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* Rick Fortner and Rebecca Burg hate the original Job Hunting, the second story in their ALoonaticsTale series. The final form was hastily edited with [[ExecutiveMeddling unfortunate]] [[MoralGuardians restrictions]] on the amount of weapons and violence (ie there couldn't be any) in order to make it fit a school assignment. They're currently drawing a remake, Rehired, which is the canon version. They use the original version as a barometer of peoples' ability to detect quality and/or speak frankly; anyone who says they liked the original Job Hunting lacks the capacity to offer meaningful criticism.
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**** He expressed this sentiment in [[StylisticSuck Lazer Collection 4]].
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critical research failure


* Harper Lee became so annoyed at how well ''{{To Kill a Mockingbird}}'' was received that she was afraid that [[ToughActToFollow nothing else she wrote would be free of the comparison to that book]]. [[OneBookAuthor She]] ''[[OneBookAuthor stopped]]'' [[OneBookAuthor writing entirely]], and refuses to this day to get involved in her hometown's celebration of the novel, living as a recluse.
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*** She later said it was a joke, that she will not be burning any wigs, and that she has great respect for the show's legacy. Anyway, she started in 2006, when she was 13, and the fourth season is still running as of 2010. [[NotAllowedToGrowUp On can excuse her for not wanting to play a precocious teenager]] with hot pink clothing and an itchy blonde wig forever when she's nearly 18.
* It was rumored around the fandom of {{Lexx}} that Michael McMannus loathed playing Kai, since the character was an actor's worse nightmare, someone who, as mandated by plot, always looks exactly the same and can't even show a facial expression. He stuck it out for the show's entire run, though.

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*** She later said it was a joke, that she will not be burning any wigs, and that she has great respect for the show's legacy. Anyway, she started in 2006, when she was 13, and the fourth season is still running as of 2010. [[NotAllowedToGrowUp On can excuse her for not wanting to play a precocious teenager]] with hot pink clothing and an itchy blonde wig forever when she's nearly 18.
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* It was rumored around the fandom of {{Lexx}} that Michael McMannus loathed playing Kai, since the character was an actor's worse worst nightmare, someone who, as mandated by plot, always looks exactly the same and can't even show a facial expression. He stuck it out for the show's entire run, though.
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*** She later said it was a joke, that she will not be burning any wigs, and that she has great respect for the show's legacy. Anyway, she started in 2006, when she was 13, and the fourth season is still running as of 2010. [[NotAllowedToGrowUp On can excuse her for not wanting to play a precocious teenager]] with hot pink clothing and an itchy blonde wig forever when she's nearly 18.
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*** Actually, in the original novel, Shoeless Joe, the character is in fact Salinger himself.

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*** Actually, ***Actually, in the original novel, Shoeless Joe, the character is in fact Salinger himself.
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***Actually, in the original novel, Shoeless Joe, the character is in fact Salinger himself.
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* Matt Wilson, creator of [[WebAnimation.BonusStage Bonus Stage]] seems to hate his most famous creation, or at least, all of the fans. He had stated after the end of the series that he hardly, if ever, plays video games any more. Also, he is embarassed by the poor animation quality of many of the episodes, and doesn't find a lot of the jokes funny anymore.
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* Greg X, one of the staff members of [[http://tgs.gargoyles-fans.org The Gargoyles Saga]] has, on several occasions, publicly disowned his TGS work. Many of his issues stem from story structure, to characterization (ask him how he feels about what TGS did to Demona some time), and too many fan-created characters who no one but their fan creator had an interest in. That, and he just prefers [[Greg Weisman]]'s plans and comics. A very diplomatically written LJ post can be found [[http://gregx.livejournal.com/336158.html here]] detailing how he feels.

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* Greg X, one of the staff members of [[http://tgs.gargoyles-fans.org The Gargoyles Saga]] has, on several occasions, publicly disowned his TGS work. Many of his issues stem from story structure, to characterization (ask him how he feels about what TGS did to Demona some time), and too many fan-created characters who no one but their fan creator had an interest in. That, and he just prefers [[Greg Weisman]]'s ''GregWeisman'''s plans and comics. A very diplomatically written LJ post can be found [[http://gregx.livejournal.com/336158.html here]] detailing how he feels.
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* Greg X, one of the staff members of [[http://tgs.gargoyles-fans.org The Gargoyles Saga]] has, on several occasions, publicly disowned his TGS work. Many of his issues stem from story structure, to characterization (ask him how he feels about what TGS did to Demona some time), and too many fan-created characters who no one but their fan creator had an interest in. That, and he just prefers [Greg Weisman]'s plans and comics. A very diplomatically written LJ post can be found [[http://gregx.livejournal.com/336158.html here]] detailing how he feels.

