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Don't trope the author


** Not to mention '''R'''ansom '''R'''iggs...
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** Not to mention '''R'''ansom '''R'''iggs...
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* DemBones: Enoch re-animates skeletons from the GhostShip to fight the hollowghasts.
* DemotedToExtra: In the second book, there's Miss Peregrine, who is arrested in bird form and [[spoiler: actually, was never even in the book to begin with,]] and the third demotes most of the children, who are captive for a large part of it, leaving the focus on Jacob and Emma.

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* DemBones: In the movie, Enoch re-animates skeletons from the GhostShip to fight the hollowghasts.
hollowgasts.
* DemotedToExtra: In the second book, there's Miss Peregrine, who is arrested in bird form and [[spoiler: actually, [[spoiler:actually, was never even in the book to begin with,]] and the third demotes most of the children, who are captive for a large part of it, leaving the focus on Jacob and Emma.



* EldritchAbomination: As weird as the kids are, they look positively normal next to the hollowghasts and wights...

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* EldritchAbomination: As weird as the kids are, they look positively normal next to the hollowghasts hollowgasts and wights...



* SecretLegacy: Grandpa Portman left some pretty big shoes for Jacob to fill. [[spoiler: He fills them quite nicely.]]

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* SecretLegacy: Grandpa Portman left some pretty big shoes for Jacob to fill. [[spoiler: He [[spoiler:He fills them quite nicely.]]



** Averted in the first book, where they're used for plot reasons instead. When Jacob is traumatized and having nightmares, his parents send him to a competent, professional, realistic-sounding therapist to deal with the grief and trauma. [[spoiler: Too bad the therapist is a wight using Jacob for leads about the Cairnholm loop.]]

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** Averted in the first book, where they're used for plot reasons instead. When Jacob is traumatized and having nightmares, his parents send him to a competent, professional, realistic-sounding therapist to deal with the grief and trauma. [[spoiler: Too [[spoiler:Too bad the therapist is a wight using Jacob for leads about the Cairnholm loop.]]



** A lot of the peculiar children in ''Hollow City'', once they start using their abilities to fight the hollowghasts and the wights. Special mention goes to:
** Emma, for [[spoiler:burning a hollowghast's tongue off.]]

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** A lot of the peculiar children in ''Hollow City'', once they start using their abilities to fight the hollowghasts hollowgasts and the wights. Special mention goes to:
** Emma, for [[spoiler:burning a hollowghast's hollowgast's tongue off.]]



** Jacob, whose ability develops over the course of the story to [[spoiler:not only seeing the hollowghast, but also being able to sense them, speak their language, and ultimately control them.]]
** An interesting inversion of this trope occurs with the hollowghasts. When they "level up" into wights, they actually become less powerful, losing their massive strength and invisibility. They still view this as a plus, however, because becoming a wight allows them to pass as human and (in their view, at least) be one step closer to the possibility of becoming immortal.

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** Jacob, whose ability develops over the course of the story to [[spoiler:not only seeing the hollowghast, hollowgast, but also being able to sense them, speak their language, and ultimately control them.]]
** An interesting inversion of this trope occurs with the hollowghasts.hollowgasts. When they "level up" into wights, they actually become less powerful, losing their massive strength and invisibility. They still view this as a plus, however, because becoming a wight allows them to pass as human and (in their view, at least) be one step closer to the possibility of becoming immortal.



* TheShadowKnows: A hollow is invisible to common people until it's about to eat. (Read: "Until it's too late") However, its shadow is always visible.

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* TheShadowKnows: A hollow is invisible to common people (as well as peculiars that don't have the power to see them) until it's about to eat. (Read: "Until it's too late") However, its shadow is always visible.visible, provided there's a light source.

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* AuthorAppeal: The books are full of strange, anonymous, antique, SpookyPhotographs that Ransom Riggs had discovered, and these photos heavily influence the structure and content of the books. The series also takes place in Florida where Ransom Riggs grew up and still live to this day.

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* AuthorAppeal: AuthorAppeal:
**
The books are full of strange, anonymous, antique, SpookyPhotographs that Ransom Riggs had discovered, and these photos heavily influence the structure and content of the books. books.
**
The series also takes place in Florida where Ransom Riggs grew up and still live to this day.
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* GenerationalTrauma: The first book puts a fair amount of focus on the messy family relationship between Jacob, Frank, and Abraham.
-->''I was crying so hard I had to gasp for breath between sobs. I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn't know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn't care pushed a button. I thought about how my grandfather's family had been taken from him, and how because of that my dad grew up feeling like he didn't have a dad, and now I had acute stress and nightmares and was sitting alone in a falling-down house and crying hot, stupid tears all over my shirt. All because of a seventy-year-old hurt that had somehow been passed down to me like some poisonous heirloom, and monsters I couldn't fight because they were all dead, beyond killing or punishing or any kind of reckoning.''
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* LighterAndSofter: The first book really leans into the fucked up aspects of the story. Jacob is attracted to Emma, but he's also skeeved out by being a ReplacementGoldfish for his late grandfather's ex. It dwells on the messy family dynamics between Jacob, Frank, and Abraham. The main conflict is not the Character-vs-Character conflict with wrights; it's a Character-vs-Nature conflict with the magical properties of the loop. Miss Peregrine's wards ''cannot'' leave without rapidly aging. It's awful, but it's ''just how it functions'' and railing against it is about as effective as railing against gravity. In the later books this becomes increasingly not the case. ''Library of Souls'' romanticizes Jacob and Emma's relationship and {{handwave}}s the [[spoiler:loop aging thing]].
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%%* AnimalMotifs: Birds. Miss Peregrine, duh.

