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Changed line(s) 32,33 (click to see context) from:
Yeats would be familiar with examples like the successor states of Rome: as the Byzantine (or "Eastern Roman") Empire became decadent and lost political power, the Germanic state that became the Holy Roman Empire was gaining power and territory to the west. It's not a sudden transition, it's a gradual exchange of positions, like the width of the spirals on the double gyre diagram.
to:
Yeats would be familiar with examples like the successor states of Rome: as the Byzantine (or "Eastern Roman") Empire became decadent and lost political power, the Germanic state that became the Holy Roman Empire UsefulNotes/HolyRomanEmpire was gaining power and territory to the west. It's not a sudden transition, it's a gradual exchange of positions, like the width of the spirals on the double gyre diagram.
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Changed line(s) 36,37 (click to see context) from:
The poem was written just after UsefulNotes/WorldWarI, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which probably explains Yeat's increasingly dismal worldview at this time. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
to:
The poem was written just after UsefulNotes/WorldWarI, the failed [[UsefulNotes/TheIrishRevolution Irish Rising Rising]] (in which Yeats lost several close friends), and the [[UsefulNotes/RedOctober Russian Revolution, Revolution]], which probably explains Yeat's increasingly [[JadeColoredGlasses dismal worldview worldview]] at this time. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
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Renamed trope
Changed line(s) 13 (click to see context) from:
When a vast image out of [[AltumVidetur Spiritus Mundi]]\\
to:
When a vast image out of [[AltumVidetur [[GratuitousLatin Spiritus Mundi]]\\
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Changed line(s) 26,31 (click to see context) from:
Creator/WilliamButlerYeats' most famous poem. Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]], ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."[[/note]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone. Once it has spiraled down to nothing, it begins the cycle again.
Yeats thought of history as being in flux between opposites, with two overlapping gyres (pointing in opposite directions) representing opposite concepts, so that when one concept is increasing (towards the widest part of the cone) the other concept is dwindling down to nothing. When one concept reaches the tip of its cone, the other is reaching the base, and they each reverse course and the cycle begins again, with the one that was increasing now dwindling, and vice versa.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the relative social and cultural order of the Christian era had reached the edge of the cone and begun to dwindle, and chaos, violence and revolution begun to grow.
Yeats thought of history as being in flux between opposites, with two overlapping gyres (pointing in opposite directions) representing opposite concepts, so that when one concept is increasing (towards the widest part of the cone) the other concept is dwindling down to nothing. When one concept reaches the tip of its cone, the other is reaching the base, and they each reverse course and the cycle begins again, with the one that was increasing now dwindling, and vice versa.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the relative social and cultural order of the Christian era had reached the edge of the cone and begun to dwindle, and chaos, violence and revolution begun to grow.
to:
Creator/WilliamButlerYeats' most famous poem. Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]], ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."[[/note]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone. Once it has spiraled down to nothing, it either just ends (in the case of a person dying) or it begins the cycle again.
again (i.e., a new empire or a new culture replaces the old one.)
Confusing, yes, but such is history, with or without a layer of mysticism, such as Yeats adds.
Yeats thought of history as being in flux between opposites,with which he diagrammed as two overlapping gyres (pointing in opposite directions) representing opposite concepts, so that when one concept is increasing (towards the widest part of the cone) the other concept is dwindling down to nothing. When one concept reaches the tip of its cone, the other is reaching the base, and they each reverse course and the cycle begins again, with the one that was increasing now dwindling, and vice versa.
Yeats would be familiar with examples like the successor states of Rome: as the Byzantine (or "Eastern Roman") Empire became decadent and lost political power, the Germanic state that became the Holy Roman Empire was gaining power and territory to the west. It's not a sudden transition, it's a gradual exchange of positions, like the width of the spirals on the double gyre diagram.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the relative social and cultural order of the Christian era had reached the edge of the cone and begun to dwindle, and chaos, violence and revolution begun to grow. \n (Historically speaking, there are many who agree with him.)
Confusing, yes, but such is history, with or without a layer of mysticism, such as Yeats adds.
Yeats thought of history as being in flux between opposites,
Yeats would be familiar with examples like the successor states of Rome: as the Byzantine (or "Eastern Roman") Empire became decadent and lost political power, the Germanic state that became the Holy Roman Empire was gaining power and territory to the west. It's not a sudden transition, it's a gradual exchange of positions, like the width of the spirals on the double gyre diagram.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the relative social and cultural order of the Christian era had reached the edge of the cone and begun to dwindle, and chaos, violence and revolution begun to grow.
