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* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[AllPower which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him actually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]]]
to:
* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[AllPower which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him actually playing his violin, or if he's not there, and the villains are are]] [[MagicMusic using it]] [[JustifiedTrope without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as as]] well.]]]]
]]
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* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[AllPower which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him actually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
to:
* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[AllPower which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him actually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
]]]]
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* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[AllPower which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
to:
* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[AllPower which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually actually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
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* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[TheHeart'sEggIsAll which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
to:
* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[TheHeart'sEggIsAll [[AllPower which, for the]] the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
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* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[ TheHeart'sEggIsAll which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
to:
* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[ TheHeart'sEggIsAll [[TheHeart'sEggIsAll which, for the]] [[MacGuffin former two, at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
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* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[Power which, for the]] [[MacGuffin former two, at]], [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
to:
* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[Power [[ TheHeart'sEggIsAll which, for the]] the]] [[MacGuffin former two, at]], at]] [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
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* [[ShugoChara Shugo Chara]]: The majority of the [[EarWorm very memorable]] back - ground music, although most are variations of the main "Open Heart" theme, which can be seen as a theme for the Heart's Egg as a whole, and almost no - one (Aside from the Heart's Egg, the Embryo [[spoiler: and, oddly, Utau's "Seraphic Charm" Charcter Transformation]] are the only beings within the entire series to have that privilege, [[Power which, for the]] [[MacGuffin former two, at]], [[FridgeBrilliance least, is fitting]], really.) gets a theme applied directly towards them: The Guardians within general have two versions of their theme (A quieter, more cheerful one, and a majestic, regal form, complete with copious amounts of brass.), and the Easter corporation had one (A dark, ambient work.)An odd case would be [[spoiler: Ikuto's [[BrainwashedAndCrazy "Death Rebel" Character Transformation]], which also has one... [[JustifiedTrope But only because it's him aqctually playing his violin, or if he's not there, and the villains are [[MagicMusic using it]] without him, a recording of it played through - out some form of replicating device: Once he isn't playing/ the machinery used to broadcast it is halted, it halts as well.]]
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** Obviously, ''WebOriginal/YuGiOhTheAbridgedSeries'' makes fun of this, with all appearances of Duke Devlin being followed by Justin Timberlake's "[=SexyBack=]". At the end of the episode Yugi says he'll be friends with Duke if he stops playing that annoying theme music, to which Devlin replies "What theme music?"
to:
** Obviously, ''WebOriginal/YuGiOhTheAbridgedSeries'' ''WebVideo/YuGiOhTheAbridgedSeries'' makes fun of this, with all appearances of Duke Devlin being followed by Justin Timberlake's "[=SexyBack=]". At the end of the episode Yugi says he'll be friends with Duke if he stops playing that annoying theme music, to which Devlin replies "What theme music?"
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* The ''KenichiTheMightiestDisciple'' anime makes excellent use of "Night on Bald Mountain" for Siegfried, who is often singing along to it as he fights.
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* The ''KenichiTheMightiestDisciple'' anime makes excellent use of "Night on Bald Mountain" for Siegfried, who is often singing along to it as he fights.fights.
----
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* InitialD used them for various characters. Nakazato's stands out do to being organ music compared to the usual techno beats.
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* InitialD used them for various characters. Nakazato's stands out do to being organ music compared to the usual techno beats.beats.
* The ''KenichiTheMightiestDisciple'' anime makes excellent use of "Night on Bald Mountain" for Siegfried, who is often singing along to it as he fights.
* The ''KenichiTheMightiestDisciple'' anime makes excellent use of "Night on Bald Mountain" for Siegfried, who is often singing along to it as he fights.
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* Some characters in ''Panty & Stocking with Garterbel'' have their own themes, like Corset. Panty and Stocking, nor their enemies Scanty and Kneesocks have individual themes - rather, they only have duo themes that play when both of them are together.
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* Some characters in ''Panty & Stocking with Garterbel'' have their own themes, like Corset. Neither Panty and Stocking, Stocking nor their enemies Scanty and Kneesocks Kneesocks, however, have individual ''individual'' themes - rather, they only have duo ''duo'' themes that play when both ''both'' of them are together.
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*** The movie gave us even more epic versions of Intervention, one of which plays in its entirety and EVEN EXPANDED for the duration of the only battle where Tieria and Setsuna actually fight. The main battle in the end even had its own epic battle music.
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*** The movie gave us even more epic versions of Intervention, one of which (Envoy from Jupiter) plays in its entirety and EVEN EXPANDED for the duration of the only battle where Tieria and Setsuna actually fight. The main battle in the end even had its own epic battle music.music, based off "Trans-Am Raiser" from the original series, which competes with "00 Gundam" for the titular Gundam's leitmotif.
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** Both Gundam SEED and SEED Destiny gave us more leitmotifs. Whenever Freedom sortied in SEED, it was followed by METEOR by T.M. Revolution, the band that made the first opening for both shows. When Strike Freedom sorited in SEED Destiny, Vestige (also by TMR) started playing.
** Gundam 00. Each faction's ace-pilots have their own music. Graham had "Union", Patrick had one, Ali-Al Saachez had his own (but shared it with the Throne Meisters). And most importantly: Celestial Being had their music for whenever they appeared. And it even came in several versions: a normal version called Intervention, a slightly slower version, and one called Trans-Am, which (you guessed it) play when Exia unlocks Trans-Am.
** Gundam 00. Each faction's ace-pilots have their own music. Graham had "Union", Patrick had one, Ali-Al Saachez had his own (but shared it with the Throne Meisters). And most importantly: Celestial Being had their music for whenever they appeared. And it even came in several versions: a normal version called Intervention, a slightly slower version, and one called Trans-Am, which (you guessed it) play when Exia unlocks Trans-Am.
to:
** Both Gundam SEED and SEED Destiny gave us more leitmotifs. Whenever Freedom sortied in SEED, it was followed by METEOR by T.M. Revolution, the band that made the first opening for both shows. When Strike Freedom sorited in SEED Destiny, Vestige (also by TMR) started playing.
playing. Individual characters also got leitmotifs, Shinn's being "Shutsugeki! Impulse" or a derivative thereof, Kira's being "Tobe! Freedom" from the first series in varying arrangements, and Stella's being variations of her ImageSong "Shinkai no Kodoku".
** Gundam 00. Each faction's ace-pilots have their own music. Graham had "Union", Patrick had one, Ali-Al Saachez had his own (but shared it with the Throne Meisters). And most importantly: Celestial Being had their music for whenever they appeared. And it even came in several versions: a normal version called Intervention, a slightly slower version, and one calledTrans-Am, Fight, which (you guessed it) play plays when Exia unlocks Trans-Am.attacks the Thrones, and later when Exia's Trans-Am activates.
** Gundam 00. Each faction's ace-pilots have their own music. Graham had "Union", Patrick had one, Ali-Al Saachez had his own (but shared it with the Throne Meisters). And most importantly: Celestial Being had their music for whenever they appeared. And it even came in several versions: a normal version called Intervention, a slightly slower version, and one called
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** [[BullyHunter Rubber Shooter]] has PachelbelsCanon.
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** [[BullyHunter Rubber Shooter]] has PachelbelsCanon.PachelbelsCanon.
* InitialD used them for various characters. Nakazato's stands out do to being organ music compared to the usual techno beats.
* InitialD used them for various characters. Nakazato's stands out do to being organ music compared to the usual techno beats.
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* ''OnePiece'' doesn't have particularly prevalent Leitmotifs, but they're around. Some of the main crew have them, particularly Sanji and his jazzy theme, and some villain teams feature their own as well - [=CP9=], for example, had a strong leitmotif with strings and a mechanical-sounding beat. And then there's Sogeking... In the fighting games based on the series, each character has a short musical piece that plays during their finishing attack.
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* ''OnePiece'' ''Manga/OnePiece'' doesn't have particularly prevalent Leitmotifs, but they're around. Some of the main crew have them, particularly Sanji and his jazzy theme, and some villain teams feature their own as well - [=CP9=], for example, had a strong leitmotif with strings and a mechanical-sounding beat. And then there's Sogeking... In the fighting games based on the series, each character has a short musical piece that plays during their finishing attack.
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** ''DigimonXrosWars'' LOVES leitmotifs, with several variations of different songs. There's several, but special mention goes to the Bagra Empire's theme, which has no less than ''seven'' versions of the theme played throughout the series, [[http://youtu.be/n1YLlNqiPc4 each]] [[http://youtu.be/bda22LjSFf8 one]] [[http://youtu.be/EjqLO0Trc-Y of]] [[http://youtu.be/PmUfaFt0LNE them]] [[http://youtu.be/v741y5fTKKA fitting]] [[http://youtu.be/A3A8m3LY7vw different]] [[http://youtu.be/ezJArZZqsG0 moods]].
to:
** ''DigimonXrosWars'' LOVES leitmotifs, with several variations of different songs. There's several, but special mention goes to the Bagra Empire's theme, which has no less than ''seven'' versions of the theme played throughout the series, [[http://youtu.be/n1YLlNqiPc4 each]] [[http://youtu.be/bda22LjSFf8 one]] [[http://youtu.be/EjqLO0Trc-Y of]] [[http://youtu.be/PmUfaFt0LNE them]] [[http://youtu.be/v741y5fTKKA fitting]] [[http://youtu.be/A3A8m3LY7vw different]] [[http://youtu.be/ezJArZZqsG0 moods]].series.