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%%* * AnimalMotifs: Birds. Birds, of course. Miss Peregrine, duh.Peregrine and all of the other ymbrines are named after different bird species, and Jacob's dad is a birdwatcher.

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[[AC: The series by Ransom Riggs:]]

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[[AC: The series by Ransom Riggs:]]Initial trilogy]]



# ''A Map of Days'' (Released in 2018, the first book of the new trilogy)
# ''The Conference of the Birds'' (Released in 2020, the second book of the new trilogy)
# ''The Desolations of Devil's Acre'' (Released in 2021, the third and final book of the new trilogy)

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[[AC: New trilogy]]
# ''A Map of Days'' (Released in 2018, the first book of the new trilogy)
2018)
# ''The Conference of the Birds'' (Released in 2020, the second book of the new trilogy)
2020)
# ''The Desolations of Devil's Acre'' (Released in 2021, the third and final book of the new trilogy)
2021)
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No Pronunciation Guide is now a disambig. Dewicking


* NoPronunciationGuide: The books initially offer no help as to how "ymbryne" is pronounced. They eventually provide "im-brinn", while the film makes it "im-breen". The audiobooks also use "im-brinn".

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* AdultFear:
** A sinister group of once-human monsters stalk a group of children with the intention of either experimenting on them or eating them. The more human ones have infiltrated pretty much every strata of human society that could help them, while the more abominable ones are super strong, high endurance giants that are invisible. Even if they knew what was going on, odds are Jacob's parents would be all but powerless to protect him.
** Driven home with the case of Miss Avocet, whose loop was invaded and whose charges were used as hostages to force her to surrender to the wights. When she and her partner complied, the wights simply fed the children one by one to their hollowgasts.


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* InvasionOfTheBabySnatchers: A sinister group of once-human monsters stalk a group of children with the intention of either experimenting on them or eating them. The more human ones have infiltrated pretty much every strata of human society that could help them, while the more abominable ones are super strong, high endurance giants that are invisible. Even if they knew what was going on, odds are Jacob's parents would be all but powerless to protect him.
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* CuteCreatureCreepyMouth: Claire is a cute little girl, but on the back of her neck is a huge monster's mouth full of teeth, usually hidden by her hair.
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* SilverSpoonTroublemaker: Jacob starts out like this. He's the heir to his mother's family's chain of successful stores and is currently working part time as a low level employee at one. He despises his job, however, and constantly messes up on purpose, much to the annoyance of his manager. Naturally, said manager knows if she fires Jacob, she'll most probably lose her job soon after, so she has no choice but to tolerate his behavior (despite him actually hoping she'd fire).
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* IslandOfMystery: Cairnholm--it's got quasi-time travel, and an ExtranormalInstitute… as well as the [[RealityEnsues less-than-glamorous trappings of a small remote Welsh island.]] Subverted in that it's far from the only loop, but it brings Jacob into the story.

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* IslandOfMystery: Cairnholm--it's got quasi-time travel, and an ExtranormalInstitute… as well as the [[RealityEnsues less-than-glamorous trappings of a small remote Welsh island.]] island. Subverted in that it's far from the only loop, but it brings Jacob into the story.

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Hardsplitting


A [[TheFilmOfTheBook film adaptation]] of the first book, directed by Creator/TimBurton, was released on September 30th 2016.

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A [[TheFilmOfTheBook film adaptation]] of the first book, directed by Creator/TimBurton, was released on September 30th 2016.
2016. The page for it is [[Film/MissPeregrinesHomeForPeculiarChildren here]].




