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Dont Explain The Joke and It Makes Sense In Context (apparently there was an uprising of Talking Animals). Point is, the caption is unnecessary.
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[[caption-width-right:350: That moment when you're both [[WhatAnIdiot too stupid]] to realize that [[CaptainObvious ducks can't talk]]...]]
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Contrast with UnrevealAngle when nothing gets revealed and the audience is left wanting to see more. Sometime paired with BreadEggsMilkSquick.
to:
Contrast with UnrevealAngle when nothing gets revealed and the audience is left wanting to see more. Sometime Sometimes paired with BreadEggsMilkSquick.
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Changed line(s) 14 (click to see context) from:
Contrast with UnrevealAngle when nothing gets revealed and the audience is left wanting to see more.
to:
Contrast with UnrevealAngle when nothing gets revealed and the audience is left wanting to see more. Sometime paired with BreadEggsMilkSquick.
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350: That moment when you're both [[WhatanIdiot too stupid]] to realize that [[CaptainObvious ducks can't talk]]...]]
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[[caption-width-right:350: That moment when you're both [[WhatanIdiot [[WhatAnIdiot too stupid]] to realize that [[CaptainObvious ducks can't talk]]...]]
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Changed line(s) 74 (click to see context) from:
* ''WesternAnimation/Frozen2013'' has a scene where Anna leaves Kristoff to climb a mountain herself. The scene shows Kristof watching Anna climb away from him, then cuts to show that Anna [[RealityEnsues hasn't made any progress at all]].
to:
* ''WesternAnimation/Frozen2013'' has a scene where Anna leaves Kristoff to climb a mountain herself. The scene shows Kristof watching Anna climb away from him, then cuts to show that Anna [[RealityEnsues hasn't made any progress at all]].all.
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Changed line(s) 125 (click to see context) from:
* ''Series/{{Drive}}'' had Wendy assigned to remove Ivy from the race (or at least her team). She first delays them by shooting out one of the tires on their Land Rover, then tries to shoot Ivy herself. However, she hesitates and Ivy disarms her. After finding out why Wendy is in the race, Ivy decides to team up with her instead. When they get into Wendy's minivan together, Wendy nervously says "I think that maybe I should have shot you." Cut to outside the van and the reveal that Ivy shot out the other tires on the Land Rover as a parting shot.
to:
* ''Series/{{Drive}}'' ''Series/Drive2007'' had Wendy assigned to remove Ivy from the race (or at least her team). She first delays them by shooting out one of the tires on their Land Rover, then tries to shoot Ivy herself. However, she hesitates and Ivy disarms her. After finding out why Wendy is in the race, Ivy decides to team up with her instead. When they get into Wendy's minivan together, Wendy nervously says "I think that maybe I should have shot you." Cut to outside the van and the reveal that Ivy shot out the other tires on the Land Rover as a parting shot.
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* ''Series/OddSquad'': The Season 2 premiere, "First Day", opens up with the ColdOpen of Olive and Otto helping Ronnie and Donnie with an odd problem, seemingly [[{{Retcon}} retconning]] "O is Not For Over" and undoing them [[spoiler: becoming Odd Squad Directors and running their own precinct.]] However, as Ronnie and Donnie go for a celebratory chestbump and become stuck in midair, calling for Odd Squad again, the scene is paused, and the camera pans out to show that it's merely a clip being played on the monitor of a classroom at the Odd Squad Academy.
** At the beginning of "O vs. the Ballcano", Olive and Otto are shown in the Breakroom, with the former holding a timer and instructing the latter to keep his hands steady and to "cross the red one over and through the blue". As Olive counts down, the scene cuts to a wide shot of the pair, and it's revealed that Otto was tying his shoes and was attempting to beat his record of how fast he can tie them.
** In "It's Not Easy Being Chill", Omar is shown building something and tells Orpita, an agent-in-training that he is tasked with caring for, that he's going to teach her something that she won't learn at the Odd Squad Academy. The camera then pans out to show that what he's building is a stack of nachos, which he places a jalapeno pepper slice on.
** At the beginning of "O vs. the Ballcano", Olive and Otto are shown in the Breakroom, with the former holding a timer and instructing the latter to keep his hands steady and to "cross the red one over and through the blue". As Olive counts down, the scene cuts to a wide shot of the pair, and it's revealed that Otto was tying his shoes and was attempting to beat his record of how fast he can tie them.
** In "It's Not Easy Being Chill", Omar is shown building something and tells Orpita, an agent-in-training that he is tasked with caring for, that he's going to teach her something that she won't learn at the Odd Squad Academy. The camera then pans out to show that what he's building is a stack of nachos, which he places a jalapeno pepper slice on.
