History Main / SourceMusic

8th Feb '16 11:53:28 AM CaptainCrawdad
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* In ''Film/MadMaxFuryRoad'', the BigBad Immortan Joe brings his background music with him into battle, in the shape of a truck carrying a horde of taiko drummers and a blind maniac playing a double-necked electric guitar that '''shoots fire'''. [[RuleOfCool It's that kind of film]].
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* In ''Film/MadMaxFuryRoad'', the BigBad Immortan Joe brings his background music with him into battle, in the shape of a truck carrying a horde of taiko drummers and a blind maniac playing a double-necked electric guitar that '''shoots fire'''. ''shoots fire''. [[RuleOfCool It's that kind of film]].film]]. * ''Film/ThingsChange'': The soundtrack for the opening credits is an Italian-style solo on mandolin. As the scene fades in, we see someone playing a mandolin. He stops, tunes it, plays some more, tries another mandolin off a wall, and takes it to the cash register of the music shop he's in. He passes by two characters who are actually relevant to the movie, and the plot begins.
17th Jan '16 1:00:57 PM MarkLungo
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* One of the rules of Main/{{Dogme95}}, a short but influential independent film movement, mandated all sound be produced in scene during shooting. Diegetic music featured [[labelnote:(mostly)]] von Trier confessed to breaking the rule at least once[[/labelnote]] in the films co-drafters Creator/LarsVonTrier and Thomas Vinterberg directed to demonstrate their manifesto. * In ''BruceAlmighty'', the title character uses his newly-acquired divine powers to command the stereo to turn on and play the romantic music that follows. * Nearly all the music in Hal Ashby's 1975 film ''Shampoo'' consists of '60s hits played on characters' radios. The only non-diegetic music in the film is a wordless, hummed version of Creator/PaulSimon's "Silent Eyes".
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* One of the rules of Main/{{Dogme95}}, UsefulNotes/{{Dogme 95}}, a short short-lived but influential independent film movement, mandated all sound be produced in scene during shooting. Diegetic music featured [[labelnote:(mostly)]] von Trier confessed to breaking the rule at least once[[/labelnote]] in the films co-drafters Creator/LarsVonTrier and Thomas Vinterberg directed to demonstrate their manifesto. * In ''BruceAlmighty'', ''Film/BruceAlmighty'', the title character uses his newly-acquired divine powers to command the stereo to turn on and play the romantic music that follows. * Nearly all the music in Hal Ashby's 1975 film ''Shampoo'' ''Film/{{Shampoo}}'' consists of '60s hits played on characters' radios. The only non-diegetic music in the film is a wordless, hummed version of Creator/PaulSimon's "Silent Eyes".

7th Jan '16 6:31:54 PM Prfnoff
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[[folder:Theatre]] * In ''Theatre/DerRosenkavalier'', the Baron hires a small orchestra to play ''Tafelmusik'' to entertain him during his courting of "Mariandel," which ends disastrously for him. As the Baron departs in disgrace, payment is demanded for the musicians. [[/folder]]
23rd Dec '15 5:30:49 PM Graveaccent
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* All of the weapons in the original Captain Forever games are quite musical when fired, and change tone as well, enough weapons will make entire songs as you vaporize various foes.
17th Dec '15 11:44:01 AM jedidarrick
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* This trope is ''weaponized'' in the first ''Film/FinalDestination'' movie, in which the characters narrowly escape death in a plane crash. Ever since, every time "Rocky Mountain High" (a song by Bob Denver, who [[AuthorExistenceFailure died in such a crash]] in RealLife) plays in-universe, it's a warning that Death is about to strike.
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* This trope is ''weaponized'' in the first ''Film/FinalDestination'' movie, in which the characters narrowly escape death in a plane crash. Ever since, every time "Rocky Mountain High" (a song by Bob Denver, who John Denver (who [[AuthorExistenceFailure died in such a plane crash]] in RealLife) plays in-universe, it's a warning that Death is about to strike.
14th Dec '15 1:29:54 AM MtheR
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[[folder:Web Video]] * Every once in a while in ''WebVideo/LovelyLittleLosers'', one of the characters will post a video of a song they wrote and performed themselves. Most of the time, the songs comment obliquely on what's been happening in the story. Sometimes, they even clue viewers into what's happened off-screen. For much of the series, these songs are the only real insight the viewers get into the characters' inner lives. [[/folder]]
10th Dec '15 1:31:30 PM pinkdalek
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* In ''Videogame/FinalFantasyVI'', while one of your characters is impersonating an opera singer, a monster attacks the rest of the party, who end up on the main stage. The Impressario, having had his leading man knocked out by the attack, decides to roll with it, and gets the orchestra to provide the musical accompaniment for the fight scene.
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* ''Franchise/FinalFantasy'': ** In ''Videogame/FinalFantasyVI'', while one of your characters is impersonating an opera singer, a monster attacks the rest of the party, who end up on the main stage. The Impressario, having had his leading man knocked out by the attack, decides to roll with it, and gets the orchestra to provide the musical accompaniment for the fight scene.scene. ** ''Final Fantasy VII'': ***Everyone in the party is [[LeftTheBackgroundMusicOn horrified by the awful marching music blaring out of Junon]] when Rufus Shinra arrives. ***There are two pianos in Nibelheim which the player can play. Playing Cloud's Theme on the piano in Tifa's old bedroom causes Cloud to remark that he's 'heard this melody somewhere before', as well as providing you with an important endgame item for Tifa if you're far enough through the game. ** Early in ''Videogame/FinalFantasyIX'', Zidane can hear Garnet singing and looks for her. As he searches, the BGM is Garnet's voice. Subverted in that she's accompanied by a harp in the BGM, but seems to be singing ''a cappella'' once Zidane reaches her.

* Early in ''Videogame/FinalFantasyIX'', Zidane can hear Garnet singing and looks for her. As he searches, the BGM is Garnet's voice. Subverted in that she's accompanied by a harp in the BGM, but seems to be singing ''a cappella'' once Zidane reaches her.
30th Nov '15 4:44:13 PM jamespolk
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* ''Laura'' features multiple scenes at parties and restaurants where live music is playing; all of these are variations on the film's main theme.
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* ''Laura'' features multiple scenes at parties and restaurants where live ''Film/GoingMyWay'' has no background music is playing; all of these are variations on other than what plays over the film's main theme.opening titles. But it was a Creator/BingCrosby vehicle, so Bing sings, the young lady he's giving singing lessons to sings, the church choir he's organizing sings, and just as a bonus, a friend of Father O'Malley's sings the "Habanera" aria from ''Theatre/{{Carmen}}''.
6th Nov '15 8:18:34 PM nombretomado
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* All of the music in ''RearWindow'' is ambient sound heard in the courtyard set, and is a major part of a pivotal moment.
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* All of the music in ''RearWindow'' ''Film/RearWindow'' is ambient sound heard in the courtyard set, and is a major part of a pivotal moment.
22nd Sep '15 11:15:34 AM MarsJenkar
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* The cantina on board the ''Hyperion'' in ''VideoGame/StarCraftIIWingsOfLiberty'' has a jukebox that plays music when you enter it. At least two cutscenes that happen in the cantina have specific music playing from that jukebox--immediately after Raynor's dream, a cover of "[[Music/LynyrdSkynyrd Free Bird]]" is playing as Matt Horner tries to tell Raynor to [[TimeToStepUpCommander get himself together]], and the BarBrawl cutscene has a cover of "Sweet Home Alabama" playing up until the jukebox gets unplugged.
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