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[[folder:The books contain examples of]]

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\n[[foldercontrol]]\n\n[[folder:The books contain examples of]]!!Examples:



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[[folder:The film contains additional examples of]]
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/peculiar_children_film.png]]
* AdaptationalAttractiveness: Miss Peregrine was a bit more matronly in the books, though not ugly. Here, she's rather clearly a stunning woman.
* AdaptationalHeroism: Shelley, the Smart Aid manager, disliked Jacob in the book because he was always trying to get fired when the company kept him on due to nepotism. In the film, this is omitted and Shelley is supportive and helpful.
* AdaptationalModesty: In the books, when ymbrynes transform into birds, they don't take their clothes with them. This was changed for the film. Justified in that, while Creator/EvaGreen often gets naked in her movies, this is a family-oriented film.
* AdaptationExpansion: We get to see more of the sense of routine in the loop, we see a few kinds of peculiarity never appearing in the books, and we actually witness, through storytelling/flashback, the failed experiment that created the hollowgast.
* AdaptationNameChange: An extremely minor case, but Jacob, who never went by Jake in the books, always does in the film.
* AdaptationPersonalityChange: Jacob in the books is a very teenagery DeadpanSnarker who frequently gets irritated. In the film, Jake is a lot more innocent and kind.
* AdaptationalSuperpowerChange:
** Emma's character now has Olive's peculiarity with wind elementalism on top of it, and Olive now has Emma's pyrokinesis.
** In addition to the PropheticDream ability he has in the books, the film version of Horace can project the images from his dreams into the air through his right eye using a special lens.
** In the books, wights do not have the peculiarities they had before their transformation. In the film, the wights shown still have their unique traits from when they were peculiars. For example, Mr. Barron is a ShapeShifter, and two CanonForeigner wights include a [[AnIcePerson cryokinetic man]] and half-monkey woman.
** The method by which the hollows become wights is different. In the books it’s achieved by absorbing a peculiar’s soul, in the film it’s by consuming a peculiar’s eyes. It's more of a visual metaphor for devouring souls, since eyes are often referred to as "windows to the soul".
** Jake can see hollows, but considering the very different and more happy ending, it's left unclear whether his more developed ability [[spoiler:to communicate with and control them]] exists in this version.
* AdaptedOut: Ricky, Jacob's only friend, is left out of the film.
* AgeLift: In addition to changing Olive's power from floating to fire, the film also ages her up to be of an age with Emma and Jake, while simultaneously aging down Bronwyn to be a small girl. Enoch is older than the book version, and Fiona, Millard, and Hugh are all younger than the book portrays them.
* AllLoveIsUnrequited: For most of the movie Enoch displays quite a bit of annoyance at Emma ignoring his crush on her in favor of Abe or Jake, while at the same time he ignores Olives pining after him. Near the end of the movie he realizes this.
* AllThereInTheManual: The wights are never named as such in the film; you'd have to have read the books to know their title. The most they're called here are "bad peculiars".
* AlmostKiss: Between Jake and Emma before Enoch interrupts them.
* AmbiguousGender: The twins, who never speak, wear full-body costumes that cover their faces, and whose faces don't indicate anything when seen. They're never referred to by pronouns, and it's further complicated by Jacob seeing them as boys in the book, yet their [[spoiler:Gorgon]] nature could indicate they're female given that [[OneGenderRace the most famous ones are.]] They are played by boys, but this could be irrelevant given the lack of any gender indication in the film.
* AnimalMotifs: Miss Peregrine's human form is much more like her bird one here in comparison to the book, with talon-like nails, jerky avian movements, constantly-open eyes, and a peregrine-inspired wardrobe.
* AscendedExtra: The masked twins. They only feature in a couple of photographs in the book, which give no clear indication of their peculiarity, and they are never seen in person. Here, they're under Miss Peregrine's care and [[spoiler:they're gorgons.]]
* AxeBeforeEntering: Barron shapeshifts his hand into an axe and chops through the door to the ymbrynes' holding room to get to Jake.
* BenevolentBoss: Jacob's manager, Shelley, not only drives Jacob to his grandfather's home when Abe's own son couldn't be bothered, but she backs him up with a 0.357 when Jacob cries out that intruders had broken into Abe's home.
* CassandraTruth: Nobody believes Abe's stories about the hollows, the wights, or any of the peculiars. His own son even leaves him completely defenseless by stealing the key to his gun safe, to catastrophic results.
* CompositeCharacter:
