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* DisneySchoolOfActingAndMime: Discussed frequently throughout the book. Frank and Ollie make a point that the reason the Disney animators do this kind of acting is because it's simply impossible for animation to match the same level of subtle acting as live action, even with tools that closely try to emulate it like rotoscoping, and that its more sensible to exaggerate rather than directly copy real life.
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Makes a great companion to ''[[TheAnimatorsSurvivalKit The Animator's Survival Kit]]'' and ''Preston Blair Animation 1''.

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Makes a great companion to ''[[TheAnimatorsSurvivalKit The Animator's Survival Kit]]'' ''Literature/TheAnimatorsSurvivalKit'' and ''Preston Blair Animation 1''.
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''The Illusion of Life: Disney Animation'' [[note]]Originally titled "Disney Animation: The Illusion Of Life" prior to reprints [[/note]] is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen, Frank Thomas and Ollie Johnston.

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''The Illusion of Life: Disney Animation'' [[note]]Originally titled "Disney Animation: The Illusion Of Life" prior to reprints [[/note]] is a Non-Fiction instructional/historical book that was commissioned by WaltDisney Creator/WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen, Frank Thomas and Ollie Johnston.



-->''"The old-timers were [[CantCatchUp hard pressed to keep up with the demands of the new type of animation]]. More than one man counseled the beginners, "You should learn to draw as well as possible before starting to animate." GrimNatwick, whose animation career started in New York in 1924, pointed out, "The better you can draw, the easier it'll be for you. You'll have to draw the character in all positions and from every angle; and if you can't do it, and have to stage it from some other angle, it's very restrictive and takes longer." [[DisneysNineOldMen Marc Davis]] was more philosophic a few years later; "Drawing is giving a performance; an artist is an actor who is not limited by his body, only by his ability and, perhaps, experience." Too many of the men, old and new, were full of tricks and techniques that had looked great in cartooning school [[SoLastSeason but did nothing for them at the Disney studio]]. The little shadows under the toes of the shows, the slick line, the flashy verve of clothing reacting to violent exertion--all these devices that had impressed us in high school were of little use anymore."''

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-->''"The old-timers were [[CantCatchUp hard pressed to keep up with the demands of the new type of animation]]. More than one man counseled the beginners, "You should learn to draw as well as possible before starting to animate." GrimNatwick, Creator/GrimNatwick, whose animation career started in New York in 1924, pointed out, "The better you can draw, the easier it'll be for you. You'll have to draw the character in all positions and from every angle; and if you can't do it, and have to stage it from some other angle, it's very restrictive and takes longer." [[DisneysNineOldMen Marc Davis]] was more philosophic a few years later; "Drawing is giving a performance; an artist is an actor who is not limited by his body, only by his ability and, perhaps, experience." Too many of the men, old and new, were full of tricks and techniques that had looked great in cartooning school [[SoLastSeason but did nothing for them at the Disney studio]]. The little shadows under the toes of the shows, the slick line, the flashy verve of clothing reacting to violent exertion--all these devices that had impressed us in high school were of little use anymore."''
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* ArtEvolution: Given it's a history book about Disney animation, it inevitably contrasts the older stick figure and rubberhose drawing styles with the more naturalistic drawing style Disney developed and refined from the mid 1930's and onward. It particularly highlights Fred Moore's redesign of MickeyMouse in PlutosJudgementDay as a big step forward, by changing Mickey's design from a stiff dumbbell to a flexible, spongy pear shape.

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* ArtEvolution: Given it's a history book about Disney animation, it inevitably contrasts the older stick figure and rubberhose drawing styles with the more naturalistic drawing style Disney developed and refined from the mid 1930's and onward. It particularly highlights Fred Moore's redesign of MickeyMouse in PlutosJudgementDay ''Disney/PlutosJudgementDay'' as a big step forward, by changing Mickey's design from a stiff dumbbell to a flexible, spongy pear shape.
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[[NotWhatItSoundsLike Has nothing to do with]] existential crises.

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[[NotWhatItSoundsLike [[IThoughtItMeant Has nothing to do with]] existential crises.crises.
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[[NotWhatItSoundsLike Has nothing to do with]] existential crises.
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Moving to trivia.