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*** In one of the 'Deleted Scenes' videos, LittleKuriboh makes fun of this as well, with Tristan having found the remote for Duke's Theme Music. He then proceeds to browse through the several options and eventually chooses the least fitting... That is, after criticizing all the other options. Among those 'criticized' options are the second opening for ''DeathNote'', the first opening for ''Yu-Gi-Oh! GX'', and the first opening for ''{{Anime/Pokemon}}''.
to:
*** In one of the 'Deleted Scenes' videos, LittleKuriboh makes fun of this as well, with Tristan having found the remote for Duke's Theme Music. He then proceeds to browse through the several options and eventually chooses the least fitting... That is, after criticizing all the other options. Among those 'criticized' options are the second opening for ''DeathNote'', ''Manga/DeathNote'', the first opening for ''Yu-Gi-Oh! GX'', and the first opening for ''{{Anime/Pokemon}}''.
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* The ''DeathNote'' soundtrack has lots of tracks claiming to be Leitmotifs, but really the only one applied repeatedly and with narrative consistency is the Dies Irae, which always means a huge turning point as seen through Light's eyes.
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* The ''DeathNote'' ''Manga/DeathNote'' soundtrack has lots of tracks claiming to be Leitmotifs, but really the only one applied repeatedly and with narrative consistency is the Dies Irae, which always means a huge turning point as seen through Light's eyes.
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* In the anime of ''{{Baccano}}'', the brief appearances of the TortureTechnician Mr. Chick are accompanied by a faint, upbeat and ''very'' unnerving whistling tune.
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* In the anime of ''{{Baccano}}'', ''LightNovel/{{Baccano}}'', the brief appearances of the TortureTechnician Mr. Chick are accompanied by a faint, upbeat and ''very'' unnerving whistling tune.
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** Obviously, ''YuGiOhTheAbridgedSeries'' makes fun of this, with all appearances of Duke Devlin being followed by Justin Timberlake's "[=SexyBack=]". At the end of the episode Yugi says he'll be friends with Duke if he stops playing that annoying theme music, to which Devlin replies "What theme music?"
to:
** Obviously, ''YuGiOhTheAbridgedSeries'' ''WebOriginal/YuGiOhTheAbridgedSeries'' makes fun of this, with all appearances of Duke Devlin being followed by Justin Timberlake's "[=SexyBack=]". At the end of the episode Yugi says he'll be friends with Duke if he stops playing that annoying theme music, to which Devlin replies "What theme music?"
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* FairyTail has quite a few to the point where some of their attacks get theme songs.
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* FairyTail ''FairyTail'' has quite a few to the point where some of their attacks get theme songs.
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* ''FullmetalAlchemist'' used a lot of leitmotif. The names for the Homunculi's themes were named in Japanese even in English, with multiple levels of [[MeaningfulName meanings]]. For instance, Lust's theme, "[[http://www.youtube.com/watch?v=wq5lClW_M0M Aishou]]", can mean "Sorrow", which is appropriate--and also a clue that nobody with that music can be totally evil--or "prostitute", because, well, she's [[MsFanservice Lust]].
* In the {{Anime/Pokemon}} anime, Satoshi (Ash) has quite a few themes and songs (usually doubling as opening songs) with various variations. Haruka (May) has Haruka's Theme ~ Watashi Makenai and in the Diamond & Pearl series, Hikari (Dawn) has Hikari's Theme ~ Kimi no Soba de which is often played in scenes focusing on her (usually karaoke) and has many variations, including a slow version for sad scenes, a Christmas-y version used as the winter ending song, and more.
* In the {{Anime/Pokemon}} anime, Satoshi (Ash) has quite a few themes and songs (usually doubling as opening songs) with various variations. Haruka (May) has Haruka's Theme ~ Watashi Makenai and in the Diamond & Pearl series, Hikari (Dawn) has Hikari's Theme ~ Kimi no Soba de which is often played in scenes focusing on her (usually karaoke) and has many variations, including a slow version for sad scenes, a Christmas-y version used as the winter ending song, and more.
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* ''FullmetalAlchemist'' used a lot of leitmotif. leitmotifs. The names for the Homunculi's themes were named in Japanese even in English, the English release, with multiple levels of [[MeaningfulName meanings]]. For instance, Lust's theme, "[[http://www.youtube.com/watch?v=wq5lClW_M0M Aishou]]", can mean "Sorrow", which is appropriate--and also a clue that nobody with that music can be totally evil--or "prostitute", because, well, she's [[MsFanservice Lust]].
* In the{{Anime/Pokemon}} ''{{Anime/Pokemon}}'' anime, Satoshi (Ash) has quite a few themes and songs (usually doubling as opening songs) with various variations. Haruka (May) has Haruka's Theme ~ Watashi Makenai and in the Diamond ''Diamond & Pearl Pearl'' series, Hikari (Dawn) has Hikari's Theme ~ Kimi no Soba de which is often played in scenes focusing on her (usually karaoke) and has many variations, including a slow version for sad scenes, a Christmas-y version used as the winter ending song, and more.
* In the
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*** In one of the 'Deleted Scenes' videos, LittleKuriboh makes fun of this as well, with Tristan having found the remote for Duke's Theme Music. He then proceeds to browse through the several options and eventually chooses the least fitting... That is, after critisizing all the other options. Among those 'critisized' options are the second opening for DeathNote, the first opening for Yu-Gi-Oh! GX and the first opening for {{Anime/Pokemon}}.
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*** In one of the 'Deleted Scenes' videos, LittleKuriboh makes fun of this as well, with Tristan having found the remote for Duke's Theme Music. He then proceeds to browse through the several options and eventually chooses the least fitting... That is, after critisizing criticizing all the other options. Among those 'critisized' 'criticized' options are the second opening for DeathNote, ''DeathNote'', the first opening for Yu-Gi-Oh! GX ''Yu-Gi-Oh! GX'', and the first opening for {{Anime/Pokemon}}.''{{Anime/Pokemon}}''.
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** Kaiba has "Now I'm Back," a song unique to the 4Kids dub and a rare leitmotif with lyrics. It's mainly limited to the first season.
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** Kaiba has "Now I'm Back," [[http://www.youtube.com/watch?v=ClpQUdH-g7A "I'm Back,"]] a song unique to the 4Kids [[FourKidsEntertainment 4Kids]] dub and a rare leitmotif with lyrics. It's mainly limited to the first season.season.
** There's also a theme that plays in the English dub whenever Kaiba is hacking computers or doing something similar. It's typically referred to as [[http://www.youtube.com/watch?v=OaxrnUE2WzE "Kaiba Hacking Theme"]].
** There's also a theme that plays in the English dub whenever Kaiba is hacking computers or doing something similar. It's typically referred to as [[http://www.youtube.com/watch?v=OaxrnUE2WzE "Kaiba Hacking Theme"]].
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* ''{{Naruto}}'' loves this. All the major characters have more then one that changes on how dramatic the scene is or character development. Orochimaru has 2 versions of the same song: one used for fighting and the other used for plot relevance. Even non major characters like Konohamaru and Tenten have themes.
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* ''{{Naruto}}'' loves this. All the major characters have more then one that changes on how dramatic the scene is or character development. Orochimaru has 2 two versions of the same song: one used for fighting and the other used for plot relevance. Even non major non-major characters like Konohamaru and Tenten have themes.
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* [[http://au.youtube.com/watch?v=NatwbuRCZ_w Ryoga's Theme]] is one of the most noticable in the RanmaOneHalf series
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* [[http://au.youtube.com/watch?v=NatwbuRCZ_w Ryoga's Theme]] is one of the most noticable in the RanmaOneHalf ''RanmaOneHalf'' series
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* ''{{Bleach}}'' has [[http://www.youtube.com/watch?v=PLyi5xHtkb0 On the Precipice Of Defeat]]when someone on the side of the heroes is about to make a big comeback.
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* ''{{Bleach}}'' ''Manga/{{Bleach}}'' has [[http://www.youtube.com/watch?v=PLyi5xHtkb0 On the Precipice Of Defeat]]when someone on the side of the heroes is about to make a big comeback.
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* ''{{Mobile Suit Gundam}}'' has some memorable, if trippy motifs (it was 1979, after all!) "The Gallant Char" sounds downright heroic compared to the typical Zeon themes, which had a psychedelic spooky aspect. Music associated with the crew and suits of White Base featured triumphant horns - when not in battle.
** ''{{Zeta Gundam}}'' - [[FourIsDeath Four Chords mean]] [[KillEmAll Somebody's Dead]].
*** The AEUG's theme also features triumphant horns, and features heavily even in battle scenes, while the Titans and Axis had unique themes as well. Many of these themes were carried over into ''{{Gundam ZZ}}'', as both were scored by Shigeaki Saegusa.
** ''{{G Gundam}}'' made extensive use of themes for the main fighters, not to mention the themes used for the Shining and Bakunetsu God Fingers.
** ''GundamWing'' has different themes for, among others, the five Gundam pilots, Relena, Wing Zero, the Mobile Dolls, and Treize. Heero's ("The Wings of a Boy Who Killed Adolesence") and Relena's ("Soft Hair, Clear Eyes") have several remixes, most famously the former's "Codename Heero Yuy" (the next episode preview theme), while Duo's ("Black Wind Inviting Death") and Quatre's ("Looking for Peace Hidden in the Corpse") never actually get used in the show and can only be heard on the soundtrack or in the ''SDGundamGGeneration'' video games.
** ''{{Zeta Gundam}}'' - [[FourIsDeath Four Chords mean]] [[KillEmAll Somebody's Dead]].
*** The AEUG's theme also features triumphant horns, and features heavily even in battle scenes, while the Titans and Axis had unique themes as well. Many of these themes were carried over into ''{{Gundam ZZ}}'', as both were scored by Shigeaki Saegusa.
** ''{{G Gundam}}'' made extensive use of themes for the main fighters, not to mention the themes used for the Shining and Bakunetsu God Fingers.