** Whilst Mr. Barron is the film counterpart of the unnamed wight who killed Abraham Portman and stalked and manipulated his grandson Jacob in the form of [[spoiler:psychiatrist Dr. Golan]], his position as leader of the wights and FauxAffablyEvil nature are taken from Miss Peregrine's evil brother; Caul Bentham.
** Shelley the manager combines the same character from the book with Jake's friend Ricky, taking his role in the investigation at Abe's house.
** The twins are based on the clownish ballerinas in the book, with more generic costumes here, yet their source of oddity seems to take the "eerily hidden faces" aspect from a photo in the book of two girls with their backs to the camera.
* CreatorCameo: Director Creator/TimBurton cameos as a confused fairground-goer during [[spoiler:the battle between the hollowgasts and Enoch's skeletons.]]
* DeathByAdaptation: [[spoiler:Miss Avocet is killed by a hollowgast, while she survives in the book. Her literary counterpart eventually dies in the final book of old age.]]
* DeathByIrony: Olive can [[PlayingWithFire conduct fire]]. [[spoiler: She's [[BackFromTheDead temporarily]] frozen to death.]]
* FieryRedhead: Subverted by Olive, a NiceGirl who doesn’t have any temper to speak of. For added irony her peculiarity is actually to make fire.
* GenderFlip:
** Jacob’s male psychiatrist Dr. Golan from the novel is played by actress Creator/AllisonJanney in the film. Subverted in that, like in the book [[spoiler:Dr. Golan turns out to be the false identity of a male wight- here, he can shapeshift]].
** The very fact that female wights exist in this version is one. In the books, they (and by extension, hollowgast) are exclusively male for a very well-defined reason. [[spoiler:Specifically, they were jealous of ymbrynes, who could only be female, which is what led them to conduct the ritual. Though it's not unreasonable that other peculiar women would be jealous of ymbrynes' peculiarities.]]
* DangerousWindows: [[spoiler:Miss Avocet]] is snatched from the room by a hollowgast breaking through the window.
* EarnYourHappyEnding: The long journey Jake undertakes to finally be reunited with Emma. It's only shown in a couple of key shots.
* GroundhogDayLoop: As in the book, but the sense of repetition and the peculiars' familiarity with the day is shown with more events, like a fallen baby squirrel that must be replaced in its tree every day, and the addition of a hollow in the loop which must be killed every day like clockwork, always falling exactly into the outline drawn by Miss Peregrine.
* HoistByHisOwnPetard: [[spoiler:Mr. Barron is killed by one of the hollowgasts he created because he assumed Jake's form, resulting in the hollowgast consuming his eyes because it believed he was Jacob]].
* IdiotBall: Granted, Jake would have never found Abe's body and heard Abe's last words if he had stayed on the porch like Shelley asked, but the way he goes to investigate is exceptionally foolish. He goes to a mangled fence, in the middle of the night, picks up a flashlight with ''fresh blood'' on it, thus contaminating forensic evidence, and then goes through the mangled open hole to look around in a place with thick underbrush and many closely packed large trees. He could have been easily ambushed and killed.
* ImplausibleDeniability: People buy the cover story, hook, line and sinker, that ''feral dogs'' ripped down the screen door to Abe's home from above head height, and mangled a rather sturdy steel fence, not to mention ate Abe's eyes while leaving the rest of his corpse untouched.
--> "Dogs always go for the soft parts first."
* JudgmentOfSolomon: Invoked in a brief visual gag. When Miss Peregrine walks by the twins, they're unsuccessfuly having a tug-of-war over a teddy bear. She actually does split it, tearing it down the middle, and gives each twin a half, satisfying them both.
* KarmicDeath: [[spoiler:Mr. Barron is killed by having his eyes devoured by a hollowgast; the same thing he did to countless peculiar children over the years.]]
* LighterAndSofter: The book was more young-adult in tone, with stronger language, brutal violence, and even a less kind protagonist. The film is more fantastical in its darkness, features clean dialogue, and makes Jake more agreeable, or at least not so defensive.
* LookBothWays: One of the wights gets hit by a train in the 2016 loop because he wasn't accustomed to such fast-moving vehicles.
* NamedByTheAdaptation: The wight who had been stalking Jacob throughout most of his life goes unnamed in the book, but uses several aliases. These including "Mr. Barron" when posing as Jacob's fifth grade bus-driver and [[spoiler:"Dr. Golan" as Jacob's psychiatrist]]; the later of which the other characters [[ArtifactAlias continue to refer to him as, even after]] TheReveal. The film uses the former alias as the wight's actual name.
* NiceJobFixingItVillain: In the final confrontation, [[spoiler:Mr. Barron basically ensures his own death when he shapeshifts into Jacob's form and is killed by a hollowgast]].
* ParentalAbandonment: While Jacob's dad is ''physically'' present, he is so wildly irresponsible, and detached, that Jacob gains absolutely no benefit from him being nearby. In fact, the few times Jacob's father actually pays any attention to his son, it's always in a way to serve as TheMillstone, as well as utterly insulting him and Abe.
* PragmaticAdaptation: The ending and the events leading up to it are much different than in the first book, as well as having several characters acting somewhat differently and/or being vastly different characters than in the book. These changes can be explained by the filmmakers wanting a more action-packed finale and to avoid tying the film's story to a sequel that may never surface. The changes work to make the film work either as a standalone piece or as part of a potential series.
