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** Parodied in [=ItsJustSomeRandomGuy=]'s Youtube series ''WebVideo/ImAMarvelAndImADC'::

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** Parodied in [=ItsJustSomeRandomGuy=]'s Youtube series ''WebVideo/ImAMarvelAndImADC'::''WebVideo/ImAMarvelAndImADC'':
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* ''ComicBook/{{Supergirl}}'' has occasionally been written as paralleling a closeted gay person (as in her [[Series/{{Supergirl}} TV show]]). This one goes all the way back to her earliest appearances, where Superman [[DoesThisRemindYouOfAnything forced her to hide her powers until he decided she was ready to reveal them to the world]]. In ''ComicBook/SupergirlBeingSuper'', her GayBestFriend tells her this as they're saying goodbye to each other:

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* ''ComicBook/{{Supergirl}}'' has occasionally been written as paralleling a closeted gay person (as in her [[Series/{{Supergirl}} [[Series/Supergirl2015 TV show]]). This one goes all the way back to her earliest appearances, where Superman [[DoesThisRemindYouOfAnything [[ComicBook/TheSupergirlFromKrypton1959 forced her to hide her powers powers]] until [[ComicBook/TheUnknownSupergirl he decided she was ready to reveal them to the world]]. In ''ComicBook/SupergirlBeingSuper'', her GayBestFriend tells her this as they're saying goodbye to each other:
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* ''WebAnimation/{{RWBY}}'': [[AndroidsArePeopleToo Penny Polendina]] has a BecomeARealBoy storyline, and the way it pans out earned her a lot of trans fans. When she admits to Ruby that she isn't a "real girl", Ruby objects, affirming that Penny is as real as she is because having different parts doesn't change that. Penny is then forcibly outed by the villains in Volume 3 to generate fear about her existence. Her second form is more visibly feminine, but the villains still try and "other" her to society. Throughout the show, the world, story and characters repeatedly affirm that it is Penny's heart and soul that makes her a real girl, not her body. [[spoiler:This is emphasised when Penny receives the Winter Maiden's powers, which can only go to young women; it's further explored when the villains' attempt to hack her body is fought by her Aura long enough for a living, female body to be crafted from her soul in a process that is described as "her coming to the surface".]]

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* ''WebAnimation/{{RWBY}}'': ''WebAnimation/{{RWBY}}'':
**
[[AndroidsArePeopleToo Penny Polendina]] has a BecomeARealBoy storyline, and the way it pans out earned her a lot of trans fans. When she admits to Ruby that she isn't a "real girl", Ruby objects, affirming that Penny is as real as she is because having different parts doesn't change that. Penny is then forcibly outed by the villains in Volume 3 to generate fear about her existence. Her second form is more visibly feminine, but the villains still try and "other" her to society. Throughout the show, the world, story and characters repeatedly affirm that it is Penny's heart and soul that makes her a real girl, not her body. [[spoiler:This is emphasised when Penny receives the Winter Maiden's powers, which can only go to young women; it's further explored when the villains' attempt to hack her body is fought by her Aura long enough for a living, female body to be crafted from her soul in a process that is described as "her coming to the surface".]]]]
** [[CuteAndPsycho Neopolitan]], as revealed in ''Literature/RWBYRomanHoliday'', was raised as Trivia Vanille by her abusive parents, who forced her to hide her imagination and personality. She eventually left, changing her appearance and name to the Neopolitan seen in the show. She also dislikes synthetic voice modulators that might let her communicate easier, since the artificial voice feels too distant from who she is, not unlike vocal dysphoria. All in all, Neopolitan comes across as an allegory for being trans.
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Updating Link


* In ''ComicBook/YoungAvengers'', ComicBook/{{Wiccan}} (who is gay) attempts to tell his parents that he has superpowers. They misunderstand and assume he's trying to come out to them, and tell him that [[TransparentCloset they knew]] and that [[OpenMindedParent they accept him]].