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** We're shown a back view of Suzu undressing after school when she gets a text message. The angle reverses to show Matsuri, hidden by an InvisibilityCloak to bait out Suzu's assailant, typing out that [[PleasePutSomeClothesOn she should hurry up with getting dress]].
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Changed line(s) 52 (click to see context) from:
* A rather risque example in ''Manga/AyakashiTriangle'': Reo falls [[SuggestiveCollision in front of Suzu's crotch]], then starts [[PervertedSniffing smelling it]]. The next page starts with a zoom in on Reo grabbing a body part that looks like the folds of a woman's bare genitals. The panel below zooms out to show Reo was holding Suzu's ''leg'', which had her knee bent to the point her thigh and calf were touching.
to:
* A rather ''Manga/AyakashiTriangle'' has several risque example in ''Manga/AyakashiTriangle'': examples:
** Reo falls [[SuggestiveCollision in front of Suzu's crotch]], then starts [[PervertedSniffing smelling it]]. The next page starts with a zoom in on Reo grabbing a body part that looks like the folds of a woman's bare genitals. The panel below zooms out to show Reo was holding Suzu's ''leg'', which had her knee bent to the point her thigh and calf weretouching.touching.
** After Matsuri tackles Soga to the ground to talk to him, the panels only show their faces and upper bodies up close. Once Matsuri is finished talking, the view zooms out to show Matsuri landed his crotch directly in front of Soga's face, [[BehindTheBlack which Matsuri didn't previously notice]].
** Reo falls [[SuggestiveCollision in front of Suzu's crotch]], then starts [[PervertedSniffing smelling it]]. The next page starts with a zoom in on Reo grabbing a body part that looks like the folds of a woman's bare genitals. The panel below zooms out to show Reo was holding Suzu's ''leg'', which had her knee bent to the point her thigh and calf were
** After Matsuri tackles Soga to the ground to talk to him, the panels only show their faces and upper bodies up close. Once Matsuri is finished talking, the view zooms out to show Matsuri landed his crotch directly in front of Soga's face, [[BehindTheBlack which Matsuri didn't previously notice]].
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Weblinks are not examples.
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* ''Manga/BlackButler'' has its infamous [[https://youtu.be/tZZtlmAGDZE corset scene.]]
to:
* ''Manga/BlackButler'' has its infamous [[https://youtu.be/tZZtlmAGDZE corset scene.]]A rather risque example in ''Manga/AyakashiTriangle'': Reo falls [[SuggestiveCollision in front of Suzu's crotch]], then starts [[PervertedSniffing smelling it]]. The next page starts with a zoom in on Reo grabbing a body part that looks like the folds of a woman's bare genitals. The panel below zooms out to show Reo was holding Suzu's ''leg'', which had her knee bent to the point her thigh and calf were touching.
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adding information
* A commercial for Temptations cat treats has a man sitting on his patio tossing the treats to a cat that's jumping and catching them in mid-air. Near the end of the commercial, a woman comes out of the house and asks the man what he's doing. He tells her "Watch this" and tosses the cat another treat. This time, we see the patio is on the second floor and the cat is jumping from the ground.
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* ''Series/ArrestedDevelopment'' was a big fan of this trope. One particular example from the episode ''Bringing Up Buster'': George Sr. is detailing to Michael all the ways Buster has failed him as a son. We hear a prolonged, familiar yawn and the camera pulls out to reveal Buster sitting between them; he then states simply, "We're just blowin' through nap time, aren't we?"
to:
* ''Series/ArrestedDevelopment'' was a big fan of this trope. trope:
** One particular example from the episode''Bringing "Bringing Up Buster'': Buster": George Sr. is detailing to Michael all the ways Buster has failed him as a son. We hear a prolonged, familiar yawn and the camera pulls out to reveal Buster sitting between them; he then states simply, "We're just blowin' through nap time, aren't we?"we?"
** In "Spring Break-Out", Lucille is shown climbing out of her car and walking away with the narrator explaining that she had decided she was too drunk to drive. She then walks past the front of the car which is crumpled against a column. The narrator then adds it was after a failed attempt to do so.
** The first episode of the fourth season has Michael finally able to secure funding to complete the Sudden Valley housing development. The remaining houses are built and Michael basks in his success...just in time for the housing market to collapse. After hearing this news, he walks out of the model home in a daze and strolls out to the sidewalk. There, he looks around and says "No, that's not a great sign." The camera pulls back to reveal a vulture perched on a transformer.
** One particular example from the episode
** In "Spring Break-Out", Lucille is shown climbing out of her car and walking away with the narrator explaining that she had decided she was too drunk to drive. She then walks past the front of the car which is crumpled against a column. The narrator then adds it was after a failed attempt to do so.