* AuthorExistenceFailure: As mentioned above, Les Clark was to be the original author, but died while doing early research for it.
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* MilhollandRelationshipMoment: On the section on exaggeration, animator Dave Hand recalls how he had to do a scene six times with Walt telling him each time that it wasn't funny enough. Finally, Dave has enough and makes the action so exaggerated he was sure it would get him fired. He ran the scene for Walt, who then turns around and says, "There, Dave, that's just what I wanted." When Dave became a director, he would tell his animators to "make it so extreme that you make me mad".

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* MilhollandRelationshipMoment: On the section on exaggeration, animator Dave Hand recalls how he had to do a scene from 1931's ''Traffic Troubles'' six times with Walt telling him each time that it wasn't funny enough. Finally, Dave has enough and makes the action so exaggerated he was sure it would get him fired. He ran the scene for Walt, who then turns around and says, "There, Dave, that's just what I wanted." When Dave became a director, he would tell his animators to "make it so extreme that you make me mad".
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''The Illusion of Life: Disney Animation'' [[note]]Originally titled "Disney Animation: The Illusion Of Life" [[/note]] is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen, Frank Thomas and Ollie Johnston.

to:

''The Illusion of Life: Disney Animation'' [[note]]Originally titled "Disney Animation: The Illusion Of Life" prior to reprints [[/note]] is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen, Frank Thomas and Ollie Johnston.
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* {{Bowdlerise}}: The {{Goofy}} character analysis near the end of the book is a condensed version that censors the original 1934 version, which made an unfortunate comparison of Goofy to a "Coloured Boy". The unabridged analysis was posted on [[http://www.michaelspornanimation.com/splog/?p=2418 Michael Sporn's Splog.]]

to:

* {{Bowdlerise}}: The {{Goofy}} character analysis near the end of the book is a condensed version that censors the original 1934 version, which made an unfortunate comparison of Goofy to a [[UncleTomFoolery "Coloured Boy".Boy"]]. The unabridged analysis was posted on [[http://www.michaelspornanimation.com/splog/?p=2418 Michael Sporn's Splog.]]
Is there an issue? Send a MessageReason:
None


''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen, Frank Thomas and Ollie Johnston.

to:

''The Illusion of Life: Disney Animation'' [[note]]Originally titled "Disney Animation: The Illusion Of Life" [[/note]] is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen, Frank Thomas and Ollie Johnston.
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None


* {{Bowdlerise}}: The {{Goofy}} character analysis near the end of the book is a condensed version that censors the original 1934 version, which make an unfortunate comparison of Goofy to a "Coloured Boy". The unabridged analysis was posted on [[http://www.michaelspornanimation.com/splog/?p=2418 Michael Sporn's Splog.]]

to:

* {{Bowdlerise}}: The {{Goofy}} character analysis near the end of the book is a condensed version that censors the original 1934 version, which make made an unfortunate comparison of Goofy to a "Coloured Boy". The unabridged analysis was posted on [[http://www.michaelspornanimation.com/splog/?p=2418 Michael Sporn's Splog.]]

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* AuthorExistenceFailure: As mentioned above, Les Clark was to be the original author, but died while doing early research for it.

to:

* AuthorExistenceFailure: As mentioned above, Les Clark was to be the original author, but died while doing early research for it. it.
* {{Bowdlerise}}: The {{Goofy}} character analysis near the end of the book is a condensed version that censors the original 1934 version, which make an unfortunate comparison of Goofy to a "Coloured Boy". The unabridged analysis was posted on [[http://www.michaelspornanimation.com/splog/?p=2418 Michael Sporn's Splog.]]
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* TheTwelvePrinciplesOfAnimation: Not only the TropeNamer, but also the most famous chapter of the entire book.
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* NoCelebritiesWereHarmed: The book highlights the SillySymphonies short "Who Killed Cock Robin" for it's caricature of iconic actress MaeWest, which so effectively caricatured her beyond the level of a ShallowParody, [[ApprovalOfGod that Mae herself lauded it!]]

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* NoCelebritiesWereHarmed: The book highlights the SillySymphonies short "Who Killed Cock Robin" for it's caricature of iconic actress MaeWest, Creator/MaeWest, which so effectively caricatured her beyond the level of a ShallowParody, [[ApprovalOfGod that Mae herself lauded it!]]
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''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: Frank Thomas and Ollie Johnston.

to:

''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: DisneysNineOldMen, Frank Thomas and Ollie Johnston.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ArtEvolution: Given it's a history book about Disney animation, it inevitably contrasts the older stick figure and rubberhose drawing styles with the more naturalistic drawing style Disney developed and refined from the mid 1930's and onward. It particularly highlights Fred Moore's redesign of MickeyMouse in PlutosJudgementDay as a big step forward, by changing Mickey's design from a stiff dumbbell to a flexible, spongy pear shape.
Is there an issue? Send a MessageReason:
None


