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** When Neil Innes was the pianist, Humph listed his acomplishments (TheRutles, Bonzo Dog Doo Dah Band, etc), concluding "All of which has brought him to where he is today. Standing in for Colin Sell." Neil instantly played the funeral march.

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** When Neil Innes was the pianist, Humph listed his acomplishments (TheRutles, (Music/TheRutles, Bonzo Dog Doo Dah Band, etc), concluding "All of which has brought him to where he is today. Standing in for Colin Sell." Neil instantly played the funeral march.
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* ''WesternAnimation/StevenUniverse'' associates most major characters with specific instruments. In Peridot's case, it's a triangle wave, a play on her [[AnimeHair triangular hair]].

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* ''WesternAnimation/StevenUniverse'' associates most major characters with specific instruments. In Peridot's case, it's is a triangle wave, a play on her [[AnimeHair triangular hair]].
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* ''WesternAnimation/StevenUniverse'' associates most major characters with specific instruments. In Peridot's case, it's a triangle wave, a play on her [[AnimeHair triangular hair]].
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[[folder:Web Video]]
* ''WebVideo/DragonBallZAbridged:'' When Krillin is deciding whether or not to kill 18, the theme for Lapis Lazuli from ''Steven Universe'' plays. As the episode breakdown confirms, this was an oblique joke about how Akira Toriyama stated 17 and 18's real names were Lapis and Lazuli.
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* ''WesternAnimation/SouthPark'' used a LeaveItToBeaver style soundtrack to make [[spoiler: Cartman injecting Kyle with his own AIDS infected blood]] sound like Wacky Hijinks.

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* ''WesternAnimation/SouthPark'' used a LeaveItToBeaver ''Series/LeaveItToBeaver'' style soundtrack to make [[spoiler: Cartman injecting Kyle with his own AIDS infected blood]] sound like Wacky Hijinks.
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* In a mission late in ''VideoGame/MafiaIII''s storyline - [[spoiler:infiltrating the Frisco Fields party to hunt down Olivia Marcano]] - Lincoln is instructed by Donavan, while posing as a waiter, to dose the wine being served with ''"military-grade LSD"''. By the time he returns to the party after ducking back into the kitchens for a smoke break, the entire group of assembled guests are hallucinating on the floor or dancing. With the speech that had punctuated the party while they were all sober now gone, the scene is instead accompanied by a piano. One which is playing ''White Rabbit'' by Jefferson Airplane.

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Adding folders.


On occasion, the {{Leitmotif}} for a JokeCharacter will itself be a MusicalGag.



!!Type 1 Examples - A joke from somewhere other than the lyrics

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!Examples:

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!!Type 1 Examples - A -- a joke from somewhere other than the lyrics

[[AC:{{Literature}}]]
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[[folder:Comic Strips]]
* In ''ComicStrip/{{Peanuts}}'', Schroeder whistles [[Music/{{LudwigVanBeethoven}} Beethoven's]] F minor sonata to call Snoopy in; the MusicalGag is that this would require whistling two notes at once. Later strips have Woodstock whistling similarly complex melodies.
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[[folder:Literature]]




[[AC:{{Music}}]]

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[[AC:{{Newspaper Comics}}]]
* In ''ComicStrip/{{Peanuts}}'', Schroeder whistles [[Music/{{LudwigVanBeethoven}} Beethoven's]] F minor sonata to call Snoopy in; the MusicalGag is that this would require whistling two notes at once. Later strips have Woodstock whistling similarly complex melodies.

[[AC:{{Radio}}]]

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\n[[AC:{{Newspaper Comics}}]]\n* In ''ComicStrip/{{Peanuts}}'', Schroeder whistles [[Music/{{LudwigVanBeethoven}} Beethoven's]] F minor sonata to call Snoopy in; the MusicalGag is that this would require whistling two notes at once. Later strips have Woodstock whistling similarly complex melodies.\n\n[[AC:{{Radio}}]][[/folder]]

[[folder:Radio]]




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** In one of Richard Rodgers' later works, the ballet "Slaughter on Tenth Avenue," three cops on a raid enter to the tune of "Three Blind Mice."

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** * In one of Richard Rodgers' later works, the ballet "Slaughter on Tenth Avenue," three cops on a raid enter to the tune of "Three Blind Mice."