* RaceLift: Whilst his race is never explicitly mentioned in the novel, based on both the [[https://static.wikia.nocookie.net/thepeculiarchildren/images/8/87/9f686f94f2d14afa94384cce9f3d1146.png/revision/latest?cb=20170325035642 photograph]] the character was based on that was included in the book and the fact that wights are stated to be so indistinctive that they can look like anyone else with simple prosthetics; it can be assumed that the wight who stalked the Portmans is Caucasian. In the film, his counterpart Mr. Barron is played by African-American actor Creator/SamuelLJackson. However, he is a shapeshifter in the film, and does take on Caucasian forms as disguises.
* RealityEnsues: Despite Mr. Barron's taunts, Jacob's accuracy with Miss Peregrine's crossbow is actually pretty good. Crossbows are notorious for being easy to use and learn, but difficult to aim. Despite that, Jacob does manage to hit hollows with difficult shots on numerous occasions, even once shooting ''around'' Enoch to hit the hollow that was trying to kill him, wounding that same hollow numerous times while running from it, and sliding down the roof, and while he did miss Mr, Barron, the misses were very, very close, only an inch or two would have made the difference.
** Horace's ability to project dreams is completly and utterly useless in a fight, with Barron faking distress for a second when this ability is used on him before laughing it off and shove Horace aside.
* RunningGag: [[spoiler:Jacob trying to hit the wights like Miss Peregrine, and missing literally every time.]] Lampshaded by [[spoiler:Mr. Barron.]]
* ShoutOut:
** The hollowgasts look like [[Franchise/TheSlenderManMythos Slender Man]].
** Enoch's re-animated skeletons are an homage to Creator/RayHarryhausen, particularly ''Film/JasonAndTheArgonauts''.
** Barron axing himself into the room with Jake and the birds and him looking through the hole reminds of a similar scene in ''Film/TheShining''.
* ShutUpKiss: In the final moments of the film, Emma plants a kiss on Jake while the latter tries to explain how he got back to her.
* SingleSubstanceManipulation: Emma Bloom, who can manipulate air (such as making air bubbles to breathe underwater, or blowing powerful wind gusts). A side effect of her power is her body is lighter than air, and she would float away helplessly without a pair of heavy lead boots to weigh her down.
* SpotTheImposter: In the climax, Barron shapeshifts into Jake so Emma and Enoch don't know who is who as both stand side by side. [[spoiler: Barron can't see the hollowgast approaching, however, and since he looks like Jake, he is subsequently killed by it.]]
* StopMotion: Used to depict the objects Enoch animates.
* SurprisinglySuddenDeath: [[spoiler: Miss Avocet]] is suddenly killed by a hollowgast [[KilledMidSentence in a middle of a speech]].
* TakeMeInstead: Miss Peregrine offers herself up for the life of Jake.
* TakenForGranite: Combined with LiterallyShatteredLives. [[spoiler:The twins are revealed to be gorgons. They petrify one of the wights and once she becomes a statue, she falls to her death, shattering into pieces... perhaps to ensure we know she won't be [[AndIMustScream trapped as a statue forever]]. Apparently that would be [[EveryoneHasStandards too cruel, even for a wight]].]]
* TeensAreMonsters: Downplayed, but present. At the start of the movie, Jacob's school mates respond to seeing him work at a retail establishment by taking an item from the display he's setting up, and then ''throwing it'' back, ruining the display before walking out of the store, laughing. Later in the movie, when Jacob is looking for the children's home, his father ''pays'' two teenage strangers to "guide" him there, and they direct Jacob ''through a bog'' while laughing at him from the safety of a paved road, and then later tell him, to his face, that they would only be willing to spend time with him when they're paid. Then there's Enoch, although in his case, it's more of being a CrazyJealousGuy to Olive. Enoch ''does'' get better about it though.
* TimePassesMontage: A time lapse is used to show the loop resetting, with a visual rewind of the time the inhabitants lived through.
* TimeyWimeyBall: How the loops work, at least in the movie. [[spoiler:At first when Jake enters and leaves the loop, the same amount of time seems to have passed on both sides (excepting for the reset within the loop). If anyone from within the loop spends too long in Jake's time (2016, when the loop is stuck in 1943), they will rapidly age until they are the age they would have been in 2016 (as shown with a flower). When the loop collapses, anyone inside is returned to the moment the loop was created. But then when the wight who killed Jake's grandfather dies in a loop months before that happened, and the loop collapses, Abe was never killed even though it was in the personal past of both Jake and the wight. Despite the aging effect of leaving a loop in the future from said loop, doing it in the past does not seem to have a de-aging effect. And then at the end Jake is somehow able to go from 2016 back to 1942 by navigating loops (presumably without making them collapse, which their ymbrynes would not have agreed to). Confused yet?]]
* UnSpokenPlanGuarantee: Jake's plan for the final confrontation is not revealed and thus goes down almost as planned.
* YouNeedABreathMint: Mr Barron says this to Emma, after she has kept him pressed against the wall with a long and powerful gust of wind from her mouth.
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[[/folder]]