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* In ''ComicBook/YoungAvengers'', ComicBook/{{Wiccan}} ''ComicBook/YoungAvengers'': Wiccan (who is gay) attempts to tell his parents that he has superpowers. They superpowers, they misunderstand and assume he's trying to come out to them, and tell him that [[TransparentCloset they knew]] and that [[OpenMindedParent they accept him]].
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Micheal being a demon is a spoiler


* Michael's relationship with humanity in ''Series/TheGoodPlace'' has been called a [[https://www.themarysue.com/michael-good-place-trans-allegory/ transgender allegory,]] with [[spoiler:other demons]] ostracizing him for how he wants to be human, adopting even the corniest aspects of human culture, and his great reluctance to let his friends see his true form as a [[spoiler:fire squid]] can be seen as analogous to dysphoria. The GrandFinale [[spoiler: fulfills his one true wish by letting him become a real human on Earth]].

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* Michael's relationship with humanity in ''Series/TheGoodPlace'' has been called a [[https://www.themarysue.com/michael-good-place-trans-allegory/ transgender allegory,]] with [[spoiler:other demons]] [[spoiler:other]] demons ostracizing him for how he wants to be human, adopting even the corniest aspects of human culture, and his great reluctance to let his friends see his true form as a [[spoiler:fire squid]] can be seen as analogous to dysphoria. The GrandFinale [[spoiler: fulfills his one true wish by letting him become a real human on Earth]].
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* Michael's relationship with humanity in ''Series/TheGoodPlace'' has been called a [[https://www.themarysue.com/michael-good-place-trans-allegory/ transgender allegory,]] with other demons ostracizing him for how he wants to be human, adopting even the corniest aspects of human culture, and his great reluctance to let his friends see his true form as a [[spoiler:fire squid]] can be seen as analogous to dysphoria. The GrandFinale fulfills his one true wish by letting him [[spoiler:become a real human on Earth]].

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* Michael's relationship with humanity in ''Series/TheGoodPlace'' has been called a [[https://www.themarysue.com/michael-good-place-trans-allegory/ transgender allegory,]] with other demons [[spoiler:other demons]] ostracizing him for how he wants to be human, adopting even the corniest aspects of human culture, and his great reluctance to let his friends see his true form as a [[spoiler:fire squid]] can be seen as analogous to dysphoria. The GrandFinale [[spoiler: fulfills his one true wish by letting him [[spoiler:become become a real human on Earth]].
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* ''Manga/{{Beastars}}'': The arc Legosi goes through feels to many fans as a queer teenager coming out and learning to deal with his sexuality. It technically is, in fact, it just doesn't have to do with the gender of his partner, but rather their species. He finds out that his sexual and romantic preferences are taboo in the world, but chooses to be truthful to them and pursue the person he loves, he worries about the future he can provide to a partner in these conditions, etc. While some people read the herbivore/carnivore relationships as similar to interracial relations, there are similarities to same-sex relationships as well, such as a boom in these occurring recently as a background event, the legality of such marriages being a rather recent thing and still having caveats, the similarities between carnivore/herbivore relationships and same-sex relationships is even given a parallel when in a night club, a carnivore woman narrates that they won't follow the rules of heterosexuality there while making out with a female that is implied to be a herbivore. There is also the fact that some fans see Legosi as pansexual/bisexual due to his comments about Louis being beautiful making some believe that he is attracted to species rather than gender.
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** In ''ComicBook/RainbowRowellsRunaways'', Molly's emotional turmoil just happens to revolve around her very close friendships with Abigail and Klara, which she feels unable to discuss with Gert or Nico because they just happen to disapprove of those friendships. Though with Abigail, [[spoiler: it turns out they were right to disapprove as Abigail is actually over fifty years old who kept herself alive through a youth serum and wanted Molly to remain young forever alongside her.]] As for Klara, given how she is HappilyAdopted and [[HasTwoMommies Has Two Daddies]], one may get the feeling the Runaways feel stung by her refusal to return to them.

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** In ''ComicBook/RainbowRowellsRunaways'', ''ComicBook/RunawaysRainbowRowell'', Molly's emotional turmoil just happens to revolve around her very close friendships with Abigail and Klara, which she feels unable to discuss with Gert or Nico because they just happen to disapprove of those friendships. Though with Abigail, [[spoiler: it turns out they were right to disapprove as Abigail is actually over fifty years old who kept herself alive through a youth serum and wanted Molly to remain young forever alongside her.]] As for Klara, given how she is HappilyAdopted and [[HasTwoMommies Has Two Daddies]], one may get the feeling the Runaways feel stung by her refusal to return to them.