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None
Changed line(s) 32,33 (click to see context) from:
The poem was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which probably explains Yeat's increasingly dismal worldview at this time. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
to:
The poem was written just after WorldWarOne, UsefulNotes/WorldWarI, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which probably explains Yeat's increasingly dismal worldview at this time. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
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None
Changed line(s) 26,33 (click to see context) from:
Creator/WilliamButlerYeats' most famous poem. Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]], ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."[[/note]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone.
Yeats thought of history as being in flux between opposites, with a series of gyres representing opposite concepts overlapping each other, so that when one concept is increasing (towards the widest part of the cone) the other concept is dwindling down to nothing. When one concept reaches the tip of its cone, the other is reaching the base, and they each reverse course and the cycle begins again, with the one that was increasing now dwindling, and vice versa.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the social and cultural order of the Christian era had crossed the edge of the cone and begun to dwindle, and chaos and revolution begun to grow.
The poem was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which [[ShellShockedVeteran probably explains a lot]]. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
Yeats thought of history as being in flux between opposites, with a series of gyres representing opposite concepts overlapping each other, so that when one concept is increasing (towards the widest part of the cone) the other concept is dwindling down to nothing. When one concept reaches the tip of its cone, the other is reaching the base, and they each reverse course and the cycle begins again, with the one that was increasing now dwindling, and vice versa.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the social and cultural order of the Christian era had crossed the edge of the cone and begun to dwindle, and chaos and revolution begun to grow.
The poem was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which [[ShellShockedVeteran probably explains a lot]]. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
to:
Creator/WilliamButlerYeats' most famous poem. Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]], ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."[[/note]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone. \n\n Once it has spiraled down to nothing, it begins the cycle again.
Yeats thought of history as being in flux between opposites, witha series of two overlapping gyres (pointing in opposite directions) representing opposite concepts overlapping each other, concepts, so that when one concept is increasing (towards the widest part of the cone) the other concept is dwindling down to nothing. When one concept reaches the tip of its cone, the other is reaching the base, and they each reverse course and the cycle begins again, with the one that was increasing now dwindling, and vice versa.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the relative social and cultural order of the Christian era hadcrossed reached the edge of the cone and begun to dwindle, and chaos chaos, violence and revolution begun to grow.
The poem was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which[[ShellShockedVeteran probably explains a lot]].Yeat's increasingly dismal worldview at this time. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
Yeats thought of history as being in flux between opposites, with
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the relative social and cultural order of the Christian era had
The poem was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which
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Changed line(s) 26,27 (click to see context) from:
Creator/WilliamButlerYeats' most famous poem. Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]] ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."[[/note]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone.
to:
Creator/WilliamButlerYeats' most famous poem. Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]] Revelation]], ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."[[/note]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone.
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Changed line(s) 26,27 (click to see context) from:
Creator/WilliamButlerYeats' most famous poem. Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]] ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone.
to:
Creator/WilliamButlerYeats' most famous poem. Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]] ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."]] "[[/note]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone.
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Changed line(s) 13 (click to see context) from:
When a vast image out of Spiritus Mundi\\
to:
When a vast image out of [[AltumVidetur Spiritus Mundi\\Mundi]]\\
Changed line(s) 26,27 (click to see context) from:
Creator/WilliamButlerYeats' most famous poem. It is NOT about [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]]-- rather, it's a window in Yeats's own cosmology and worldview, predicting the fall of the Christian world order and the rising of a new empire. It was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which [[ShellShockedVeteran probably explains a lot]]. Incidentally, it's considered one of Yeats' best works and is [[SmallReferencePools referenced endlessly]] in all forms of pop culture.
to:
Creator/WilliamButlerYeats' most famous poem. It is NOT about Using imagery of [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]]-- rather, it's a window Christ]], and drawing on [[Literature/TheBookOfRevelation Revelation]] ''The Second Coming'' is best understood in the context of Yeats's own cosmology and worldview, predicting worldview. Yeats believed in an eternal [[EternalRecurrence cycle of recurrence]], in which a system (such as a human life or an empire), once it has reached the fall apex of its existence, must wind back down to nothing. He liked to explain this with a diagram or image he called "the gyre".[[note]]That's an archaic word for "vortex."]] The gyre is best imagined as a cone. A person's life (or the life of an empire) is a point tracing out a spiral path on the surface of the cone, from the point to the rim. Once it reaches the widest point, it reverses course and begins spiraling back down to nothing, making smaller and smaller circles as it approaches the tip of the cone.