** The first episode of the fourth season has Michael finally able to secure funding to complete the Sudden Valley housing development. The remaining houses are built and Michael basks in his success...just in time for the housing market to collapse. After hearing this news, he walks out of the model home in a daze and strolls out to the sidewalk. There, he looks around and says "No, that's not a great sign." The camera pulls back to reveal a vulture perched on a transformer.
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Changed line(s) 73 (click to see context) from:
* In ''WesternAnimation/{{Up}}'', Carl holds down his floating house using a garden hose while Rusty tries to climb the hose to get up to the house. The camera focuses on Carl's face as he gives Rusty directions and the sounds of Rusty's struggles get fainter. When Carl thinks Rusty has made it to the top, he looks up - and the wide shot reveals that Rusty has climbed about a foot.
to:
* In ''WesternAnimation/{{Up}}'', Carl holds down his floating house using a garden hose while Rusty Russell tries to climb the hose to get up to the house. The camera focuses on Carl's face as he gives Rusty Russell directions and the sounds of Rusty's Russell's struggles get fainter. When Carl thinks Rusty Russell has made it to the top, he looks up - and the wide shot reveals that Rusty Russell has climbed about a foot.
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Changed line(s) 70 (click to see context) from:
* ''WesternAnimation/{{Frozen}}'' has a scene where Anna leaves Kristof to climb a mountain herself. The scene shows Kristof watching Anna climb away from him, then cuts to show that Anna [[RealityEnsues hasn't made any progress at all]].
to:
* ''WesternAnimation/{{Frozen}}'' ''WesternAnimation/Frozen2013'' has a scene where Anna leaves Kristof Kristoff to climb a mountain herself. The scene shows Kristof watching Anna climb away from him, then cuts to show that Anna [[RealityEnsues hasn't made any progress at all]].
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adding information
* The second season of ''Series/TwentyFour'' had Kim and her boyfriend arrested for the murder of her boss' wife. They're desperate to escape because of the nuclear bomb that's set to go off, so they force the police transport they're in to crash. Kim's able to escape, but her boyfriend is trapped in the wreck. Much later, Kim is taken into custody where she learns that she and her boyfriend have been cleared of the charges. She calls him and we see him lying in a hospital bed. He breaks up with her over the phone and then hangs up. Then the camera pulls back to reveal his leg has been amputated.
* Ted from ''Series/HowIMetYourMother'' tries to restart a romance with a former girlfriend. Their breakup was especially painful because he broke up with her on her birthday. This is revealed with a shot of her answering machine as Ted leaves the breakup message on it. When he meets with her, she reveals that the breakup was worse than he thinks. We cut back to the answering machine as he leaves the message and the camera pulls back to reveal her friends staring at it in shock as they wait to perform a surprise party.
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* ''Series/TheTerrorInfamy'' plays this for tearjerking drama. In one episode, Yamato-San meets an old friend who's arriving in the afterlife. Yamato asks what became of him, and the friend says that his father moved to Hiroshima, where he himself grew up, married and had two children, three grandchildren and a great-granchild. The ForegoneConclusion sets in just as the camera spins slightly around to reveal the man's entire family, down to the small great-grandchild, standing behind him.
to:
* ''Series/TheTerrorInfamy'' plays this for tearjerking drama. In one episode, Yamato-San meets an old friend who's arriving in the afterlife. Yamato asks what became of him, and the friend says that his father moved to Hiroshima, where he himself grew up, married and had two children, three grandchildren and a great-granchild.great-grandchild. The ForegoneConclusion sets in just as the camera spins slightly around to reveal the man's entire family, down to the small great-grandchild, standing behind him.
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* ''Series/TheTerrorInfamy'' plays this for tearjerking drama. In one episode, Yamato-San meets an old friend who's arriving in the afterlife. Yamato asks what became of him, and the friend says that his father moved to Hiroshima, where he himself grew up, married and had two children, three grandchildren and a great-granchild. The ForegoneConclusion sets in just as the camera spins slightly around to reveal the man's entire family, down to the small great-grandchild, standing behind him.
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!!Subtropes:
to:
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I think there are enough subtropes to make it an index list and there are probably more that could be added
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CloseupOnHead, BedmateReveal, FaceRevealingTurn, LightningReveal, NotSoDire, RealVehicleReveal, OnASoundstageAllAlong, and UnimpressiveProgressReveal are specific types of Reveal Shot, as is any MortalWoundReveal found in {{Film}} or LiveActionTV. Not to be confused with a [[PantyShot revealing shot]].
PantsFree is a subtrope where what's revealed is that a character's offcamera body parts are (partially) undressed.