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* Greg X, one of the staff members of [[http://tgs.gargoyles-fans.org The Gargoyles Saga]] has, on several occasions, publicly disowned his TGS work. Many of his issues stem from story structure, to characterization (ask him how he feels about what TGS did to Demona some time), and too many fan-created characters who no one but their fan creator had an interest in. That, and he just prefers [Greg Weisman]'s [[Greg Weisman]]'s plans and comics. A very diplomatically written LJ post can be found [[http://gregx.livejournal.com/336158.html here]] detailing how he feels.
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* Greg X, one of the staff members of [[http://tgs.gargoyles-fans.org The Gargoyles Saga]] has, on several occasions, publicly disowned his TGS work. Many of his issues stem from story structure, to characterization (ask him how he feels about what TGS did to Demona some time), and too many fan-created characters who no one but their fan creator had an interest in. That, and he just prefers [Greg Weisman]'s plans and comics. A very diplomatically written LJ post can be found [[http://gregx.livejournal.com/336158.html here]] detailing how he feels.
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** John, George and Ringo have all gone on record as utterly detesting "Maxwell's Silver Hammer," partially because Paul insisted on recording it and re-recording it so many times, and partially because John and George considered it "granny music" to start with. Ringo, on the other hand, is on record as stating that he loathes the song because what seems like a cute pop ditty is actually a celebration of a serial killer of the Ted Bundy type.

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** John, George and Ringo have all gone on record as utterly detesting "Maxwell's Silver Hammer," partially because Paul insisted on recording it and re-recording it so many times, and partially because John and George considered it "granny music" to start with. Ringo, on the other hand, is on record as stating that he loathes the song because of the excessive-to-the-point-of-creepy dissonance between the song and its lyrics -- what seems like a cute pop ditty is actually a celebration of a serial killer of the Ted Bundy type.
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** Speaking of Kiske, he openly hates metal (despite being one of the most iconic voices of PowerMetal) and only produces light acoustic music these days. He will, however, appear as a guest on some power metal albums, particularly for GammaRay and {{Avantasia}}.
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* ''{{Helloween}}'' refuse to play any songs from the albums ''Pink Bubbles Go Ape'' and ''Chameleon'', both of which were released after Kai Hansen left the band, but before Michael Weikath got fed up with Michael Kiske and kicked him out of the band. Fortunately, the fans don't ''want'' them to play any songs from these albums.

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* ''{{Helloween}}'' {{Helloween}} refuse to play any songs from the albums ''Pink Bubbles Go Ape'' and ''Chameleon'', both of which were released after Kai Hansen left the band, but before Michael Weikath got fed up with Michael Kiske and kicked him out of the band. Fortunately, the fans don't ''want'' them to play any songs from these albums.
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* ''{{Helloween}}'' refuse to play any songs from the albums ''Pink Bubbles Go Ape'' and ''Chameleon'', both of which were released after Kai Hansen left the band, but before Michael Weikath got fed up with Michael Kiske and kicked him out of the band. Fortunately, the fans don't ''want'' them to play any songs from these albums.
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** Probably tied to his hatred of MerchandiseDriven work. He came up with "[[http://en.wikipedia.org/wiki/Spoo spoo]]" in the He-Man SpinOff, SheRa. "Spoo Is."
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* Jo O'Meara, formerly of the pop group S Club 7, went through a stage of wanting to be disassociated with the band and its squeaky-clean image, referring to their music as "total crap." Since then, however, she's reunited with former bandmates Bradley and Paul to perform the group's music on tour.
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* Will Wright defended the changes in ''SimCity Societies'', saying that the series had gotten too complex, and that he enjoyed each one less and less. [[{{Understatement}} It didn't go over well...]]
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** It's not exactly true. Later interviews showed that he actually felt happy to participate in Kuuga, stated that he got Yuusuke's personality, wrote to support a Kuuga movie, etc. [[spoiler:And he even stated that no one but him can play Yuusuke Godai well. No wonder why the AU version of him got bashed by fans so bad]]. [[http://ja.wikipedia.org/wiki/%E3%82%AA%E3%83%80%E3%82%AE%E3%83%AA%E3%82%B8%E3%83%A7%E3%83%BC See by yourself. (In Japanese)]]
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**It's not exactly true. Later interviews showed that he actually felt happy to participate in Kuuga, stated that he got Yuusuke's personality, wrote to support a Kuuga movie, etc. [[spoiler:And he even stated that no one but him can play Yuusuke Godai well. No wonder why the AU version of him got bashed by fans so bad]]. [[http://ja.wikipedia.org/wiki/%E3%82%AA%E3%83%80%E3%82%AE%E3%83%AA%E3%82%B8%E3%83%A7%E3%83%BC See by yourself. (In Japanese)]]
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Alan Moore was recently offered the Watchmen rights back in favor of writing prequels and sequels (something Moore was interested in back in the 80s). He refused, claiming that he doesn't even want the rights anymore.


** His biggest problem with them seems to be that they aren't ''his'' anymore, with all rights belonging to DC. He has compared it to having a child you love, then having it kidnapped by gypsies in the night and every once in awhile they send you photographs of the kid working as a prostitute.