[[folder:The film contains additional examples of]]
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/peculiar_children_film.png]]
* AdaptationalAttractiveness: Miss Peregrine was a bit more matronly in the books, though not ugly. Here, she's rather clearly a stunning woman.
* AdaptationalHeroism: Shelley, the Smart Aid manager, disliked Jacob in the book because he was always trying to get fired when the company kept him on due to nepotism. In the film, this is omitted and Shelley is supportive and helpful.
* AdaptationalModesty: In the books, when ymbrynes transform into birds, they don't take their clothes with them. This was changed for the film. Justified in that, while Creator/EvaGreen often gets naked in her movies, this is a family-oriented film.
* AdaptationExpansion: We get to see more of the sense of routine in the loop, we see a few kinds of peculiarity never appearing in the books, and we actually witness, through storytelling/flashback, the failed experiment that created the hollowgast.
* AdaptationNameChange: An extremely minor case, but Jacob, who never went by Jake in the books, always does in the film.
* AdaptationPersonalityChange: Jacob in the books is a very teenagery DeadpanSnarker who frequently gets irritated. In the film, Jake is a lot more innocent and kind.
* AdaptationalSuperpowerChange:
** Emma's character now has Olive's peculiarity with wind elementalism on top of it, and Olive now has Emma's pyrokinesis.
** In addition to the PropheticDream ability he has in the books, the film version of Horace can project the images from his dreams into the air through his right eye using a special lens.
** In the books, wights do not have the peculiarities they had before their transformation. In the film, the wights shown still have their unique traits from when they were peculiars. For example, Mr. Barron is a ShapeShifter, and two CanonForeigner wights include a [[AnIcePerson cryokinetic man]] and half-monkey woman.
** The method by which the hollows become wights is different. In the books it’s achieved by absorbing a peculiar’s soul, in the film it’s by consuming a peculiar’s eyes. It's more of a visual metaphor for devouring souls, since eyes are often referred to as "windows to the soul".
** Jake can see hollows, but considering the very different and more happy ending, it's left unclear whether his more developed ability [[spoiler:to communicate with and control them]] exists in this version.
* AdaptedOut: Ricky, Jacob's only friend, is left out of the film.
* AgeLift: In addition to changing Olive's power from floating to fire, the film also ages her up to be of an age with Emma and Jake, while simultaneously aging down Bronwyn to be a small girl. Enoch is older than the book version, and Fiona, Millard, and Hugh are all younger than the book portrays them.
* AllLoveIsUnrequited: For most of the movie Enoch displays quite a bit of annoyance at Emma ignoring his crush on her in favor of Abe or Jake, while at the same time he ignores Olives pining after him. Near the end of the movie he realizes this.
* AllThereInTheManual: The wights are never named as such in the film; you'd have to have read the books to know their title. The most they're called here are "bad peculiars".
* AlmostKiss: Between Jake and Emma before Enoch interrupts them.
* AmbiguousGender: The twins, who never speak, wear full-body costumes that cover their faces, and whose faces don't indicate anything when seen. They're never referred to by pronouns, and it's further complicated by Jacob seeing them as boys in the book, yet their [[spoiler:Gorgon]] nature could indicate they're female given that [[OneGenderRace the most famous ones are.]] They are played by boys, but this could be irrelevant given the lack of any gender indication in the film.
* AnimalMotifs: Miss Peregrine's human form is much more like her bird one here in comparison to the book, with talon-like nails, jerky avian movements, constantly-open eyes, and a peregrine-inspired wardrobe.
* AscendedExtra: The masked twins. They only feature in a couple of photographs in the book, which give no clear indication of their peculiarity, and they are never seen in person. Here, they're under Miss Peregrine's care and [[spoiler:they're gorgons.]]
* AxeBeforeEntering: Barron shapeshifts his hand into an axe and chops through the door to the ymbrynes' holding room to get to Jake.
* BenevolentBoss: Jacob's manager, Shelley, not only drives Jacob to his grandfather's home when Abe's own son couldn't be bothered, but she backs him up with a 0.357 when Jacob cries out that intruders had broken into Abe's home.
* CassandraTruth: Nobody believes Abe's stories about the hollows, the wights, or any of the peculiars. His own son even leaves him completely defenseless by stealing the key to his gun safe, to catastrophic results.
* CompositeCharacter:
** Whilst Mr. Barron is the film counterpart of the unnamed wight who killed Abraham Portman and stalked and manipulated his grandson Jacob in the form of [[spoiler:psychiatrist Dr. Golan]], his position as leader of the wights and FauxAffablyEvil nature are taken from Miss Peregrine's evil brother; Caul Bentham.
** Shelley the manager combines the same character from the book with Jake's friend Ricky, taking his role in the investigation at Abe's house.
** The twins are based on the clownish ballerinas in the book, with more generic costumes here, yet their source of oddity seems to take the "eerily hidden faces" aspect from a photo in the book of two girls with their backs to the camera.
* CreatorCameo: Director Creator/TimBurton cameos as a confused fairground-goer during [[spoiler:the battle between the hollowgasts and Enoch's skeletons.]]