PantsFree is a subtrope where what's revealed is that a character's offcamera body parts are (partially) undressed.
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PantsFree is a subtrope where what's revealed is that a character's offcamera body parts are (partially) undressed.
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!!Subtropes:
[[index]]
* BedmateReveal
* CloseupOnHead
* FaceRevealingTurn
* LightningReveal
* MortalWoundReveal (in {{Film}} or LiveActionTV)
* NotSoDire
* OnASoundstageAllAlong
* PantsFree
* RealVehicleReveal
* UnimpressiveProgressReveal
[[/index]]
----
[[index]]
* BedmateReveal
* CloseupOnHead
* FaceRevealingTurn
* LightningReveal
* MortalWoundReveal (in {{Film}} or LiveActionTV)
* NotSoDire
* OnASoundstageAllAlong
* PantsFree
* RealVehicleReveal
* UnimpressiveProgressReveal
[[/index]]
----
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Changed line(s) 12,13 (click to see context) from:
CloseupOnHead, BedmateReveal, FaceRevealingTurn, NotSoDire, RealVehicleReveal, OnASoundstageAllAlong, and UnimpressiveProgressReveal are specific types of Reveal Shot, as is any MortalWoundReveal found in {{Film}} or LiveActionTV. Not to be confused with a [[PantyShot revealing shot]].
to:
CloseupOnHead, BedmateReveal, FaceRevealingTurn, LightningReveal, NotSoDire, RealVehicleReveal, OnASoundstageAllAlong, and UnimpressiveProgressReveal are specific types of Reveal Shot, as is any MortalWoundReveal found in {{Film}} or LiveActionTV. Not to be confused with a [[PantyShot revealing shot]].
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Changed line(s) 12,13 (click to see context) from:
CloseupOnHead, BedmateReveal, NotSoDire, RealVehicleReveal, OnASoundstageAllAlong, and UnimpressiveProgressReveal are specific types of Reveal Shot, as is any MortalWoundReveal found in {{Film}} or LiveActionTV. Not to be confused with a [[PantyShot revealing shot]].
to:
CloseupOnHead, BedmateReveal, FaceRevealingTurn, NotSoDire, RealVehicleReveal, OnASoundstageAllAlong, and UnimpressiveProgressReveal are specific types of Reveal Shot, as is any MortalWoundReveal found in {{Film}} or LiveActionTV. Not to be confused with a [[PantyShot revealing shot]].
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None
Changed line(s) 12,13 (click to see context) from:
CloseupOnHead, BedmateReveal, NotSoDire, RealVehicleReveal and OnASoundstageAllAlong are specific types of Reveal Shot, as is any MortalWoundReveal found in {{Film}} or LiveActionTV. Not to be confused with a [[PantyShot revealing shot]].
to:
CloseupOnHead, BedmateReveal, NotSoDire, RealVehicleReveal RealVehicleReveal, OnASoundstageAllAlong, and OnASoundstageAllAlong UnimpressiveProgressReveal are specific types of Reveal Shot, as is any MortalWoundReveal found in {{Film}} or LiveActionTV. Not to be confused with a [[PantyShot revealing shot]].
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Add example - Up
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* In ''WesternAnimation/{{Up}}'', Carl holds down his floating house using a garden hose while Rusty tries to climb the hose to get up to the house. The camera focuses on Carl's face as he gives Rusty directions and the sounds of Rusty's struggles get fainter. When Carl thinks Rusty has made it to the top, he looks up - and the wide shot reveals that Rusty has climbed about a foot.
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None
Added DiffLines:
* One episode of ''Series/FullHouse'', "Is It True about Stephanie?", sees Stephanie make a date with a boy named Jamie. Unfortunately, Gia, the [[TheBully school bully]], likes Jamie too, and so spreads a nasty rumor that Stephanie paid him to ask her out. An upset Stephanie teams up with her friend Mickey to get revenge by stealing a copy of Gia's abysmal report card and enlarging to poster-size, then hanging it in the school hallways for all to see. Stephanie goes over to gloat to Gia...at which point the other girl turns around and shows that she's [[DidYouThinkICantFeel silently crying.]] This promptly causes a MyGodWhatHaveIDone moment for Stephanie, who eventually offers friendship to Gia as an apology.
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* ''WesternAnimation/{{Frozen}}'' has a scene where Anna leaves Kristof to climb a mountain herself. The scene shows Kristof watching Anna climb away from him, then cuts to show that Anna [[RealityEnsues hasn't made any progress at all]].
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** In the second episode Giles is giving Buffy a speech in which he says she's allowing herself to be enslaved by a cult. The camera then turns to Buffy in a cheerleading outfit.