** ''GundamWing'' has different themes for, among others, the five Gundam pilots, Relena, Wing Zero, the Mobile Dolls, and Treize. Heero's ("The Wings of a Boy Who Killed Adolesence") and Relena's ("Soft Hair, Clear Eyes") have several remixes, most famously the former's "Codename Heero Yuy" (the next episode preview theme), while Duo's ("Black Wind Inviting Death") and Quatre's ("Looking for Peace Hidden in the Corpse") never actually get used in the show and can only be heard on the soundtrack or in the ''SDGundamGGeneration'' video games.
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* ''{{Mobile ''Anime/{{Mobile Suit Gundam}}'' has some memorable, if trippy motifs (it was 1979, after all!) "The Gallant Char" sounds downright heroic compared to the typical Zeon themes, which had a psychedelic spooky aspect. Music associated with the crew and suits of White Base featured triumphant horns - when not in battle.
**''{{Zeta Gundam}}'' ''[[Anime/MobileSuitZetaGundam Zeta Gundam]]'' - [[FourIsDeath Four Chords mean]] [[KillEmAll Somebody's Dead]].
*** The AEUG's theme also features triumphant horns, and features heavily even in battle scenes, while the Titans and Axis had unique themes as well. Many of these themes were carried over into''{{Gundam ZZ}}'', ''[[Anime/MobileSuitGundamZZ Gundam ZZ]]'', as both were scored by Shigeaki Saegusa.
**''{{G Gundam}}'' ''[[Anime/MobileFighterGGundam G Gundam]]'' made extensive use of themes for the main fighters, not to mention the themes used for the Shining and Bakunetsu God Fingers.
**''GundamWing'' ''[[Anime/MobileSuitGundamWing Gundam Wing]]'' has different themes for, among others, the five Gundam pilots, Relena, Wing Zero, the Mobile Dolls, and Treize. Heero's ("The Wings of a Boy Who Killed Adolesence") and Relena's ("Soft Hair, Clear Eyes") have several remixes, most famously the former's "Codename Heero Yuy" (the next episode preview theme), while Duo's ("Black Wind Inviting Death") and Quatre's ("Looking for Peace Hidden in the Corpse") never actually get used in the show and can only be heard on the soundtrack or in the ''SDGundamGGeneration'' video games.
**
*** The AEUG's theme also features triumphant horns, and features heavily even in battle scenes, while the Titans and Axis had unique themes as well. Many of these themes were carried over into
**
**
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* ''GaoGaiGar'' has several, though most seem to be more for specific scenes rather than the characters themselves. A few examples include the different themes that accompany [[TransformationSequence Final Fusion]], [[MemeticMutation Symmetrical Docking]], [[CombiningMecha Big Volfogg's combination sequence]], and [[DisappearsIntoLight Goldion]] [[DroptheHammer Hammer]]. Additionally, there are other songs that seem to play in less specific situations, such as the [[AnimeThemeSong Anime Theme Song]] playing during some of the titular [[HumongousMecha GaoGaiGar's]] [[CrowningMomentofAwesome CMOAs]].
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* ''GaoGaiGar'' has several, though most seem to be more for specific scenes rather than the characters themselves. A few examples include the different themes that accompany [[TransformationSequence Final Fusion]], [[MemeticMutation Symmetrical Docking]], [[CombiningMecha Big Volfogg's combination sequence]], and [[DisappearsIntoLight Goldion]] [[DroptheHammer Hammer]]. Additionally, there are other songs that seem to play in less specific situations, such as the [[AnimeThemeSong Anime Theme Song]] playing during some of the titular [[HumongousMecha GaoGaiGar's]] [[CrowningMomentofAwesome CMOAs]].CMOAs]].
* ''Manga/DailyLivesOfHighSchoolBoys'':
** Literature Girl has a lonely piano piece, which resonates well with her seemingly solitary nature, but is also non-indicative of the [[HilarityEnsues hilarity that ensues]] from her interactions with Hidenori. It was even used as the [[PlaceholderTitles ED for the first episode]].
** [[BullyHunter Rubber Shooter]] has PachelbelsCanon.
* ''Manga/DailyLivesOfHighSchoolBoys'':
** Literature Girl has a lonely piano piece, which resonates well with her seemingly solitary nature, but is also non-indicative of the [[HilarityEnsues hilarity that ensues]] from her interactions with Hidenori. It was even used as the [[PlaceholderTitles ED for the first episode]].
** [[BullyHunter Rubber Shooter]] has PachelbelsCanon.
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*** Moonlight Knight got an Arabian-esque version whenever he appeared in the alien arc of R.
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*** Moonlight Knight got an Arabian-esque version whenever he appeared in the alien arc of R. He had a different theme in the English dub that was also Arabian-esque.
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*** Moonlight Knight got an Arabian-esq version whenever he appeared in the alien arc of R.
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*** Moonlight Knight got an Arabian-esq Arabian-esque version whenever he appeared in the alien arc of R.R.
*** Mamoru's early civilian appearances in the first series in which he would antagonize Usagi also had their own intense tango that would play until he left.
*** Mamoru's early civilian appearances in the first series in which he would antagonize Usagi also had their own intense tango that would play until he left.
** Haruka and Michiru themselves had theme music that accompanied their appearances in their civilian identities.
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** So did Sailor Starlights in the fifth season. Some of the {{Big Bad}}s, for example, Queen Beryl, had special theme music as well.
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** So did The Sailor Starlights in the fifth season. Some of the {{Big Bad}}s, for example, Queen Beryl, had special their own transformation music, attack music, and also a unique whistling theme music as well.that played to herald their appearance.
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** Some of the {{Big Bad}}s, for example, Queen Beryl, had special theme music as well.
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* The ''DominionTankPolice'' OVA did this: The cops had one, the Buaku gang had one (The "Hey, Boy" striptease number done by the Puma sisters), and the Red Commandoes had one. Bits of each were played to introduce each group in the beginning of the MexicanStandoff.
* ''SailorMoon'' has numerous bits of theme music and leit-motifs that appear repeatedly throughout the show. The first two seasons of the English dub used none of the original soundtrack, but it did retain the concept of having individual themes even though it used them more sparingly. When the show's license switched over after Sailor Moon R, the new license holder just kept the soundtrack as is.
** The arrival of Tuxedo Mask was usually accompanied by his own tinkly romantic theme complete with castanets. The English dub changed this to a distinct Spanish-sounding guitar riff that also had a "mournful" version.
*** Moonlight Knight got an Arabian-esq version whenever he appeared in the alien arc of R.
** Sailor Moon herself had the most individual theme music of any character. Each attack, transformation, and even her disguise pen had unique music themes. The transformations even had her name sung as part of the music. It was also common to hear one of these themes played as battle music when the Senshi had the upper hand in battle. The English dub gave her one transformation song and one attack song that were used regardless of what season it was, which led to some problems by the time they adapted Sailor Moon R because the songs clearly did not fit the length of the stock footage anymore.
*** Furthermore, Sailor Moon's [[InTheNameOfTheMoon requisite speeches]] also had their own theme music, though the dub gave her a different one.
** The other four Guardian Senshi, starting with Sailor Moon R and beyond, each had their own individual transformation themes. The dub, regardless of the season, gave them all one piece of music to share, but also added a second theme that played to indicate that a Sailor Senshi was attacking in general.
** [=ChibiUsa=] had a few themes exclusively for her in the Japanese version - one for whenever she used her Luna P, and one in Sailor Moon R that played whenever she was particularly upset and lonely, actually named "Chibi Usa no omoi" ([=ChibiUsa=]'s feelings). In the ''SailorMoon [=SuperS=]'' movie, she also had a full individual transformation sequence that included a song just for Chibi Moon.
** Uranus, Neptune, and Pluto, first appearing in the third season, got their own theme, one for transforming and one for attacking.
** Hotaru, before actually becoming a Senshi, also had her own creepy song that played whenever she was being possessed by Mistress 9.
** So did Sailor Starlights in the fifth season. Some of the {{Big Bad}}s, for example, Queen Beryl, had special theme music as well.
** Even ''Luna'' has her own theme music that plays whenever she gives the Senshi new items.
** In the first season, the show's theme song ("Moonlight Densetsu") is used as a theme for times when Usagi and Mamoru are remembering parts of their relationship from their past lives. This is accomplished via a locket that plays the song. The dub also used the theme song, but a new recording of it. The Japanese version also occasionally used a slower instrumental version of the first ending theme "Heart Moving" to the same effect. Later seasons would occasionally slip in instrumentals of ending themes as well to punctuate more serious moments.
** Each villain group has their own individual theme. The dub, with the exception of the aliens in the first arc of R, gave them all the same theme. In the case of the aliens, they have two different flute songs that Ali will play, one whenever he's playing for fun, and one when he's summoning a Cardian. The dub alters the first theme and uses it regardless of what he's doing.
** In the dub only, almost all of the incidental music was just various instrumentals of the opening version played ad nauseam to the point of madness.
** For obvious reasons, the Sailor Moon Musicals, or SeraMyu, also made heavy use of leitmotifs and designated character theme songs. For brevity's sake, they shall not be listed here.
*** Of note however is that by the end of the run each of the Sailor Sailor Senshi had their own... Except Uranus and Neptune who shared theirs each time. This was pointed out and lampshaded by their actresses in a Fan Kan event.
** Even ''SailorMoonAbridged'' gives each character a leitmotif during their transformation sequence. One example is Sailor Moon's theme, which is Aqua's 'Barbie Girl'.
* Like Tuxedo Mask, ''TokyoMewMew'''s resident MysteriousProtector, the Blue Knight / Ao no Kishi, has his arrival marked by his own theme music. Each of the five girls has her own distinctive transformation music, and all of Mew Ichigo's attacks are accompanied by a special tune (except for "Reborn Aqua Drops", which is apparently so powerful that it required a ''song'' -- "Glider" -- to be accompanied with). There are leitmotifs for some other events as well, for example, the scenes with Kisshu talking to Deep Blue.