!!Type 2 Examples - a joke within the item's music/soundtrack.

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!!Type 2 Examples - -- a joke within the item's music/soundtrack.

[[AC:{{Anime}} and {{Manga}}]]
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[[folder:Live-Action TV]]




[[AC:Multiple]]
* On occasion, the {{Leitmotif}} for a JokeCharacter will itself be a MusicalGag.

[[AC:{{Pinball}}]]

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\n[[AC:Multiple]]\n* On occasion, the {{Leitmotif}} for a JokeCharacter will itself be a MusicalGag.\n\n[[AC:{{Pinball}}]][[/folder]]

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\n[[AC:{{Radio}}]][[/folder]]

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[[folder:Video Games]]




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[[AC:{{Western Animation}}]]

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\n[[AC:{{Western Animation}}]][[/folder]]

[[folder:Western Animation]]




!!Other Examples

[[AC:{{Video Games}}]]

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!!Other Examples

[[AC:{{Video Games}}]]
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[[folder:Video Games]]




[[AC:{{Web Comics}}]]

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* SFDebris often uses musical bits of various lengths and styles to emphasize ridiculous elements in the works he reviews, to deliver subtle (or less-than-subtle) puns, and so forth. He also often interjects with short comedic songs (with or without music), usually to make a point absolutely clear.

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* SFDebris WebSite/SFDebris often uses musical bits of various lengths and styles to emphasize ridiculous elements in the works he reviews, to deliver subtle (or less-than-subtle) puns, and so forth. He also often interjects with short comedic songs (with or without music), usually to make a point absolutely clear.
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* Similarly, ''Mary Shelley's Frankenstein'' features Edgar Winter's rock instrumental, "Frankenstein", as a selectable song.

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* Similarly, ''Mary Shelley's Frankenstein'' ''Pinball/MaryShelleysFrankenstein'' features Edgar Winter's rock instrumental, "Frankenstein", as a selectable song.

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* The main soundtrack for ''Pinball/TheTwilightZone '' is an instrumental version of the 1982 song "Twilight Zone", by Golden Earring.

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* The main soundtrack for ''Pinball/TheTwilightZone '' is an instrumental version of the 1982 song "Twilight Zone", by Golden Earring.Music/GoldenEarring.
* Similarly, ''Mary Shelley's Frankenstein'' features Edgar Winter's rock instrumental, "Frankenstein", as a selectable song.
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* In the ''PinkyAndTheBrain'' episode "It's Only A Paper World," the title characters attempt to TakeOverTheWorld by building a life-sized replica of the planet Earth out of paper-mâché and luring the population onto it so they can rule the real Earth without interference. All the music in the episode is based on themes from Dvorak's New World symphony.

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* In the ''PinkyAndTheBrain'' ''WesternAnimation/PinkyAndTheBrain'' episode "It's Only A Paper World," the title characters attempt to TakeOverTheWorld by building a life-sized replica of the planet Earth out of paper-mâché and luring the population onto it so they can rule the real Earth without interference. All the music in the episode is based on themes from Dvorak's New World symphony.
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* In ''Theatre/OfTheeISing'', the French soldiers enter to the first few bars of "An American in Paris" (which, like the musical, was composed by George Gershwin).

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* In ''Theatre/OfTheeISing'', the French soldiers enter to the first few bars of "An American in Paris" (which, like the musical, was composed by George Gershwin).Music/GeorgeGershwin).




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* In ''Theatre/ALittleNightMusic'', the song "Perpetual Anticipation" begins as a three-part round.
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* Much of the SourceMusic chosen for ''{{Lost}}'' was recorded by artists who died in plane crashes.

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* Much of the SourceMusic chosen for ''{{Lost}}'' ''Series/{{Lost}}'' was recorded by artists who died in plane crashes.
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* In ''SuzumiyaHaruhi'', the FiveManBand calls itself the "SOS Brigade". One of the [[ImageSong image songs]]' beat is the Morse Code for "SOS".

