narrator burning more and more things to keep the candle alight as she waits for her estranged husband to come home.
home, indicating her struggle to cope with her distress.
* SecondPersonNarration: "Mineshalf 2", although it switches to first person in "Mineshaft II" is structured as a message from the last verse
narrator to her younger self warning her about what the future holds for her love life, and Dessa thus refers to herself as "you" for the majority of the song.
* SequelSong: "Mineshaft" "Mineshaft", released on ''Castor, the Twin'' Dessa's 2005 EP ''False Hopes'', deals with a painful break-up. "Mineshaft 2" dealt II", released five years later on ''A Badly Broken Code'', deals with the ex calling her up years later and asking for forgiveness.



* TheSmurfettePrinciple: "The Bullpen", with the narrator channeling Dessa's experiences in the hip-hop scene.
* TakeMeInstead: From "Children's Work": "When the wagon tipped, I prayed over your body. I asked God to take the damage out on me."
* TrueCompanions: "Crew", which is about her group Doomtree, along with most of her collaborative works with other Doomtree members.
** From "Alibi": "If you ever need a place to sleep tonight, that's what family's for."
* {{UST}}: "Go Home" is about the narrator and a close friend struggling with the feelings that have grown between them.
* WeAreAsMayflies: The central theme of "Momento Mori".
* WidowWoman: "If & When".
* WiseBeyondTheirYears: The entirety of "Children's Work", with both the narrator and her little brother being wise in differnt ways: "Children aren't as simple as we'd like to think."

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* TheSmurfettePrinciple: In "The Bullpen", with she celebrates the narrator channeling Dessa's experiences success she's found in the Minneapolitan hip-hop scene.
scene despite being a woman in a male-dominated industry as well as a rap collective otherwise comprised entirely of men.
* SubvertedRhymeEveryOccasion: In "Shrimp", she substitutes "bitch" for an alternative last-minute:
-->''6’2” in my highest kicks\\
Dolled up, I’m the baddest- person!''
* TakeMeInstead: From In "Children's Work": Work", she recalls seeing her beloved younger brother get gravely injured and wishing he didn't have to suffer by saying "When the wagon tipped, I prayed over your body. body/ I asked God to take the damage out on me."
* TrueCompanions: "Crew", which TrueCompanions:
** "Crew"
is about her group the close companionship she found with the members of Doomtree, along her rap collective.
** In "Alibi", the narrator informs the wife of a criminal that no matter how tumultuous her life becomes, she can always seek refuge
with most of her collaborative works her.
--->''If you need a place to sleep tonight, well, that's what family's for.''
* {{UST}}: "Go Home" is about the narrator and a close friend struggling to reconcile the feelings that have grown between them
with other Doomtree members.the fact that they can't be together due to one of them being in a relationship.
* WeAreAsMayflies: In "Momento Mori", she recalls the fleeting but meaningful moments she shared with a lover while pondering the point of their short and insignificant human existence.
* WidowWoman: "If & When" is about a widow who refuses to accept her husband's death and finds herself driven to self-destructive behavior in her grief.
* WiseBeyondTheirYears: "Children's Work" is about how both the narrator and her little brother are wise in different ways, which surprises the adults in their life but causes them to become kindred spirits.

** From "Alibi": "If you ever need a place to sleep tonight, that's what family's for."
* {{UST}}: "Go Home" is about the narrator and a close friend struggling with the feelings that have grown between them.
* WeAreAsMayflies: The central theme of "Momento Mori".
* WidowWoman: "If & When".
* WiseBeyondTheirYears: The entirety of "Children's Work", with both the narrator and her little brother being wise in differnt ways: "Children
-->''Children aren't as simple as we'd like to think."''
----
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** Overlaps with SubvertedRhymeEveryOccasion later in the same song.

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** Overlaps with SubvertedRhymeEveryOccasion later earlier in the same song.
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** [[Lampshaded]] in “Shrimp.”

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** [[Lampshaded]] {{Lampshaded}} in “Shrimp.”
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** Overlaps with SubvertedRhymeEveryOccasion later in the same song.
-->''6’2” in my highest kicks\\
Dolled up, I’m the baddest person.''


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**[[Lampshaded]] in “Shrimp.”
-->''Talk real fast when I get nervous\\
Rap real fast, but that’s on purpose.''
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* Bait and Switch: “Shrimp” ends with Dessa lamenting that she’s “always a bridesmaid, never an...ASTRONAUT!”