* ''ExcelSaga'' accompanied Pedro's scenes as a ghost with a sad, instrumental riff from "House of the Rising Sun".
** Il Palazzo also has his own suitably pompous and grandiose theme that plays during his big speeches. And Nabeshin has his own theme for his appearances as well.
** Excel's was really quick and had whistles and banging.
* Quite a few characters in ''LuckyStar'' have leitmotifs, such as Konata, who has a slacker-esque melody quite fitting of her goofy-slacker-{{otaku}} personality.
* The intro song to the ''LupinIII'' TV shows or movies is also the leitmotif for the titular main character.
* ''SuperRobotWars'' gives most of the Banpresto Originals (characters created specifically for the game) and bosses their own Leitmotifs. With Original Generations even minor characters like Katina have theme songs. The [[MemeticMutation most famous of these]] is Elzam/Ratsel's theme of "Trombe!". Due to a mistaken high priority in his first game, Trombe will override even boss themes. the only way to disrupt it is to [[SorryILeftTheBGMon blast music out of a speaker.]]
* Many wrestlers from ''Kinnikuman'' have their own theme music.
* In the dub of the ''{{Kirby}}'' [[KirbyRightBackAtYa anime]], Meta Knight is always introduced by a Mexican fanfare.
** He has a similar one in the original, but it's not quite as foreign-sounding.
* Vegeta's theme music from ''{{Dragonball}}'' It's iconic to his character, though its usage dropped considerably after the Frieza Saga.
** Leitmotifs were very common in the dub of DBZ. Piccolo had his own theme, usually played whenever he did something heroic (although it was occasionally used at other points). The various story arcs introduced new leitmotifs. Then there's the leitmotif that was first introduced when Goku shows off Super Saiyan 3. It's ostensibly the Super Saiyan 3 theme, but it tends to get played any time the heroes gain an edge during the Buu Saga. Buu himself, of course, has his own, devillishly jovial theme, befitting of a nightmarish trickster.
*** Piccolo had a whistling theme in the Japanese original, mostly seen in the movies when he swoops in to save Gohan.
** The strangest part about the dub is that every single situation had its own leitmotif. To the point where I can't remember a single scene where some sort of background music ''wasn't'' playing.
*** In fact argually leitmotifs weren't as strictly applied in DBZ as most other usages. Captain Ginyu, a minor character from the Frieza Saga, has his own epic theme for when he uses his body-switching technique, that is named after him. However, it was SO epic that it was used throughout the series for moments of awesome, whilst still being called 'Captain Ginyu's Transformation.' Also the Hyperbolic Time Chamber theme became Gohan's Super Saiyan theme near the end of the Cell Games Saga.
* [[http://au.youtube.com/watch?v=NatwbuRCZ_w Ryoga's Theme]] is one of the most noticable in the RanmaOneHalf series
* Also in ''NeonGenesisEvangelion''. Note how Asuka's leitmotif sounds quite American-ish.
** Rei has three different ones, not counting reduxes thereof in the AlternateContinuity movies. [[spoiler:[[CloningBlues Guess why.]]]]
*** [[http://www.youtube.com/watch?v=OLbDNFbw10A Some of which are quite]] [[NightmareFuel creepy]]. For good reason.
** We don't hear Shinji's much, but it's a very good study of the character; it's not a fast-paced epic full of dashing contrasts. It's quiet, reserved and moved to passion on a few recurring points. There are two themes, the first of which (http://www.youtube.com/watch?v=CptTCkAT2GM) clues us in just what he's all about when we hear it in the first episode. The second (http://www.youtube.com/watch?v=1vcxJmOnVlw) expands upon this.
** There's also [[http://www.youtube.com/watch?v=Y5xfIcR4-tA&feature=related Angel Attack]], which plays nearly every time an [[DepartmentOfRedundancyDepartment angel]] [[ExactlyWhatItSaysOnTheTin attacks]].
** There's also [[http://www.youtube.com/watch?v=6N2MYUn6YK8&feature=related Tokyo-3]], the theme music for the city. It's big, impressive, and perhaps most importantly, never quite seems to get to where it's going, making it feel unfinished.
* Some characters in ''Panty & Stocking with Garterbel'' have their own themes, like Corset. Panty and Stocking, nor their enemies Scanty and Kneesocks have individual themes - rather, they only have duo themes that play when both of them are together.
* ''{{Yu-Gi-Oh}}!'' and its spinoffs ''{{Yu-Gi-Oh GX}}'' and ''{{Yu-Gi-Oh 5Ds}}'' have themes for most of the major characters.
** Obviously, ''YuGiOhTheAbridgedSeries'' makes fun of this, with all appearances of Duke Devlin being followed by Justin Timberlake's "[=SexyBack=]". At the end of the episode Yugi says he'll be friends with Duke if he stops playing that annoying theme music, to which Devlin replies "What theme music?"
*** In one of the 'Deleted Scenes' videos, LittleKuriboh makes fun of this as well, with Tristan having found the remote for Duke's Theme Music. He then proceeds to browse through the several options and eventually chooses the least fitting... That is, after critisizing all the other options. Among those 'critisized' options are the second opening for DeathNote, the first opening for Yu-Gi-Oh! GX and the first opening for {{Anime/Pokemon}}.
** "You just brought sexy back for the last time."
*** On the subject of Duke Devlin, when he's "dying" due to the lack of pretty girls around, you can hear the music skipping in the background.
** The Egyptian Gods also have their own [[http://www.youtube.com/watch?v=AcjOcYHWl3w epic orchestrated theme music]] that plays whenever one of them is Summoned.
** Kaiba has "Now I'm Back," a song unique to the 4Kids dub and a rare leitmotif with lyrics. It's mainly limited to the first season.
* ''{{Eureka Seven}}'' has a rather frantic, chaotic leitmotif play whenever Nirvash and [=TheEnd=] fight each other.
* ''{{Naruto}}'' loves this. All the major characters have more then one that changes on how dramatic the scene is or character development. Orochimaru has 2 versions of the same song: one used for fighting and the other used for plot relevance. Even non major characters like Konohamaru and Tenten have themes.
** Do not [[http://www.youtube.com/watch?v=5RcVNuHkGZ8 fuck with]] [[http://www.youtube.com/watch?v=RGitJZE3q0Q&feature=related Rock ]], [[http://www.youtube.com/watch?v=67t6_y7U1GA&feature=related Lee]], he has three theme songs in the first season which are used (almost) exclusively for him! They seemingly call him ROCK Lee for more than one reason! His awesomeness was apparently toned down in ''Naruto Shippuuden'', though, and these awesome themes have been used on other occasions too, especially in the filler episodes.
* The anime ''Rockman.EXE'' always plays the theme song when the characters are about to win. In fact, you can reliably tell when the characters are going to turn around even the worst situation because the theme music will immediately start to play. It is quite possible that the theme music may be the only thing between life and death for the heroes.
** In the first season, the music accompanies the climactic final battle between Rockman and Blues during the InevitableTournament. Rockman ''loses'', and his hard fight is congratulated by Netto and Blues over a quiet piano version: "Kaze wo Tsukinukete ~Ballad Version~".
** This was not retained in the ''MegaManNTWarrior'' dub, to great detriment. They won without their magic theme music.
* ''Anime/TheBigO'' had theme music for whenever Roger summoned The Big O that was a suitably dramatic orchestral fanfare. It also has a piece of foreign music that the Union uses to apparently summon its agents in Paradigm City to gather. Another song with OminousLatinChanting is used sometimes whenever something bad is happening, such as Alex Rosewater's dad burning himself to death.
** The Big O soundtrack is made entirely of reused leitmotifs that appear constantly. In particular ''Painful Dream'', which had three different versions, and ''Apologize'' which had some four or five different versions.
* ''FullmetalAlchemist'' used a lot of leitmotif. The names for the Homunculi's themes were named in Japanese even in English, with multiple levels of [[MeaningfulName meanings]]. For instance, Lust's theme, "[[http://www.youtube.com/watch?v=wq5lClW_M0M Aishou]]", can mean "Sorrow", which is appropriate--and also a clue that nobody with that music can be totally evil--or "prostitute", because, well, she's [[MsFanservice Lust]].
* In the {{Anime/Pokemon}} anime, Satoshi (Ash) has quite a few themes and songs (usually doubling as opening songs) with various variations. Haruka (May) has Haruka's Theme ~ Watashi Makenai and in the Diamond & Pearl series, Hikari (Dawn) has Hikari's Theme ~ Kimi no Soba de which is often played in scenes focusing on her (usually karaoke) and has many variations, including a slow version for sad scenes, a Christmas-y version used as the winter ending song, and more.
* ''{{Pretear}}'' has some examples as well. It's a MagicalGirl anime, so predictably there is a transformation theme music (actually with three slight variations), a couple of battle themes, and a theme associated with [[BigBad evil]]. What makes it weird is that main characters don't seem to have any particular tunes reserved for them, but comic relief side characters do. Tanaka the butler even has his theme named after him; there is also a leitmotif played mainly during Yayoi's crazy speeches, and a leitmotif for Mayune's shower scenes.
* TengenToppaGurrenLagann - And how! Every character has their own theme song, ranging from the silly (Yoko's 'Boing vs Boing', an ode to Gainaxing) to the unbelievably badass (Viral's 'Nikopol') to the just plain weird (Leeron's heavily electronic... whatever it is). The series also has several motifs as background music, like the very well known Fight The Powah rap, and the operatic OneWomanWail complete with piano accompaniment version of said rap, 'Libera Me From Hell' that plays to astoundingly awesome effect during the final battle.
** Don't forget Ten wo Tsuke, which whenever a scene that is filled with hope happens like where Simon, Kamina, and Yoko break the surface. And of course what happens, well, you know who dies. "Sniff"
*** Also, we have one of the most badass english song in the entire show, which plays in episode 3, when Viral activates Enki for the first time and proceeds to kick Gurren's shiny, metallic ass: Gattai Nante Kusokurae! (To hell with Gattai!)