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* In ''SuzumiyaHaruhi'', ''LightNovel/HaruhiSuzumiya'', the FiveManBand calls itself the "SOS Brigade". One of the [[ImageSong image songs]]' beat is the Morse Code for "SOS".
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* In ''DigitalDevilSaga,'' there's an optional boss fight with the Demi-Fiend, the protagonist of ''VideoGame/ShinMegamiTenseiIIINocturne''. This is the hardest fight in the game, requiring a very specific strategy, lots of grinding, and a generous helping of luck to win. The music that plays during the fight? Nocturne's regular battle theme. To him, you're just another random encounter.

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* In ''DigitalDevilSaga,'' ''VideoGame/DigitalDevilSaga,'' there's an optional boss fight with the Demi-Fiend, the protagonist of ''VideoGame/ShinMegamiTenseiIIINocturne''. This is the hardest fight in the game, requiring a very specific strategy, lots of grinding, and a generous helping of luck to win. The music that plays during the fight? Nocturne's regular battle theme. To him, you're just another random encounter.

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* In ''GodelEscherBach'', the Crab adds a mordant to the theme from Music/JohannSebastianBach's ''The Musical Offering'', so that the notes spell "Babbage, C(harles)" backwards.

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* ''Literature/GodelEscherBachAnEternalGoldenBraid'' has many of these within the dialogues:
**
In ''GodelEscherBach'', "Canon by Intervallic Agumentation," a song based on the theme (famously used in Music/JohannSebastianBach's ''Art of the Fugue'') whose notes spell out B-A-C-H is played on a different record player, which distends the intervals so that the notes instead spell C-A-G-E, as in Music/JohnCage. When a third record player plays the song, the intervals are stretched even further so that the notes of the theme spell B-C-A-H.
** In "...Ant Fugue," the four characters enter one by one like the voices of a fugue, each delivering the same theme at a different philosophical pitch.
** In "Six-Part Ricercar,"
the Crab adds a mordant to the theme from Music/JohannSebastianBach's ''The Musical Offering'', so that the notes spell "Babbage, C(harles)" backwards.
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* In ''GodelEscherBach'', the Crab adds a mordant to the theme from Creator/JohannSebastianBach's ''The Musical Offering'', so that the notes spell "Babbage, C(harles)" backwards.

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* In ''GodelEscherBach'', the Crab adds a mordant to the theme from Creator/JohannSebastianBach's Music/JohannSebastianBach's ''The Musical Offering'', so that the notes spell "Babbage, C(harles)" backwards.



* In Creator/JohannSebastianBach's BattleOfTheBands cantata "The Contest Between Phoebus and Pan" (BWV 201), the violins during Midas's aria proclaiming Pan as master do donkey imitations, foreshadowing Midas's KarmicTransformation.

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* In Creator/JohannSebastianBach's Music/JohannSebastianBach's BattleOfTheBands cantata "The Contest Between Phoebus and Pan" (BWV 201), the violins during Midas's aria proclaiming Pan as master do donkey imitations, foreshadowing Midas's KarmicTransformation.



* In ''{{Peanuts}}'', Schroeder whistles [[{{LudwigVanBeethoven}} Beethoven's]] F minor sonata to call Snoopy in; the MusicalGag is that this would require whistling two notes at once. Later strips have Woodstock whistling similarly complex melodies.

to:

* In ''{{Peanuts}}'', ''ComicStrip/{{Peanuts}}'', Schroeder whistles [[{{LudwigVanBeethoven}} [[Music/{{LudwigVanBeethoven}} Beethoven's]] F minor sonata to call Snoopy in; the MusicalGag is that this would require whistling two notes at once. Later strips have Woodstock whistling similarly complex melodies.



* In ''Theatre/TheMikado'', when the Mikado's song mentions "Bach, interwoven/With Spohr and Beethoven" as a punishment for the music hall singer, woodwinds play the theme from Creator/JohannSebastianBach's Fugue in G minor (BWV 542).

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* In ''Theatre/TheMikado'', when the Mikado's song mentions "Bach, interwoven/With Spohr and Beethoven" as a punishment for the music hall singer, woodwinds play the theme from Creator/JohannSebastianBach's Music/JohannSebastianBach's Fugue in G minor (BWV 542).
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* In ''GodelEscherBach'', the Crab adds a mordant to the theme from Bach's ''The Musical Offering'', so that the notes spell "Babbage, C(harles)" backwards.

to:

* In ''GodelEscherBach'', the Crab adds a mordant to the theme from Bach's Creator/JohannSebastianBach's ''The Musical Offering'', so that the notes spell "Babbage, C(harles)" backwards.