Yeats thought of history as being in flux between opposites, with a series of gyres representing opposite concepts overlapping each other, so that when one concept is increasing (towards the widest part of the cone) the other concept is dwindling down to nothing. When one concept reaches the tip of its cone, the other is reaching the base, and they each reverse course and the cycle begins again, with the one that was increasing now dwindling, and vice versa.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the social and cultural order of the Christianworld order era had crossed the edge of the cone and the rising of a new empire. It begun to dwindle, and chaos and revolution begun to grow.
The poem was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which [[ShellShockedVeteran probably explains a lot]]. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
Incidentally, it's considered one of Yeats' best works and is [[SmallReferencePools referenced endlessly]] in all forms of pop culture.
Yeats thought of history as being in flux between opposites, with a series of gyres representing opposite concepts overlapping each other, so that when one concept is increasing (towards the widest part of the cone) the other concept is dwindling down to nothing. When one concept reaches the tip of its cone, the other is reaching the base, and they each reverse course and the cycle begins again, with the one that was increasing now dwindling, and vice versa.
Broadly speaking, Yeats believed that the Christian era had just given way to its opposite, an era of chaos-- that is to say, the social and cultural order of the Christian
The poem was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which [[ShellShockedVeteran probably explains a lot]]. In the poem, Yeats is describing the catastrophes and wars that must ensue when the cycle begins to repeat, as he believed it just had, using imagery from Revelation.
Incidentally, it's considered one of Yeats' best works and is [[SmallReferencePools referenced endlessly]] in all forms of pop culture.
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->Turning and turning in the widening gyre
->The falcon cannot hear the falconer;\\
->The falcon cannot hear the falconer;\\
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->The
The falcon cannot hear the falconer;\\
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Slouches towards Bethlehem to be born?
-->--''Creator/WilliamButlerYeats''
\\
-->--''Creator/WilliamButlerYeats''
\\
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Slouches towards Bethlehem to be born?
-->--''Creator/WilliamButlerYeats''
\\born?"''
-->-- ''Creator/WilliamButlerYeats''
-->--''Creator/WilliamButlerYeats''
\\
-->-- ''Creator/WilliamButlerYeats''
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the Referenced By section has been created to house lists like this
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!!Alluded to by:
* ''Literature/AmericanGods'': The New Gods tend to speak in cliches, so it's not surprising that one of them had the whole damn poem memorized.
* ''Series/{{Andromeda}}'''s first season finale is called "Its Hour Come 'Round At Last".
** Season 2 gives us ''The Widening Gyre'' and ''Pitiless as the Sun''.
* ''Series/{{Angel}}'': An episode entitled "Slouching Toward Bethlehem" forebodes the arrival of a demon known as The Beast.
* ''Franchise/{{Batman}}''
** Specifically, a miniseries titled ''The Widening Gyre''.
* ''Series/{{Heroes}}'': One episode replaced the standard episode-ending Mohinder FauxlosophicNarration with him reciting the poem in whole, which was a vast improvement.
* ''Manga/SailorMoon'': Act 39 of the Dream arc sees Hotaru reciting lines of Yeats' poem shortly before and during her own reawakening as the senshi of destruction, complete with [[PlotRelevantAgeUp spontaneous aging]].
* ''Series/TheSopranos''
* Quoted by Starkey, a government employee in Creator/StephenKing's ''Literature/TheStand'', after a human-made virus, which will certainly destroy civilization, escapes. "The beast is on its way. It’s on its way, and it’s a good deal rougher than that fellow Yeets ever could have imagined. Things are falling apart. The job is to hold as much as we can for as long as we can."
%%* {{U2}}
* Beast quotes it in ''Comicbook/XFactor'' #70. Colossus thinks it's from Russian poet Mikhail Lermontov ("it sounded Russian").
** The same writer, PeterDavid, also quotes the poem in ''Comicbook/IncredibleHulk #425''.
* A Robert B. Parker novel about political corruption is entitled ''The Widening Gyre''.
* Chinua Achebe's best known work is called ''Literature/ThingsFallApart''.
