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Baleful Polymorph was renamed per TRS


* In ''The Penelopiad'', the maids who are executed by Odysseus serve this role. They critique Odysseus and Penelope's actions in prose and verse, and are especially bitter towards Penelope for allowing them to be killed (when [[PoorCommunicationKills many of them were actually serving as double agents on her orders]]). At the end, they are [[BalefulPolymorph transformed into owls]].

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* In ''The Penelopiad'', the maids who are executed by Odysseus serve this role. They critique Odysseus and Penelope's actions in prose and verse, and are especially bitter towards Penelope for allowing them to be killed (when [[PoorCommunicationKills many of them were actually serving as double agents on her orders]]). At the end, they are [[BalefulPolymorph [[ForcedTransformation transformed into owls]].
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* In Breaking Bad, real life band Los Cuates de Sinaloa are this, exactly once. The oddity of it braces the viewer for the next phase of Walter's ProtagonistJourneyToVillain. https://www.youtube.com/watch?v=4DPGjjCBcAg
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* In ''VideoGame/DiscoElysium'' this role is filled by the detectives skills represented by voices in his head. In particular the voices of Ancient Reptilian Brain, Limbic System, and Spinal Cord, who aren't associated with skills provide commentary on the detective's actions, especially when he's dreaming.


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* Allan-a-Dale (voiced by Roger Miller) in Disney's animated version of ''WesternAnimation/RobinHood''. He introduces himself to the audience at the end of the openiing titles, and explains that what we are about to see is the animal kingdom's version of the Robin Hood story. From then on, he largely acts as narrator: only entering the actual action during the fair and the prison break.

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* Allan-a-Dale Alan-a-Dale (voiced by Roger Miller) in Disney's animated version of ''WesternAnimation/RobinHood''. ''WesternAnimation/RobinHood1973''. He introduces himself to the audience at the end of the openiing opening titles, and explains that what we are about to see is the animal kingdom's version of the Robin Hood story. From then on, he largely acts as narrator: only entering the actual action during the fair and the prison break.
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* ''Theatre/OrpheusAPoeticDrama'' has a chorus commentate on events throughout the story and act as several minor characters.
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'''Kiwi:''' [[BreakingTheFourthWall End the]] [[SelfDeprecation show now]]. ''[flaps his arms]''

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'''Kiwi:''' [[BreakingTheFourthWall End the]] [[SelfDeprecation the show now]]. ''[flaps his arms]''
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-->'''Sir Raven''': Let's watch a clip. [[PunctuatedForEmphasis Watch! A! Clip!]]

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-->'''Sir Raven''': Let's watch a clip. [[PunctuatedForEmphasis Watch! WATCH! A! Clip!]]CLIP!]]
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* The InteractiveNarrator Clopin plays this role in ''WesternAnimation/TheHunchbackOfNotreDame''. he shows an almost supernatural ability to know what is going on anywhere in Paris, at any time.

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* The InteractiveNarrator Clopin plays this role in ''WesternAnimation/TheHunchbackOfNotreDame''.''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}''. he shows an almost supernatural ability to know what is going on anywhere in Paris, at any time.
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* In ''Eurydice'', a PerspectiveFlip of the story of Orpheus and Eurydice by Sarah Ruhl, a group of stones fill this trope. They offer commentary on the story and advise the characters throughout the play, encouraging them to become unfeeling and cold like the stones themselves are.

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* In ''Eurydice'', ''Theatre/{{Eurydice}}'', a PerspectiveFlip of the story of Orpheus and Eurydice by Sarah Ruhl, a group of stones fill this trope. They offer commentary on the story and advise the characters throughout the play, encouraging them to become unfeeling and cold like the stones themselves are.
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* ''Theatre/LOrfeo'' has the shepherds, nymphs, and Underworld spirits lend commentary to the action at hand, particularly when they praise Orpheus's musical talent and ingenuity or lament how cruel fate can be.
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* In ''Theatre/{{Eurydice}}'', the Stones act as a chorus that comment on the action and Eurydice's thoughts.
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* In ''Esther'', Creator/JeanRacine had the Jewish girls shelthered by the titular characters serve this role, describing the plight of the Jews under Haman and their praises to the Lord.
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-->'''Chowder:''' What should I do, Mung?\\

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-->'''Chowder:''' What should I do, Mung?\\-->'''Mung:''' Okay. Well, I'm open to suggestions.\\

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* In ''Anime/UmiMonogatari'', the shrine maiden comments on the plot at times, and her song delivers clues to its resolution.