* ''WesternAnimation/TheLittleMermaid'':

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* ''WesternAnimation/TheLittleMermaid'':''WesternAnimation/TheLittleMermaid1989'':



* In ''VideoGame/{{Psychonauts 2}}'', the Aquato family's reactions to learning Razputin is psychic closely resembles the aftermath of a ComingOutStory. Augustus is [[OpenMindedParent unexpectedly supportive]] and prompted into his own LateComingOut. Donatella is "trying to be broad-minded" but wishes her son and husband would [[HaveYouTriedNotBeingAMonster "hide [their] shame where no one can see it]]." Frazie is terrified of being ForcedOutOfTheCloset by her brother out of desired solidarity. And Dion is disgusted Raz would openly flaunt his "unnatural" nature and insists their dad is [[GayRomanticPhase just going through a phase]].

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* In ''VideoGame/{{Psychonauts 2}}'', ''VideoGame/Psychonauts2'', the Aquato family's reactions to learning Razputin is psychic closely resembles the aftermath of a ComingOutStory. Augustus is [[OpenMindedParent unexpectedly supportive]] and prompted into his own LateComingOut. Donatella is "trying to be broad-minded" but wishes her son and husband would [[HaveYouTriedNotBeingAMonster "hide [their] shame where no one can see it]]." Frazie is terrified of being ForcedOutOfTheCloset by her brother out of desired solidarity. And Dion is disgusted Raz would openly flaunt his "unnatural" nature and insists their dad is [[GayRomanticPhase just going through a phase]].



* ''WesternAnimation/YoungJustice''

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* ''WesternAnimation/YoungJustice''''WesternAnimation/YoungJustice2010''
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* In ''WebOriginal/CriticalRole'', Veth's story is easy to interpret as a transgender allegory, complete with eventually making the transition from her cursed goblin form back to her original halfling self.

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* In ''WebOriginal/CriticalRole'', ''WebVideo/CriticalRole'', Veth's story is easy to interpret as a transgender allegory, complete with eventually making the transition from her cursed goblin form back to her original halfling self.
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Fixed some sentence and grammar issues, and added a reference to how she was outed in Volume 3.


* [[AndroidsArePeopleToo Penny Polendina]] of ''WebAnimation/{{RWBY}}'' is a classic case of BecomeARealBoy, and the way her storyline pans out earned her a lot of trans fans. When she admits to Ruby that she isn't a "real girl", Ruby defies that and affirms that she's as real as she is, and having different parts doesn't change that. Her second form is more visibly feminine, [[spoiler:she receives the Maiden powers which can only go to young women, and when she gets a human body, it's described as "her coming to the surface"]]. Throughout the show, the world, story, and characters repeatedly affirm that Penny's heart and soul is what makes her a real girl, not her body.

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* ''WebAnimation/{{RWBY}}'': [[AndroidsArePeopleToo Penny Polendina]] of ''WebAnimation/{{RWBY}}'' is has a classic case of BecomeARealBoy, BecomeARealBoy storyline, and the way her storyline it pans out earned her a lot of trans fans. When she admits to Ruby that she isn't a "real girl", Ruby defies objects, affirming that and affirms that she's Penny is as real as she is, and is because having different parts doesn't change that. Penny is then forcibly outed by the villains in Volume 3 to generate fear about her existence. Her second form is more visibly feminine, [[spoiler:she receives but the Maiden powers which can only go to young women, villains still try and when she gets a human body, it's described as "her coming "other" her to the surface"]]. society. Throughout the show, the world, story, story and characters repeatedly affirm that it is Penny's heart and soul is what that makes her a real girl, not her body. [[spoiler:This is emphasised when Penny receives the Winter Maiden's powers, which can only go to young women; it's further explored when the villains' attempt to hack her body is fought by her Aura long enough for a living, female body to be crafted from her soul in a process that is described as "her coming to the surface".]]
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* ''ComicBook/SheHulk'' was often written, intentionally or not, as similar to a transgender person, particularly during the Creator/JohnByrne and Creator/DanSlott runs. To recap: Jennifer Walters is a shy, insecure attorney who transforms into She-Hulk, confident and sassy Green Glamazon. She-Hulk spent a good 20 years or so never once changing back into Jennifer, saying she is just happier as She-Hulk. There was a comic where her father was unable to deal with how drastically different her She-Hulk persona was from the daughter he raised, and admitted ([[ExactEavesdropping while she was eavesdropping]]) that he just wants his daughter back. Later on she got a job at a law firm where her boss forced her to be Jennifer again, and she was very much not okay with it, but grinned and beared it anyway. Her boyfriend, John Jameson, also has trouble dealing with her as She-Hulk, [[DoesThisRemindYouOfAnything since he fell in love with]] ''[[DoesThisRemindYouOfAnything Jennifer]]''[[DoesThisRemindYouOfAnything , not She-Hulk]]. It's not difficult to see the parallels to someone who was born a specific gender but found they were much happier as the opposite, and then had to deal with the fallout of that decision in their personal life.

