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[[folder: Anime & Manga]]
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[[folder:Films--Animated]]
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[[folder:Live Action TV]]
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[[folder: Anime]]
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[[folder: Anime]]Anime & Manga]]
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* This is one of the reasons why certain anime/manga genres, such as the IdolGenre and the MagicalGirl, [[AmericansHateTingle struggle to find a fanbase in Western countries]]. In regards to those two genres, they often rely on cutesy aesthetics, bright-colors, and childish goals such as "saving/giving dreams" that generally turn-off or even outright alienate a potential audience outside of Japan. It's really telling that works in those genres that are more subversive and/or DarkerAndEdgier tend to do much better in the west.
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* This is one of the reasons why certain anime/manga genres, such as the IdolGenre and the MagicalGirl, MagicalGirl genre, [[AmericansHateTingle struggle to find a fanbase in Western countries]]. In regards to those two genres, they often rely on cutesy aesthetics, bright-colors, and childish goals such as "saving/giving dreams" that generally turn-off or even outright alienate a potential audience outside of Japan. It's really telling that works in those genres that are more subversive and/or DarkerAndEdgier tend to do much better in the west.
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[[folder: Anime]]
* This is one of the reasons why certain anime/manga genres, such as the IdolGenre and the MagicalGirl, [[AmericansHateTingle struggle to find a fanbase in Western countries]]. In regards to those two genres, they often rely on cutesy aesthetics, bright-colors, and childish goals such as "saving/giving dreams" that generally turn-off or even outright alienate a potential audience outside of Japan. It's really telling that works in those genres that are more subversive and/or DarkerAndEdgier tend to do much better in the west.
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* This is one of the reasons why certain anime/manga genres, such as the IdolGenre and the MagicalGirl, [[AmericansHateTingle struggle to find a fanbase in Western countries]]. In regards to those two genres, they often rely on cutesy aesthetics, bright-colors, and childish goals such as "saving/giving dreams" that generally turn-off or even outright alienate a potential audience outside of Japan. It's really telling that works in those genres that are more subversive and/or DarkerAndEdgier tend to do much better in the west.
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* ''Theatre/TheSoundOfMusic'', despite its success on UsefulNotes/{{Broadway}}, became regarded as treacly and old-fashioned because of its saccharine nature. [[Film/TheSoundOfMusic The movie]] made some attempts to tone this down (e.g., changing the placements of some songs, casting actors who could try and add dimension to their roles) without completely eliminating it. Creator/ChristopherPlummer still famously described the film version as "The Sound of Mucus" because of this trope.
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* ''Theatre/TheSoundOfMusic'', despite its success on UsefulNotes/{{Broadway}}, Platform/{{Broadway}}, became regarded as treacly and old-fashioned because of its saccharine nature. [[Film/TheSoundOfMusic The movie]] made some attempts to tone this down (e.g., changing the placements of some songs, casting actors who could try and add dimension to their roles) without completely eliminating it. Creator/ChristopherPlummer still famously described the film version as "The Sound of Mucus" because of this trope.
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** Within the Fleischer output itself, the ''WesternAnimation/ColorClassics'' and the ''WesternAnimation/BettyBoop'' cartoons starring Pudgy are often looked down upon by critics for being much more cutesy and sentimental than the cartoons the Fleischers are most known for, and for highlighting just how badly the studio had been affected by UsefulNotes/TheHaysCode.
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** Within the Fleischer output itself, the ''WesternAnimation/ColorClassics'' and the ''WesternAnimation/BettyBoop'' cartoons starring Pudgy are often looked down upon by critics for being much more cutesy and sentimental than the cartoons the Fleischers are most known for, and for highlighting just how badly the studio had been affected by UsefulNotes/TheHaysCode.MediaNotes/TheHaysCode.
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* ''Theatre/TheSoundOfMusic'', despite its success on UsefulNotes/{{Broadway}}, became regarded as treacly and old-fashioned because of its saccharine nature. The movie made some attempts to tone this down (e.g., changing the placements of some songs, casting actors who could try and add dimension to their roles) without completely eliminating it. Creator/ChristopherPlummer still famously described the film version as "The Sound of Mucus" because of this trope.
