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Dewicking.
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* ExcitedShowTitle: "Behold! The Night Mare"
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As the band had already experimented outside of their traditional rock sound on ''Mellon Collie'', with the immensely successful electronic-influenced "1979" among other songs to show for it, they decided to hone in on electronica. Hoping to maintain this ProgressiveRock-inspired experimentation, Corgan began envisioning a hybrid of folk rock and electronica that was as "ancient" as it was "futuristic". The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their pre-established heavier elements for mellow, ethereal soundscapes taking influence from the likes of industrial rock, gothic rock, {{synthpop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time.
to:
As the band had already experimented outside of their traditional rock sound on ''Mellon Collie'', with the immensely successful electronic-influenced "1979" among other songs to show for it, they decided to hone in on electronica. Hoping to maintain this ProgressiveRock-inspired experimentation, Corgan began envisioning a hybrid of folk rock and electronica that was as "ancient" as it was "futuristic". The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their the band's pre-established heavier elements for mellow, ethereal soundscapes taking influence from the likes of industrial rock, gothic rock, {{synthpop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time.
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After the mass success of ''Music/MellonCollieAndTheInfiniteSadness'' and a subsequent world tour, ''Adore'' was surrounded by considerable hype from the get-go, with MTV going as far as christening it "one of the most anticipated albums of 1998". However, with this level of public expectation combining with a myriad of interpersonal issues, the album's production was [[TroubledProduction marred by problems]] such that frontman Billy Corgan retrospectively summarized it as [[CreatorBreakdown "a band falling apart"]].
to:
After the mass success of ''Music/MellonCollieAndTheInfiniteSadness'' and a subsequent world tour, ''Adore'' was surrounded by considerable hype from the get-go, with MTV Creator/{{MTV}} going as far as christening it "one of the most anticipated albums of 1998". However, with this level of public expectation combining with a myriad of interpersonal issues, the album's production was [[TroubledProduction marred by problems]] such that frontman Billy Corgan retrospectively summarized it as [[CreatorBreakdown "a band falling apart"]].
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[[caption-width-right:350:''And you'll always be my whore,\\
'cause you're the one that I adore.'']]
'cause you're the one that I adore.'']]
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Changed line(s) 7,12 (click to see context) from:
These issues were namely the temporary departure of drummer Jimmy Chamberlin due to drug abuse and a number of issues that fell upon frontman Billy Corgan: the recent death of his mother due to cancer, the end of his marriage, and a general sense of musical burnout.
As the band had already experimented outside of their traditional rock sound with ''Mellon Collie'', with the immensely successful electronic-influenced song "1979" to show for it, they decided to hone in on electronica. Hoping to maintain this ProgressiveRock-inspired experimentation, Corgan began envisioning a hybrid of folk rock and electronica that was as "ancient" as it was "futuristic". The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their pre-established heavier elements for mellow, ethereal soundscapes taking influence from the likes of industrial rock, gothic rock, {{synthpop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time.
It was regarded as a commercial disappointment compared to their previous two albums, and [[TheyChangedItNowItSucks its vastly new approach]] [[BrokenBase divided the fanbase]] [[CriticalDissonance while earning universal acclaim from critics]]. However, [[VindicatedByHistory its status among fans has risen over the years]] -- something that Corgan predicted himself at the time of its release.
As the band had already experimented outside of their traditional rock sound with ''Mellon Collie'', with the immensely successful electronic-influenced song "1979" to show for it, they decided to hone in on electronica. Hoping to maintain this ProgressiveRock-inspired experimentation, Corgan began envisioning a hybrid of folk rock and electronica that was as "ancient" as it was "futuristic". The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their pre-established heavier elements for mellow, ethereal soundscapes taking influence from the likes of industrial rock, gothic rock, {{synthpop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time.
It was regarded as a commercial disappointment compared to their previous two albums, and [[TheyChangedItNowItSucks its vastly new approach]] [[BrokenBase divided the fanbase]] [[CriticalDissonance while earning universal acclaim from critics]]. However, [[VindicatedByHistory its status among fans has risen over the years]] -- something that Corgan predicted himself at the time of its release.
to:
These issues were namely the temporary departure of drummer Jimmy Chamberlin due to drug abuse and a number of issues that fell upon frontman Billy Corgan: Corgan -- the recent death of his mother due to cancer, the end of his marriage, and a general sense of musical burnout.
As the band had already experimented outside of their traditional rock soundwith on ''Mellon Collie'', with the immensely successful electronic-influenced song "1979" among other songs to show for it, they decided to hone in on electronica. Hoping to maintain this ProgressiveRock-inspired experimentation, Corgan began envisioning a hybrid of folk rock and electronica that was as "ancient" as it was "futuristic". The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their pre-established heavier elements for mellow, ethereal soundscapes taking influence from the likes of industrial rock, gothic rock, {{synthpop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time.
It ''Adore'' was regarded as a commercial disappointment compared to their previous two albums, and its vastly new approach [[BrokenBase divided]] [[TheyChangedItNowItSucks its vastly new approach]] [[BrokenBase divided the band's fanbase]] [[CriticalDissonance while earning universal acclaim from critics]]. However, [[VindicatedByHistory its status among fans has risen over the years]] -- something that Corgan predicted himself at the time of its release.
As the band had already experimented outside of their traditional rock sound
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* AlbumTitleDrop: "Ava Adore", of course. [[NonAppearingTitle Which is the only half of the title that appears.]]
* ObsessionSong: "Ava Adore" is certainly much darker than a simple declaration of love.
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* PunBasedTitle: The album's title is a pun on "a door". Nearly nobody got this until Corgan explained it.