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* ''ComicBook/SheHulk'' was often written, intentionally or not, as similar to a transgender person, particularly during the Creator/JohnByrne and Creator/DanSlott runs. To recap: Jennifer Walters is a shy, insecure attorney who transforms into She-Hulk, confident and sassy Green Glamazon. She-Hulk spent a good 20 years or so never once changing back into Jennifer, saying she is just happier as She-Hulk. There was a comic where her father was unable to deal with how drastically different her She-Hulk persona was from the daughter he raised, and admitted ([[ExactEavesdropping while she was eavesdropping]]) that he just wants his daughter back. Later on she got a job at a law firm where her boss forced her to be Jennifer again, and she was very much not okay with it, but grinned and beared bore it anyway. Her boyfriend, John Jameson, also has trouble dealing with her as She-Hulk, [[DoesThisRemindYouOfAnything since he fell in love with]] ''[[DoesThisRemindYouOfAnything Jennifer]]''[[DoesThisRemindYouOfAnything , not She-Hulk]]. It's not difficult to see the parallels to someone who was born a specific gender but found they were much happier as the opposite, and then had to deal with the fallout of that decision in their personal life.
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Holby City included

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* ''Series/HolbyCity'' had a non-supernatural variant when Chloe Godard discovered her co-worker Dominic Copeland was actually her half-brother Darren, but he'd changed his name at some point, and Chloe's mom Ange had gave him up for adoption at some unspecified point before the show. The discovery of the relationship between Chloe and Dominic was compared to a coming-out for LGBT people, even though, [[{{Irony}} Dominic had already come out and everyone knew he was gay anyway]], despite the issues being totally different - half-siblings and LGBT.
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* There is a prominent theme or implication that the way the character presents themselves to others is "not their true self"
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* ''WesternAnimation/{{Encanto}}'' has a case with Isabela, Mirabel's [[AloofOlderBrother Aloof Older Sister]]. Isabela is seemingly perfect, being considered the family's "Golden Child" and engaged to the most handsome man in town. When Mirabel accuses Isabela of being a "Selfish, Spoiled, Princess", Isabela gasps in genuine shock over [[ITakeOffenceToThatLastOne being called selfish]], claiming that literally everything she has ever done was for the family. When Mirabel points out that literally nothing is stopping Isabela from marrying her fiancée and all she needs to do is wait for him to try again, Isabela freaks out and states that she DOESN'T want to marry him, and she only goes through this because it is what is best for the family. This leads to breakthrough and the IAmSong that follows ends with a gleefully single Isabela with multicolored hair.

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* ''WesternAnimation/{{Encanto}}'' has a case with Isabela, Mirabel's [[AloofOlderBrother Aloof Older Sister]]. Isabela is seemingly perfect, being considered the family's "Golden Child" and engaged to the most handsome man in town. When Mirabel accuses Isabela of being a "Selfish, Spoiled, Princess", Isabela gasps in genuine shock over [[ITakeOffenceToThatLastOne being called selfish]], claiming that literally everything she has ever done was for the family. When Mirabel points out that literally nothing is stopping Isabela from marrying her fiancée and all she needs to do is wait for him to try again, Isabela freaks out and states that she DOESN'T want to marry him, and she only goes through this because it is what is best for the family. This leads to her breakthrough and the IAmSong that follows ends with a gleefully single Isabela with multicolored hair.
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Cleanup