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* ''Theatre/TheSoundOfMusic'', despite its success on UsefulNotes/{{Broadway}}, became regarded as treacly and old-fashioned because of its saccharine nature. [[Film/TheSoundOfMusic The movie movie]] made some attempts to tone this down (e.g., changing the placements of some songs, casting actors who could try and add dimension to their roles) without completely eliminating it. Creator/ChristopherPlummer still famously described the film version as "The Sound of Mucus" because of this trope.
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* Music/BiffyClyro:
** "Re-Arrange" can come across as overly sentimental. It doesn't help that Simon Neil maintains soft, high-pitched vocals throughout the entire song.
** "Space" is also this as well, due to being an electropop love ballad. [[BrokenBase Depending on who you ask]], its cheesiness can somehow border between SugarWiki/SweetDreamsFuel and NarmCharm.
** "Re-Arrange" can come across as overly sentimental. It doesn't help that Simon Neil maintains soft, high-pitched vocals throughout the entire song.
** "Space" is also this as well, due to being an electropop love ballad. [[BrokenBase Depending on who you ask]], its cheesiness can somehow border between SugarWiki/SweetDreamsFuel and NarmCharm.
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This attitude is often rooted in SillyRabbitIdealismIsForKids. Can be invoked when there are way too many [[NarrativeBeat resolutions]].
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This attitude is often rooted in SillyRabbitIdealismIsForKids. Can be invoked when there are way too many [[NarrativeBeat [[NarrativeBeats resolutions]].
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page needs wiki love
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This attitude is often rooted in SillyRabbitIdealismIsForKids.
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This attitude is often rooted in SillyRabbitIdealismIsForKids.
SillyRabbitIdealismIsForKids. Can be invoked when there are way too many [[NarrativeBeat resolutions]].
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* Obscure ''WesternAnimation/LooneyTunes'' star Sniffles the Mouse is this for many fans who enjoy the series for its memorable writing and humor and more well-known characters. His shorts were slower-paced, more cutesy, and lacked the chaotic humor of the shorts of the more well-known ''Looney Tunes'' characters, instead feeling more like the cartoons from Disney, Warner Bros.' competitor. Sniffles himself is a cute, yet [[MotorMouth talkative]] mouse with a kind-hearted personality.
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* Obscure ''WesternAnimation/LooneyTunes'' star Sniffles the Mouse is this for many fans who enjoy the series for its memorable writing and humor and more well-known characters. His shorts were slower-paced, more cutesy, and lacked the chaotic humor of the shorts of the more well-known ''Looney Tunes'' characters, instead feeling more like the cartoons from Disney, Warner Bros.' competitor. Sniffles himself is a cute, yet [[MotorMouth talkative]] mouse with a kind-hearted personality. His creator, Creator/ChuckJones, considered him something of an OldShame.
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* Most of the challenges and potential problems Alessia and Maxim encounter in ''Literature/TheMissus'' (the sequel to ''Literature/TheMister'') get resolved fairly quickly and neatly, with few to no long-term negative effects. While some readers were relieved that the book didn't mine all its drama from the main couple constantly fighting and mistreating each other, the downside is that there's not much in the way of conflict or tension in the book, at times making it feel like an overly-long, slice-of-life cosy romance with not much else going on; this is in spite of the book being advertised as a "passionate and thrilling love story" and including sex trafficking and dark family secrets as plot points (which tend to be glossed over or pushed to the background). Many readers find that this causes the story to drag in places, while also [[TheyWastedAPerfectlyGoodPlot avoiding exploring some potentially interesting conflicts in-depth]]; some readers have gone so far as to state ''The Missus'' can feel less like a true sequel and more like an extended epilogue detailing Alessia and Maxim's HappilyEverAfter.
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Grammar and redundancy.
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* ''Webcomic/{{Boyfriends}}'' Part of the reason of its infamy, due of most of the chapters only consist of the titular characters act like SickeninglySweethearts almost in every chapter.
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* ''Webcomic/{{Boyfriends}}'' ''Webcomic/{{Boyfriends}}'': Part of the reason of its infamy, infamy is due of to most of the chapters only consist consisting of the titular characters act acting like SickeninglySweethearts almost in every chapter.SickeninglySweethearts.
