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* Music/SteveAoki
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* Music/SteveAokiArmand van Helden
* Music/DavidGuetta
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* Music/ToddEdwards
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* Music/ToddEdwardsMusic/EdwardMaya
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* Music/DavidGuetta
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* Music/EdwardMaya
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* Music/SarinaParis
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* Music/EricPrydz
* Music/SarinaParis
* Music/SteveAoki
* Music/ToddEdwards
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* Armand van Helden
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index wick
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* LyricalTic: House music will often contain certain [[CatchPhrase Catchphrases]] [[TotallyRadical depending on the time period ]] and city it was made in. 1980's Chicago house uses the term "jackin" along, and no that doesn't mean what you might think.
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* LyricalTic: House music will often contain certain [[CatchPhrase Catchphrases]] catchphrases [[TotallyRadical depending on the time period ]] and city it was made in. 1980's Chicago house uses the term "jackin" along, and no that doesn't mean what you might think.
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** ''Music/Renaissance2022'' in particular is influenced by early house music.
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** ''Music/Renaissance2022'' in particular is influenced by and samples early house music.
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* Music/{{Beyonce}}
** ''Music/Renaissance2022'' in particular is influenced by early house music.
** ''Music/Renaissance2022'' in particular is influenced by early house music.
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* {{Sampling}}
** SampledUp: Much of today's house mixes are based on older obscure disco records. Black Box, Cevin Fisher and [[Creator/MarkWahlberg Marky Mark and the Funky Bunch]] popularizing Loleatta Holloway's vocals on Love Sensation are a good example.
* StupidStatementDanceMix: From the early "Jack had a groove" sample, to numerous rap samples, to other public domain recordings. House music has gone to town with these.
** SampledUp: Much of today's house mixes are based on older obscure disco records. Black Box, Cevin Fisher and [[Creator/MarkWahlberg Marky Mark and the Funky Bunch]] popularizing Loleatta Holloway's vocals on Love Sensation are a good example.
* StupidStatementDanceMix: From the early "Jack had a groove" sample, to numerous rap samples, to other public domain recordings. House music has gone to town with these.
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* {{Sampling}}
** SampledUp:{{Sampling}} Much of today's house mixes are [[SampledUp based on older obscure disco records.records]]. Black Box, Cevin Fisher and [[Creator/MarkWahlberg Marky Mark and the Funky Bunch]] popularizing Loleatta Holloway's vocals on Love Sensation are a good example. \n* StupidStatementDanceMix: From the early "Jack had a groove" sample, to numerous rap samples, to other public domain recordings. House music has gone to town with these.
** SampledUp:
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* HaveAGayOldTime: "Jackin'" used to refer to a dance style that emerged from 80's Chicago house parties and not [[ADateWithRosiePalms its modern interpretation]]. Although one has to wonder if artists like [[http://www.discogs.com/artist/Jackmaster+Dick Jackmaster Dick]] (who had a track entitled "Jack The Dick") were doing this intentionally and this euphemism is [[OlderThanTheyThink Older Than We Think]].
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* HaveAGayOldTime: "Jackin'" used to refer to a dance style that emerged from 80's Chicago house parties and not [[ADateWithRosiePalms its modern interpretation]].interpretation. Although one has to wonder if artists like [[http://www.discogs.com/artist/Jackmaster+Dick Jackmaster Dick]] (who had a track entitled "Jack The Dick") were doing this intentionally and this euphemism is [[OlderThanTheyThink Older Than We Think]].
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* LyricalTic: House music will often contain certain [[CatchPhrase Catchphrases]] [[TotallyRadical depending on the time period ]] and city it was made in. 1980's Chicago house uses the term "jackin" along, and no that doesn't mean [[ADateWithRosiePalms what you might think]]
to:
* LyricalTic: House music will often contain certain [[CatchPhrase Catchphrases]] [[TotallyRadical depending on the time period ]] and city it was made in. 1980's Chicago house uses the term "jackin" along, and no that doesn't mean [[ADateWithRosiePalms what you might think]] think.