** ''WesternAnimation/{{Encanto}}'' has a case with Isabela, Mirabels AlphaBitch of an Older Sister. Isabela is seemingly being effortless perfect, her always doing the Right thing that her family expects, including her dating the Greatest Guy in town. When Mirabel accuses Isabela of being a "Selfish, Spoiled, Princess", Isabela gasp in genuin shock over [[ITakeOffenceOverThatLastOne beeing called selfish]]. Mirabel point out that nothing is stopping Isabela from marry her perfect fiancée, Isabela freaks out and states that she DOESN'T want to marry him and she only goes through this because it is what is best for the Family. This breakthrough and the IAmSong that follows ends with a gleefully single Isabela with multicolored hair…

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** * ''WesternAnimation/{{Encanto}}'' has a case with Isabela, Mirabels AlphaBitch of an Mirabel's [[AloofOlderBrother Aloof Older Sister. Sister]]. Isabela is seemingly being effortless perfect, her always doing being considered the Right thing that her family expects, including her dating family's "Golden Child" and engaged to the Greatest Guy most handsome man in town. When Mirabel accuses Isabela of being a "Selfish, Spoiled, Princess", Isabela gasp gasps in genuin genuine shock over [[ITakeOffenceOverThatLastOne beeing [[ITakeOffenceToThatLastOne being called selfish]]. selfish]], claiming that literally everything she has ever done was for the family. When Mirabel point points out that literally nothing is stopping Isabela from marry marrying her perfect fiancée, fiancée and all she needs to do is wait for him to try again, Isabela freaks out and states that she DOESN'T want to marry him him, and she only goes through this because it is what is best for the Family. family. This leads to breakthrough and the IAmSong that follows ends with a gleefully single Isabela with multicolored hair…hair.
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[[folder:Tabletop Games]]
* This trope is one of the explanations for the popularity of Tieflings in ''TabletopGame/DungeonsAndDragons'' and their LGBTFanbase. Due to their demonic look, which most usually comes from being descendants of Fiends, they have often been ostracized and persecuted by humans and other races. The assumption they're inherently evil and their whole existence is a sin is so common even actual hellish entities often feel entitled to their servitude for nothing. But unlike other "monstrous" races (Orcs, Goblinoids etc), Tieflings can also come in all kinds of body types and are commonly portrayed as attractive and charismatic, as well as being less another race with their own traditions and history but coming from all kinds of races, finding others who look like them building their own communities and culture. As such it is very easy to see them as a LGBTQ metaphor and building a Tiefling character fitting any type of empowering fantasy for all kinds of LGBTQ people is rather easy.
[[/folder]]
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** ''WesternAnimation/{{Encanto}}'' has a case with Isabela, Mirabels AlphaBitch of an Older Sister. Isabela is seemingly being effortless perfect, her always doing the Right thing that her family expects, including her dating the Greatest Guy in town. When Mirabel accuses Isabela of being a "Selfish, Spoiled, Princess", Isabela gasp in genuin shock over [[ITakeOffenceOverThatLastOne beeing called selfish]]. Mirabel point out that nothing is stopping Isabela from marry her perfect fiancée, Isabela freaks out and states that she DOESN'T want to marry him and she only goes through this because it is what is best for the Family. This breakthrough and the IAmSong that follows ends with a gleefully single Isabela with multicolored hair…

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** ''WesternAnimation/{{Encanto}}'' has a case with Isabela, Mirabels AlphaBitch of an Older Sister. Isabela is seemingly being effortless perfect, her always doing the Right thing that her family expects, including her dating the Greatest Guy in town. When Mirabel accuses Isabela of being a "Selfish, Spoiled, Princess", Isabela gasp in genuin shock over [[ITakeOffenceOverThatLastOne beeing called selfish]]. Mirabel point out that nothing is stopping Isabela from marry her perfect fiancée, Isabela freaks out and states that she DOESN'T want to marry him and she only goes through this because it is what is best for the Family. This breakthrough and the IAmSong that follows ends with a gleefully single Isabela with multicolored hair…
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** ''WesternAnimation/{{Encanto}}'' has a case with Isabela, Mirabels AlphaBitch of an Older Sister. Isabela is seemingly being effortless perfect, her always doing the Right thing that her family expects, including her dating the Greatest Guy in town. When Mirabel accuses Isabela of being a "Selfish, Spoiled, Princess", Isabela gasp in genuin shock over [[ITakeOffenceOverThatLastOne beeing called selfish]]. Mirabel point out that nothing is stopping Isabela from marry her perfect fiancée, Isabela freaks out and states that she DOESN'T want to marry him and she only goes through this because it is what is best for the Family. This breakthrough and the IAmSong that follows ends with a gleefully single Isabela with multicolored hair…
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Romantic Two Girl Friendship has been renamed to Pseudo Romantic Friendship. All misuse and ZC Es will be deleted and all other examples will be changed to the correct trope.