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* In ''Anime/UmiMonogatari'', the shrine maiden comments on the plot at times, times while almost never being directly involved, and her song delivers clues to its the show's resolution.


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* In ''Film/ShredderOrpheus'', Axel narrates and comments on the story, and he, Scratch, and Razoreus often act as observers watching Orpheus's story, rarely actively participating in it.
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A minor character or group of minor characters who offer commentary and/or opinions on the actions of the main characters, usually by BreakingTheFourthWall and addressing the audience directly. Often, they say what the audience thinks (or should think). While a lead character can do this himself, it doesn't make him a Greek Chorus; a proper Greek Chorus differs by being removed from the action and thus able to view it with something approaching objectivity. The role is frequently played by ThoseTwoGuys. It's one use for the FirstPersonPeripheralNarrator.

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A minor character or group of minor characters who offer commentary and/or opinions on the actions of the main characters, usually by BreakingTheFourthWall and addressing the audience directly. Often, they say what the audience thinks (or should think). While a lead character can [[ThinkingOutLoud do this himself, himself]], it doesn't make him a Greek Chorus; a proper Greek Chorus differs by being removed from the action and thus able to view it with something approaching objectivity. The role is frequently played by ThoseTwoGuys. It's one use for the FirstPersonPeripheralNarrator.
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* Corey Feldman's character (you heard me) in ''Film/TheBurbs''. He's the local delinquent, who observes and comments on his neighbors investigating the newcomer to the block (who they think is a killer) and ends up inviting over his friends to take part.

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* Corey Feldman's Creator/CoreyFeldman's character (you heard me) in ''Film/TheBurbs''. He's the local delinquent, who observes and comments on his neighbors investigating the newcomer to the block (who they think is a killer) and ends up inviting over his friends to take part.
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%%* There is a Greek Chorus in ''Theatre/TheHunchbackOfNotreDame'' consisting of the extras, the statues atop Notre Dame, the gypsy king Clopin, and occasionally, the main actors themselves (including Frollo and his brother Jehan in ''The Bells of Notre Dame'').

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%%* * There is a Greek Chorus in ''Theatre/TheHunchbackOfNotreDame'' consisting of the extras, the statues atop Notre Dame, the gypsy king Clopin, and occasionally, the main actors themselves (including Frollo and his brother Jehan in ''The Bells of Notre Dame''). Dame'') narrating the events of the story to the audience.
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%%* The stage version of ''WesternAnimation/{{Aladdin}}'' has Babkak, Omar, & Kassim, who were originally written as supporting characters for Aladdin in the film, but dropped from there.

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%%* * The stage version of ''WesternAnimation/{{Aladdin}}'' has Babkak, Omar, & Kassim, who Kassim narrating the events and setting up the scenes of the play. They were originally written as supporting characters for Aladdin in the film, but dropped from there.



* As ''[[Theatre/MourningBecomesElectra Mourning Becomes Electra]]'' by [[Creator/EugeneONeill Eugene O'Neill]] is a retelling of ''[[Theatre/TheOresteia The Oresteia]]'' by {{Creator/Aeschylus}} set in a 1930s American town, the various townsfolk fill the role of a Greek chorus, commenting on the events of the play and the main characters' behavior.
* In ''[[Theatre/DoctorFaustus Doctor Faustus]]'' by [[Creator/ChristopherMarlowe Christopher Marlowe]], the play is opened, commented on, and closed by a character designated as the "Chorus".