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* On ''Series/{{Scrubs}}'', J.D. and Carla are each trying to convince Turk that the other is responsible for their kiss. The scene cuts between each bad-mouthing the other to Turk. In the final cut J.D. says something about Carla and the camera pans out to reveal he is actually talking to Carla.
-->'''Carla:''' You think you're talking to Turk right now, don't you?
-->'''Carla:''' You think you're talking to Turk right now, don't you?
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** Used twice in rapid succession when Homer is talked into climbing a mountain called the Murderhorn. He looks in front of him and gasps at how big it is, then he's told that the mountain he has to climb is to the right, and the camera pans out to reveal an even taller mountain. Then he's told that the mountain he has to climb is even further to the right, and the camera pans out to reveal an even taller still mountain.
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Changed line(s) 24,25 (click to see context) from:
* [[https://www.youtube.com/watch?v=owGykVbfgUE I'm on a horse.]]
** [[https://www.youtube.com/watch?v=eaOz_pFnX38 Another OldSpice Commercial.]]
** [[https://www.youtube.com/watch?v=eaOz_pFnX38 Another OldSpice Commercial.]]
to:
* [[Advertising/TheManYourManCouldSmellLike Old Spice]]:
** [[https://www.youtube.com/watch?v=owGykVbfgUE I'm on a horse.]]
** [[https://www.youtube.com/watch?v=eaOz_pFnX38 AnotherOldSpice Commercial.]]
** [[https://www.youtube.com/watch?v=owGykVbfgUE I'm on a horse.]]
** [[https://www.youtube.com/watch?v=eaOz_pFnX38 Another
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* Used in ''Film/ILoveYouPhillipMorris''. Early in the movie it is suggested that Steven (the protagonist) is heterosexual and happily married. In a scene he is shown passionately kissing his wife, and the camera cuts into a scene of Steven having sex, his sexual partner being off-screen. One can't help but to assume he is having sex with his wife, until the camera pans out revealing his sexual partner to be a ''man''... To top this off Steven narrates: "Oh, did I forget to mention I'm gay?"
** Note: this is not an example of CloseupOnHead as we see Steven's torso from the beginning of the scene.
** Note: this is not an example of CloseupOnHead as we see Steven's torso from the beginning of the scene.
to:
* Used in ''Film/ILoveYouPhillipMorris''. Early in the movie it is suggested that Steven (the protagonist) is heterosexual and happily married. In a scene he is shown passionately kissing his wife, and the camera cuts into a scene of Steven having sex, his sexual partner being off-screen. One can't help but to assume he is having sex with his wife, until the camera pans out revealing his sexual partner to be a ''man''... To top this off Steven narrates: "Oh, did I forget to mention I'm gay?"
** Note: thisgay?"[[note]]This is not an example of CloseupOnHead CloseUpOnHead as we see Steven's torso from the beginning of the scene.[[/note]]
** Note: this
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** Used brilliantly again in ''Film/TheEmpireStrikesBack'' when early in the movie, the Star Destoyers are shown again in their majestic glory when all of a sudden they start getting eclipsed by something. The audience is keenly aware that something ''massive'' is above these things we were so in awe of in the first movie. The camera switches to a lower angle pointing upwards as a Star Destroyer looks so small compared to the ship above where just a portion of it fills the scene. Then, the camera reveals in all its glory Vader's new flagship, the ''Executor'', a Super Star Destroyer that makes every other ship look like an insect.
** ''Film/TheForceAwakens'': While fleeing from the TIE-fighters' bombardment on Jakku, Rey dismisses the off-screen spaceship Finn is suggesting as "garbage", but the other ship they were heading to gets blown up. This leads to the decision that "the garbage will do", with the camera panning to reveal to the audience that the aforementioned piece of junk happens to be the ''Millennium Falcon''.
** ''Film/TheForceAwakens'': While fleeing from the TIE-fighters' bombardment on Jakku, Rey dismisses the off-screen spaceship Finn is suggesting as "garbage", but the other ship they were heading to gets blown up. This leads to the decision that "the garbage will do", with the camera panning to reveal to the audience that the aforementioned piece of junk happens to be the ''Millennium Falcon''.
to:
** Used brilliantly again in ''Film/TheEmpireStrikesBack'' when early in the movie, the Star Destoyers Destroyers are shown again in their majestic glory when all of a sudden they start getting eclipsed by something. The audience is keenly aware that something ''massive'' is above these things we were so in awe of in the first movie. The camera switches to a lower angle pointing upwards as a Star Destroyer looks so small compared to the ship above where just a portion of it fills the scene. Then, the camera reveals in all its glory Vader's new flagship, the ''Executor'', a Super Star Destroyer that makes every other ship look like an insect.