**** And we have Nikopol, Viral's theme song which plays in episode 2, before Viral is even shown, during Kamina and Simon's attempt at taking over the Gunzan (later rebuilt into Gurren).
** During the final battle, as it begins, the Tengen Toppa Gurren-Lagann and Granzeboma walk towards eachother on top of a galaxy, while "Is it okay to just get fired up?" plays in the background, matching very well with the pace of the battle.
*** When the ASK uses his "INFINITY BIG BANG STORM!!!", the theme "All you bastards, get fired up!" starts playing for a short while, after which it changes into "Sora-iro Days" AKA the opening, which plays while the TTGL and Granzeboma ends the battle, by gradually decreasing in size, both being impaled, and TTGL launching the Chouginga Gurren-Lagann, which is also impaled, after which it launches Ark-Gurren-Lagann, which (surprise, surprise) is also impaled, and launches Gurren-Lagann, which loses both legs and an arm, before Viral rips the Lagann off and throws it at the Anti-Spiral King, who is then defeated by the same attack as the first Gunmen Simon ever fought... Timing it perfectly, so that with every new line, they launch the smaller versions of the Gurren-Lagann and the song ending exactly as the Lagann finishes drilling through the ASK.
* The ''DeathNote'' soundtrack has lots of tracks claiming to be Leitmotifs, but really the only one applied repeatedly and with narrative consistency is the Dies Irae, which always means a huge turning point as seen through Light's eyes.
** There's also at least one theme for L, Light and Misa. The rest of the songs aren't that much of leitmotifs, they just have titles related to their appearance in the anime For example, such songs are Ikari (anger), Himitsu (secret), etc...
** Near and Mello have their own themes together. When Near's Theme and L's Theme are played together, they actually have an almost call and response thing going on...YMMV, though.
* ''{{Bleach}}'' has [[http://www.youtube.com/watch?v=PLyi5xHtkb0 On the Precipice Of Defeat]]when someone on the side of the heroes is about to make a big comeback.
** And the fantastically amazing ''[[http://www.youtube.com/watch?v=Uc3lXjBfe6o Number One]]'' for when that someone is Ichigo.
*** [[TookALevelInBadass Takes a level in badass]] in its remake ''[[http://www.youtube.com/watch?v=oMKMZy1eSQU Chokkaku]]''.
** Bleach is incredibly fond of these. You also have the haunting "Nothing can be Explained" when the heroes seem to be on the precipice of total defeat.
*** Clearly, there needs to be a song called "Big Comeback" for when nothing can be explained.
*** Also, the song [[http://www.youtube.com/watch?v=UM3cZsYubKM Destiny Awaits]] might as well be named Byakuya's Theme.
**** Even the arrancar have their own theme songs -- flamenco and salsa-type tunes that go well with their overall Spanish theme.
**** [[http://www.youtube.com/watch?v=I3kiCvUcOgY Treachery]] now seems to be the theme music for villains' OneWingedAngel transformations and powering up in general.
**** On the third soundtrack, Yasutora "Chad" Sado and Uryu Ishida both received individual theme songs, Uryu's being [[http://www.youtube.com/watch?v=6mhMN0t9NAM Quincy's Craft]] and Chad's being [[http://www.youtube.com/watch?v=6UKXlbwrn2M Dominio del Chad]] (roughly "Chad's Domain" in Spanish, although if you translate it exactly, it becomes the much more hilarious "Domain of the Chad").
* ''PrincessTutu'' has leitmotifs for most of the major characters, pulled from (mostly) Romantic-era classical music. Fakir's theme is [[{{LudwigVanBeethoven}} Beethoven's]] ''Coriolanus'' Overture, Mytho's theme is the "Dance of the Sugar Plum Fairy" from ''Theatre/TheNutcracker'' (and later episodes use Siegfried's Funeral March from RichardWagner's ''[[DerRingDesNibelungen Götterdämmerung]]'' when he's in danger, as well as "the Immortal Beloved" theme from the ''Siegfried-Idyll'' for his true prince form [[spoiler:which are appropriate since his true name is Siegfried]]), Princess Tutu's is "The Waltz of the Flowers" from ''The Nutcracker'', Drosselmeyer's is the Grande March from ''The Nutcracker'' (often arranged in a minor key and played on an ominous organ), Rue has several piano pieces by Satie for her themes, Ahiru has ''The Nutcracker'' Overture (that has several different arrangements for her changing moods), Edel's organ plays a slowed-down version of "The Dance of the Automatons" from Léo Delibes's ''Coppelia'' ([[spoiler:can you say [[ArtificialHuman foreshadowing]]?]])...even Professor Cat gets one--the Wedding March, of course! This isn't even going into some of the ''other'' leitmotifs used to represent various themes in the anime, or the fact that every episode has its ''own'' major musical theme named in the title card.
* ''OnePiece'' doesn't have particularly prevalent Leitmotifs, but they're around. Some of the main crew have them, particularly Sanji and his jazzy theme, and some villain teams feature their own as well - [=CP9=], for example, had a strong leitmotif with strings and a mechanical-sounding beat. And then there's Sogeking... In the fighting games based on the series, each character has a short musical piece that plays during their finishing attack.
** Every crew member DOES have their own Leitmotif, though, little snippets of which play during their {{eyecatch}}. They don't show up all that often in the anime, though, except during their battles (usually at their moment of triumph.) Also notable in that they seem to each get their own primary instrument (Robin has the saxaphone, Chopper the flute, and so on) and musical style (Franky gets orchestral swing, Sanji has smooth jazz, etc.) Brook is the only one whose theme tune seems to have actual lyrics, since it's so important to his character arc.
** In the 4Kids dub, Shanks had a very noticeable Leitmotif of an Irish tune. Anytime he spoke. Wouldn't be as annoying if it wasn't also during awesome moments.
** Though perhaps not a proper Leitmotif, "[[http://www.youtube.com/watch?v=TezDF1ybD-k Overtaken]]" functions as a Leitmotif for anyone who goes into {{Determinator}} mode and is about to do something awesome.
** I would think that One Piece is full of obvious Leitmotifs. Throughout the series they recycle tunes such as designated tear-jerker, awesome, and ''BigBad''-introduction music.
* ''PrettyCure'' is positively drowning in Leitmotifs. Every Cure has her own theme music; these are slow and quiet for the more intellectual characters, and cheerful and upbeat for the others. Every complete team has a Leitmotif for when they're kicking some butt, distinct from the opening theme (which in turn is used as a RecurringRiff). Every evil organization has one, and every BigBad as well, including the movie villains. There's one for every Magical Land. Every [[{{Mons}} mascot creature]] has a Leitmotif--usually this is individual, though Coco and Nuts share theirs, and creatures from the movies tend to share themes as well. ''[[YesPrettyCure5 Yes! Pretty Cure 5]]'' even gave the ''school'' its own Leitmotif.
* ''CodeGeass'' has "All Hail Britannia" (for when TheEmpire does something epic), "Devil Created" (for when Lelouch uses his EvilEye), and "0" (for when Lelouch's latest bit of [[MagnificentBastard magnificent bastardry]] comes to fruition.
** Beautiful Emperor plays when Lelouch [[spoiler: creates the UFN, and becomes Britannian Emperor.]] You know, Emperor-y stuff. The "beautiful" part is [[{{bishonen}} self-evident]].
* The "Julia" music box theme from CowboyBebop certinally quallifies, as it harkens Spike's myth arc.
** Also, Andy would usually whistle his own generic Western theme whenever he showed up.
* One from a ''manga'', carried over into the OVA: Rip Van Winkle of ''{{Hellsing}}'' is continuously singing from the opera "The Magic Bullet" (about a huntsman who makes a deal with a devil for bullets that never miss; Tom Waits based ''The Black Rider'' on it). At one point, when Alucard attacks her, he sings the demon's part.
** This opera is actually called ''[[DerFreischuetz Der Freischütz]]'' (''See'' {{Theater}}, below'')," although some English-Language versions of the folktale it's based on were called "The Magic Bullets" since "The Free-Shooter" doesn't make as much sense in English as it does in German.
* In the Japanese ''{{Digimon}}'' series, each of the main characters gets their own {{Leitmotif}}. Hikari and Takeru get two, as they star in two separate seasons. If you're watching ''DigimonAdventure'' in Japanese, that quirky beeping techno music that plays every time Koushirou whips out his computer or realizes something important? It's called "Digital Scratch!" Get used to it. You will hear it a ''lot.''
** There's no way the ''02'' songs "Bokura no Digital World" (the season's memorial song) and "Mirai e no Message" (an image song) can contain the same six note melody (da-da-DAH dah dah ''daaah'') and similar chord progressions in the verses without some intention to tie the songs together by the composers. Even more, "3 Primary Colors" from ''Tamers'' (sung in the points of view of the three main kids, and it was used in that season's final episode) seems to use a variation of the aforementioned motif between vocal sections. Different characters, different continuity, same franchise...not surprised they sound alike.
** ''DigimonXrosWars'' LOVES leitmotifs, with several variations of different songs. There's several, but special mention goes to the Bagra Empire's theme, which has no less than ''seven'' versions of the theme played throughout the series, [[http://youtu.be/n1YLlNqiPc4 each]] [[http://youtu.be/bda22LjSFf8 one]] [[http://youtu.be/EjqLO0Trc-Y of]] [[http://youtu.be/PmUfaFt0LNE them]] [[http://youtu.be/v741y5fTKKA fitting]] [[http://youtu.be/A3A8m3LY7vw different]] [[http://youtu.be/ezJArZZqsG0 moods]].