* DeathByAdaptation: [[spoiler:Miss Avocet is killed by a hollowgast, while she survives in the book. Her literary counterpart eventually dies in the final book of old age.]]
* DeathByIrony: Olive can [[PlayingWithFire conduct fire]]. [[spoiler: She's [[BackFromTheDead temporarily]] frozen to death.]]
* FieryRedhead: Subverted by Olive, a NiceGirl who doesn’t have any temper to speak of. For added irony her peculiarity is actually to make fire.
* GenderFlip:
** Jacob’s male psychiatrist Dr. Golan from the novel is played by actress Creator/AllisonJanney in the film. Subverted in that, like in the book [[spoiler:Dr. Golan turns out to be the false identity of a male wight- here, he can shapeshift]].
** The very fact that female wights exist in this version is one. In the books, they (and by extension, hollowgast) are exclusively male for a very well-defined reason. [[spoiler:Specifically, they were jealous of ymbrynes, who could only be female, which is what led them to conduct the ritual. Though it's not unreasonable that other peculiar women would be jealous of ymbrynes' peculiarities.]]
* DangerousWindows: [[spoiler:Miss Avocet]] is snatched from the room by a hollowgast breaking through the window.
* EarnYourHappyEnding: The long journey Jake undertakes to finally be reunited with Emma. It's only shown in a couple of key shots.
* GroundhogDayLoop: As in the book, but the sense of repetition and the peculiars' familiarity with the day is shown with more events, like a fallen baby squirrel that must be replaced in its tree every day, and the addition of a hollow in the loop which must be killed every day like clockwork, always falling exactly into the outline drawn by Miss Peregrine.
* HoistByHisOwnPetard: [[spoiler:Mr. Barron is killed by one of the hollowgasts he created because he assumed Jake's form, resulting in the hollowgast consuming his eyes because it believed he was Jacob]].
* IdiotBall: Granted, Jake would have never found Abe's body and heard Abe's last words if he had stayed on the porch like Shelley asked, but the way he goes to investigate is exceptionally foolish. He goes to a mangled fence, in the middle of the night, picks up a flashlight with ''fresh blood'' on it, thus contaminating forensic evidence, and then goes through the mangled open hole to look around in a place with thick underbrush and many closely packed large trees. He could have been easily ambushed and killed.
* ImplausibleDeniability: People buy the cover story, hook, line and sinker, that ''feral dogs'' ripped down the screen door to Abe's home from above head height, and mangled a rather sturdy steel fence, not to mention ate Abe's eyes while leaving the rest of his corpse untouched.
--> "Dogs always go for the soft parts first."
* JudgmentOfSolomon: Invoked in a brief visual gag. When Miss Peregrine walks by the twins, they're unsuccessfuly having a tug-of-war over a teddy bear. She actually does split it, tearing it down the middle, and gives each twin a half, satisfying them both.
* KarmicDeath: [[spoiler:Mr. Barron is killed by having his eyes devoured by a hollowgast; the same thing he did to countless peculiar children over the years.]]
* LighterAndSofter: The book was more young-adult in tone, with stronger language, brutal violence, and even a less kind protagonist. The film is more fantastical in its darkness, features clean dialogue, and makes Jake more agreeable, or at least not so defensive.
* LookBothWays: One of the wights gets hit by a train in the 2016 loop because he wasn't accustomed to such fast-moving vehicles.
* NamedByTheAdaptation: The wight who had been stalking Jacob throughout most of his life goes unnamed in the book, but uses several aliases. These including "Mr. Barron" when posing as Jacob's fifth grade bus-driver and [[spoiler:"Dr. Golan" as Jacob's psychiatrist]]; the later of which the other characters [[ArtifactAlias continue to refer to him as, even after]] TheReveal. The film uses the former alias as the wight's actual name.
* NiceJobFixingItVillain: In the final confrontation, [[spoiler:Mr. Barron basically ensures his own death when he shapeshifts into Jacob's form and is killed by a hollowgast]].
* ParentalAbandonment: While Jacob's dad is ''physically'' present, he is so wildly irresponsible, and detached, that Jacob gains absolutely no benefit from him being nearby. In fact, the few times Jacob's father actually pays any attention to his son, it's always in a way to serve as TheMillstone, as well as utterly insulting him and Abe.
* PragmaticAdaptation: The ending and the events leading up to it are much different than in the first book, as well as having several characters acting somewhat differently and/or being vastly different characters than in the book. These changes can be explained by the filmmakers wanting a more action-packed finale and to avoid tying the film's story to a sequel that may never surface. The changes work to make the film work either as a standalone piece or as part of a potential series.