* One of Creator/HarryTurtledove's {{Timeline-191}} novels is called ''The Center Cannot Hold''.
* G'Kar quotes the poem in ''Series/BabylonFive'', equating the escalating prelude to the Shadow War to things falling apart.
* Parodied by eccentric bum Bert Nix in ''Literature/TheBigU'' by Creator/NealStephenson.
* Recited by the poet Martin Silenus in ''Literature/{{Hyperion}}''. He doesn't take it too seriously.
* One of the "oddball" monsters in the NewWorldOfDarkness book ''Antagonists'' was explicitly named in story after the "rough beast of Bethlehem." Given how it's a [[TheHeartless physical avatar of evil]] that has seeped into the ground after a MoralEventHorizon happened there and is a nigh-unkillable HellHound, the metaphor seems appropriate.
** The OldWorldOfDarkness sourcebook on ocean-based settings is titled ''Blood-Dimmed Tides.''
* ''Series/SonsOfAnarchy'': Two episodes in season 3 are titled "Turning and Turning" and "The Widening Gyre." Appropriately, given the political context in which the poem was written, this season heavily featured the [[LawyerFriendlyCameo True IRA]] and almost every episode was set at least partially in Belfast.
* The title of ''VideoGame/SlouchingTowardsBedlam'' is a pun on the last line; BedlamHouse was the nickname of the Bethlehem Royal Hospital, where the game is set.
* The last line of ''GoodOmens'' describes the AntiAntiChrist as "slouching hopefully towards Tadfield".
* Creator/WoodyAllen titled one of his books ''Mere Anarchy''.
* Joan Didion titled one of her books ''Slouching Towards Bethlehem''.
* ''Comicbook/VForVendetta'' naturally contains references to the poem.
* BlackMetal band Anaal Nathrakh have a song entitled "The Blood-Dimmed Tide" which appears on their 2012 album ''Vanitas''.
* Also entitled ''The Blood-Dimmed Tide'' is the second novel in Rennie Airth's John Madden mystery series.
* Yet another work with a similar title is Gerald Astor's history book, ''A Blood-Dimmed Tide: The Battle of the Bulge by the Men Who Fought It''.
* Creator/KevinSmith wrote a Franchise/{{Batman}} series entitled ''The Widening Gyre''.
* A deleted scene from ''Film/{{Nixon}}'' has CIA Director Richard Helms quote the first stanza and final lines to Nixon during a heated passive-aggressive standoff in the former's office, after musing about death.
* [[Literature/TheDresdenFiles Harry Dresden]] alludes to the poem during his BadassBoast at the end of ''Literature/StormFront''. "The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold..."
* In Creator/MargaretWeis's ''Literature/TheStarOfTheGuardians,'' "The center cannot hold" is the activation code for a doomsday device called a "space-rotation bomb," which is appropriate for something that creates a NegativeSpaceWedgie.
* ''VideoGame/WingCommander IV: The Price of Freedom'' has Admiral Tolwyn (Malcolm McDowell) and Senator Taggart (John Rhys-Davies) quoting the poem back and forth at the beginning of the second act.
* Music/LouReed opens his 1978 live album ''Take No Prisoners'' with this:
-->I wanna read a quote from Yates. "The best lack all conviction, while the worst are full of passionate intensity" - now you figure out where I'm at!
-->Rejected Supreme Court appointee Robert H. Bork wrote a book critical of societal mores called "Slouching Toward Bethlehem."
-->Gay activist and sex advice columnist wrote a book counter to Bork's called "Skilling Toward Gomorrah."
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Changed line(s) 44 (click to see context) from:
* Quoted by Starkey, a government employee in Creator/StephenKing's ''Literature/TheStand'', after a human-made virus, which will certainly destroy civilization escapes. "The beast is on its way. It’s on its way, and it’s a good deal rougher than that fellow Yeets ever could have imagined. Things are falling apart. The job is to hold as much as we can for as long as we can."
to:
* Quoted by Starkey, a government employee in Creator/StephenKing's ''Literature/TheStand'', after a human-made virus, which will certainly destroy civilization civilization, escapes. "The beast is on its way. It’s on its way, and it’s a good deal rougher than that fellow Yeets ever could have imagined. Things are falling apart. The job is to hold as much as we can for as long as we can."