** ''Film/TheForceAwakens'': While fleeing from theTIE-fighters' TIE fighters' bombardment on Jakku, Rey dismisses the off-screen spaceship Finn is suggesting as "garbage", but the other ship they were heading to gets blown up. This leads to the decision that "the garbage will do", with the camera panning to reveal to the audience that the aforementioned piece of junk happens to be the ''Millennium Falcon''.
** ''Film/TheForceAwakens'': While fleeing from the
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** [[Recap/DoctorWhoS28E3SchoolReunion "School Reunion"]]: After Sarah Jane, stunned, backs out of the storage room where the TARDIS has been stashed back into the gym, there's a well-done panning shot revealing the Doctor standing there waiting for her.
** [[Recap/DoctorWhoS36E1ThePilot "The Pilot"]]: [[TomboyishName Bill]] is flustered on stepping out of the TARDIS to realize she's no longer in a university basement, but a city in broad daylight, and the Doctor's clearly enjoying it — then he steps aside so she can see the excellent view of the Sydney Opera House.
** [[Recap/DoctorWhoS36E1ThePilot "The Pilot"]]: [[TomboyishName Bill]] is flustered on stepping out of the TARDIS to realize she's no longer in a university basement, but a city in broad daylight, and the Doctor's clearly enjoying it — then he steps aside so she can see the excellent view of the Sydney Opera House.
to:
** [[Recap/DoctorWhoS28E3SchoolReunion "School Reunion"]]: "[[Recap/DoctorWhoS28E3SchoolReunion School Reunion]]": After Sarah Jane, stunned, backs out of the storage room where the TARDIS has been stashed back into the gym, there's a well-done panning shot revealing the Doctor standing there waiting for her.
**[[Recap/DoctorWhoS36E1ThePilot "The Pilot"]]: "[[Recap/DoctorWhoS36E1ThePilot The Pilot]]": [[TomboyishName Bill]] is flustered on stepping out of the TARDIS to realize she's no longer in a university basement, but a city in broad daylight, and the Doctor's clearly enjoying it — then he steps aside so she can see the excellent view of the Sydney Opera House.
**
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[[folder:Pinball]]
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-->''Knock knock knock''\\
'''Seagoon''': Come in.\\
''Knock knock knock''\\
'''Seagoon''': Come in!\\
'''Bloodnok''': It's ''[[CloudCuckoolander you]]'' that's knocking!\\
'''Seagoon''': Oh! Then ''I'll'' come in!
'''Seagoon''': Come in.\\
''Knock knock knock''\\
'''Seagoon''': Come in!\\
'''Bloodnok''': It's ''[[CloudCuckoolander you]]'' that's knocking!\\
'''Seagoon''': Oh! Then ''I'll'' come in!
to:
'''Seagoon''':
'''Seagoon:''' Come in.\\
'''Seagoon''':
'''Seagoon:''' Come in!\\
Changed line(s) 147,154 (click to see context) from:
-->'''Midwife''' Mr Smoth? Your wife's had her baby... errr... you might want to prepare yourself for a shock.\\
'''Smoth''': Is it a boy?\\
'''Midwife''' no.\\
'''Smoth''':Oh, it must be a girl!\\
'''Midwife''' well... no.\\
'''Smoth''':(perplexed) Then what is it? \\
'''Midwife''' I'm afraid it's an...\\
''(Eric Pode voice cuts in)'' '''Eric Pode of Croydon!"'''
'''Smoth''': Is it a boy?\\
'''Midwife''' no.\\
'''Smoth''':Oh, it must be a girl!\\
'''Midwife''' well... no.\\
'''Smoth''':(perplexed) Then what is it? \\
'''Midwife''' I'm afraid it's an...\\
''(Eric Pode voice cuts in)'' '''Eric Pode of Croydon!"'''
to:
Changed line(s) 182 (click to see context) from:
[[folder:Webcomics]]
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Changed line(s) 191,192 (click to see context) from:
-->'''Chief:''' You want us to release Sam Starfall? [[ExactWords Consider it done]].
-->''([[http://freefall.purrsia.com/ff2200/fc02157.htm wide shot revealing]] the chief is hanging upside down by one ankle; his officers are variously incapacitated by [[NoodleImplements a dog and sausage links, a tuba, a flock of ducks]], [[PieInTheFace a pie]], [[BananaPeel a banana]], and [[BuffySpeak the sort of long flexible balloons you use to make balloon animals with]])''
-->''([[http://freefall.purrsia.com/ff2200/fc02157.htm wide shot revealing]] the chief is hanging upside down by one ankle; his officers are variously incapacitated by [[NoodleImplements a dog and sausage links, a tuba, a flock of ducks]], [[PieInTheFace a pie]], [[BananaPeel a banana]], and [[BuffySpeak the sort of long flexible balloons you use to make balloon animals with]])''
to:
-->'''Chief:''' You want us to release Sam Starfall? [[ExactWords Consider it done]].