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* PunBasedTitle: The album's title is a pun on "a door".door", as a reference to being a NewSoundAlbum. Nearly nobody got this until Corgan explained it.
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* NonIndicativeName: Most versions of "17" aren't actually seventeen seconds long due to silence being added during mixing/mastering, but they were supposed to be.
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* NonIndicativeName: Most versions of "17" aren't actually seventeen seconds long due to silence being added during mixing/mastering, but they were supposed to be. Interestingly, the track actually does mean something on the Japanese version, it's the 17th track. (The Japanese version includes the B-Side from Ava Adore, "Once In A While")
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As the band had already experimented outside of their traditional rock sound with ''Mellon Collie'', with the immensely successful electronic-influenced "1979" to show for it, they decided to hone in on electronica. Hoping to maintain this ProgressiveRock-inspired experimentation, Corgan began envisioning a hybrid of folk rock and electronica that was as "ancient" as it was "futuristic".
The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their pre-established metal elements for mellow, ethereal soundscapes culling influence from the likes of industrial rock, gothic rock, {{synth pop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time.
It was regarded as a commercial disappointment compared to their previous two albums, and [[TheyChangedItNowItSucks its vastly new approach]] [[BrokenBase divided the fanbase]] [[CriticalDissonance while earning universal acclaim from critics]]. However, [[VindicatedByHistory its status among fans has risen over the years]] -- something that Corgan predicted himself.
The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their pre-established metal elements for mellow, ethereal soundscapes culling influence from the likes of industrial rock, gothic rock, {{synth pop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time.
It was regarded as a commercial disappointment compared to their previous two albums, and [[TheyChangedItNowItSucks its vastly new approach]] [[BrokenBase divided the fanbase]] [[CriticalDissonance while earning universal acclaim from critics]]. However, [[VindicatedByHistory its status among fans has risen over the years]] -- something that Corgan predicted himself.
to:
As the band had already experimented outside of their traditional rock sound with ''Mellon Collie'', with the immensely successful electronic-influenced song "1979" to show for it, they decided to hone in on electronica. Hoping to maintain this ProgressiveRock-inspired experimentation, Corgan began envisioning a hybrid of folk rock and electronica that was as "ancient" as it was "futuristic".
"futuristic". The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their pre-established metal heavier elements for mellow, ethereal soundscapes culling taking influence from the likes of industrial rock, gothic rock, {{synth pop}} {{synthpop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time.
It was regarded as a commercial disappointment compared to their previous two albums, and [[TheyChangedItNowItSucks its vastly new approach]] [[BrokenBase divided the fanbase]] [[CriticalDissonance while earning universal acclaim from critics]]. However, [[VindicatedByHistory its status among fans has risen over the years]] -- something that Corgan predictedhimself.
himself at the time of its release.
It was regarded as a commercial disappointment compared to their previous two albums, and [[TheyChangedItNowItSucks its vastly new approach]] [[BrokenBase divided the fanbase]] [[CriticalDissonance while earning universal acclaim from critics]]. However, [[VindicatedByHistory its status among fans has risen over the years]] -- something that Corgan predicted
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removed ymmv pothole
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* MeaninglessMeaningfulWords: As beautiful and [[TearJerker tearjerking]] as "To Sheila" is, looking at the lyrics on their own reveals that it essentially sounds like Corgan put together lots of words that sounded nice.
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* MeaninglessMeaningfulWords: As beautiful and [[TearJerker tearjerking]] tearjerking as "To Sheila" is, looking at the lyrics on their own reveals that it essentially sounds like Corgan put together lots of words that sounded nice.
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* DarkerAndEdgier[=/=]LighterAndSofter: This album manages to be both tropes at once. When taken as a whole, it's much, much more subdued musically than the band's previous work (and, for that matter, anything they did afterward). However, from an emotional and lyrical standpoint, it's definitely much darker overall, owing in part to Corgan's CreatorBreakdown while it was being made.
to:
* DarkerAndEdgier[=/=]LighterAndSofter: This album manages to be both tropes at once.DarkerAndEdgier: ZigZagged. When taken as a whole, it's much, much more subdued musically than the band's previous work (and, for that matter, anything they did afterward). However, from an emotional and lyrical standpoint, it's definitely much darker overall, owing in part to Corgan's CreatorBreakdown while it was being made.
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One Hundred And Eight is now Mystical 108; examples must be about the religious significance or at least be a clear reference to Eastern religion
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* OneHundredAndEight: Perhaps coincidental, but as mentioned above, the remastered box set has 108 tracks.
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Intended as the band's "electronic" or "gothic" album, the musical and lyrical content is substantially more subdued than their previous material, owing in large part to the fact that Corgan's mother had recently died of cancer, as well as to the fact that usual drummer Jimmy Chamberlin was not present on this album (having been temporarily kicked out of the band for drug abuse).
It actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time. The metal elements of the band's other albums are almost completely absent, but it is more melancholy, and it's their only album for which Corgan wrote the lyrics before writing the melodies.
It actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time. The metal elements of the band's other albums are almost completely absent, but it is more melancholy, and it's their only album for which Corgan wrote the lyrics before writing the melodies.
to:
These issues were namely the
As the band had already experimented outside of their traditional rock sound with ''Mellon Collie'', with the immensely successful electronic-influenced "1979" to show for
It
The result was [[NewSoundAlbum the much more musically subdued approach]] that ''Adore'' was defined by, eschewing their pre-established metal elements for mellow, ethereal soundscapes culling influence from the likes of industrial rock, gothic rock, {{synth pop}} and {{dream pop}}, and exhibiting more melancholic lyrics (which Corgan actually wrote before writing the melodies, a first for the band). In a sense, it actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same
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* AlbumClosure: The album ends with "17", a [[MinisculeRocking 17-second]] acoustic instrumental that according to the liner notes is supposed to provide space for breathing and reflection.