* In ''MagicalGirlLyricalNanoha'', if someone has an elaborate TransformationSequence, it will be accompanied by their Leitmotif. Some, like Fate's "[[http://www.youtube.com/watch?v=1czXpwyVc9c Flash of Gold]]" or Teana's "[[http://www.youtube.com/watch?v=H367cs3Qvo0 Meteoric Marksman]]", are action-packed enough to be used for ThemeMusicPowerUp purposes as well. Others, like Nanoha's "[[http://www.youtube.com/watch?v=PR-vzNA1d0Q Raising Heart, Set Up!]]", can't be used anywhere else so she has other character themes for [[DefeatMeansFriendship befriending purposes]], like "[[http://www.youtube.com/watch?v=TsSjvKOdL8M Ace of Aces]]".
** Special mention goes to the name of Subaru's personal [[ThemeMusicPowerUp I'm-Going-To-Kick-Ass-Now]] Leitmotif for managing to throw in yet another ''GaoGaiGar'' ShoutOut. Its name? "[[http://www.youtube.com/watch?v=FbyHPrQQO7Y The Meaning of Courage]]".
* KatekyoHitmanReborn has a number but most notable is Hibari's which is about the only piece in the show on the piano and means that you know from the beginning just how awesome he is.
** Actually, each character has an epic theme song. The editors/writers just don't want to overuse them.
* ''SayonaraZetsubouSensei'' has some good examples, too. Each of the girls (and Itoshiki-sensei), or to be more precise the personality quirks their entire characters are based around, has their own specific theme - stalking, trolling, being incredibly positive, being incredibly depressing, you name it, it has a theme song.
* ''MinamiKe'' does this often with Hosaka, usually resorting to a Harmonica version of Tchaikovsky's Serenade for Strings in C major during his many rambling monologues dedicated to his unrequited love for Haruka.
* In ''TsubasaChronicle'' the main group of characters each have their own themes--most notably Kurogane, Fay, and Syaoran all have seperate themes that are often played when they're fighting, at least in the first season. Kurogane's is "break the sword of justice," Fay's is "strange names," and then Syaoran's "a song of storm and fire" is probably the best known one. Even some arcs have their own set of background music and insert songs.
* ''SuzumiyaHaruhi'' has a few good examples, but the one used with the most consistency is definitely "Nagato's Confession," a cool, stoic electronic tune. "How Promising" is also used pretty often and usually means Haruhi's about to pull some harebrained scheme again.
* ''{{Mobile Suit Gundam}}'' has some memorable, if trippy motifs (it was 1979, after all!) "The Gallant Char" sounds downright heroic compared to the typical Zeon themes, which had a psychedelic spooky aspect. Music associated with the crew and suits of White Base featured triumphant horns - when not in battle.
** ''{{Zeta Gundam}}'' - [[FourIsDeath Four Chords mean]] [[KillEmAll Somebody's Dead]].
*** The AEUG's theme also features triumphant horns, and features heavily even in battle scenes, while the Titans and Axis had unique themes as well. Many of these themes were carried over into ''{{Gundam ZZ}}'', as both were scored by Shigeaki Saegusa.
** ''{{G Gundam}}'' made extensive use of themes for the main fighters, not to mention the themes used for the Shining and Bakunetsu God Fingers.
** ''GundamWing'' has different themes for, among others, the five Gundam pilots, Relena, Wing Zero, the Mobile Dolls, and Treize. Heero's ("The Wings of a Boy Who Killed Adolesence") and Relena's ("Soft Hair, Clear Eyes") have several remixes, most famously the former's "Codename Heero Yuy" (the next episode preview theme), while Duo's ("Black Wind Inviting Death") and Quatre's ("Looking for Peace Hidden in the Corpse") never actually get used in the show and can only be heard on the soundtrack or in the ''SDGundamGGeneration'' video games.
** Both Gundam SEED and SEED Destiny gave us more leitmotifs. Whenever Freedom sortied in SEED, it was followed by METEOR by T.M. Revolution, the band that made the first opening for both shows. When Strike Freedom sorited in SEED Destiny, Vestige (also by TMR) started playing.
** Gundam 00. Each faction's ace-pilots have their own music. Graham had "Union", Patrick had one, Ali-Al Saachez had his own (but shared it with the Throne Meisters). And most importantly: Celestial Being had their music for whenever they appeared. And it even came in several versions: a normal version called Intervention, a slightly slower version, and one called Trans-Am, which (you guessed it) play when Exia unlocks Trans-Am.
*** The movie gave us even more epic versions of Intervention, one of which plays in its entirety and EVEN EXPANDED for the duration of the only battle where Tieria and Setsuna actually fight. The main battle in the end even had its own epic battle music.
* GunslingerGirl's anime adaptation gave all the girls one of these. They also have a version with lyrics. Here are [[http://www.youtube.com/watch?v=dc2K_riXHL8 Triela's,]] [[http://www.youtube.com/watch?v=yPZq1_81__Y&feature=related Claes's,]] [[http://www.youtube.com/watch?v=c5nSzDrK75M&feature=related Angelina's,]] [[http://www.youtube.com/watch?v=wAeuIH3Xjkc&feature=related Rico's,]] and [[http://www.youtube.com/watch?v=sQ7bE-oOCdw&feature=related Henrietta's]].
* In the anime of ''{{Baccano}}'', the brief appearances of the TortureTechnician Mr. Chick are accompanied by a faint, upbeat and ''very'' unnerving whistling tune.
* {{Slayers}} has a couple. The main heroes' Leitmotifs are pretty subtle, but the not-quite-main characters (especially the [[BlackAndGreyMorality morally ambiguous]] sorts) have some very apparent ones, which sometimes serve as foreshadowing or add a flashbacky layer of emotional poignancy, especially when dead or absent characters' motifs turn up in the later series, Revolution. Rezo's theme in particular is an elegant, rather catchy little melody.
** Although "The Clan of the Fire Dragon King", a somewhat playful but sinister song was used in Season 3 for...well...the clan of the Fire Dragon King. But in Seasons 4 and 5, it plays quite often when Xellos is around. It fits perfectly for him.
* FairyTail has quite a few to the point where some of their attacks get theme songs.
* Alois Trancy from ''BlackButler'' has the Slightly Chipped Full Moon and its variations.
* ''[[GhostInTheShellStandAloneComplex Ghost in the Shell: Stand Alone Complex]]'' has the song "I Can't Be Cool" whenever the Major is hacking, although that's more of a ''[[IncrediblyLamePun 1337motif]]''.
* ''SoulEater'' has many of these (most of which have lyrics):
** "Never Lose Myself" for Blackā Star (and by extension, we assume, his teammate Tsubaki--although he ''would'' [[AttentionWhore make it all about him]]). The second OST gives him another theme, with the ironic title "Lost Myself".
*** Black Star also has "harmoNIZE" as his battle theme.
** Kid and his teammates Liz and Patty have "Death The Kid (So Crazy)", their general theme, and "Bang! Bang! Bang! Bang! Have a Nice Dream", a ThemeMusicPowerUp.
** Similarly, Soul and Maka have "Soul-Eater (So Scandalous)" as a general theme and "PSYCHEDELIC SOULJAM" for their fight scenes.
** "Lady of Gorgon" for Medusa.
** "Kindertotenlied" (that's "child death song" in German) and "Salve Maria -Peace be with You-" for Crona.
** There's also "M.Albarn" for Maka, "C.Mosquito" and "D.Mosquito" for Mosquito, "Mifune" and "Masamune" for the characters bearing those names, "Camellia" for Tsubaki, and "Lycaon" for Free.
** Let's not forget "STEP UP" for Justin Law.
* ''GaoGaiGar'' has several, though most seem to be more for specific scenes rather than the characters themselves. A few examples include the different themes that accompany [[TransformationSequence Final Fusion]], [[MemeticMutation Symmetrical Docking]], [[CombiningMecha Big Volfogg's combination sequence]], and [[DisappearsIntoLight Goldion]] [[DroptheHammer Hammer]]. Additionally, there are other songs that seem to play in less specific situations, such as the [[AnimeThemeSong Anime Theme Song]] playing during some of the titular [[HumongousMecha GaoGaiGar's]] [[CrowningMomentofAwesome CMOAs]].
* ''SailorMoon'' has numerous bits of theme music and leit-motifs that appear repeatedly throughout the show. The first two seasons of the English dub used none of the original soundtrack, but it did retain the concept of having individual themes even though it used them more sparingly. When the show's license switched over after Sailor Moon R, the new license holder just kept the soundtrack as is.
** The arrival of Tuxedo Mask was usually accompanied by his own tinkly romantic theme complete with castanets. The English dub changed this to a distinct Spanish-sounding guitar riff that also had a "mournful" version.
*** Moonlight Knight got an Arabian-esq version whenever he appeared in the alien arc of R.
** Sailor Moon herself had the most individual theme music of any character. Each attack, transformation, and even her disguise pen had unique music themes. The transformations even had her name sung as part of the music. It was also common to hear one of these themes played as battle music when the Senshi had the upper hand in battle. The English dub gave her one transformation song and one attack song that were used regardless of what season it was, which led to some problems by the time they adapted Sailor Moon R because the songs clearly did not fit the length of the stock footage anymore.
*** Furthermore, Sailor Moon's [[InTheNameOfTheMoon requisite speeches]] also had their own theme music, though the dub gave her a different one.
** The other four Guardian Senshi, starting with Sailor Moon R and beyond, each had their own individual transformation themes. The dub, regardless of the season, gave them all one piece of music to share, but also added a second theme that played to indicate that a Sailor Senshi was attacking in general.
** [=ChibiUsa=] had a few themes exclusively for her in the Japanese version - one for whenever she used her Luna P, and one in Sailor Moon R that played whenever she was particularly upset and lonely, actually named "Chibi Usa no omoi" ([=ChibiUsa=]'s feelings). In the ''SailorMoon [=SuperS=]'' movie, she also had a full individual transformation sequence that included a song just for Chibi Moon.
