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* ''ComicBook/{{Watchmen}}'': All six characters get an issue devoted to their backstory, interspersed with events in the present.
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* ''Film/GuardiansOfTheGalaxyVol3'': After Rocket is left in critical condition in the film's opening, the A-plot of the first two acts is the Guardians trying to save his life while the B-plot is Rocket's AdventuresInComaland while he relives his past.
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* ''Literature/TheSparrow'' is split between the present day, where Emilio Sandoz is being interviewed about just what went wrong in his FirstContact mission, and the time of the mission itself.


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** ''Graystripe's Vow'' is split between "then" sections following Graystripe's acting leadership between the first two arcs when Firestar was on his quest, and "now" sections set during the time of ''The Broken Code'' where Graystripe goes on his own journey.
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* ''Series/{{Yellowjackets}}'' is split between following when the cast were in a plane crash as teenagers and had to survive in the wilderness by themselves, and their current lives 25 years later.
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* In ''Webcomic/{{Archipelago}}'' Credenza has a series of [[DreamingOfTimesGoneBy dreams]] showing her friendship with [[ChekhovMIA Uru]].
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** "[[Recap/FuturamaS3E4LuckOfTheFryish The Luck of the Fryrish]]" has Fry track down his lucky seven-leaf clover from when he was a child, while also flashing back to his life growing up with his brother Yancy, who Fry suspects stole his clover and his identity after Fry went missing.

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** "[[Recap/FuturamaS3E4LuckOfTheFryish "[[Recap/FuturamaS3E4TheLuckOfTheFryrish The Luck of the Fryrish]]" has Fry track down his lucky seven-leaf clover from when he was a child, while also flashing back to his life growing up with his brother Yancy, who Fry suspects stole his clover and his identity after Fry went missing.
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* Half the chapters in ''Toys/{{Bionicle}} Legends 10: Swamp of Secrets'' are Tahu finally unlocking the lost memories (the only member of his team to manage it) of his early life and place of origin. He also realizes the consequence for his team completing their mission is [[SealedGoodInACan going back into stasis]] for what might be eternity, which forces him to come up with an alternate solution.
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* ''Literature/WiedergeburtLegendOfTheReincarnatedWarrior'': {{Enforced}}. Multiple chapters per book open with flashbacks to the BadFuture that main character Eryk Vieger came from, which author Brandon Varnell started doing because it gave him an excuse to write sex scenes for Eryk before he formally got together with his BattleHarem in the PeggySue timeline (which takes until about volume 6).
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*** Inverted in Seasons 7 and 8, which alternates between the present and FlashForwards to the future, which follow [[spoiler:the children of the members of Team Arrow]].

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*** Inverted in Seasons 7 and 8, which alternates between the present and FlashForwards {{Flash Forward}}s to the future, which follow [[spoiler:the children of the members of Team Arrow]].
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*** Inverted in Seasons 7 and 8, which alternates between the present and FlashForwards to the future, which follow [[spoiler:the children of the members of Team Arrow]].
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* ''Film/ThreeIdiots'', which focuses on the titular three idiots in the past and the future (separated by a five-year gap), inverts this. Although it begins and ends with the future plot, it's really more about the characters' lives as college students in the past, with occasional cuts to the future. Case in point, all of the film's [[FilmiMusic musical numbers]] happen in the past.
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* Played with in the mini-series ''Series/ThePrisoner2009''. The protagonist resigns from his job working for an intelligence organisation in New York, and shortly afterward finds himself trapped in a mysterious and isolated Village. As the A-plot follows his investigation of the Village, occasional scenes show his actions back in New York immediately following his resignation, apparently leading up to showing how he ended up in the Village at the beginning of the series. [[spoiler:It turns out that, due to the supernatural nature of the Village, the protagonist is simultaneously in the Village ''and'' still in New York, and the scenes in New York aren't flashbacks, but are happening at the same time as the other events of the series.]]
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* ''VideoGame/ShovelKnight: Specter of Torment'' flashes back to Specter Knight's past between stages, revealing who he was before becoming Specter Knight and why he joined the Order of No Quarter.

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* ''Series/CriminalMinds'': The series' present-day stories about detectives solving crimes are intertwined with flashbacks detailing the crime itself and the people involved.


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* ''Series/CriminalMinds'': The series' present-day stories about detectives solving crimes are intertwined with flashbacks detailing the crime itself and the people involved.

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* ''Series/CriminalMinds'': The series' present-day stories about detectives solving crimes are intertwined with flashbacks detailing the crime itself and the people involved.



** The ''Series/{{Constantine}}'' episode "Quid Pro Quo" uses this, with the A plot being Constantine trying to save Chas's daughter, and the B plot being a flashback to when Constantine accidentally made Chas [[Main/ResurrectiveImmortality semi-immortal.]]