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* AlbumClosure: The album ends with "17", a [[MinisculeRocking 17-second]] acoustic piano instrumental that according to the liner notes is supposed to provide space for breathing and reflection.
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* ShoutOut: "Appels + Oranjes" is an intentionally misspelled shout out to the obscure Music/PinkFloyd song "Apples and Oranges"
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* ShoutOut: "Appels + Oranjes" is an intentionally misspelled shout out to the obscure Music/PinkFloyd song "Apples and Oranges"Oranges".
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* AlbumClosure: The album ends with "17", a [[MinisculeRocking 17-second]] acoustic instrumental that according to the liner notes is supposed to provide space for breathing and reflection.
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confirmed on one of the linear notes of one of the reissues
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* ShoutOut: "Appels + Oranjes" is an intentionally misspelled shout out to the obscure Music/PinkFloyd song "Apples and Oranges"
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''Adore'' is the fourth official studio album by AlternativeRock band Music/TheSmashingPumpkins, released in late May or early June 1998.[[note]]The exact date depended upon the country, but the earliest release was May 29 in the European Union and the latest was June 2 in the U.S./Canada.[[/note]] The LP edition, which was mono and used a different mix, followed a few months later on August 18. (Amongst other differences, the brief outro "17" was omitted and "For Martha" had a different arrangement that was about a minute shorter.)
Intended as the band's "electronic" or "gothic" album, it was regarded as a commercial disappointment on its release, only selling a portion of the previous two albums' sales (despite peaking at #2 on the ''Billboard'' 200 and topping charts in several countries), not to mention how it [[BrokenBase divided the fanbase]]. However, it has come to be regarded as somewhat VindicatedByHistory, as its stature has risen substantially over the years. It is now not uncommon to hear people cite this album alongside ''Music/SiameseDream'' and ''Music/MellonCollieAndTheInfiniteSadness'' as one of their favourites. (For what it's worth, the album received almost universally positive critical reviews when it was released, and band leader Billy Corgan himself predicted ''Adore'' would grow in stature after it had been out for awhile).
The material on this album is substantially more subdued than the band's previous material, owing in large part to the fact that Corgan's mother had recently died of cancer, as well as to the fact that usual drummer Jimmy Chamberlin was not present on this album (having been temporarily kicked out of the band for drug abuse). It still has a wide stylistic range, though, but the territory covered is somewhat different from that of any other Smashing Pumpkins album, and it remains a unique entry in the band's discography. It actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time: the metal elements of the band's other albums are almost completely absent, but it is more melancholy (ironically, considering the title of the band's previous album) in both its emotional and lyrical content. Speaking of lyrics, it's their only album for which Corgan wrote the lyrics before writing the melodies, and perhaps as a result, it is commonly regarded as their strongest album lyrically.
September 23, 2014, as part of the band's campaign to reissue its discography from its original run, saw the release of a gargantuan box set collecting a remaster of the CD edition, a remaster of the mono vinyl mix (the first time it was released digitally), four [=CDs=]' worth of additional bonus content, and a bonus DVD featuring a contemporary live performance in its entirety. The bonus [=CDs=] (including the mono mix) were criticised for their [[LoudnessWar sound quality]], but apart from that, the bonus content was extremely well received, with some fans feeling that the live performances of the album's songs were a major improvement on the studio versions. In all, the box set has [[OneHundredAndEight 108]] tracks, which comprise nine hours and ten minutes of music.
'''Tracklist'''
Intended as the band's "electronic" or "gothic" album, it was regarded as a commercial disappointment on its release, only selling a portion of the previous two albums' sales (despite peaking at #2 on the ''Billboard'' 200 and topping charts in several countries), not to mention how it [[BrokenBase divided the fanbase]]. However, it has come to be regarded as somewhat VindicatedByHistory, as its stature has risen substantially over the years. It is now not uncommon to hear people cite this album alongside ''Music/SiameseDream'' and ''Music/MellonCollieAndTheInfiniteSadness'' as one of their favourites. (For what it's worth, the album received almost universally positive critical reviews when it was released, and band leader Billy Corgan himself predicted ''Adore'' would grow in stature after it had been out for awhile).
The material on this album is substantially more subdued than the band's previous material, owing in large part to the fact that Corgan's mother had recently died of cancer, as well as to the fact that usual drummer Jimmy Chamberlin was not present on this album (having been temporarily kicked out of the band for drug abuse). It still has a wide stylistic range, though, but the territory covered is somewhat different from that of any other Smashing Pumpkins album, and it remains a unique entry in the band's discography. It actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time: the metal elements of the band's other albums are almost completely absent, but it is more melancholy (ironically, considering the title of the band's previous album) in both its emotional and lyrical content. Speaking of lyrics, it's their only album for which Corgan wrote the lyrics before writing the melodies, and perhaps as a result, it is commonly regarded as their strongest album lyrically.
September 23, 2014, as part of the band's campaign to reissue its discography from its original run, saw the release of a gargantuan box set collecting a remaster of the CD edition, a remaster of the mono vinyl mix (the first time it was released digitally), four [=CDs=]' worth of additional bonus content, and a bonus DVD featuring a contemporary live performance in its entirety. The bonus [=CDs=] (including the mono mix) were criticised for their [[LoudnessWar sound quality]], but apart from that, the bonus content was extremely well received, with some fans feeling that the live performances of the album's songs were a major improvement on the studio versions. In all, the box set has [[OneHundredAndEight 108]] tracks, which comprise nine hours and ten minutes of music.