** Uranus, Neptune, and Pluto, first appearing in the third season, got their own theme, one for transforming and one for attacking.
** Hotaru, before actually becoming a Senshi, also had her own creepy song that played whenever she was being possessed by Mistress 9.
** So did Sailor Starlights in the fifth season. Some of the {{Big Bad}}s, for example, Queen Beryl, had special theme music as well.
** Even ''Luna'' has her own theme music that plays whenever she gives the Senshi new items.
** In the first season, the show's theme song ("Moonlight Densetsu") is used as a theme for times when Usagi and Mamoru are remembering parts of their relationship from their past lives. This is accomplished via a locket that plays the song. The dub also used the theme song, but a new recording of it. The Japanese version also occasionally used a slower instrumental version of the first ending theme "Heart Moving" to the same effect. Later seasons would occasionally slip in instrumentals of ending themes as well to punctuate more serious moments.
** Each villain group has their own individual theme. The dub, with the exception of the aliens in the first arc of R, gave them all the same theme. In the case of the aliens, they have two different flute songs that Ali will play, one whenever he's playing for fun, and one when he's summoning a Cardian. The dub alters the first theme and uses it regardless of what he's doing.
** In the dub only, almost all of the incidental music was just various instrumentals of the opening version played ad nauseam to the point of madness.
** For obvious reasons, the Sailor Moon Musicals, or SeraMyu, also made heavy use of leitmotifs and designated character theme songs. For brevity's sake, they shall not be listed here.
*** Of note however is that by the end of the run each of the Sailor Sailor Senshi had their own... Except Uranus and Neptune who shared theirs each time. This was pointed out and lampshaded by their actresses in a Fan Kan event.
** Even ''SailorMoonAbridged'' gives each character a leitmotif during their transformation sequence. One example is Sailor Moon's theme, which is Aqua's 'Barbie Girl'.
* Like Tuxedo Mask, ''TokyoMewMew'''s resident MysteriousProtector, the Blue Knight / Ao no Kishi, has his arrival marked by his own theme music. Each of the five girls has her own distinctive transformation music, and all of Mew Ichigo's attacks are accompanied by a special tune (except for "Reborn Aqua Drops", which is apparently so powerful that it required a ''song'' -- "Glider" -- to be accompanied with). There are leitmotifs for some other events as well, for example, the scenes with Kisshu talking to Deep Blue.
* ''ExcelSaga'' accompanied Pedro's scenes as a ghost with a sad, instrumental riff from "House of the Rising Sun".
** Il Palazzo also has his own suitably pompous and grandiose theme that plays during his big speeches. And Nabeshin has his own theme for his appearances as well.
** Excel's was really quick and had whistles and banging.
* Quite a few characters in ''LuckyStar'' have leitmotifs, such as Konata, who has a slacker-esque melody quite fitting of her goofy-slacker-{{otaku}} personality.
* The intro song to the ''LupinIII'' TV shows or movies is also the leitmotif for the titular main character.
* ''SuperRobotWars'' gives most of the Banpresto Originals (characters created specifically for the game) and bosses their own Leitmotifs. With Original Generations even minor characters like Katina have theme songs. The [[MemeticMutation most famous of these]] is Elzam/Ratsel's theme of "Trombe!". Due to a mistaken high priority in his first game, Trombe will override even boss themes. the only way to disrupt it is to [[SorryILeftTheBGMon blast music out of a speaker.]]
* Many wrestlers from ''Kinnikuman'' have their own theme music.
* In the dub of the ''{{Kirby}}'' [[KirbyRightBackAtYa anime]], Meta Knight is always introduced by a Mexican fanfare.
** He has a similar one in the original, but it's not quite as foreign-sounding.
* Vegeta's theme music from ''{{Dragonball}}'' It's iconic to his character, though its usage dropped considerably after the Frieza Saga.
** Leitmotifs were very common in the dub of DBZ. Piccolo had his own theme, usually played whenever he did something heroic (although it was occasionally used at other points). The various story arcs introduced new leitmotifs. Then there's the leitmotif that was first introduced when Goku shows off Super Saiyan 3. It's ostensibly the Super Saiyan 3 theme, but it tends to get played any time the heroes gain an edge during the Buu Saga. Buu himself, of course, has his own, devillishly jovial theme, befitting of a nightmarish trickster.
*** Piccolo had a whistling theme in the Japanese original, mostly seen in the movies when he swoops in to save Gohan.
** The strangest part about the dub is that every single situation had its own leitmotif. To the point where I can't remember a single scene where some sort of background music ''wasn't'' playing.
*** In fact argually leitmotifs weren't as strictly applied in DBZ as most other usages. Captain Ginyu, a minor character from the Frieza Saga, has his own epic theme for when he uses his body-switching technique, that is named after him. However, it was SO epic that it was used throughout the series for moments of awesome, whilst still being called 'Captain Ginyu's Transformation.' Also the Hyperbolic Time Chamber theme became Gohan's Super Saiyan theme near the end of the Cell Games Saga.
* [[http://au.youtube.com/watch?v=NatwbuRCZ_w Ryoga's Theme]] is one of the most noticable in the RanmaOneHalf series
* Also in ''NeonGenesisEvangelion''. Note how Asuka's leitmotif sounds quite American-ish.
** Rei has three different ones, not counting reduxes thereof in the AlternateContinuity movies. [[spoiler:[[CloningBlues Guess why.]]]]
*** [[http://www.youtube.com/watch?v=OLbDNFbw10A Some of which are quite]] [[NightmareFuel creepy]]. For good reason.
** We don't hear Shinji's much, but it's a very good study of the character; it's not a fast-paced epic full of dashing contrasts. It's quiet, reserved and moved to passion on a few recurring points. There are two themes, the first of which (http://www.youtube.com/watch?v=CptTCkAT2GM) clues us in just what he's all about when we hear it in the first episode. The second (http://www.youtube.com/watch?v=1vcxJmOnVlw) expands upon this.
** There's also [[http://www.youtube.com/watch?v=Y5xfIcR4-tA&feature=related Angel Attack]], which plays nearly every time an [[DepartmentOfRedundancyDepartment angel]] [[ExactlyWhatItSaysOnTheTin attacks]].
** There's also [[http://www.youtube.com/watch?v=6N2MYUn6YK8&feature=related Tokyo-3]], the theme music for the city. It's big, impressive, and perhaps most importantly, never quite seems to get to where it's going, making it feel unfinished.
* Some characters in ''Panty & Stocking with Garterbel'' have their own themes, like Corset. Panty and Stocking, nor their enemies Scanty and Kneesocks have individual themes - rather, they only have duo themes that play when both of them are together.
* ''{{Yu-Gi-Oh}}!'' and its spinoffs ''{{Yu-Gi-Oh GX}}'' and ''{{Yu-Gi-Oh 5Ds}}'' have themes for most of the major characters.
** Obviously, ''YuGiOhTheAbridgedSeries'' makes fun of this, with all appearances of Duke Devlin being followed by Justin Timberlake's "[=SexyBack=]". At the end of the episode Yugi says he'll be friends with Duke if he stops playing that annoying theme music, to which Devlin replies "What theme music?"
*** In one of the 'Deleted Scenes' videos, LittleKuriboh makes fun of this as well, with Tristan having found the remote for Duke's Theme Music. He then proceeds to browse through the several options and eventually chooses the least fitting... That is, after critisizing all the other options. Among those 'critisized' options are the second opening for DeathNote, the first opening for Yu-Gi-Oh! GX and the first opening for {{Anime/Pokemon}}.
** "You just brought sexy back for the last time."
*** On the subject of Duke Devlin, when he's "dying" due to the lack of pretty girls around, you can hear the music skipping in the background.
** The Egyptian Gods also have their own [[http://www.youtube.com/watch?v=AcjOcYHWl3w epic orchestrated theme music]] that plays whenever one of them is Summoned.
** Kaiba has "Now I'm Back," a song unique to the 4Kids dub and a rare leitmotif with lyrics. It's mainly limited to the first season.
* ''{{Eureka Seven}}'' has a rather frantic, chaotic leitmotif play whenever Nirvash and [=TheEnd=] fight each other.
* ''{{Naruto}}'' loves this. All the major characters have more then one that changes on how dramatic the scene is or character development. Orochimaru has 2 versions of the same song: one used for fighting and the other used for plot relevance. Even non major characters like Konohamaru and Tenten have themes.
** Do not [[http://www.youtube.com/watch?v=5RcVNuHkGZ8 fuck with]] [[http://www.youtube.com/watch?v=RGitJZE3q0Q&feature=related Rock ]], [[http://www.youtube.com/watch?v=67t6_y7U1GA&feature=related Lee]], he has three theme songs in the first season which are used (almost) exclusively for him! They seemingly call him ROCK Lee for more than one reason! His awesomeness was apparently toned down in ''Naruto Shippuuden'', though, and these awesome themes have been used on other occasions too, especially in the filler episodes.
* The anime ''Rockman.EXE'' always plays the theme song when the characters are about to win. In fact, you can reliably tell when the characters are going to turn around even the worst situation because the theme music will immediately start to play. It is quite possible that the theme music may be the only thing between life and death for the heroes.
** In the first season, the music accompanies the climactic final battle between Rockman and Blues during the InevitableTournament. Rockman ''loses'', and his hard fight is congratulated by Netto and Blues over a quiet piano version: "Kaze wo Tsukinukete ~Ballad Version~".
** This was not retained in the ''MegaManNTWarrior'' dub, to great detriment. They won without their magic theme music.
* ''Anime/TheBigO'' had theme music for whenever Roger summoned The Big O that was a suitably dramatic orchestral fanfare. It also has a piece of foreign music that the Union uses to apparently summon its agents in Paradigm City to gather. Another song with OminousLatinChanting is used sometimes whenever something bad is happening, such as Alex Rosewater's dad burning himself to death.