** Klara's GreenThumb abilities are weak because of her crap upbringing. Furthermore, she is believed to be a mutant and is pretty homophobic to boot. However, her powers get exponentially stronger as she learns to value herself and as her RomanticTwoGirlFriendship with Molly develops, with some of her more impressive displays of power occurring when she wants to protect Molly from danger. It's also worth noting that her power usually manifests itself in the form of red roses, which are traditionally a symbol of intense romantic love. Furthermore, given how mutants tended to be evocative of LGTBQ+ folk in modern times, it further makes sense (even if Klara's mutant status is only assumed and never explicitly made clear.)

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** Klara's GreenThumb abilities are weak because of her crap upbringing. Furthermore, she is believed to be a mutant and is pretty homophobic to boot. However, her powers get exponentially stronger as she learns to value herself and as her RomanticTwoGirlFriendship PseudoRomanticFriendship with Molly develops, with some of her more impressive displays of power occurring when she wants to protect Molly from danger. It's also worth noting that her power usually manifests itself in the form of red roses, which are traditionally a symbol of intense romantic love. Furthermore, given how mutants tended to be evocative of LGTBQ+ folk in modern times, it further makes sense (even if Klara's mutant status is only assumed and never explicitly made clear.)



** In the episode "The Bands Break Up", Kimber and Stormer both quit their bands to become a music duo together. They have a DuetBonding moment that ends in them forming a RomanticTwoGirlFriendship. The episode treats their relationship similarly to a lesbian relationship [[DatingWhatDaddyHates that neither of their]] [[FriendVersusLover friends like]]; Pizzazz outright sings that "[Kimber]'ll break [Stormer's] heart in two". In the end [[StatusQuoIsGod the two reunite with their bands]], but the two do say that they were her best friends who taught each other about themselves, which rings closely to each other being a ClosetKey.

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** In the episode "The Bands Break Up", Kimber and Stormer both quit their bands to become a music duo together. They have a DuetBonding moment that ends in them forming a RomanticTwoGirlFriendship.PseudoRomanticFriendship. The episode treats their relationship similarly to a lesbian relationship [[DatingWhatDaddyHates that neither of their]] [[FriendVersusLover friends like]]; Pizzazz outright sings that "[Kimber]'ll break [Stormer's] heart in two". In the end [[StatusQuoIsGod the two reunite with their bands]], but the two do say that they were her best friends who taught each other about themselves, which rings closely to each other being a ClosetKey.
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* In ''Literature/InCryptid'', being a sorcerer can be read as a queer allegory. Creator/SeananMcGuire definitely doesn't ''need'' a queer allegory when she has actual queer characters, but with Antimony and James it seems like she might have written it that way subconsciously, especially since James is gay and Annie is AmbiguouslyBi. (And with James, his father's hatred of magic is mixed in with the actual homophobia). At the beginning of her story, Annie is hiding her magic from her family, worried of how they'll react. When she goes undercover, she has to hide it for her very survival. She finally reveals her secret to Sam, once she decides she can trust him. As she continues her [[ComingOfAgeStory coming-of-age journey]], she reveals it to other close friends (Fern and Cylia) but has to [[{{Depower}} give up her magic]] to [[DealWithTheDevil save her and Sam's lives]]. Then with James, she's finally met another person like her, and they help each other figure out how to fully actualize themselves (break James's curse/get Annie's powers back from the Crossroads). Annie returns home fully "out" now that she realizes that her family will accept her no matter what.
** In the case of Thomas, who as far as we know is straight, he describes the onset of his magical powers as linked to puberty, which is also around the time many people discover their sexuality.
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* The character MT from ''WesternAnimation/InfinityTrain'' began life as the literal reflection of the first book’s protagonist, Tulip, loathing having to act out everything Tulip did. Once she escapes the mirror, she decides to go her own way, shaving off her hair and adopting a much more androgynous and punk personal style. She spends most of the book focused on her asserting her own identity, running from the Reflection Enforcement that wants to destroy her for no longer reflecting Tulip, dealing with discrimination against her based on not being a Passenger (of the titular train, instead having been created on it), and raging against all the names and labels other people come up with for her. The trans/nonbinary metaphor comes to a head at the very end, when [[spoiler: she renames herself Lake]].
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* In ''VideoGame/{{Psychonauts 2}}'', the Aquato family's reactions to learning Razputin is psychic closely resembles the aftermath of a ComingOutStory. Augustus is [[OpenMindedParent unexpectedly supportive]] and prompted into his own LateComingOut. Donatella is "trying to be broad-minded" but wishes her son and husband would [[HaveYouTriedNotBeingAMonster "hide [their] shame where no one can see it]]." Frazie is terrified of being ForcedOutOfTheCloset by her brother out of desired solidarity. And Dion is disgusted Raz would openly flaunt his "unnatural" nature and insists their dad is [[GayRomanticPhase just going through a phase]].
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On second thought, given this voice turns out to be her mother's, I think this part was a stretch with unfortunate implications and that I shouldn't have added it.