'''Tracklist'''
to:
''Adore'' is the fourth official studio album by AlternativeRock band Music/TheSmashingPumpkins, released in late May or early June around summer 1998.[[note]]The exact date depended upon the country, but the earliest release was May 29 in the European Union and the latest was June 2 in the U.S./Canada.[[/note]] The LP edition, which was mono and used a different mix, followed a few months later on August 18. (Amongst other differences, the brief outro "17" was omitted and "For Martha" had a different arrangement that was about a minute shorter.)
)[[/note]]
Intended as the band's "electronic" or "gothic" album,it was regarded as a commercial disappointment on its release, only selling a portion of the previous two albums' sales (despite peaking at #2 on the ''Billboard'' 200 musical and topping charts in several countries), not to mention how it [[BrokenBase divided the fanbase]]. However, it has come to be regarded as somewhat VindicatedByHistory, as its stature has risen substantially over the years. It is now not uncommon to hear people cite this album alongside ''Music/SiameseDream'' and ''Music/MellonCollieAndTheInfiniteSadness'' as one of their favourites. (For what it's worth, the album received almost universally positive critical reviews when it was released, and band leader Billy Corgan himself predicted ''Adore'' would grow in stature after it had been out for awhile).
The material on this albumlyrical content is substantially more subdued than the band's their previous material, owing in large part to the fact that Corgan's mother had recently died of cancer, as well as to the fact that usual drummer Jimmy Chamberlin was not present on this album (having been temporarily kicked out of the band for drug abuse). It still has a wide stylistic range, though, but the territory covered is somewhat different from that of any other Smashing Pumpkins album, and it remains a unique entry in the band's discography. abuse).
It actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the sametime: the time. The metal elements of the band's other albums are almost completely absent, but it is more melancholy (ironically, considering the title of the band's previous album) in both its emotional melancholy, and lyrical content. Speaking of lyrics, it's their only album for which Corgan wrote the lyrics before writing the melodies, and perhaps as a result, it is commonly melodies.
It was regarded as a commercial disappointment compared to theirstrongest album lyrically.
September 23, 2014, asprevious two albums, and [[TheyChangedItNowItSucks its vastly new approach]] [[BrokenBase divided the fanbase]] [[CriticalDissonance while earning universal acclaim from critics]]. However, [[VindicatedByHistory its status among fans has risen over the years]] -- something that Corgan predicted himself.
As part of the band's campaign to reissue its discography from its original run,saw the release of a gargantuan box set collecting a remaster of the CD edition, a remaster of the mono vinyl mix (the first time it was released digitally), in September 2014 containing remasters of the CD and vinyl editions, four [=CDs=]' worth of additional bonus content, and a bonus DVD featuring a contemporary live performance in its entirety. The bonus [=CDs=] (including the mono mix) were criticised for their [[LoudnessWar sound quality]], but apart from that, the bonus content was extremely well received, with some fans feeling that the live performances entirety, totalling to ''108'' tracks of the album's songs were a major improvement on the studio versions. In all, the box set has [[OneHundredAndEight 108]] tracks, which comprise just over nine hours and ten minutes of music.
'''Tracklist'''
music.
----
!!Tracklist:
Intended as the band's "electronic" or "gothic" album,
The material on this album
It actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same
It was regarded as a commercial disappointment compared to their
September 23, 2014, as
As part of the band's campaign to reissue its discography from its original run,
'''Tracklist'''
----
!!Tracklist:
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'''Personnel'''
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!!17 tropes are all you need:
to:
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# "Let Me Give the World to You (Adore outtake)" (4:20)
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# "Let Me Give the World to You (Adore outtake)" [[note]] This version produced by Music/RickRubin, was later heavily reworked for Machina II [[/note]] (4:20)
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* ObligatoryBondageSong: "Pug" and "Annie-Dog". They take drastically different views of the subject, and they're practically on opposite sides of the spectrum; "Pug" is on the SafeSaneAndConsensual side while "Annie-Dog" is on the BondageIsBad side.
to:
* ObligatoryBondageSong: Possible interpretations of "Pug" and "Annie-Dog". They take drastically different views of the subject, and they're practically on opposite sides of the spectrum; "Pug" is on the SafeSaneAndConsensual side while "Annie-Dog" is on the BondageIsBad side.
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** "For Martha (take 1/CRC demo)" (7:20); "Tear (live/Sao Paulo session)" (7:01), "Blank Page (live with Mancow/Chicago)" (7:52), "To Sheila (live/Nashville/Ryman Auditorium)" (7:17), "X.Y.U. Medley (live/Los Angeles/Dodger Stadium)" (11:20), "Transmission (live/Chicago/rehearsal)", and on the DVD, "To Sheila" (7:11), "Tear" (9:59), "Thru the Eyes of Ruby" (10:15), "The Tale of Dusty and Pistol Pete" (10:20), "Shame" (9:17), "For Martha" (8:25), "Blank Page" (9:48), and, taking the cake by far, "Transmission", at... *drumroll* '''25:52'''.
to:
** "For Martha (take 1/CRC demo)" (7:20); "Tear (live/Sao Paulo session)" (7:01), "Blank Page (live with Mancow/Chicago)" (7:52), "To Sheila (live/Nashville/Ryman Auditorium)" (7:17), "X.Y.U. Medley (live/Los Angeles/Dodger Stadium)" (11:20), "Transmission (live/Chicago/rehearsal)", (live/Chicago/rehearsal)" (12:52), and on the DVD, "To Sheila" (7:11), "Tear" (9:59), "Thru the Eyes of Ruby" (10:15), "The Tale of Dusty and Pistol Pete" (10:20), "Shame" (9:17), "For Martha" (8:25), "Blank Page" (9:48), and, taking the cake by far, "Transmission", at... *drumroll* '''25:52'''.
