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* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, starting with ''Film/BrooklynBridge'' (1981), continuing on through ''Film/TheStatueOfLiberty, ''The Civil War'', and others, and including projects such as ''Prohibition'', ''The War'', and ''Series/TheVietnamWar'' that have plenty of live-action footage.

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* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, starting with ''Film/BrooklynBridge'' (1981), continuing on through ''Film/TheStatueOfLiberty, ''Film/TheStatueOfLiberty'', ''The Civil War'', and others, and including projects such as ''Prohibition'', ''The War'', and ''Series/TheVietnamWar'' that have plenty of live-action footage.
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* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, starting with ''Film/BrooklynBridge'' (1981) and including projects such as ''Series/TheVietnamWar'' that have plenty of live-action footage.

to:

* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, starting with ''Film/BrooklynBridge'' (1981) (1981), continuing on through ''Film/TheStatueOfLiberty, ''The Civil War'', and others, and including projects such as ''Prohibition'', ''The War'', and ''Series/TheVietnamWar'' that have plenty of live-action footage.
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* [[http://youtube.com/LcIj7dHIss0 This video]] describing [[https://twitter.com/TVsCarlKinsella/status/955767884634083328 a viral tweet]] uses this presentation, but bizarrely, instead of a variety of ''[[WesternAnimation/TheSimpsons Simpsons]]'' screenshots, there is only a screenshot of the family looking across a railing from the episode "Fland Canyon". What's even more odd is that it keeps zooming into the same specific area of the screen (the top right), with the exception of one iteration at 0:20, which awkwardly zooms into Homer's crotch instead.
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** ''Four Days in November'', a 1964 theatrical release, uses this when showing stills.

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** ''Four Days in November'', ''Film/FourDaysInNovember'', a 1964 theatrical release, uses this when showing stills.
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* 1973 Manson Family documentary ''Film/{{Manson|1973}}'' is an example of this effect from well before Ken Burns started making movies. Not only did the filmmakers pan and zoom with still photos, they also moved photos around the screen.

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* Used extensively in ''[[Film/{{Amy 2015}} Amy]]'', possibly because that film eschews another documentary trope, TalkingHeads. One particularly chilling instance has a Ken Burns pan on a grainy photo of Music/AmyWinehouse suddenly freeze as her friends talk about her first overdose.

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* Used extensively in ''[[Film/{{Amy 2015}} Amy]]'', ''Film/{{Amy|2015}}'', possibly because that film eschews another documentary trope, TalkingHeads. One particularly chilling instance has a Ken Burns pan on a grainy photo of Music/AmyWinehouse suddenly freeze as her friends talk about her first overdose.


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* Used sparingly in ''Film/TroubleTheWater'', one example being a slow zoom onto a photo of Scott Roberts' grandmother, as he talks about how she died in Hurricane Katrina when the doctors and nurses at her hospital abandoned her and the other patients.
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* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, starting with ''Film/TheBrooklynBridge'' (1981) and including projects such as ''Series/TheVietnamWar'' that have plenty of live-action footage.

to:

* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, starting with ''Film/TheBrooklynBridge'' ''Film/BrooklynBridge'' (1981) and including projects such as ''Series/TheVietnamWar'' that have plenty of live-action footage.
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* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, including projects such as ''Series/TheVietnamWar'' that have plenty of live-action footage.

to:

* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, starting with ''Film/TheBrooklynBridge'' (1981) and including projects such as ''Series/TheVietnamWar'' that have plenty of live-action footage.

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* ''Film/TheChristmasThatAlmostWasnt'' uses this for the ending {{montage}} of Santa delivering presents.



* Similar to the Sadie Thompson example above, many official and fan-made reconstructions of missing Series/DoctorWho episodes use this technique on set photos and sceencaps (alongside clips from existing episodes, CGI, and composited images) timed to the existing audio.

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* Similar to the Sadie Thompson example above, many official and fan-made reconstructions of missing Series/DoctorWho ''Series/DoctorWho'' episodes use this technique on set photos and sceencaps (alongside clips from existing episodes, CGI, and composited images) timed to the existing audio.



* This effect was used for the old-timey photos shown in the opening credits of ''Series/{{Cheers}}'', as well as the intro to the final season of Series/TheVirginian ("The Men from Shiloh").