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** His biggest problem with them seems It gets to be that they aren't ''his'' anymore, with all rights belonging to an extent where he really has it in for DC. He has compared it his relationship with the company to having a child you love, then having it kidnapped by gypsies in the night and every once in awhile they send you photographs of the kid working as a prostitute.
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** From much of what [[ThisTroper This Troper]] has read, their dispositions toward their characters stem not from the characters themselves, but the romance story that took over the trilogy.
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** And that was because of MoralGuardians, censorship, and ExcutiveMeddeling.

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** And that was because of MoralGuardians, censorship, and ExcutiveMeddeling.ExcutiveMeddling.
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** And that was because of MoralGuardians, censorship, and ExcutiveMeddeling.

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** The casts of ''TheNextGeneration'' and ''DeepSpaceNine'' are fairly notable for generally avoiding this trope; for example, even though PatrickStewart doesn't want to be Picard anymore, he doesn't regret his role in the slightest. Most of the other cast members hold a similar fondness for the show, and don't mind a little typecasting if only because they're touched by the love of the fans and are proud of the [[CrowningMomentOfAwesome best moments]] of the shows. The only one who really dislikes his time on ''TNG'' is WilWheaton, and that's only because he's painfully aware of [[TheWesley just what his character was]].

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** The casts of ''TheNextGeneration'' and ''DeepSpaceNine'' are fairly notable for generally avoiding this trope; for example, even though PatrickStewart doesn't want to be Picard anymore, he doesn't regret his role in the slightest. Most of the other cast members hold a similar fondness for the show, and don't mind a little typecasting if only because they're touched by the love of the fans and are proud of the [[CrowningMomentOfAwesome best moments]] of the shows.
***
The only one who really dislikes with real regrets about his time on ''TNG'' is WilWheaton, WilWheaton: a large portion of his autobiography ''Just a Geek'' focuses on his coming to terms with his (in retrospect) ill-made decision to leave the show due to FanBacklash and that's only because he's painfully aware of increasingly being sidelined by the show's creators. [[TheWesley just what It probably didn't help that his character was]].was one of the most hated on the show]], either. Nowadays, he seems to look back on his time on TNG with real nostalgia, and doesn't seem above some good-natured ribbing of his old character, either.
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*** And now she's gone and renounced Christianity, claiming she can't willingly be part of a faith that is 'anti-gay', 'anti-birth control' and a few more anti-things. One wonders if she will re-embrace her earlier work.
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fixed grammar typos


* British band Killing Joke started with a hard-edged sound in the late 70s, but incorporated synthpop and dance music elements through the 80s. This culminated with synthesizer-driven albums "Brighter than 1000 Suns" in 1986, and 1988's Outside the Gate (highly controversial and often regarded as more of singer/keyboardist Jaz Coleman's solo record than a true Killing Joke album). After some down time, the band reformed with a harder than ever before industrial sound. Still performing today, they've practically they never mention their 1986 or 1988 releases and have reportedly never since performed any of the material from that era, although they perform songs from previous albums.

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* British band Killing Joke started with a hard-edged sound in the late 70s, but incorporated synthpop and dance music elements through the 80s. This culminated with synthesizer-driven albums "Brighter than 1000 Suns" in 1986, and 1988's Outside the Gate (highly (a highly controversial and release, often regarded by fans as more of a solo project by singer/keyboardist Jaz Coleman's solo record than a true Killing Joke album).Coleman). After some down time, the band reformed with a harder than ever before industrial sound. Still performing today, they've practically they never mention don't speak of their 1986 or 1988 releases and have reportedly never since performed any of the material from that era, although they perform songs from previous those two albums.
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Do not confuse with CreatorBreakdown, or ArtistDisillusionment. ArtistDisillusionment is against fans. CreatorBacklash is against works.

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Do not confuse with CreatorBreakdown, or ArtistDisillusionment. ArtistDisillusionment is against fans. CreatorBacklash is against works. MagnumOpusDissonance is a SisterTrope.
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Added Killing Joke's 80s synthesizer pop

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* British band Killing Joke started with a hard-edged sound in the late 70s, but incorporated synthpop and dance music elements through the 80s. This culminated with synthesizer-driven albums "Brighter than 1000 Suns" in 1986, and 1988's Outside the Gate (highly controversial and often regarded as more of singer/keyboardist Jaz Coleman's solo record than a true Killing Joke album). After some down time, the band reformed with a harder than ever before industrial sound. Still performing today, they've practically they never mention their 1986 or 1988 releases and have reportedly never since performed any of the material from that era, although they perform songs from previous albums.
** Is there a ''CreatorBacklash'' sub-trope for rock bands who were mesmerized in a field of synthesizer poppies, only to later distance themselves somehow from it? Bands such as Killing Joke, Rush, Ministry or Neil Young?

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