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* DeliberatelyMonochrome: The album art.
* EpicRocking: "For Martha" is 8:17 in the stereo mix (still 7:07 in the mono mix). "Shame" is 6:41, and "Tear" is 5:54. The bonus material on the box set often falls into this, too:
* EpicRocking: "For Martha" is 8:17 in the stereo mix (still 7:07 in the mono mix). "Shame" is 6:41, and "Tear" is 5:54. The bonus material on the box set often falls into this, too:
to:
* DeliberatelyMonochrome: The album art.
art. The vinyl edition and the reissue avert this, though; the cover artwork for both versions (which is very similar, though not completely identical) has a lot of red.
* EpicRocking: "For Martha" is 8:17 in the stereo mix (still 7:07 in the mono mix). "Shame" is 6:41, and "Tear"is ''nearly'' qualifies at 5:54. The bonus material on the box set often falls into this, too:
* EpicRocking: "For Martha" is 8:17 in the stereo mix (still 7:07 in the mono mix). "Shame" is 6:41, and "Tear"
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'''Disc 4: Chalices, Palaces, and Deep Pools'''
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'''Disc 4: 4 - Chalices, Palaces, and Deep Pools'''
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# "Eye (2014 mix/from the ‘Film/LostHighway’ soundtrack)" (4:55)
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# "Eye (2014 mix/from the ‘Film/LostHighway’ 'Film/LostHighway' soundtrack)" (4:55)
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'''Disc 5: Malice, Callous, and Fools'''
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'''Disc 5: 5 - Malice, Callous, and Fools'''
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'''Disc 6: Kissed Alive Too'''
to:
'''Disc 6: 6 - Kissed Alive Too'''
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# "X.Y.U. Medley (live/Los Angeles/Dodger Stadium)" (11:20)
to:
# "X.Y.U. Medley (live/Los Angeles/Dodger Stadium)" (11:20)(11:20)[[note]]The songs included are "Never Say Never" (a Romeo Void cover), "The Ethers Tragic", "Where Boys Fear to Tread", and "X.Y.U."[[/note]]
* CoverVersion: None on the album proper, but the bonus discs include multiple covers of Music/JoyDivision's "Transmission", taken to several times its original length, as well as Barrett Strong's "Money (That's What I Want)" (probably [[CoveredUp better known]] in Music/TheBeatles' version, though). The "X.Y.U. Medley" on disc 6 also features a partial cover of new wave band Romeo Void's song "Never Say Never".
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* EpicRocking: "For Martha" is over eight minutes long in the stereo mix (still over seven in the mono mix). "Shame" is almost seven minutes long, and "Tear" is almost six. The bonus material on the box set often falls into this, too, with the most extreme example being the nearly-twenty-six-minute cover of Music/JoyDivision's "Transmission" on the DVD.
to:
* EpicRocking: "For Martha" is over eight minutes long 8:17 in the stereo mix (still over seven 7:07 in the mono mix). "Shame" is almost seven minutes long, 6:41, and "Tear" is almost six. 5:54. The bonus material on the box set often falls into this, too, too:
** "For Martha (take 1/CRC demo)" (7:20); "Tear (live/Sao Paulo session)" (7:01), "Blank Page (live withthe most extreme example being the nearly-twenty-six-minute cover of Music/JoyDivision's "Transmission" Mancow/Chicago)" (7:52), "To Sheila (live/Nashville/Ryman Auditorium)" (7:17), "X.Y.U. Medley (live/Los Angeles/Dodger Stadium)" (11:20), "Transmission (live/Chicago/rehearsal)", and on the DVD.DVD, "To Sheila" (7:11), "Tear" (9:59), "Thru the Eyes of Ruby" (10:15), "The Tale of Dusty and Pistol Pete" (10:20), "Shame" (9:17), "For Martha" (8:25), "Blank Page" (9:48), and, taking the cake by far, "Transmission", at... *drumroll* '''25:52'''.