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alphabetization and brackets
* Music/SarinaParis
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* {{Music/Sarina Paris}}
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* {{Music/Sarina Paris}}
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* Music/{{Alyson}}
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* Music/{{Sonique}}
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* Music/EdwardMaya
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* Music/{{Nicco}}
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* Music/{{Inna}}
* Music/{{Pakito}}
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* Eric Prydz
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* Eric PrydzMusic/EricPrydz
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* Music/{{Tiga}}
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Songs build
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Early Chicago house has a definite gospel influence in the vocals, and producers chose soaring, powerful vocal samples that could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
to:
Early Chicago house has a definite gospel influence in the vocals, and producers chose soaring, powerful vocal samples that could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. In addition to sampling vocals, producers would sample short instrumental riffs and repeat them throughout the song, or create a new riff that would be played on a synthesizer. The producers designed songs to build gradually by adding new layers of sampling and intensifying the instrumental parts to bring the song to an exciting climax.
Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
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Not designed to listen to in your room. Designed to be played loud in club and danced to
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While disco was an important influence, whereas disco was produced in big, expensive professional studios, with a team of session musicians and arrangers, house music was done by [=DJs=] and music producers in their home studios using relatively inexpensive gear. After a while early house musicians started doing their own songs where the break was the foundation and used electronic instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making. The drum machine beats had a steady four beat to the bar (almost always 4/4) bass drum beat that made the music highly danceable. The thumping, insistent bass drum created a powerful sonic impact when played through huge subwoofer speakers that house clubs used.
to:
While disco was an important influence, whereas disco was produced in big, expensive professional studios, with a team of session musicians and arrangers, house music was done by [=DJs=] and music producers in their home studios using relatively inexpensive gear. After a while early house musicians started doing their own songs where the break was the foundation and used electronic instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making.
The drum machine beats had a steady four beat to the bar (almost always 4/4) bass drum beat that made the music highly danceable. The thumping, insistent bass drum created a powerful sonic impact when played through huge subwoofer speakers that house clubsused.
used. The constant, mechanical drum beat was criticized by people outside the house scene, but they were not understanding the intention. Unlike pop music, which is designed with an emphasis on melody and intended to be listened to in your room, house music is designed to be played loud in a club, so loud that you feel the beat, and danced to. Like disco, house music was associated with club drugs that enhanced the experience of dancing in a nightclub. MDMA, known as Ecstasy, was a popular drug at house clubs.
The drum machine beats had a steady four beat to the bar (almost always 4/4) bass drum beat that made the music highly danceable. The thumping, insistent bass drum created a powerful sonic impact when played through huge subwoofer speakers that house clubs
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Edit
Changed line(s) 15,19 (click to see context) from:
While disco was an important influence, whereas disco was produced in expensive professional studios, with session musicians and arrangers, house music was done by [=DJs=] and music producers in their homes using relatively inexpensive gear. After a while early house musicians started doing their own songs where the break was the foundation and used electronic instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making. The drum machine beats had a steady four beat to the bar (almost always 4/4) bass drum beat that made the music highly danceable. The thumping, insistent bass drum created a powerful sonic impact when played through huge subwoofer speakers that house clubs used.
Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
From there, many sub-genres of house music have come up, and it is arguably the most famous example of electronic dance music around.
Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
From there, many sub-genres of house music have come up, and it is arguably the most famous example of electronic dance music around.
to:
While disco was an important influence, whereas disco was produced in big, expensive professional studios, with a team of session musicians and arrangers, house music was done by [=DJs=] and music producers in their homes home studios using relatively inexpensive gear. After a while early house musicians started doing their own songs where the break was the foundation and used electronic instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making. The drum machine beats had a steady four beat to the bar (almost always 4/4) bass drum beat that made the music highly danceable. The thumping, insistent bass drum created a powerful sonic impact when played through huge subwoofer speakers that house clubs used.
Early Chicago house has a definite gospelinfluence, influence in the vocals, and producers chose soaring, powerful vocal samples that could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
From there, many sub-genres of house musichave come up, developed. It went from being an obscure, underground style in a few US cities to a global pop style with hit records, massive clubs, and it is arguably the most famous example of electronic dance music around.festivals.