** The ''Series/{{Constantine}}'' episode "Quid Pro Quo" uses this, with the A plot being Constantine trying to save Chas's daughter, and the B plot being a flashback to when Constantine accidentally made Chas [[Main/ResurrectiveImmortality semi-immortal.]]
* ''Series/CriminalMinds'': The series' present-day stories about detectives solving crimes are intertwined with flashbacks detailing the crime itself and the people involved.

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** This is a big part of ''Series/{{Arrow}}'', with the first five seasons alternating between the present day and Oliver's days on the island. Each episode divides its time between Oliver's activities in the present as the Hood and the events in his past (mostly on the island) that led up to him becoming a vigilante.

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** This is a big part of ''Series/{{Arrow}}'', with the first five seasons alternating between the present day and Oliver's days the five years that Oliver Queen spent on the island. Each episode divides its time between Oliver's activities in the present as the Hood island of Lian Yu (but also Hong Kong and the events in his past (mostly on the island) Russia, unknown to everyone else) that led up to [[HowWeGotHere turned him becoming a vigilante.into the vigilante we see at the start of the series]].



*** The episode "The Undertaking" didn't use the island at all but did focus on events surrounding [[spoiler:the sinking of the Queen's Gambit and Moira's involvement with Tempest]].

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*** The episode "The Undertaking" didn't use the island at all but did focus on events surrounding [[spoiler:the the sinking of the Queen's Gambit and Moira's involvement with Tempest]].Tempest.



*** And in Season 3, these flashbacks focus on his [[spoiler:hitherto undisclosed training with A.R.G.U.S. in Hong Kong]].


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* In ''Series/ForeverKnight'' every episode has flashbacks to something in the VampireDetective's past that's related--directly or thematically--to the case he's investigating.
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Fixing a mistake.


* ''[[Film/TheGodfather The Godfather, Part II]'' tells the story of Michael Corleone as the new Don of the family. During the film we also get flashbacks to the first years of Vito Corleone, his father, in New York to show the difference on how they balanced their power and their families.

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* ''[[Film/TheGodfather The Godfather, Part II]'' II]]'' tells the story of Michael Corleone as the new Don of the family. During the film we also get flashbacks to the first years of Vito Corleone, his father, in New York to show the difference on how they balanced their power and their families.
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[[folder:Webcomics]]
* In ''Webcomic/ElGoonishShive'', the "The Legend of Diane" storyline is structured this way with flashbacks to Diane's past especially her dating history.
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* ''[[Film/TheGodfather The Godfather, Part two]]'' tells the story of Michael Corleone as the new Don of the family. During the film we also get flashbacks to the first years of Vito Corleone, his father, in New York to show the difference on how they balanced their power and their families.

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* ''[[Film/TheGodfather The Godfather, Part two]]'' II]'' tells the story of Michael Corleone as the new Don of the family. During the film we also get flashbacks to the first years of Vito Corleone, his father, in New York to show the difference on how they balanced their power and their families.


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* ''Film/{{Sunstroke}}'': The film plays out in two narrative tracks. In the first one the protagonist, a nameless lieutenant, is stuck in a prisoner-of-war pen in 1920, because he fought on the losing side in the Russian Civil War. This is intercut with a series of flashbacks to a much happier time for the lieutenant, back in 1907 when he took a luxury cruise down the Volga River and made love with a beautiful woman.
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* ''WesternAnimation/TucaAndBertie'': "[[Recap/TucaAndBertieS2E07Sleepovers Sleepovers]]" juxtaposes the present story, where Tuca leaves Bertie home alone to hang out with her new girlfriend Kara, with a flashback to Bertie meeting Speckle and Tuca tagging along. This contrasts how Speckle was very accepting of Tuca as being part of his girlfriend's life, while Kara is possessive and wants Tuca to spend time with her instead of Bertie.

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* ''WesternAnimation/TucaAndBertie'': "[[Recap/TucaAndBertieS2E07Sleepovers Sleepovers]]" juxtaposes the present story, where Tuca leaves Bertie home alone to hang out with her new girlfriend Kara, with a flashback to story taking place five years ago when Bertie meeting met Speckle and Tuca tagging along.was right by her side. This contrasts how Speckle was very accepting of Tuca as being part of his girlfriend's life, while Kara is possessive and wants Tuca to spend time with her instead of Bertie.
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* ''WesternAnimation/TucaAndBertie'': "[[Recap/TucaAndBertieS2E07Sleepovers Sleepovers]]" juxtaposes the present story, where Tuca leaves Bertie home alone to hang out with her new girlfriend Kara, with a flashback to Bertie meeting Speckle and Tuca tagging along. This contrasts how Speckle was very accepting of Tuca as being part of his girlfriend's life, while Kara is possessive and wants Tuca to spend time with her instead of Bertie.
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url used for another work named "Nemesis"


* The two plotlines in ''Literature/{{Nemesis}}'' by Creator/IsaacAsimov are separated in time as well as in space, and they alternate chapter by chapter and converge at the end, as the plotline that starts at an earlier date catches up to the one that takes place later. The differences in chronology are not immediately obvious at the beginning of the book.