-->''([[http://freefall.done]].\\
''[[[http://freefall.purrsia.com/ff2200/fc02157.htm wide shot revealing]] the chief is hanging upside down by one ankle; his officers are variously incapacitated by [[NoodleImplements a dog and sausage links, a tuba, a flock of ducks]], [[PieInTheFace a pie]], [[BananaPeel a banana]], and [[BuffySpeak the sort of long flexible balloons you use to make balloon animalswith]])''with]]]''
-->''([[http://freefall.
''[[[http://freefall.purrsia.com/ff2200/fc02157.htm wide shot revealing]] the chief is hanging upside down by one ankle; his officers are variously incapacitated by [[NoodleImplements a dog and sausage links, a tuba, a flock of ducks]], [[PieInTheFace a pie]], [[BananaPeel a banana]], and [[BuffySpeak the sort of long flexible balloons you use to make balloon animals
Changed line(s) 211,213 (click to see context) from:
-->'''The Flash: '''Tell me the truth, Ralph: Do I seem immature to you?\\
'''Elongated Man: '''Not in the least.\\
[Pull back to show they're playing ''Rock 'Em Sock 'Em Robots'']\\
'''Elongated Man: '''Not in the least.\\
[Pull back to show they're playing ''Rock 'Em Sock 'Em Robots'']\\
to:
-->'''The Flash: '''Tell Flash:''' Tell me the truth, Ralph: Do I seem immature to you?\\
'''ElongatedMan: '''Not Man:''' Not in the least.\\
[Pull ''[pull back to show they're playing ''Rock 'Em Sock 'Em Robots'']\\Robots'']''\\
'''Elongated
Changed line(s) 223 (click to see context) from:
* ''WesternAnimation/StarWarsTheCloneWars'': [[Recap/StarWarsTheCloneWarsS1E12TheGunganGeneral "The Gungan General"]] opens with Anakin waking up in a cell and realizing that he and Obi-Wan were drugged and have been captured. Then the camera pans to show who their cellmate is: [[spoiler:[[TheDragon Count Dooku]]]].
to:
* ''WesternAnimation/StarWarsTheCloneWars'': [[Recap/StarWarsTheCloneWarsS1E12TheGunganGeneral "The "[[Recap/StarWarsTheCloneWarsS1E12TheGunganGeneral The Gungan General"]] General]]" opens with Anakin waking up in a cell and realizing that he and Obi-Wan were drugged and have been captured. Then the camera pans to show who their cellmate is: [[spoiler:[[TheDragon Count Dooku]]]].
Deleted line(s) 225 (click to see context) :
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* ''Series/{{Drive}}'' had Wendy assigned to remove Ivy from the race (or at least her team). She first delays them by shooting out one of the tires on their Land Rover, then tries to shoot Ivy herself. However, she hesitates and Ivy disarms her. After finding out why Wendy is in the race, Ivy decides to team up with her instead. When they get into Wendy's minivan together, Wendy nervously says "I think that maybe I should have shot you." Cut to outside the van and the reveal that Ivy shot out the other tires on the Land Rover as a parting shot.
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* The cover of Music/TheCranberries' ''To The Faithful Departed'' shows the band in a yellow room, a seemingly happy image. But when you take the liner notes out of the CD case and unfold it, you can see that the "room" is actually a set in the middle of a dark, dreary-looking forest.
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* A series of [[DrunkDriver drunk driving]] [=PSAs=] used this:
** One opens with two pairs of hands polishing a wood surface while two men talk about a friend of theirs who's a known party animal. It seems like they're polishing a bar...until the camera pulls back and reveals they're polishing a coffin. The men then talk about the friend's death as a result of a drunk driving accident.
** Another opens with a close-up of flowers while two women talk about a date one of them went on. The flowers were a gift from her date, right? No. The camera pulls back to reveal they're actually laid in front of a tombstone. The woman who went on the date then talks about how she wishes she'd gone on the date with the man whose name is on the tombstone.
** A third has the camera panning across a nice car while two men talk about it. One of the men is the brother of the car's owner. When the camera gets to the front of the car, we see the front end is severely damaged as if it hit something. Then owner's brother then reveals that his brother drove while drunk and crashed, totaling the car. (He also implies his brother died as a result.)