** ''WesternAnimation/FrozenII'' extends this metaphor to finding the community. While Elsa is now accepted in Arendelle, she still feels out of place. She is prompted to go off on a journey of self-discovery by a female voice she refers to as a "siren." When she finally reaches Ahtohallan, she is overjoyed to learn that it's frozen like she is. The song she sings there is about finding answers about herself and finally feeling like she belongs.

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** ''WesternAnimation/FrozenII'' extends this metaphor to finding the community. While Elsa is now accepted in Arendelle, she still feels out of place. She is prompted to go goes off on a journey of self-discovery by a female voice she refers to as a "siren." self-discovery. When she finally reaches Ahtohallan, she is overjoyed to learn that it's frozen like she is. The song she sings there is about finding answers about herself and finally feeling like she belongs.

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-->-- ''Webcomic/RoosterTails'', [[https://roostertails.files.wordpress.com/2010/09/comic.jpg?w=640 "X-Men"]]

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-->-- ''Webcomic/RoosterTails'', [[https://roostertails.files.wordpress.com/2010/09/comic.jpg?w=640 com/2010/09/29/x-men/ "X-Men"]]

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-->-- ''[[https://roostertails.files.wordpress.com/2010/09/comic.jpg?w=640 Rooster Tails]]''

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-->-- ''[[https://roostertails.''Webcomic/RoosterTails'', [[https://roostertails.files.wordpress.com/2010/09/comic.jpg?w=640 Rooster Tails]]''
"X-Men"]]
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* In ''WebOriginal/Critical Role'', Veth's story is easy to interpret as a transgender allegory, complete with eventually making the transition from her cursed goblin form back to her original halfling self.

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* In ''WebOriginal/Critical Role'', ''WebOriginal/CriticalRole'', Veth's story is easy to interpret as a transgender allegory, complete with eventually making the transition from her cursed goblin form back to her original halfling self.
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[[folder:Web Original]]
* In ''WebOriginal/Critical Role'', Veth's story is easy to interpret as a transgender allegory, complete with eventually making the transition from her cursed goblin form back to her original halfling self.
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* In ''Fanfic/TheSerpentsVow'', Seto is rather afraid of coming out as an alien to his friends, and violently reacts to a former acquaintance of his trying to force him back into being his subordinate, explicitly because of his ability to produce youngs. Even if his friends fully accept him, Stargate Command is awkward around him for being "unusual" -- and this is in the Don't Ask Don't Tell era. Also, the fact that he's sexually female yet is extremely defensive of his male body has been noticed: the author staunchly maintains the Goa'uld are genderless and Seto merely wants to keep the only body he has ever owned, but it didn't stop the readers to see the character as a trans man.
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Edutainment example from Police Camera Action

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* ''Series/PoliceCameraAction'' may be an {{Edutainment}} series, but the trope still applies in VerySpecialEpisode "Highway of Tomorrow" which aired in 2000 and predicted a future of AutomatedAutomobiles, ''14 years'' before mainstream media discussed them and hyped them, and showed how social attitudes in the future would make car ownership be seen as something shameful and oppressive, much the same way as LGBTQ individuals are. This bordered on a HardTruthAesop; self-driving cars are not society's panacea, no matter how much the media would like to proclaim it as they did in UsefulNotes/TheNewTens, and that automobile enthusiasts also have a right to use the roads and should feel no shame in enjoying their passion.

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