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added two items
Added DiffLines:
-->Rejected Supreme Court appointee Robert H. Bork wrote a book critical of societal mores called "Slouching Toward Bethlehem."
-->Gay activist and sex advice columnist wrote a book counter to Bork's called "Skilling Toward Gomorrah."
-->Gay activist and sex advice columnist wrote a book counter to Bork's called "Skilling Toward Gomorrah."
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ZCE
Changed line(s) 44,46 (click to see context) from:
* Quoted by Starkey, a government employee in Creator/StephenKing's ''TheStand'', after a human-made virus, which will certainly destroy civilization escapes. "The beast is on its way. It’s on its way, and it’s a good deal rougher than that fellow Yeets ever could have imagined. Things are falling apart. The job is to hold as much as we can for as long as we can."
* {{U2}}
* Beast quotes it in ''Comicbook/{{X-Factor}}'' #70. Colossus thinks it's from Russian poet Mikhail Lermontov ("it sounded Russian").
* {{U2}}
* Beast quotes it in ''Comicbook/{{X-Factor}}'' #70. Colossus thinks it's from Russian poet Mikhail Lermontov ("it sounded Russian").
to:
* Quoted by Starkey, a government employee in Creator/StephenKing's ''TheStand'', ''Literature/TheStand'', after a human-made virus, which will certainly destroy civilization escapes. "The beast is on its way. It’s on its way, and it’s a good deal rougher than that fellow Yeets ever could have imagined. Things are falling apart. The job is to hold as much as we can for as long as we can."
* %%* {{U2}}
* Beast quotes it in''Comicbook/{{X-Factor}}'' ''Comicbook/XFactor'' #70. Colossus thinks it's from Russian poet Mikhail Lermontov ("it sounded Russian").
* Beast quotes it in
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* A RobertBParker novel about political corruption is entitled ''The Widening Gyre''.
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* A RobertBParker Robert B. Parker novel about political corruption is entitled ''The Widening Gyre''.
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* ''SonsOfAnarchy'': Two episodes in season 3 are titled "Turning and Turning" and "The Widening Gyre." Appropriately, given the political context in which the poem was written, this season heavily featured the [[LawyerFriendlyCameo True IRA]] and almost every episode was set at least partially in Belfast.
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* ''SonsOfAnarchy'': ''Series/SonsOfAnarchy'': Two episodes in season 3 are titled "Turning and Turning" and "The Widening Gyre." Appropriately, given the political context in which the poem was written, this season heavily featured the [[LawyerFriendlyCameo True IRA]] and almost every episode was set at least partially in Belfast.
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* One of HarryTurtledove's {{Timeline-191}} novels is called ''The Center Cannot Hold''.
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* One of HarryTurtledove's Creator/HarryTurtledove's {{Timeline-191}} novels is called ''The Center Cannot Hold''.
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* The title of ''SlouchingTowardsBedlam'' is a pun on the last line; BedlamHouse was the nickname of the Bethlehem Royal Hospital, where the game is set.
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* The title of ''SlouchingTowardsBedlam'' ''VideoGame/SlouchingTowardsBedlam'' is a pun on the last line; BedlamHouse was the nickname of the Bethlehem Royal Hospital, where the game is set.
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Added DiffLines:
->Turning and turning in the widening gyre
->The falcon cannot hear the falconer;\\
Things fall apart; the centre cannot hold;\\
Mere anarchy is loosed upon the world,\\
The blood-dimmed tide is loosed, and everywhere\\
The ceremony of innocence is drowned;\\
The best lack all conviction, while the worst\\
Are full of passionate intensity.\\
\\
Surely some revelation is at hand;\\
Surely [[TitleDrop the Second Coming]] is at hand.\\
The Second Coming! Hardly are those words out\\
When a vast image out of Spiritus Mundi\\
Troubles my sight: a waste of desert sand;\\
A shape with lion body and the head of a man,\\
A gaze blank and pitiless as the sun,\\
Is moving its slow thighs, while all about it\\
Wind shadows of the indignant desert birds.\\
The darkness drops again but now I know\\
That twenty centuries of stony sleep\\
Were vexed to nightmare by a rocking cradle,\\
And what rough beast, its hour come round at last,\\
Slouches towards Bethlehem to be born?