* RaceLift: Whilst his race is never explicitly mentioned in the novel, based on both the [[https://static.wikia.nocookie.net/thepeculiarchildren/images/8/87/9f686f94f2d14afa94384cce9f3d1146.png/revision/latest?cb=20170325035642 photograph]] the character was based on that was included in the book and the fact that wights are stated to be so indistinctive that they can look like anyone else with simple prosthetics; it can be assumed that the wight who stalked the Portmans is Caucasian. In the film, his counterpart Mr. Barron is played by African-American actor Creator/SamuelLJackson. However, he is a shapeshifter in the film, and does take on Caucasian forms as disguises.
* RealityEnsues: Despite Mr. Barron's taunts, Jacob's accuracy with Miss Peregrine's crossbow is actually pretty good. Crossbows are notorious for being easy to use and learn, but difficult to aim. Despite that, Jacob does manage to hit hollows with difficult shots on numerous occasions, even once shooting ''around'' Enoch to hit the hollow that was trying to kill him, wounding that same hollow numerous times while running from it, and sliding down the roof, and while he did miss Mr, Barron, the misses were very, very close, only an inch or two would have made the difference.
** Horace's ability to project dreams is completly and utterly useless in a fight, with Barron faking distress for a second when this ability is used on him before laughing it off and shove Horace aside.
* RunningGag: [[spoiler:Jacob trying to hit the wights like Miss Peregrine, and missing literally every time.]] Lampshaded by [[spoiler:Mr. Barron.]]
* ShoutOut:
** The hollowgasts look like [[Franchise/TheSlenderManMythos Slender Man]].
** Enoch's re-animated skeletons are an homage to Creator/RayHarryhausen, particularly ''Film/JasonAndTheArgonauts''.
** Barron axing himself into the room with Jake and the birds and him looking through the hole reminds of a similar scene in ''Film/TheShining''.
* ShutUpKiss: In the final moments of the film, Emma plants a kiss on Jake while the latter tries to explain how he got back to her.
* SingleSubstanceManipulation: Emma Bloom, who can manipulate air (such as making air bubbles to breathe underwater, or blowing powerful wind gusts). A side effect of her power is her body is lighter than air, and she would float away helplessly without a pair of heavy lead boots to weigh her down.
* SpotTheImposter: In the climax, Barron shapeshifts into Jake so Emma and Enoch don't know who is who as both stand side by side. [[spoiler: Barron can't see the hollowgast approaching, however, and since he looks like Jake, he is subsequently killed by it.]]
* StopMotion: Used to depict the objects Enoch animates.
* SurprisinglySuddenDeath: [[spoiler: Miss Avocet]] is suddenly killed by a hollowgast [[KilledMidSentence in a middle of a speech]].
* TakeMeInstead: Miss Peregrine offers herself up for the life of Jake.
* TakenForGranite: Combined with LiterallyShatteredLives. [[spoiler:The twins are revealed to be gorgons. They petrify one of the wights and once she becomes a statue, she falls to her death, shattering into pieces... perhaps to ensure we know she won't be [[AndIMustScream trapped as a statue forever]]. Apparently that would be [[EveryoneHasStandards too cruel, even for a wight]].]]
* TeensAreMonsters: Downplayed, but present. At the start of the movie, Jacob's school mates respond to seeing him work at a retail establishment by taking an item from the display he's setting up, and then ''throwing it'' back, ruining the display before walking out of the store, laughing. Later in the movie, when Jacob is looking for the children's home, his father ''pays'' two teenage strangers to "guide" him there, and they direct Jacob ''through a bog'' while laughing at him from the safety of a paved road, and then later tell him, to his face, that they would only be willing to spend time with him when they're paid. Then there's Enoch, although in his case, it's more of being a CrazyJealousGuy to Olive. Enoch ''does'' get better about it though.
* TimePassesMontage: A time lapse is used to show the loop resetting, with a visual rewind of the time the inhabitants lived through.
* TimeyWimeyBall: How the loops work, at least in the movie. [[spoiler:At first when Jake enters and leaves the loop, the same amount of time seems to have passed on both sides (excepting for the reset within the loop). If anyone from within the loop spends too long in Jake's time (2016, when the loop is stuck in 1943), they will rapidly age until they are the age they would have been in 2016 (as shown with a flower). When the loop collapses, anyone inside is returned to the moment the loop was created. But then when the wight who killed Jake's grandfather dies in a loop months before that happened, and the loop collapses, Abe was never killed even though it was in the personal past of both Jake and the wight. Despite the aging effect of leaving a loop in the future from said loop, doing it in the past does not seem to have a de-aging effect. And then at the end Jake is somehow able to go from 2016 back to 1942 by navigating loops (presumably without making them collapse, which their ymbrynes would not have agreed to). Confused yet?]]
* UnSpokenPlanGuarantee: Jake's plan for the final confrontation is not revealed and thus goes down almost as planned.
* YouNeedABreathMint: Mr Barron says this to Emma, after she has kept him pressed against the wall with a long and powerful gust of wind from her mouth.
[[/folder]]

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