** "For Martha (take 1/CRC demo)" (7:20); "Tear (live/Sao Paulo session)" (7:01), "Blank Page (live with
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Added DiffLines:
[[folder:Vinyl edition / reissue disc 2]]
# "To Sheila" (4:39)
# "Ava Adore" (4:25)
# "Perfect" (3:29)
# "Daphne Descends" (4:43)
# "Once Upon a Time" (4:07)
# "Tear" (5:52)
# "Crestfallen" (3:56)
# "Appels + Oranjes" (3:39)
# "Pug" (4:48)
# "The Tale of Dusty and Pistol Pete" (4:34)
# "Annie-Dog" (3:39)
# "Shame" (6:39)
# "Behold! The Night Mare" (5:13)
# "For Martha" (7:07)
# "Blank Page" (4:50)
[[/folder]]
[[folder:Additional reissue bonus discs]]
'''Disc 3 - In a State of Passage'''
# "Blissed and Gone (Sadlands demo)" (4:17)
# "Christmastime (Sadlands demo)" (3:27)
# "My Mistake (Sadlands demo)" (4:51)
# "Sparrow (Sadlands demo)" (2:55)
# "Valentine (Sadlands demo)" (4:22)
# "The Tale of Dusty and Pistol Pete (Sadlands demo)" (5:24)
# "What If? (Streeterville demo)" (3:28)
# "Chewing Gum (CRC demo)" (3:00)
# "The Tale of Dusty and Pistol Pete (CRC demo)" (5:01)
# "The Ethers Tragic (instrumental/2014 mix/CRC demo)" (2:49)
# "The Guns of Love Disastrous (instrumental/2014 mix/CRC demo)" (2:04)
# "Annie-Dog (take 10/CRC demo)" (3:25)
# "Once in a While (2014 mix/CRC demo)" (3:34)
# "Do You Close Your Eyes When You Kiss Me? (CRC demo)" (3:07)
# "For Martha (take 1/CRC demo)" (7:20)
# "My Mistake (take 1/CRC demo)" (4:00)
# "Blissed and Gone (CRC demo)" (3:30)
# "For Martha (take 2/instrumental/CRC demo)" (5:40)
'''Disc 4: Chalices, Palaces, and Deep Pools'''
# "For Martha (symphonic snippet/instrumental)" (2:40)
# "Crestfallen (Matt Walker reimagined/2014)" (3:39)
# "To Sheila (early banjo version)" (4:25)
# "Ava Adore (Puffy Combs remix 1998)" (4:37)
# "O Rio (instrumental/Sadlands demo)" (2:28)
# "Waiting (Adore outtake)" (3:49)
# "Once Upon a Time (Sadlands demo)" (4:21)
# "Eye (2014 mix/from the ‘Film/LostHighway’ soundtrack)" (4:55)
# "Saturnine (for piano and voice)" (3:47)
# "Cash Car Star (Matt Walker reimagined/2014)" (4:01)
# "Pug (Matt Walker reimagined/2014)" (4:35)
# "Perfect (no strings version)" (3:24)
# "It's Alright (instrumental/Adore outtake)" (4:21)
# "Czarina (take 1/Adore outtake)" (3:57)
# "Indecision (Sadlands demo)" (2:43)
# "Blank Page (early version)" (4:58)
'''Disc 5: Malice, Callous, and Fools'''
# "Let Me Give the World to You (Adore outtake)" (4:20)
# "Tear (from digital transfer)" (5:53)
# "Cross (Adore outtake)" (4:54)
# "Because You Are (Adore BSide)" (3:51)
# "Jersey Shore (Sadlands demo)" (3:41)
# "Shame (take 1)" (4:55)
# "Summer (instrumental/Adore outtake)" (3:09)
# "Blissed and Gone (drone version)" (5:11)
# "Heaven (instrumental/Sadlands demo)" (4:03)
# "Daphne Descends (Matt Walker reimagined/2014)" (5:11)
# "Saturnine (Matt Walker Reimagined/2014)" (3:58)
# "Behold! The Night Mare (alternate vocal)" (4:59)
# "Perfect (acoustic demo/Adore outtake)" (3:19)
# "Do You Close Your Eyes? (Adore outtake)" (4:23)
# "The Beginning Is the End Is the Beginning" (5:00)
'''Disc 6: Kissed Alive Too'''
# "Ava Adore (live/Sao Paulo session)" (4:47)
# "Daphne Descends (live/Sao Paulo Session)" (4:28)
# "The Tale of Dusty and Pistol Pete (live/Sao Paulo Session)" (4:42)
# "Tear (live/Sao Paulo session)" (7:01)
# "Shame (live with Mancow/chicago)" (4:19)
# "Blank Page (live with Mancow/Chicago)" (7:52)
# "To Sheila (live/Nashville/Ryman Auditorium)" (7:17)
# "Money (That's What I Want) (live/Los Angeles/Dodger Stadium)" (3:31)
# "X.Y.U. Medley (live/Los Angeles/Dodger Stadium)" (11:20)
# "Transmission (live/Chicago/rehearsal)" (12:52)
'''DVD - Fox Theatre, Atlanta, GA, August 4, 1998'''
# "Intro" (1:00)
# "To Sheila" (7:11)
# "Behold! The Night Mare" (5:16)
# "Pug" (5:06)
# "Crestfallen" (4:30)
# "Ava Adore" (5:41)
# "Tear" (9:59)
# "Annie-Dog" (4:27)
# "Perfect" (3:35)
# "Thru the Eyes of Ruby" (10:15)
# "Tonight, Tonight" (4:19)
# "Once Upon a Time" (4:37)
# "The Tale of Dusty and Pistol Pete" (10:20)
# "Bullet with Butterfly Wings" (5:30)
# "Shame" (9:17)
# "For Martha" (8:25)
# "Blank Page" (9:48)
# "Transmission" (25:52)
[[/folder]]
# "To Sheila" (4:39)
# "Ava Adore" (4:25)
# "Perfect" (3:29)
# "Daphne Descends" (4:43)
# "Once Upon a Time" (4:07)
# "Tear" (5:52)
# "Crestfallen" (3:56)
# "Appels + Oranjes" (3:39)
# "Pug" (4:48)
# "The Tale of Dusty and Pistol Pete" (4:34)
# "Annie-Dog" (3:39)
# "Shame" (6:39)
# "Behold! The Night Mare" (5:13)
# "For Martha" (7:07)
# "Blank Page" (4:50)
[[/folder]]
[[folder:Additional reissue bonus discs]]
'''Disc 3 - In a State of Passage'''