Early Chicago house has a definite gospel
From there, many sub-genres of house music
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Changed line(s) 15,16 (click to see context) from:
While disco was an important influence, whereas disco was produced in expensive professional studios, with session musicians and arrangers, house music was done by [=DJs=] and music producers in their homes using relatively inexpensive gear. After a while early house musicians started doing their own songs where the break was the foundation and used electronic instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making. The drum machine beats had a steady four beat to the 4/4 bar bass drum beat that made the music danceable. The thumping, insistent bass drum created a powerful sonic impact when played through huge subwoofer speakers that house clubs used.
to:
While disco was an important influence, whereas disco was produced in expensive professional studios, with session musicians and arrangers, house music was done by [=DJs=] and music producers in their homes using relatively inexpensive gear. After a while early house musicians started doing their own songs where the break was the foundation and used electronic instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making. The drum machine beats had a steady four beat to the 4/4 bar (almost always 4/4) bass drum beat that made the music highly danceable. The thumping, insistent bass drum created a powerful sonic impact when played through huge subwoofer speakers that house clubs used.
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Add details
Changed line(s) 15,16 (click to see context) from:
While disco was an important influence, whereas disco was produced in expensive professional studios, with session musicians and arrangers, house music was done by [=DJs=] and music producers in their homes using relatively inexpensive gear. After a while early house musicians started doing their own songs where the break was the foundation and used electronic instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
to:
While disco was an important influence, whereas disco was produced in expensive professional studios, with session musicians and arrangers, house music was done by [=DJs=] and music producers in their homes using relatively inexpensive gear. After a while early house musicians started doing their own songs where the break was the foundation and used electronic instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making. The drum machine beats had a steady four beat to the 4/4 bar bass drum beat that made the music danceable. The thumping, insistent bass drum created a powerful sonic impact when played through huge subwoofer speakers that house clubs used.
Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
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House Music started in Chicago in TheEighties (but received little exposure outside Chicago until the late Eighties/Nineties) when [=DJs=] started looping the breaks (a part of the song where the beat is the emphasis) of {{Disco}} songs over and over, because they found that the crowd reacted to those specific parts the best.
After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
to:
House Music started is a [=DJ=] and producer-driven rhythmic electronic dance music style that developed in Chicago in TheEighties (but TheEighties. It was an underground style
that received little exposure outside Chicago until the late Eighties/Nineties) when [=DJs=] started looping the breaks (a part of the song where the beat is the emphasis) of {{Disco}} songs over and over, because they found that the crowd reacted to those specific parts the best.
While disco was an important influence, whereas disco was produced in expensive professional studios, with session musicians and arrangers, house music was done by [=DJs=] and music producers in their homes using relatively inexpensive gear. After a while early house musicians startedrecording doing their own songs where the break was the foundation and used electronic instruments/sequencers instruments and sequencers to create new melodies based on the rhythm. When electronic drum machines and bassline sequencers came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://youtu.be/ts8iBs3tpmw?t=1m28s preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were ItaloDisco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and [[NewWaveMusic New Wave]]. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
that received little exposure outside Chicago until the late Eighties/Nineties) when [=DJs=] started looping the breaks (a part of the song where the beat is the emphasis) of {{Disco}} songs over and over, because they found that the crowd reacted to those specific parts the best.
While disco was an important influence, whereas disco was produced in expensive professional studios, with session musicians and arrangers, house music was done by [=DJs=] and music producers in their homes using relatively inexpensive gear. After a while early house musicians started
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* Reel 2 Real: Had a hit with "I Like To Move It".
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* Reel 2 Real: Had a hit with "I Like To Move It".It", best known for its appearance in the ''Franchise/{{Madagascar}}'' films.
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* Music/DaftPunk (the TropeCodifier)
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* Music/DaftPunk (the TropeCodifier)TropeCodifier; also the TropeMaker for the French House subgenre)
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* Music/PetShopBoys
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** 2001 - ''Music/{{Discovery}}''
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** 2001 - ''Music/{{Discovery}}''''Music/{{Discovery|DaftPunkAlbum}}''
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* Music/{{Justice}}
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* Music/{{Justice}}Music/{{Justice|Band}}