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* Bait and Switch: BaitAndSwitch: “Shrimp” ends with Dessa lamenting that she’s “always a bridesmaid, never an...ASTRONAUT!”

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* AlbumClosure: ''Chime'' ends with "I Hope I'm Wrong," a sad song about her mother's death.

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* AlbumClosure: ''Chime'' ends with "I Hope I'm Wrong," a sad song about her mother's grandmother's death.


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* Bait and Switch: “Shrimp” ends with Dessa lamenting that she’s “always a bridesmaid, never an...ASTRONAUT!”
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* RelationshipRevolvingDoor: “Matches to Paper Dolls” is about this type of love affair and the toll it takes on the narrator over many years.
-->''We’ve been lovers and strangers and friends who get angry.''
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* FunctionalAddict: “The Man I Knew” is about a friend of Dessa’s who managed to keep his life together despite being addicted to cocaine.
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* HourglassPlot: In “The Lamb,” the narrator finds herself in a position of power over a sick relative who abused her in childhood, and has to restrain herself from using the opportunity to hurt him.
-->''Now our roles reverse, your tables turning now...''
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No longer a trope.


* WiseBeyondTheirYears: The entirety of "Children's Work", with both the narrator and her little brother being wise in differnt ways: "Children aren't as simple as we'd like to think."
* YourCheatingHeart: Subverted in "Go Home", where the narrator persuades him to "go home to her, while you still can".

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* WiseBeyondTheirYears: The entirety of "Children's Work", with both the narrator and her little brother being wise in differnt ways: "Children aren't as simple as we'd like to think."
* YourCheatingHeart: Subverted in "Go Home", where the narrator persuades him to "go home to her, while you still can".
"
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* AlbumClosure: ''Chime'' ends with "I Hope I'm Wrong," a sad song about her mother's death.
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Troping the creator, not her work


* AmbiguouslyBrown: Half Puerto Rican on her mother's side.

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Deleted natter + inccorect example


* DomesticAbuse: What the narator finds out is going on in "Dixon's Girl"- "You gotta be big to treat pretty girls bad".

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* DomesticAbuse: What the narator narrator finds out is going on in "Dixon's Girl"- "You gotta be big to treat pretty girls bad".



* SecretKeeper: A dark version in "The Lamb", where it's implied the narrator covered up a murder for her acquaintance.
** Actually, "The Lamb" is about Dessa's personal experience being assaulted by an older male family member
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** Actually, "The Lamb" is about Dessa's personal experience being assaulted by an older male family member
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* 2018 - ''Chime''

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Dessa (born Margret Wander) is an underground singer and hip-hop artist from Minneapolis, Minnesota and part of the indie hip-hop group Doomtree. Her lyrics vary from sharp and cutting to poetic and narrative. She is known for the feminist themes in several of her songs and has been described as a mix of Mos Def and Music/AniDiFranco.

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Dessa (born Margret Wander) is an underground singer and hip-hop artist from Minneapolis, Minnesota and part of the indie hip-hop group Doomtree.Minnesota. Her lyrics vary from sharp and cutting to poetic and narrative. She is known for the feminist themes in several of her songs and has been described as a mix of Mos Def and Music/AniDiFranco.


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* AmbiguouslyBrown: Half Puerto Rican on her mother's side.
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In 2016, she contributed the song "Congratulations" to ''TheHamiltonMixtape''.

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In 2016, she contributed the song "Congratulations" to ''TheHamiltonMixtape''.
''Music/TheHamiltonMixtape''.
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In 2016, she contributed the song "Congratulations" to ''TheHamiltonMixtape''.
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** "Anabelle" has her pleading the song's title character to 'come back down'

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** "Anabelle" "Annabelle" has her pleading the song's title character to 'come back down'

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-->''But I've learned how to paint my face,\\

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-->''But ->''"But I've learned how to paint my face,\\



Children aren't as simple as we'd like to think.''
-->--"Children's Work"


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Children aren't as simple as we'd like to think.''
-->--"Children's
"''
-->-- "Children's
Work"






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She is also a member of Music/{{Doomtree}}, a hip-hop collective consisting of her and fellow artists P.O.S, Cecil Otter, Sims, Mike Mictlan, Lazerbeak, and Paper Tiger.


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* MasterOfUnlocking: The protagonist of "Skeleton Key", who builds a career out of opening any lock that people are willing to pay to have opened.

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