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* In Creator/JohannSebastianBach's BattleOfTheBands cantata "The Contest Between Phoebus and Pan" (BWV 201), the violins during Midas's aria proclaiming Pan as master do donkey imitations, foreshadowing Midas's KarmicTransformation.



* In ''Theatre/TheMikado'', when the Mikado's song mentions Bach as a punishment for the music hall singer, woodwinds play the theme from Bach's Fugue in G minor (BWV 542).

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* In ''Theatre/TheMikado'', when the Mikado's song mentions Bach "Bach, interwoven/With Spohr and Beethoven" as a punishment for the music hall singer, woodwinds play the theme from Bach's Creator/JohannSebastianBach's Fugue in G minor (BWV 542).
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* In the musical ''OfTheeISing'', the French soldiers enter to the first few bars of "An American in Paris." (Both were composed by George Gershwin.)

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* In the musical ''OfTheeISing'', ''Theatre/OfTheeISing'', the French soldiers enter to the first few bars of "An American in Paris." (Both were Paris" (which, like the musical, was composed by George Gershwin.)Gershwin).




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* In ''Theatre/ShowBoat'', the second verse of "Why Do I Love You?" has Ravenal singing "I'll come home as early as I can" to the portion of "Can't Help Lovin' Dat Man" whose original lyrics were "He can come home as late as can be."
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* TomLehrer, a satirist most famous in the 1950's and 1960's, had a distinctive style involving writing and performing songs poking fun at various (then-)current events. Most of the jokes are in the lyrics, so they would not be Musical Gags -- but there was the occasional melodic joke. For example, at the end of "New Math", Lehrer quips: "Come back tomorrow night, we're gonna do... fractions." This is followed up by a quick melody on the piano which seems to translate as either "Oh, brother!" or "Just kidding!".

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* TomLehrer, Music/TomLehrer, a satirist most famous in the 1950's and 1960's, had a distinctive style involving writing and performing songs poking fun at various (then-)current events. Most of the jokes are in the lyrics, so they would not be Musical Gags -- but there was the occasional melodic joke. For example, at the end of "New Math", Lehrer quips: "Come back tomorrow night, we're gonna do... fractions." This is followed up by a quick melody on the piano which seems to translate as either "Oh, brother!" or "Just kidding!".

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* [[FilkSong Filk Songs]], in addition to the silly lyrics, will often include [[MusicalGag Musical Gags]].

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* [[FilkSong Filk Songs]], in addition to the silly lyrics, will often include [[MusicalGag Musical Gags]].gags.




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* Music/CledusTJudd, being a CountryMusic parodist, does this frequently:
** He coughs during the last chorus of "If Shania Was Mine" (Music/ShaniaTwain's "Any Man of Mine") and asks of the backing vocals, "Now was that [[Music/RobertJohnMuttLange Mutt Lange]] or Music/DwightYoakam?" In the video, David Ball butts in with "At least he's not pickin' on me this time."
** "Jackson (Alan That Is)" interpolates Music/JohnnyCash's "Jackson", the source of the parody, with Music/AlanJackson's "Chattahoochee".
** He likes to make the musical instruments miss notes on purpose, such as the piano riffs in "Every Light in the House Is Blown" ("Every Light in the House" by Trace Adkins) and "Coronary Life" ("Ordinary Life" by Chad Brock), and the deliberately off-key guitar solo in "Breath" ("Breathe" by Music/FaithHill).
** The piano/fiddle riff on "Just Another Day in Parodies" ("Just Another Day in Paradise" by Phil Vassar) plays a descending scale at the end instead of the right notes.
** "What the [=*$@#=] Did You Say" (Music/MartinaMcBride's "Whatever You Say") uses a tuba in the second verse, an instrument blatantly not present in the original song.
** The guitar riff at the beginning of "My Cellmate Thinks I'm Sexy" (Music/KennyChesney's "She Thinks My Tractor's Sexy") interpolates the "William Tell Overture".
** "I Was Country When Country Wasn't Pop" (Music/BarbaraMandrell and Music/GeorgeJones' "I Was Country When Country Wasn't Cool") randomly throws in pop and rap elements.
** After the TruckDriversGearChange on "Bake Me a Country Ham" ("Paint Me a Birmingham" by Tracy Lawrence), Cledus raises the pitch on his voice to make him sound even more like Tracy Lawrence.
* Music/WeirdAlYankovic, in "Smells Like Nirvana" ("Smells Like Teen Spirit" by Music/{{Nirvana}}), gargles water to the beginning of the guitar solo, then has a tuba play the rest of it.
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* In ''[[{{Castlevania}} Symphony of the Night]]'', Alucard would inform you that this disc only has game data. It would then play some music before going into the game data and being annoying static.
-->"Track one contains computer data, so please don't play it. But you probably won't listen to me anyway, will you?" * cue music with {{EvilLaugh}}s*