# "Blissed and Gone (Sadlands demo)" (4:17)
# "Christmastime (Sadlands demo)" (3:27)
# "My Mistake (Sadlands demo)" (4:51)
# "Sparrow (Sadlands demo)" (2:55)
# "Valentine (Sadlands demo)" (4:22)
# "The Tale of Dusty and Pistol Pete (Sadlands demo)" (5:24)
# "What If? (Streeterville demo)" (3:28)
# "Chewing Gum (CRC demo)" (3:00)
# "The Tale of Dusty and Pistol Pete (CRC demo)" (5:01)
# "The Ethers Tragic (instrumental/2014 mix/CRC demo)" (2:49)
# "The Guns of Love Disastrous (instrumental/2014 mix/CRC demo)" (2:04)
# "Annie-Dog (take 10/CRC demo)" (3:25)
# "Once in a While (2014 mix/CRC demo)" (3:34)
# "Do You Close Your Eyes When You Kiss Me? (CRC demo)" (3:07)
# "For Martha (take 1/CRC demo)" (7:20)
# "My Mistake (take 1/CRC demo)" (4:00)
# "Blissed and Gone (CRC demo)" (3:30)
# "For Martha (take 2/instrumental/CRC demo)" (5:40)
'''Disc 4: Chalices, Palaces, and Deep Pools'''
# "For Martha (symphonic snippet/instrumental)" (2:40)
# "Crestfallen (Matt Walker reimagined/2014)" (3:39)
# "To Sheila (early banjo version)" (4:25)
# "Ava Adore (Puffy Combs remix 1998)" (4:37)
# "O Rio (instrumental/Sadlands demo)" (2:28)
# "Waiting (Adore outtake)" (3:49)
# "Once Upon a Time (Sadlands demo)" (4:21)
# "Eye (2014 mix/from the ‘Film/LostHighway’ soundtrack)" (4:55)
# "Saturnine (for piano and voice)" (3:47)
# "Cash Car Star (Matt Walker reimagined/2014)" (4:01)
# "Pug (Matt Walker reimagined/2014)" (4:35)
# "Perfect (no strings version)" (3:24)
# "It's Alright (instrumental/Adore outtake)" (4:21)
# "Czarina (take 1/Adore outtake)" (3:57)
# "Indecision (Sadlands demo)" (2:43)
# "Blank Page (early version)" (4:58)
'''Disc 5: Malice, Callous, and Fools'''
# "Let Me Give the World to You (Adore outtake)" (4:20)
# "Tear (from digital transfer)" (5:53)
# "Cross (Adore outtake)" (4:54)
# "Because You Are (Adore BSide)" (3:51)
# "Jersey Shore (Sadlands demo)" (3:41)
# "Shame (take 1)" (4:55)
# "Summer (instrumental/Adore outtake)" (3:09)
# "Blissed and Gone (drone version)" (5:11)
# "Heaven (instrumental/Sadlands demo)" (4:03)
# "Daphne Descends (Matt Walker reimagined/2014)" (5:11)
# "Saturnine (Matt Walker Reimagined/2014)" (3:58)
# "Behold! The Night Mare (alternate vocal)" (4:59)
# "Perfect (acoustic demo/Adore outtake)" (3:19)
# "Do You Close Your Eyes? (Adore outtake)" (4:23)
# "The Beginning Is the End Is the Beginning" (5:00)
'''Disc 6: Kissed Alive Too'''
# "Ava Adore (live/Sao Paulo session)" (4:47)
# "Daphne Descends (live/Sao Paulo Session)" (4:28)
# "The Tale of Dusty and Pistol Pete (live/Sao Paulo Session)" (4:42)
# "Tear (live/Sao Paulo session)" (7:01)
# "Shame (live with Mancow/chicago)" (4:19)
# "Blank Page (live with Mancow/Chicago)" (7:52)
# "To Sheila (live/Nashville/Ryman Auditorium)" (7:17)
# "Money (That's What I Want) (live/Los Angeles/Dodger Stadium)" (3:31)
# "X.Y.U. Medley (live/Los Angeles/Dodger Stadium)" (11:20)
# "Transmission (live/Chicago/rehearsal)" (12:52)
'''DVD - Fox Theatre, Atlanta, GA, August 4, 1998'''
# "Intro" (1:00)
# "To Sheila" (7:11)
# "Behold! The Night Mare" (5:16)
# "Pug" (5:06)
# "Crestfallen" (4:30)
# "Ava Adore" (5:41)
# "Tear" (9:59)
# "Annie-Dog" (4:27)
# "Perfect" (3:35)
# "Thru the Eyes of Ruby" (10:15)
# "Tonight, Tonight" (4:19)
# "Once Upon a Time" (4:37)
# "The Tale of Dusty and Pistol Pete" (10:20)
# "Bullet with Butterfly Wings" (5:30)
# "Shame" (9:17)
# "For Martha" (8:25)
# "Blank Page" (9:48)
# "Transmission" (25:52)
[[/folder]]
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Intended as the band's "electronic" or "gothic" album, it was regarded as a commercial disappointment on its release, only selling a portion of the previous two albums' sales (despite peaking at #2 on the ''Billboard'' 200 and topping charts in several countries), not to mention how it [[BrokenBase divided the fanbase]]. However, it has come to be regarded as somewhat VindicatedByHistory, as its stature has risen substantially over the years. It is now not uncommon to hear people cite this album alongside ''Music/SiameseDream'' and
''Music/MellonCollieAndTheInfiniteSadness'' as one of their favourites. (For what it's worth, the album received almost universally positive critical reviews when it was released, and band leader Billy Corgan himself predicted that the album would gain in stature after it had been out for awhile).
The material on this album is substantially more subdued than the band's previous material, owing in large part to the fact that Corgan's mother had recently died of cancer, as well as to the fact that usual drummer Jimmy Chamberlin was not present on this album (having been temporarily kicked out of the band for drug abuse). It still has a wide stylistic range, though, but the territory covered is somewhat different from that of any other Smashing Pumpkins album, and it remains a unique entry in the band's discography. This is also the only album for which Corgan wrote the lyrics before he wrote the melodies, and it is regarded as their strongest album lyrically.
''Music/MellonCollieAndTheInfiniteSadness'' as one of their favourites. (For what it's worth, the album received almost universally positive critical reviews when it was released, and band leader Billy Corgan himself predicted that the album would gain in stature after it had been out for awhile).