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* As ''[[Theatre/MourningBecomesElectra Mourning Becomes Electra]]'' ''Theatre/MourningBecomesElectra'' by [[Creator/EugeneONeill Eugene O'Neill]] Creator/EugeneONeill is a retelling of ''[[Theatre/TheOresteia The Oresteia]]'' ''Theatre/TheOresteia'' by {{Creator/Aeschylus}} set in a 1930s American 1860s New England town, the various townsfolk fill the role of a Greek chorus, commenting on the events of the play and the main characters' behavior.
* In ''[[Theatre/DoctorFaustus Doctor Faustus]]'' ''Theatre/DoctorFaustus'' by [[Creator/ChristopherMarlowe Christopher Marlowe]], Creator/ChristopherMarlowe, the play is opened, commented on, and closed by a character designated as the "Chorus".

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Named for the choruses of [[OlderThanFeudalism ancient Greek]] theatre, who did exactly this. Creator/{{Aristotle}} discussed them in ''Literature/{{Poetics}}'' and warned that they should be used as little as possible, because (in modern paraphrase), what they do is, by definition, ''commentary'', not ''story'' -- and so the story-teller should avoid being sidetracked by using more than it needed to help the story.

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Named for the choruses of [[OlderThanFeudalism ancient Greek]] theatre, who did exactly this. Creator/{{Aristotle}} discussed them in ''Literature/{{Poetics}}'' and warned that they should be used as little as possible, because (in modern paraphrase), what they do is, by definition, ''commentary'', not ''story'' -- and so the story-teller should avoid being sidetracked by using more than it needed to help the story. \n [[JustForFun/IThoughtItMeant If you were looking for actual choruses in the Greek language]], that might fall under GratuitousGreek.
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%%* Most of the characters in ''Theatre/HowILearnedToDrive'', with the exception of the protagonist Li'l Bit and her abusive uncle, are represented by a chorus that takes on their roles in turn.

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%%* Most of the characters in * In ''Theatre/HowILearnedToDrive'', with the exception most of the characters, in fact all except for protagonist Li'l Bit and her abusive uncle, Uncle Peck, are represented by a chorus that takes on their roles in turn.turn. In the first scene the "Female Greek Chorus" plays both Li'l Bit's mother and Uncle Peck's wife.

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* Kang and Kodos from some of the later Treehouse of House of Horror episodes of ''WesternAnimation/TheSimpsons'' where they appear in a final scene and give a quick remark on the preceeding story.

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* ''WesternAnimation/TheSimpsons'':
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Kang and Kodos from some of the later Treehouse ''Treehouse of House of Horror episodes of ''WesternAnimation/TheSimpsons'' Horror'' episodes, where they appear in a final scene and give a quick remark on the preceeding story.
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* The Fates in ''Theatre/{{Hadestown}}'' often sing in the background of songs, commenting on the state of affairs of the heroes, and are represented most as the voices in the back of everyone's minds.
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Many productions opt to keep the street urchins in the same costumes due to budget or timing.


* Crystal, Chiffon and Ronnette in ''Theatre/LittleShopOfHorrors'' are an interesting example, going back and forth between standing outside the action and commenting on it to the audience, and interacting with the other cast members using no special out-of-character knowledge. You can keep track by the costumes; when they're characters the girls wear worn-down clothing appropriate to residents of Skid Row, and when they're a Greek Chorus they've changed into sparkly dresses.

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* Crystal, Chiffon and Ronnette in ''Theatre/LittleShopOfHorrors'' are an interesting example, going back and forth between standing outside the action and commenting on it to the audience, and interacting with the other cast members using no special out-of-character knowledge. You In some productions (and the film version), you can keep track by the costumes; when they're characters the girls wear worn-down clothing appropriate to residents of Skid Row, and when they're a Greek Chorus they've changed into sparkly dresses.
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* In ''Theatre/{{Hamilton}}'', weirdly enough it's a villain (albeit one who never directly interacts with the main characters) who plays this role: after ''You'll Be Back'', where King George sings about the revolutionary war from his perspective, his next two songs pretty much stick to commenting on the state of America depicted in the musical at the time, from his own quite unique perspective:

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* In ''Theatre/{{Hamilton}}'', weirdly enough it's a villain (albeit one who never directly interacts with the main characters) who plays this role: after ''You'll "You'll Be Back'', Back", where King George sings about the revolutionary war from his perspective, his next two songs pretty much stick to commenting on the state of America depicted in the musical at the time, from his own quite unique perspective:
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* TropeNamer / TropeMaker comes from the Ancient Greeks of-course, and The Muses of Myth/ClassicalMythology - The nine goddesses of the arts - and narratiors of Greek Plays. Actors portraying the Muses would start off as narratiors, then slip into the play as minor back-ground characters and sing, dance, add commentary to the audiance, often in unison.

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* TropeNamer / TropeMaker comes from the Ancient Greeks of-course, and The Muses of Myth/ClassicalMythology - The nine goddesses of the arts - and narratiors narrators of Greek Plays. Actors portraying the Muses would start off as narratiors, narrators, then slip into the play as minor back-ground characters and sing, dance, add commentary to the audiance, often in unison.
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* The Delta Nu girls from Elle's old sorority in ''Theatre/LegallyBlonde'' serve as this as she journeys to Harvard, acting as a GuardianAngel to her (but somehow are still able to appear to Paulette during ''Music/BendAndSnap'', despite them just being in her mind). [[spoiler: The real Delta Nu girls end up appearing to support Elle during her big trial, with Elle originally confusing them for her imaginary Greek Chorus.]]

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* The Delta Nu girls from Elle's old sorority in ''Theatre/LegallyBlonde'' serve as this as she journeys to Harvard, acting as a GuardianAngel to her (but somehow are still able to appear to Paulette during ''Music/BendAndSnap'', ''Bend and Snap'', despite them just being in her mind). [[spoiler: The real Delta Nu girls end up appearing to support Elle during her big trial, with Elle originally confusing them for her imaginary Greek Chorus.]]
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** Sideshow Mel often fulfills this role in large crowd scenes, loudly and [[SesquipedalianLoquaciousness loquaciously]] proclaiming the people's collective opinion.
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%%* ''Manga/MahouSenseiNegima''

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%%* ''Manga/MahouSenseiNegima''''Manga/NegimaMagisterNegiMagi''



** The {{Idol Singer}}s Hibari Isora and Hikari Utada, aka Double H, from ''Anime/MawaruPenguindrum'' serve the same function, with their OnceAnEpisode [=PSAs=] on the subway referencing events in the plot.

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** The {{Idol Singer}}s Hibari Isora and Hikari Utada, aka Double H, from ''Anime/MawaruPenguindrum'' ''Anime/{{Penguindrum}}'' serve the same function, with their OnceAnEpisode [=PSAs=] on the subway referencing events in the plot.



%%* Lenny, Carl, and Moe in ''FanFic/MarijuanaSimpson''.

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%%* Lenny, Carl, and Moe in ''FanFic/MarijuanaSimpson''.''Fanfic/MarijuanaSimpson''.

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%%* The whole purpose of the character Kiwi in ''WesternAnimation/{{Chowder}}''.

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%%* * The whole purpose of the character Kiwi in ''WesternAnimation/{{Chowder}}''.''WesternAnimation/{{Chowder}}''.
-->'''Chowder:''' What should I do, Mung?\\
'''Kiwi:''' [[BreakingTheFourthWall End the]] [[SelfDeprecation show now]]. ''[flaps his arms]''
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%%* "Babbit" from ''Manga/KodomoNoOmocha'' is a Greek Chorus. Whether or not it is acknowledged by other characters depends on the situation (it seems to not really exist in serious situations, but may be noticed and perhaps smacked in sillier situations).

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%%* "Babbit" from ''Manga/KodomoNoOmocha'' ''Manga/{{Kodocha}}'' is a Greek Chorus. Whether or not it is acknowledged by other characters depends on the situation (it seems to not really exist in serious situations, but may be noticed and perhaps smacked in sillier situations).

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