-->--''Creator/WilliamButlerYeats''
\\
Creator/WilliamButlerYeats' most famous poem. It is NOT about [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]]-- rather, it's a window in Yeats's own cosmology and worldview, predicting the fall of the Christian world order and the rising of a new empire. It was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which [[ShellShockedVeteran probably explains a lot]]. Incidentally, it's considered one of Yeats' best works and is [[SmallReferencePools referenced endlessly]] in all forms of pop culture.
Widely considered one of the most definitive examples of Modernist poetry.
To some extent the singular popularity of this poem is a case GermansLoveDavidHasselhoff; in Ireland itself it is not generally considered more notable than any of Yeats' other poems. [[http://www.nli.ie/yeats/ Tellingly, the centerpiece of the National Library of Ireland W.B. Yeats exhibit goes with the locally better known 'Lake Isle of Inishfree' instead.]]
Not to be confused with Series/TheSecondComing.
!!Alluded to by:
* ''Literature/AmericanGods'': The New Gods tend to speak in cliches, so it's not surprising that one of them had the whole damn poem memorized.
* ''Series/{{Andromeda}}'''s first season finale is called "Its Hour Come 'Round At Last".
** Season 2 gives us ''The Widening Gyre'' and ''Pitiless as the Sun''.
* ''Series/{{Angel}}'': An episode entitled "Slouching Toward Bethlehem" forebodes the arrival of a demon known as The Beast.
* ''Franchise/{{Batman}}''
** Specifically, a miniseries titled ''The Widening Gyre''.
* ''Series/{{Heroes}}'': One episode replaced the standard episode-ending Mohinder FauxlosophicNarration with him reciting the poem in whole, which was a vast improvement.
* ''Manga/SailorMoon'': Act 39 of the Dream arc sees Hotaru reciting lines of Yeats' poem shortly before and during her own reawakening as the senshi of destruction, complete with [[PlotRelevantAgeUp spontaneous aging]].
* ''Series/TheSopranos''
* Quoted by Starkey, a government employee in Creator/StephenKing's ''TheStand'', after a human-made virus, which will certainly destroy civilization escapes. "The beast is on its way. It’s on its way, and it’s a good deal rougher than that fellow Yeets ever could have imagined. Things are falling apart. The job is to hold as much as we can for as long as we can."
* {{U2}}
* Beast quotes it in ''Comicbook/{{X-Factor}}'' #70. Colossus thinks it's from Russian poet Mikhail Lermontov ("it sounded Russian").
** The same writer, PeterDavid, also quotes the poem in ''Comicbook/IncredibleHulk #425''.
* A RobertBParker novel about political corruption is entitled ''The Widening Gyre''.
* Chinua Achebe's best known work is called ''Literature/ThingsFallApart''.
* One of HarryTurtledove's {{Timeline-191}} novels is called ''The Center Cannot Hold''.
* G'Kar quotes the poem in ''Series/BabylonFive'', equating the escalating prelude to the Shadow War to things falling apart.
* Parodied by eccentric bum Bert Nix in ''Literature/TheBigU'' by Creator/NealStephenson.
* Recited by the poet Martin Silenus in ''Literature/{{Hyperion}}''. He doesn't take it too seriously.
* One of the "oddball" monsters in the NewWorldOfDarkness book ''Antagonists'' was explicitly named in story after the "rough beast of Bethlehem." Given how it's a [[TheHeartless physical avatar of evil]] that has seeped into the ground after a MoralEventHorizon happened there and is a nigh-unkillable HellHound, the metaphor seems appropriate.
** The OldWorldOfDarkness sourcebook on ocean-based settings is titled ''Blood-Dimmed Tides.''
* ''SonsOfAnarchy'': Two episodes in season 3 are titled "Turning and Turning" and "The Widening Gyre." Appropriately, given the political context in which the poem was written, this season heavily featured the [[LawyerFriendlyCameo True IRA]] and almost every episode was set at least partially in Belfast.
* The title of ''SlouchingTowardsBedlam'' is a pun on the last line; BedlamHouse was the nickname of the Bethlehem Royal Hospital, where the game is set.
* The last line of ''GoodOmens'' describes the AntiAntiChrist as "slouching hopefully towards Tadfield".
* Creator/WoodyAllen titled one of his books ''Mere Anarchy''.
* Joan Didion titled one of her books ''Slouching Towards Bethlehem''.
* ''Comicbook/VForVendetta'' naturally contains references to the poem.
* BlackMetal band Anaal Nathrakh have a song entitled "The Blood-Dimmed Tide" which appears on their 2012 album ''Vanitas''.