The material on this album is substantially more subdued than the band's previous material, owing in large part to the fact that Corgan's mother had recently died of cancer, as well as to the fact that usual drummer Jimmy Chamberlin was not present on this album (having been temporarily kicked out of the band for drug abuse). It still has a wide stylistic range, though, but the territory covered is somewhat different from that of any other Smashing Pumpkins album, and it remains a unique entry in the band's discography. This is also the only album for which Corgan wrote the lyrics before he wrote the melodies, and it is regarded as their strongest album lyrically.
to:
Intended as the band's "electronic" or "gothic" album, it was regarded as a commercial disappointment on its release, only selling a portion of the previous two albums' sales (despite peaking at #2 on the ''Billboard'' 200 and topping charts in several countries), not to mention how it [[BrokenBase divided the fanbase]]. However, it has come to be regarded as somewhat VindicatedByHistory, as its stature has risen substantially over the years. It is now not uncommon to hear people cite this album alongside ''Music/SiameseDream'' and
and ''Music/MellonCollieAndTheInfiniteSadness'' as one of their favourites. (For what it's worth, the album received almost universally positive critical reviews when it was released, and band leader Billy Corgan himself predicted that the album ''Adore'' would gain grow in stature after it had been out for awhile).
The material on this album is substantially more subdued than the band's previous material, owing in large part to the fact that Corgan's mother had recently died of cancer, as well as to the fact that usual drummer Jimmy Chamberlin was not present on this album (having been temporarily kicked out of the band for drug abuse). It still has a wide stylistic range, though, but the territory covered is somewhat different from that of any other Smashing Pumpkins album, and it remains a unique entry in the band's discography.This is also It actually manages to be both LighterAndSofter and DarkerAndEdgier than the band's other material at the same time: the metal elements of the band's other albums are almost completely absent, but it is more melancholy (ironically, considering the title of the band's previous album) in both its emotional and lyrical content. Speaking of lyrics, it's their only album for which Corgan wrote the lyrics before he wrote writing the melodies, and perhaps as a result, it is commonly regarded as their strongest album lyrically.
The material on this album is substantially more subdued than the band's previous material, owing in large part to the fact that Corgan's mother had recently died of cancer, as well as to the fact that usual drummer Jimmy Chamberlin was not present on this album (having been temporarily kicked out of the band for drug abuse). It still has a wide stylistic range, though, but the territory covered is somewhat different from that of any other Smashing Pumpkins album, and it remains a unique entry in the band's discography.
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September 23, 2014, as part of the band's campaign to reissue its discography from its original run, saw the release of a gargantuan box set collecting a remaster of the CD edition, a remaster of the mono vinyl mix, four [=CDs=]' worth of additional bonus content, and a bonus DVD featuring a contemporary live performance in its entirety. The bonus [=CDs=] (including the mono mix) were criticised for their [[LoudnessWar sound quality]], but apart from that, the bonus content was extremely well received, with some fans feeling that the live performances of the album's songs were a major improvement on the studio versions. In all, the box set has [[OneHundredAndEight 108]] tracks, which make up nine hours and ten minutes of music.
to:
September 23, 2014, as part of the band's campaign to reissue its discography from its original run, saw the release of a gargantuan box set collecting a remaster of the CD edition, a remaster of the mono vinyl mix, mix (the first time it was released digitally), four [=CDs=]' worth of additional bonus content, and a bonus DVD featuring a contemporary live performance in its entirety. The bonus [=CDs=] (including the mono mix) were criticised for their [[LoudnessWar sound quality]], but apart from that, the bonus content was extremely well received, with some fans feeling that the live performances of the album's songs were a major improvement on the studio versions. In all, the box set has [[OneHundredAndEight 108]] tracks, which make up comprise nine hours and ten minutes of music.
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''Adore'' is the fourth official studio album by AlternativeRock band Music/TheSmashingPumpkins, released at the start of summer 1998.
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''Adore'' is the fourth official studio album by AlternativeRock band Music/TheSmashingPumpkins, released at in late May or early June 1998.[[note]]The exact date depended upon the start of summer 1998.
country, but the earliest release was May 29 in the European Union and the latest was June 2 in the U.S./Canada.[[/note]] The LP edition, which was mono and used a different mix, followed a few months later on August 18. (Amongst other differences, the brief outro "17" was omitted and "For Martha" had a different arrangement that was about a minute shorter.)
September 23, 2014, as part of the band's campaign to reissue its discography from its original run, saw the release of a gargantuan box set collecting a remaster of the CD edition, a remaster of the mono vinyl mix, four [=CDs=]' worth of additional bonus content, and a bonus DVD featuring a contemporary live performance in its entirety. The bonus [=CDs=] (including the mono mix) were criticised for their [[LoudnessWar sound quality]], but apart from that, the bonus content was extremely well received, with some fans feeling that the live performances of the album's songs were a major improvement on the studio versions. In all, the box set has [[OneHundredAndEight 108]] tracks, which make up nine hours and ten minutes of music.
* ExcitedShowTitle: "Behold! The Night Mare"
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Through blistered avalon\\
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Through blistered avalon\\Avalon\\
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On aching autobahn
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On aching autobahnAutobahn
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* NonIndicativeName: Most versions of "17" aren't actually seventeen seconds long due to silence being added during mixing/mastering, but they were supposed to be.
Added DiffLines:
* OneHundredAndEight: Perhaps coincidental, but as mentioned above, the remastered box set has 108 tracks.
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How To Create A Works Page explicitly says "No bolding is used for work titles."
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'''''Adore''''' is the fourth official studio album by AlternativeRock band Music/TheSmashingPumpkins, released at the start of summer 1998.
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