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* The two plotlines in ''Literature/{{Nemesis}}'' ''Nemesis'' by Creator/IsaacAsimov are separated in time as well as in space, and they alternate chapter by chapter and converge at the end, as the plotline that starts at an earlier date catches up to the one that takes place later. The differences in chronology are not immediately obvious at the beginning of the book.
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The story of a character in the present day is interspersed with {{flashback}}s telling a linear story of past events of the same character's life, as a form of {{Backstory}}. The flashbacks [[MatchCut may be prompted]] by various related objects or situations in the present. This can be done with multiple characters as well, with each flashback focusing on their experience in the same time period.

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The story of a character in the present day is interspersed with {{flashback}}s telling a linear story of past events of the same character's life, as a form of {{Backstory}}. The flashbacks [[MatchCut may be prompted]] by various related objects or situations in the present. This can be done with multiple characters as well, with each flashback focusing on their experience in the same time period.
period, or with each flashback being connected by a similar theme.
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Changed to the current work name


* The TabletopGame/Warhammer40000 Literature/ImperialGuard novel ''Baneblade'' alternates between "present-day" chapters and flashback ones, the latter also going backwards in time.

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* The TabletopGame/Warhammer40000 Literature/ImperialGuard ''TabletopGame/Warhammer40000'' ''Literature/AstraMilitarum'' novel ''Baneblade'' alternates between "present-day" chapters and flashback ones, the latter also going backwards in time.
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* Each book in ''Literature/TheStormlightArchive'' features a plot thread told in flashback, focusing on a different character. ''Literature/TheWayOfKings'' focuses on Kaladin, ''Literature/WordsOfRadiance'' on Shallan, ''Literature/{{Oathbringer}}'' on Dalinar, and ''Literature/RhythmOfWar'' on Eshonai and Venli.
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Unlike [[FramingDevice frame stories]], this trope does not involve anyone narrating the story InUniverse. Compare SanDimasTime, where due to TimeTravel, two plotlines in two different times occur "simultaneously". Subtrope to AnachronicOrder, MeanwhileInTheFuture, TwoLinesNoWaiting, and often FlashbackEcho. Can be considered a variation of HowWeGotHere. Transitions may involve AgeCut. Inverted when the B-plot is {{Flash Forward}}s instead of flashbacks. See also SimultaneousArcs and WholeEpisodeFlashback.

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Two flashbacks to the same subject matter throughout an episode can be considered the downplayed version of this trope. Unlike [[FramingDevice frame stories]], this trope does not involve anyone narrating the story InUniverse. Compare SanDimasTime, where due to TimeTravel, two plotlines in two different times occur "simultaneously". Subtrope to AnachronicOrder, MeanwhileInTheFuture, TwoLinesNoWaiting, and often FlashbackEcho. Can be considered a variation of HowWeGotHere. Transitions may involve AgeCut. Inverted when the B-plot is {{Flash Forward}}s instead of flashbacks. See also SimultaneousArcs and WholeEpisodeFlashback.
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* The are spread out over the course of ''WesternAnimation/TransformersAnimated'' with each Autobot on the Spacebridge crew getting one or two episodes focused on their past and how they came to be on the team.

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* The They are spread out over the course of ''WesternAnimation/TransformersAnimated'' with each Autobot on the Spacebridge crew getting one or two episodes focused on their past and how they came to be on the team.
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* The are spread out over the course of ''WesternAnimation/TransformersAnimated'' with each Autobot on the Spacebridge crew getting one or two episodes focused on their past and how they came to be on the team.
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** ''WesternAnimation/TheLegendOfKorra: [[spoiler:"[[Recap/TheLegendOfKorraS1E9OutOfThePast Out of the Past]]" has an imprisoned Korra flashing back to her past life of Aang's memories which show her the trial of Yakone the bloodbender, while in the present the other characters search for Korra and Lin's captured soldiers.]]

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** ''WesternAnimation/TheLegendOfKorra: ''WesternAnimation/TheLegendOfKorra'': [[spoiler:"[[Recap/TheLegendOfKorraS1E9OutOfThePast Out of the Past]]" has an imprisoned Korra flashing back to her past life of Aang's memories which show her the trial of Yakone the bloodbender, while in the present the other characters search for Korra and Lin's captured soldiers.]]
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** ''WesternAnimation/TheLegendOfKorra: [[spoiler:"[[Recap/TheLegendOfKorraS1E9OutOfThePast Out of the Past" has an imprisoned Korra flashing back to her past life of Aang's memories which show her the trial of Yakone the bloodbender, while in the present the other characters search for Korra and Lin's captured soldiers.]]

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** ''WesternAnimation/TheLegendOfKorra: [[spoiler:"[[Recap/TheLegendOfKorraS1E9OutOfThePast Out of the Past" Past]]" has an imprisoned Korra flashing back to her past life of Aang's memories which show her the trial of Yakone the bloodbender, while in the present the other characters search for Korra and Lin's captured soldiers.]]

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