-->--''"The old-timers were [[CantCatchUp hard pressed to keep up with the demands of the new type of animation]]. More than one man counseled the beginners, "You should learn to draw as well as possible before starting to animate." GrimNatwick, whose animation career started in New York in 1924, pointed out, "The better you can draw, the easier it'll be for you. You'll have to draw the character in all positions and from every angle; and if you can't do it, and have to stage it from some other angle, it's very restrictive and takes longer." [[DisneysNineOldMen Marc Davis]] was more philosophic a few years later; "Drawing is giving a performance; an artist is an actor who is not limited by his body, only by his ability and, perhaps, experience." Too many of the men, old and new, were full of tricks and techniques that had looked great in cartooning school [[SoLastSeason but did nothing for them at the Disney studio]]. The little shadows under the toes of the shows, the slick line, the flashy verve of clothing reacting to violent exertion--all these devices that had impressed us in high school were of little use anymore."''

to:

-->--''"The -->''"The old-timers were [[CantCatchUp hard pressed to keep up with the demands of the new type of animation]]. More than one man counseled the beginners, "You should learn to draw as well as possible before starting to animate." GrimNatwick, whose animation career started in New York in 1924, pointed out, "The better you can draw, the easier it'll be for you. You'll have to draw the character in all positions and from every angle; and if you can't do it, and have to stage it from some other angle, it's very restrictive and takes longer." [[DisneysNineOldMen Marc Davis]] was more philosophic a few years later; "Drawing is giving a performance; an artist is an actor who is not limited by his body, only by his ability and, perhaps, experience." Too many of the men, old and new, were full of tricks and techniques that had looked great in cartooning school [[SoLastSeason but did nothing for them at the Disney studio]]. The little shadows under the toes of the shows, the slick line, the flashy verve of clothing reacting to violent exertion--all these devices that had impressed us in high school were of little use anymore."''

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* HistoryOfAnimation: Goes into some detail about what was going on at Disney during their [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age,]] and several works from TheSilentAgeOfAnimation are occasionally brought up.

to:

* HistoryOfAnimation: Goes into some detail about what was going on at Disney during their [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age,]] and several works from TheSilentAgeOfAnimation are occasionally brought up. up.
* LazyArtist: ''Strongly'' discouraged in the Solid Drawing part of the "Principles of Animation" chapter, which stresses how much of a handicap it is to be an animator without proper drawing skills;
-->--''"The old-timers were [[CantCatchUp hard pressed to keep up with the demands of the new type of animation]]. More than one man counseled the beginners, "You should learn to draw as well as possible before starting to animate." GrimNatwick, whose animation career started in New York in 1924, pointed out, "The better you can draw, the easier it'll be for you. You'll have to draw the character in all positions and from every angle; and if you can't do it, and have to stage it from some other angle, it's very restrictive and takes longer." [[DisneysNineOldMen Marc Davis]] was more philosophic a few years later; "Drawing is giving a performance; an artist is an actor who is not limited by his body, only by his ability and, perhaps, experience." Too many of the men, old and new, were full of tricks and techniques that had looked great in cartooning school [[SoLastSeason but did nothing for them at the Disney studio]]. The little shadows under the toes of the shows, the slick line, the flashy verve of clothing reacting to violent exertion--all these devices that had impressed us in high school were of little use anymore."''
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* NoCelebritiesWereHarmed: The book highlights the SillySymphonies short "Who Killed Cock Robin" for it's caricature of iconic actress MaeWest, which so effectively caricatured her beyond the level of a ShallowParody, [[ApprovalOfGod that Mae herself lauded it!]]
Is there an issue? Send a MessageReason:
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Added DiffLines:

* MedalOfDishonor: One anecdote mentions that story meetings that weren't successful would have other storymen bestow the "Bomb of the Week" (or Big Bomb Award for Worst Sketch of the Week) award on the drawings. A "1st prize" likewise existed if the storyboard was approved.
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* MilhollandRelationshipMoment: On the section on exaggeration, animator Dave Hand recalls how he had to do a scene six times with Walt telling him each time that it wasn't funny enough. Finally, Dave has enough and makes the action so exaggerated he was sure it would get him fired. He ran the scene for Walt, who then turns around and says, "There, Dave, that's just what I wanted." When Dave became a director, he would tell his animators to "make it so extreme that you make me mad".
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* AuthorExistenseFailure: As mentioned above, Les Clark was to be the original author, but died while doing early research for it.