* Also entitled ''The Blood-Dimmed Tide'' is the second novel in Rennie Airth's John Madden mystery series.
* Yet another work with a similar title is Gerald Astor's history book, ''A Blood-Dimmed Tide: The Battle of the Bulge by the Men Who Fought It''.
* Creator/KevinSmith wrote a Franchise/{{Batman}} series entitled ''The Widening Gyre''.
* A deleted scene from ''Film/{{Nixon}}'' has CIA Director Richard Helms quote the first stanza and final lines to Nixon during a heated passive-aggressive standoff in the former's office, after musing about death.
* [[Literature/TheDresdenFiles Harry Dresden]] alludes to the poem during his BadassBoast at the end of ''Literature/StormFront''. "The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold..."
* In Creator/MargaretWeis's ''Literature/TheStarOfTheGuardians,'' "The center cannot hold" is the activation code for a doomsday device called a "space-rotation bomb," which is appropriate for something that creates a NegativeSpaceWedgie.
* ''VideoGame/WingCommander IV: The Price of Freedom'' has Admiral Tolwyn (Malcolm McDowell) and Senator Taggart (John Rhys-Davies) quoting the poem back and forth at the beginning of the second act.
* Music/LouReed opens his 1978 live album ''Take No Prisoners'' with this:
-->I wanna read a quote from Yates. "The best lack all conviction, while the worst are full of passionate intensity" - now you figure out where I'm at!
----
->The falcon cannot hear the falconer;\\
Things fall apart; the centre cannot hold;\\
Mere anarchy is loosed upon the world,\\
The blood-dimmed tide is loosed, and everywhere\\
The ceremony of innocence is drowned;\\
The best lack all conviction, while the worst\\
Are full of passionate intensity.\\
\\
Surely some revelation is at hand;\\
Surely [[TitleDrop the Second Coming]] is at hand.\\
The Second Coming! Hardly are those words out\\
When a vast image out of Spiritus Mundi\\
Troubles my sight: a waste of desert sand;\\
A shape with lion body and the head of a man,\\
A gaze blank and pitiless as the sun,\\
Is moving its slow thighs, while all about it\\
Wind shadows of the indignant desert birds.\\
The darkness drops again but now I know\\
That twenty centuries of stony sleep\\
Were vexed to nightmare by a rocking cradle,\\
And what rough beast, its hour come round at last,\\
Slouches towards Bethlehem to be born?
-->--''Creator/WilliamButlerYeats''
\\
Creator/WilliamButlerYeats' most famous poem. It is NOT about [[TheEndOfTheWorldAsWeKnowIt the Apocalypse]] and the [[SecondComing second coming of Christ]]-- rather, it's a window in Yeats's own cosmology and worldview, predicting the fall of the Christian world order and the rising of a new empire. It was written just after WorldWarOne, the failed Irish Rising (in which Yeats lost several close friends), and the Russian Revolution, which [[ShellShockedVeteran probably explains a lot]]. Incidentally, it's considered one of Yeats' best works and is [[SmallReferencePools referenced endlessly]] in all forms of pop culture.
Widely considered one of the most definitive examples of Modernist poetry.
To some extent the singular popularity of this poem is a case GermansLoveDavidHasselhoff; in Ireland itself it is not generally considered more notable than any of Yeats' other poems. [[http://www.nli.ie/yeats/ Tellingly, the centerpiece of the National Library of Ireland W.B. Yeats exhibit goes with the locally better known 'Lake Isle of Inishfree' instead.]]
Not to be confused with Series/TheSecondComing.
!!Alluded to by:
* ''Literature/AmericanGods'': The New Gods tend to speak in cliches, so it's not surprising that one of them had the whole damn poem memorized.
* ''Series/{{Andromeda}}'''s first season finale is called "Its Hour Come 'Round At Last".
** Season 2 gives us ''The Widening Gyre'' and ''Pitiless as the Sun''.
* ''Series/{{Angel}}'': An episode entitled "Slouching Toward Bethlehem" forebodes the arrival of a demon known as The Beast.
* ''Franchise/{{Batman}}''
** Specifically, a miniseries titled ''The Widening Gyre''.
* ''Series/{{Heroes}}'': One episode replaced the standard episode-ending Mohinder FauxlosophicNarration with him reciting the poem in whole, which was a vast improvement.