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* This effect was used for the old-timey photos shown in the opening credits of ''Series/{{Cheers}}'', as well as ''Series/{{Cheers}}''.
* Also used by
the intro to the final season of Series/TheVirginian ("The Men from Shiloh").
* ''Series/MysteryScienceTheater3000:'' In the episode ''[[Recap/MysteryScienceTheater3000S11E13TheChristmasthatAlmostWasnt The Christmas That Almost Wasn't]]'', the movie uses this effect for one scene near the end. So they parody it by also using this effect in the final host segment, with the various characters exchanging gifts.
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* ''Film/TheLastMetro'': A lot of quick panning and zooming of still photos in the opening montage in which an unseen narrator explains the setting (Paris during the German occupation of UsefulNotes/WorldWarII).
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* Ken Burns was the TropeCodifier with ''The Civil War'', which was all photos and TalkingHeads, but he uses it in all his documentaries, including projects such as ''Series/TheVietnamWar'' that have plenty of live-action footage.
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* ''VideoGame/{{OFF}}'' slowly pans the camera across detailed black-and-white illustrations while explaining each zone's particular industry, e.g. farming cattle for metal.
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Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it (for example, Kirk delivering his "Captain's Log" summary as we slowly pan across a painted alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''

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Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it (for example, ''(e.g.,'' Kirk delivering his "Captain's Log" summary as we slowly pan across a painted alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''
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Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it ''(e.g.,'' Kirk delivering his "Captain's Log" summary as we slowly pan across a painted alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''

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Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it ''(e.g.,'' (for example, Kirk delivering his "Captain's Log" summary as we slowly pan across a painted alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''
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Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it ''(e.g.,'' Kirk delivering his "Captain's Log" summary as we slowly pan across an alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''

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Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it ''(e.g.,'' Kirk delivering his "Captain's Log" summary as we slowly pan across an a painted alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''

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[[TropeNamer The technique is named after]] documentary filmmaker Creator/KenBurns, who used it extensively in ''TheCivilWar'' and other documentaries. Burns himself credits Jerome Liebling and the 1957 National Film Board of Canada documentary ''City of Gold'' as his inspirations for the technique. Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it (i.e., Kirk delivering his "Captain's Log" summary as we slowly pan across an alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''

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[[TropeNamer The technique is named after]] documentary filmmaker Creator/KenBurns, who used it extensively in ''TheCivilWar'' and other documentaries. Burns himself credits Jerome Liebling and the 1957 National Film Board of Canada documentary ''City of Gold'' as his inspirations for the technique.

Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it (i.e., ''(e.g.,'' Kirk delivering his "Captain's Log" summary as we slowly pan across an alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''
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[[TropeNamer The technique is named after]] documentary filmmaker Creator/KenBurns, who used it extensively in ''TheCivilWar'' and other documentaries. Burns himself credits Jerome Liebling and the 1957 National Film Board of Canada documentary ''City of Gold'' as his inspirations for the technique. Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it.

to:

[[TropeNamer The technique is named after]] documentary filmmaker Creator/KenBurns, who used it extensively in ''TheCivilWar'' and other documentaries. Burns himself credits Jerome Liebling and the 1957 National Film Board of Canada documentary ''City of Gold'' as his inspirations for the technique. Among animators, this technique is sometimes called a "Filmation Pan," because [[{{Creator/Filmation}} Filmation]] made such frequent use of it.
it (i.e., Kirk delivering his "Captain's Log" summary as we slowly pan across an alien landscape in ''WesternAnimation/StarTrekTheAnimatedSeries).''
Is there an issue? Send a MessageReason:
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[[TropeNamer The technique is named after]] documentary filmmaker Creator/KenBurns, who used it extensively in ''TheCivilWar'' and other documentaries. Burns himself credits Jerome Liebling and the 1957 National Film Board of Canada documentary ''City of Gold'' as his inspirations for the technique. Among animators, this technique is sometimes called a "[[{{Creator/Filmation}} Filmation]] Pan," because Filmation made such frequent use of it.

to:

[[TropeNamer The technique is named after]] documentary filmmaker Creator/KenBurns, who used it extensively in ''TheCivilWar'' and other documentaries. Burns himself credits Jerome Liebling and the 1957 National Film Board of Canada documentary ''City of Gold'' as his inspirations for the technique. Among animators, this technique is sometimes called a "[[{{Creator/Filmation}} Filmation]] "Filmation Pan," because Filmation [[{{Creator/Filmation}} Filmation]] made such frequent use of it.
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[[TropeNamer The technique is named after]] documentary filmmaker Creator/KenBurns, who used it extensively in ''TheCivilWar'' and other documentaries. Burns himself credits Jerome Liebling and the 1957 National Film Board of Canada documentary ''City of Gold'' as his inspirations for the technique.