to:

* AuthorExistenseFailure: AuthorExistenceFailure: As mentioned above, Les Clark was to be the original author, but died while doing early research for it.
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Added DiffLines:

* AuthorExistenseFailure: As mentioned above, Les Clark was to be the original author, but died while doing early research for it.
Is there an issue? Send a MessageReason:
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''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, Clark died in 1979 while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: Frank Thomas and Ollie Johnston.

to:

''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, [[AuthorExistenceFailure Clark died in 1979 1979]] while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: Frank Thomas and Ollie Johnston.
Is there an issue? Send a MessageReason:
None


* HistoryOfAnimation: Goes into some detail about what was going on at Disney during their [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age.]]

to:

* HistoryOfAnimation: Goes into some detail about what was going on at Disney during their [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age.]]Age,]] and several works from TheSilentAgeOfAnimation are occasionally brought up.
Is there an issue? Send a MessageReason:
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* [[SpiritualSuccessor Spiritual Successors]]: ''Too Funny For Words'' and ''The Disney Villain''.

to:

* [[SpiritualSuccessor Spiritual Successors]]: Frank and Ollie would author two companion books; ''Too Funny For Words'' Words: Disney's Greatest Sight Gags'' (which elaborates on the story and gag process at Disneys, as well as gag techniques) and ''The Disney Villain''.
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''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, Clark died in 1979. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: Frank Thomas and Ollie Johnston.

to:

''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death. However, Clark died in 1979.1979 while doing preliminary research for the book. An attempt to complete the book was made in the 1980's in a large collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: Frank Thomas and Ollie Johnston.
Is there an issue? Send a MessageReason:
None


''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death, but when Les died, an attempt to complete the book was made in the 1980's in a large collaberation project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: Frank Thomas and Ollie Johnston.

to:

''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death, but when Les died, an death. However, Clark died in 1979. An attempt to complete the book was made in the 1980's in a large collaberation collaboration project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: Frank Thomas and Ollie Johnston.
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Added DiffLines:

[[quoteright:250:http://static.tvtropes.org/pmwiki/pub/images/the_illusion_of_life_9790.jpg]]

''The Illusion of Life: Disney Animation'' is a Non-Fiction instructional/historical book that was commissioned by WaltDisney himself prior to his death to be made by Les Clark, who was with Disney all the way from OswaldTheLuckyRabbit up to Walt's death, but when Les died, an attempt to complete the book was made in the 1980's in a large collaberation project with many surviving [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age]] Disney veterans, the project being spearheaded by two of DisneysNineOldMen: Frank Thomas and Ollie Johnston.

The book has received universal acclaim and excellent sales, considered by many to be one of the best books on animation available. It has never been out of print since. It also recieved two companion books, ''Too Funny For Words'' and ''The Disney Villain''.

Also the TropeNamer of TheTwelvePrinciplesOfAnimation.

Makes a great companion to ''[[TheAnimatorsSurvivalKit The Animator's Survival Kit]]'' and ''Preston Blair Animation 1''.
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!!Tropes Used By This Book:
* DeclarativeFinger: Brought up in the book, as it was very commonly used by early animators who were still getting used to animating dialogue and thus having to time the accents of the characters actions to it. When the animators got better at finding ways to do this, the finger pointing was derided as cliche and faded out as a result.
* DoorStopper: Over 550 pages, it'll take you a long time to read through this thing.
* FascinatingEyebrow: Walt Disney's thinking expression. Which coincidentially was pretty much his only expression during meetings.
* HistoryOfAnimation: Goes into some detail about what was going on at Disney during their [[TheGoldenAgeOfAnimation Golden Age]] and [[TheDarkAgeOfAnimation Dark Age.]]
* {{NSFW}}: Fred Moore's nude woman drawings.
* PungeonMaster: Ham Luske. The more unfunny was the pun, the more he laughed and the more annoyed were his coworkers...which made him laugh even harder.
* ShownTheirWork: There's a reason this book is considered one of the best books on animation available.
* [[SpiritualSuccessor Spiritual Successors]]: ''Too Funny For Words'' and ''The Disney Villain''.
* ThatMakesMeFeelAngry: It is discussed in the book that anyone who merely states their feelings is not acting.
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