** One opens with two pairs of hands polishing a wood surface while two men talk about a friend of theirs who's a known party animal. It seems like they're polishing a bar...until the camera pulls back and reveals they're polishing a coffin. The men then talk about the friend's death as a result of a drunk driving accident.
** Another opens with a close-up of flowers while two women talk about a date one of them went on. The flowers were a gift from her date, right? No. The camera pulls back to reveal they're actually laid in front of a tombstone. The woman who went on the date then talks about how she wishes she'd gone on the date with the man whose name is on the tombstone.
** A third has the camera panning across a nice car while two men talk about it. One of the men is the brother of the car's owner. When the camera gets to the front of the car, we see the front end is severely damaged as if it hit something. Then owner's brother then reveals that his brother drove while drunk and crashed, totaling the car. (He also implies his brother died as a result.)
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* ''ComicStrip/BeetleBailey'': The first panel shows a close-up of someone asking Beetle whether [[SexySecretary Ms. Buxley]] had walked past in a bikini. The next panel shows the larger scene with Beetle having stepped in his can of paint and a general mayhem around them with soldiers still staring transfixed and having crashed their cars and whatnot. [[DistractedByTheSexy Yes, she had.]]
to:
* ''ComicStrip/BeetleBailey'': ''ComicStrip/BeetleBailey'':
** The first panel shows a close-up of someone asking Beetle whether [[SexySecretary Ms. Buxley]] had walked past in a bikini. The next panel shows the larger scene with Beetle having stepped in his can of paint and a general mayhem around them with soldiers still staring transfixed and having crashed their cars and whatnot. [[DistractedByTheSexy Yes, she had.]]]]
** One strip has a close-up of Plato and Beetle looking at each other when Plato says "Did you know that if it weren't for the Potato Famine, UsefulNotes/JohnFKennedy would never have become president?" In the second panel, we see they're peeling potatoes and Beetle says "Plato, only you could think of that at a time like this."
** The first panel shows a close-up of someone asking Beetle whether [[SexySecretary Ms. Buxley]] had walked past in a bikini. The next panel shows the larger scene with Beetle having stepped in his can of paint and a general mayhem around them with soldiers still staring transfixed and having crashed their cars and whatnot. [[DistractedByTheSexy Yes, she had.
** One strip has a close-up of Plato and Beetle looking at each other when Plato says "Did you know that if it weren't for the Potato Famine, UsefulNotes/JohnFKennedy would never have become president?" In the second panel, we see they're peeling potatoes and Beetle says "Plato, only you could think of that at a time like this."
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Black Best Friend has been renamed to Token Black Friend, it's unclear whether this is actually an example of that trope.
Changed line(s) 84 (click to see context) from:
* Used as a fakeout and then straight-up within one scene in the ''Series/{{Alias}}'' episode "Phase One", which ends with [[BigBad Sloane]] telling [[TheDragon Sark]] to 'check in on [their] new asset'. The sound of a ringing phone transitions to the next scene, where it is revealed Sark is calling...[[BlackBestFriend Francie]]! However, the camera then pans around to another angle to show the real Francie's corpse with a bullet wound in the forehead.
to:
* Used as a fakeout and then straight-up within one scene in the ''Series/{{Alias}}'' episode "Phase One", which ends with [[BigBad Sloane]] telling [[TheDragon Sark]] to 'check in on [their] new asset'. The sound of a ringing phone transitions to the next scene, where it is revealed Sark is calling...[[BlackBestFriend Francie]]! Francie! However, the camera then pans around to another angle to show the real Francie's corpse with a bullet wound in the forehead.
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None
Changed line(s) 68 (click to see context) from:
* ''Film/TheLordOfTheRings'': In ''Fellowship of the Ring'' -- we open with a shot of a dark menacing tower in Mordor, apparently Barad-dûr, home of Sauron. Then the camera pulls back... and back... and back... until we are able to get a full view of the ''ungodly immense, dozens of times larger and infinitely more menacing'' tower that is the ''true'' Barad-dûr, revealing the initial tower we saw as one of the hundreds of (relatively) tiny lookout towers spaced around Barad-dûr's outer wall.
to:
* ''Film/TheLordOfTheRings'': In ''Fellowship of the Ring'' ''Film/TheLordOfTheRingsTheFellowshipOfTheRing'' -- we open with a shot of a dark menacing tower in Mordor, apparently Barad-dûr, home of Sauron. Then the camera pulls back... and back... and back... until we are able to get a full view of the ''ungodly immense, dozens of times larger and infinitely more menacing'' tower that is the ''true'' Barad-dûr, revealing the initial tower we saw as one of the hundreds of (relatively) tiny lookout towers spaced around Barad-dûr's outer wall.