to:

[[TropeNamer The technique is named after]] documentary filmmaker Creator/KenBurns, who used it extensively in ''TheCivilWar'' and other documentaries. Burns himself credits Jerome Liebling and the 1957 National Film Board of Canada documentary ''City of Gold'' as his inspirations for the technique.
technique. Among animators, this technique is sometimes called a "[[{{Creator/Filmation}} Filmation]] Pan," because Filmation made such frequent use of it.
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* Creator/TurnerClassicMovies makes heavy use of this in the short documentaries sometimes used as filler between features. Typically a film still, or a production still, or a photo of a movie star, will be subjected to extensive panning.
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* ''WesternAnimation/TheMoonAndTheSonAnImaginedConversation'': Used repeatedly for the still pictures of the narrator, his father, and their family, as the son tells the story of his toxic relationship with his dad. Sometimes also used with animated backgrounds.
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\n* ''Film/ThreeBrothers'': Both pans and zooms used when Raffaele is looking over the crime scene photos of a judge, like him, who was assassinated by terrorists.

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* ''Film/BattlesWithoutHonorAndHumanity'' uses this in the recap of the events that begins each film, and during some transition sequences.
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* ''The Creator/JamesDean Story'', a 1957 documentary co-directed by a young Creator/RobertAltman, was an early example, generally employing quick pans and zooms. The film's intro touts its use of "a new technique--dynamic exploration of the still photograph."

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[[AC: Western Animation]]
* ''WesternAnimation/{{Walking}}'': Before all the shots of people walking, there are several stills of people not walking—sitting in cars, at home in apartments, waiting on a bus. The camera glides over these stills, which act in contrast to the exuberant motion of the people walking.



[[folder:Western Animation]]
* ''WesternAnimation/{{Walking}}'': Before all the shots of people walking, there are several stills of people not walking—sitting in cars, at home in apartments, waiting on a bus. The camera glides over these stills, which act in contrast to the exuberant motion of the people walking.
[[/folder]]
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[[folder:Western Animation]]
* ''WesternAnimation/{{Walking}}'': Before all the shots of people walking, there are several stills of people not walking—sitting in cars, at home in apartments, waiting on a bus. The camera glides over these stills, which act in contrast to the exuberant motion of the people walking.
[[/folder]]
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* ''Anime/BelladonnaOfSadness'': Takes LimitedAnimation to its logical extreme, as much of the film is simply a camera panning and zooming around still drawings.
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* ''Film/OJMadeInAmerica'' uses this trope fairly sparingly, usually with slight zooms meant to focus attention on the subject of a picture, commonly O.J. Simpson.

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* ''Film/BlackAndWhiteInColor'' uses this throughout the opening credits, which play over a series of era-appropriate early 1900s still pictures of French soldiers. It's a film set in a French colony in Africa in 1915.



* ''Film/{{Dillinger}}'' uses this for the opening credits, in which the credits play over a series of stills of the Great Depression as the camera pans and zooms. This is also used for a couple of [[TimePassesMontage Time Passes Montages]] within the movie.



* ''Film/{{Dillinger}}'' uses this for the opening credits, in which the credits play over a series of stills of the Great Depression as the camera pans and zooms. This is also used for a couple of [[TimePassesMontage Time Passes Montages]] within the movie.

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* ''Film/{{Dillinger}}'' uses this for the opening credits, in which the credits play over a series of stills of the Great Depression as the camera pans and zooms. This is also used for a couple of [[TimePassesMontage Time Passes Montages]] within the movie.

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* Both ''Manga/LadySnowblood'' and sequel ''Film/LadySnowblood2LoveSongOfVengeance'' have sequences with stills and drawings, a nod to the original comic, complete with pans and zooms.

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* Both ''Manga/LadySnowblood'' ''Film/LadySnowblood'' and sequel ''Film/LadySnowblood2LoveSongOfVengeance'' have sequences with stills and drawings, a nod to the original comic, complete with pans and zooms.

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