* ''Manga/SailorMoon'': Act 39 of the Dream arc sees Hotaru reciting lines of Yeats' poem shortly before and during her own reawakening as the senshi of destruction, complete with [[PlotRelevantAgeUp spontaneous aging]].
* ''Series/TheSopranos''
* Quoted by Starkey, a government employee in Creator/StephenKing's ''TheStand'', after a human-made virus, which will certainly destroy civilization escapes. "The beast is on its way. It’s on its way, and it’s a good deal rougher than that fellow Yeets ever could have imagined. Things are falling apart. The job is to hold as much as we can for as long as we can."
* {{U2}}
* Beast quotes it in ''Comicbook/{{X-Factor}}'' #70. Colossus thinks it's from Russian poet Mikhail Lermontov ("it sounded Russian").
** The same writer, PeterDavid, also quotes the poem in ''Comicbook/IncredibleHulk #425''.
* A RobertBParker novel about political corruption is entitled ''The Widening Gyre''.
* Chinua Achebe's best known work is called ''Literature/ThingsFallApart''.
* One of HarryTurtledove's {{Timeline-191}} novels is called ''The Center Cannot Hold''.
* G'Kar quotes the poem in ''Series/BabylonFive'', equating the escalating prelude to the Shadow War to things falling apart.
* Parodied by eccentric bum Bert Nix in ''Literature/TheBigU'' by Creator/NealStephenson.
* Recited by the poet Martin Silenus in ''Literature/{{Hyperion}}''. He doesn't take it too seriously.
* One of the "oddball" monsters in the NewWorldOfDarkness book ''Antagonists'' was explicitly named in story after the "rough beast of Bethlehem." Given how it's a [[TheHeartless physical avatar of evil]] that has seeped into the ground after a MoralEventHorizon happened there and is a nigh-unkillable HellHound, the metaphor seems appropriate.
** The OldWorldOfDarkness sourcebook on ocean-based settings is titled ''Blood-Dimmed Tides.''
* ''SonsOfAnarchy'': Two episodes in season 3 are titled "Turning and Turning" and "The Widening Gyre." Appropriately, given the political context in which the poem was written, this season heavily featured the [[LawyerFriendlyCameo True IRA]] and almost every episode was set at least partially in Belfast.
* The title of ''SlouchingTowardsBedlam'' is a pun on the last line; BedlamHouse was the nickname of the Bethlehem Royal Hospital, where the game is set.
* The last line of ''GoodOmens'' describes the AntiAntiChrist as "slouching hopefully towards Tadfield".
* Creator/WoodyAllen titled one of his books ''Mere Anarchy''.
* Joan Didion titled one of her books ''Slouching Towards Bethlehem''.
* ''Comicbook/VForVendetta'' naturally contains references to the poem.
* BlackMetal band Anaal Nathrakh have a song entitled "The Blood-Dimmed Tide" which appears on their 2012 album ''Vanitas''.
* Also entitled ''The Blood-Dimmed Tide'' is the second novel in Rennie Airth's John Madden mystery series.
* Yet another work with a similar title is Gerald Astor's history book, ''A Blood-Dimmed Tide: The Battle of the Bulge by the Men Who Fought It''.
* Creator/KevinSmith wrote a Franchise/{{Batman}} series entitled ''The Widening Gyre''.
* A deleted scene from ''Film/{{Nixon}}'' has CIA Director Richard Helms quote the first stanza and final lines to Nixon during a heated passive-aggressive standoff in the former's office, after musing about death.
* [[Literature/TheDresdenFiles Harry Dresden]] alludes to the poem during his BadassBoast at the end of ''Literature/StormFront''. "The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold..."
* In Creator/MargaretWeis's ''Literature/TheStarOfTheGuardians,'' "The center cannot hold" is the activation code for a doomsday device called a "space-rotation bomb," which is appropriate for something that creates a NegativeSpaceWedgie.
* ''VideoGame/WingCommander IV: The Price of Freedom'' has Admiral Tolwyn (Malcolm McDowell) and Senator Taggart (John Rhys-Davies) quoting the poem back and forth at the beginning of the second act.
* Music/LouReed opens his 1978 live album ''Take No Prisoners'' with this:
-->I wanna read a quote from Yates. "The best lack all conviction, while the worst are full of passionate intensity" - now you figure out where I'm at!
----