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* In ''[[{{Castlevania}} Symphony of the Night]]'', ''VideoGame/CastlevaniaSymphonyOfTheNight'', Alucard would inform you that this disc only has game data. It would then play some music before going into the game data and being annoying static.
-->"Track one contains computer data, so please don't play it. But you probably won't listen to me anyway, will you?" * cue music with {{EvilLaugh}}s*
{{Evil Laugh}}s*
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* In ''Pinball/MonsterBash'', the mode "Ball & Chain" is accompanied by a rock version of [[LohengrinAndMendelssohn Wagner's "Bridal Chorus"]].
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[[AC:{{Web Originals}}]]
* SFDebris often uses musical bits of various lengths and styles to emphasize ridiculous elements in the works he reviews, to deliver subtle (or less-than-subtle) puns, and so forth. He also often interjects with short comedic songs (with or without music), usually to make a point absolutely clear.
Is there an issue? Send a MessageReason:
None


* In ''DigitalDevilSaga,'' there's an optional boss fight with the Demi-Fiend, the protagonist of ShinMegamiTenseiIIINocturne. This is the hardest fight in the game, requiring a very specific strategy, lots of grinding, and a generous helping of luck to win. The music that plays during the fight? Nocturne's regular battle theme. To him, you're just another random encounter.

to:

* In ''DigitalDevilSaga,'' there's an optional boss fight with the Demi-Fiend, the protagonist of ShinMegamiTenseiIIINocturne.''VideoGame/ShinMegamiTenseiIIINocturne''. This is the hardest fight in the game, requiring a very specific strategy, lots of grinding, and a generous helping of luck to win. The music that plays during the fight? Nocturne's regular battle theme. To him, you're just another random encounter.
Is there an issue? Send a MessageReason:
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* In ''[[GilbertAndSullivan The Mikado]]'', when the Mikado's song mentions Bach as a punishment for the music hall singer, woodwinds play the theme from Bach's Fugue in G minor (BWV 542).

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* In ''[[GilbertAndSullivan The Mikado]]'', ''Theatre/TheMikado'', when the Mikado's song mentions Bach as a punishment for the music hall singer, woodwinds play the theme from Bach's Fugue in G minor (BWV 542).
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[[AC:{{Video Games}}]]
* In ''DigitalDevilSaga,'' there's an optional boss fight with the Demi-Fiend, the protagonist of ShinMegamiTenseiIIINocturne. This is the hardest fight in the game, requiring a very specific strategy, lots of grinding, and a generous helping of luck to win. The music that plays during the fight? Nocturne's regular battle theme. To him, you're just another random encounter.

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!!Examples

!!!Type 1 - A joke from somewhere other than the lyrics

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!!Examples

!!!Type
!!Type 1 Examples - A joke from somewhere other than the lyrics



!!!Type 2 - a joke within the item's music/soundtrack.

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!!!Type !!Type 2 Examples - a joke within the item's music/soundtrack.



!!!Other

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!!!Other
!!Other Examples
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'''Type 1'''

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'''Type 1'''
!!!Type 1 - A joke from somewhere other than the lyrics



'''Type 2'''

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'''Type 2'''
!!!Type 2 - a joke within the item's music/soundtrack.



'''Other'''

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'''Other'''
!!!Other
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[[AC:{{Pinball}}]]
* The main soundtrack for ''Pinball/TheTwilightZone '' is an instrumental version of the 1982 song "Twilight Zone", by Golden Earring.

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