** The Big O soundtrack is made entirely of reused leitmotifs that appear constantly. In particular ''Painful Dream'', which had three different versions, and ''Apologize'' which had some four or five different versions.
* ''FullmetalAlchemist'' used a lot of leitmotif. The names for the Homunculi's themes were named in Japanese even in English, with multiple levels of [[MeaningfulName meanings]]. For instance, Lust's theme, "[[http://www.youtube.com/watch?v=wq5lClW_M0M Aishou]]", can mean "Sorrow", which is appropriate--and also a clue that nobody with that music can be totally evil--or "prostitute", because, well, she's [[MsFanservice Lust]].
* In the {{Anime/Pokemon}} anime, Satoshi (Ash) has quite a few themes and songs (usually doubling as opening songs) with various variations. Haruka (May) has Haruka's Theme ~ Watashi Makenai and in the Diamond & Pearl series, Hikari (Dawn) has Hikari's Theme ~ Kimi no Soba de which is often played in scenes focusing on her (usually karaoke) and has many variations, including a slow version for sad scenes, a Christmas-y version used as the winter ending song, and more.
* ''{{Pretear}}'' has some examples as well. It's a MagicalGirl anime, so predictably there is a transformation theme music (actually with three slight variations), a couple of battle themes, and a theme associated with [[BigBad evil]]. What makes it weird is that main characters don't seem to have any particular tunes reserved for them, but comic relief side characters do. Tanaka the butler even has his theme named after him; there is also a leitmotif played mainly during Yayoi's crazy speeches, and a leitmotif for Mayune's shower scenes.
* TengenToppaGurrenLagann - And how! Every character has their own theme song, ranging from the silly (Yoko's 'Boing vs Boing', an ode to Gainaxing) to the unbelievably badass (Viral's 'Nikopol') to the just plain weird (Leeron's heavily electronic... whatever it is). The series also has several motifs as background music, like the very well known Fight The Powah rap, and the operatic OneWomanWail complete with piano accompaniment version of said rap, 'Libera Me From Hell' that plays to astoundingly awesome effect during the final battle.
** Don't forget Ten wo Tsuke, which whenever a scene that is filled with hope happens like where Simon, Kamina, and Yoko break the surface. And of course what happens, well, you know who dies. "Sniff"
*** Also, we have one of the most badass english song in the entire show, which plays in episode 3, when Viral activates Enki for the first time and proceeds to kick Gurren's shiny, metallic ass: Gattai Nante Kusokurae! (To hell with Gattai!)
**** And we have Nikopol, Viral's theme song which plays in episode 2, before Viral is even shown, during Kamina and Simon's attempt at taking over the Gunzan (later rebuilt into Gurren).
** During the final battle, as it begins, the Tengen Toppa Gurren-Lagann and Granzeboma walk towards eachother on top of a galaxy, while "Is it okay to just get fired up?" plays in the background, matching very well with the pace of the battle.
*** When the ASK uses his "INFINITY BIG BANG STORM!!!", the theme "All you bastards, get fired up!" starts playing for a short while, after which it changes into "Sora-iro Days" AKA the opening, which plays while the TTGL and Granzeboma ends the battle, by gradually decreasing in size, both being impaled, and TTGL launching the Chouginga Gurren-Lagann, which is also impaled, after which it launches Ark-Gurren-Lagann, which (surprise, surprise) is also impaled, and launches Gurren-Lagann, which loses both legs and an arm, before Viral rips the Lagann off and throws it at the Anti-Spiral King, who is then defeated by the same attack as the first Gunmen Simon ever fought... Timing it perfectly, so that with every new line, they launch the smaller versions of the Gurren-Lagann and the song ending exactly as the Lagann finishes drilling through the ASK.
* The ''DeathNote'' soundtrack has lots of tracks claiming to be Leitmotifs, but really the only one applied repeatedly and with narrative consistency is the Dies Irae, which always means a huge turning point as seen through Light's eyes.
** There's also at least one theme for L, Light and Misa. The rest of the songs aren't that much of leitmotifs, they just have titles related to their appearance in the anime For example, such songs are Ikari (anger), Himitsu (secret), etc...
** Near and Mello have their own themes together. When Near's Theme and L's Theme are played together, they actually have an almost call and response thing going on...YMMV, though.
* ''{{Bleach}}'' has [[http://www.youtube.com/watch?v=PLyi5xHtkb0 On the Precipice Of Defeat]]when someone on the side of the heroes is about to make a big comeback.
** And the fantastically amazing ''[[http://www.youtube.com/watch?v=Uc3lXjBfe6o Number One]]'' for when that someone is Ichigo.
*** [[TookALevelInBadass Takes a level in badass]] in its remake ''[[http://www.youtube.com/watch?v=oMKMZy1eSQU Chokkaku]]''.
** Bleach is incredibly fond of these. You also have the haunting "Nothing can be Explained" when the heroes seem to be on the precipice of total defeat.
*** Clearly, there needs to be a song called "Big Comeback" for when nothing can be explained.
*** Also, the song [[http://www.youtube.com/watch?v=UM3cZsYubKM Destiny Awaits]] might as well be named Byakuya's Theme.
**** Even the arrancar have their own theme songs -- flamenco and salsa-type tunes that go well with their overall Spanish theme.
**** [[http://www.youtube.com/watch?v=I3kiCvUcOgY Treachery]] now seems to be the theme music for villains' OneWingedAngel transformations and powering up in general.
**** On the third soundtrack, Yasutora "Chad" Sado and Uryu Ishida both received individual theme songs, Uryu's being [[http://www.youtube.com/watch?v=6mhMN0t9NAM Quincy's Craft]] and Chad's being [[http://www.youtube.com/watch?v=6UKXlbwrn2M Dominio del Chad]] (roughly "Chad's Domain" in Spanish, although if you translate it exactly, it becomes the much more hilarious "Domain of the Chad").
* ''PrincessTutu'' has leitmotifs for most of the major characters, pulled from (mostly) Romantic-era classical music. Fakir's theme is [[{{LudwigVanBeethoven}} Beethoven's]] ''Coriolanus'' Overture, Mytho's theme is the "Dance of the Sugar Plum Fairy" from ''Theatre/TheNutcracker'' (and later episodes use Siegfried's Funeral March from RichardWagner's ''[[DerRingDesNibelungen Götterdämmerung]]'' when he's in danger, as well as "the Immortal Beloved" theme from the ''Siegfried-Idyll'' for his true prince form [[spoiler:which are appropriate since his true name is Siegfried]]), Princess Tutu's is "The Waltz of the Flowers" from ''The Nutcracker'', Drosselmeyer's is the Grande March from ''The Nutcracker'' (often arranged in a minor key and played on an ominous organ), Rue has several piano pieces by Satie for her themes, Ahiru has ''The Nutcracker'' Overture (that has several different arrangements for her changing moods), Edel's organ plays a slowed-down version of "The Dance of the Automatons" from Léo Delibes's ''Coppelia'' ([[spoiler:can you say [[ArtificialHuman foreshadowing]]?]])...even Professor Cat gets one--the Wedding March, of course! This isn't even going into some of the ''other'' leitmotifs used to represent various themes in the anime, or the fact that every episode has its ''own'' major musical theme named in the title card.
* ''OnePiece'' doesn't have particularly prevalent Leitmotifs, but they're around. Some of the main crew have them, particularly Sanji and his jazzy theme, and some villain teams feature their own as well - [=CP9=], for example, had a strong leitmotif with strings and a mechanical-sounding beat. And then there's Sogeking... In the fighting games based on the series, each character has a short musical piece that plays during their finishing attack.
** Every crew member DOES have their own Leitmotif, though, little snippets of which play during their {{eyecatch}}. They don't show up all that often in the anime, though, except during their battles (usually at their moment of triumph.) Also notable in that they seem to each get their own primary instrument (Robin has the saxaphone, Chopper the flute, and so on) and musical style (Franky gets orchestral swing, Sanji has smooth jazz, etc.) Brook is the only one whose theme tune seems to have actual lyrics, since it's so important to his character arc.
** In the 4Kids dub, Shanks had a very noticeable Leitmotif of an Irish tune. Anytime he spoke. Wouldn't be as annoying if it wasn't also during awesome moments.
** Though perhaps not a proper Leitmotif, "[[http://www.youtube.com/watch?v=TezDF1ybD-k Overtaken]]" functions as a Leitmotif for anyone who goes into {{Determinator}} mode and is about to do something awesome.
** I would think that One Piece is full of obvious Leitmotifs. Throughout the series they recycle tunes such as designated tear-jerker, awesome, and ''BigBad''-introduction music.
* ''PrettyCure'' is positively drowning in Leitmotifs. Every Cure has her own theme music; these are slow and quiet for the more intellectual characters, and cheerful and upbeat for the others. Every complete team has a Leitmotif for when they're kicking some butt, distinct from the opening theme (which in turn is used as a RecurringRiff). Every evil organization has one, and every BigBad as well, including the movie villains. There's one for every Magical Land. Every [[{{Mons}} mascot creature]] has a Leitmotif--usually this is individual, though Coco and Nuts share theirs, and creatures from the movies tend to share themes as well. ''[[YesPrettyCure5 Yes! Pretty Cure 5]]'' even gave the ''school'' its own Leitmotif.
* ''CodeGeass'' has "All Hail Britannia" (for when TheEmpire does something epic), "Devil Created" (for when Lelouch uses his EvilEye), and "0" (for when Lelouch's latest bit of [[MagnificentBastard magnificent bastardry]] comes to fruition.
** Beautiful Emperor plays when Lelouch [[spoiler: creates the UFN, and becomes Britannian Emperor.]] You know, Emperor-y stuff. The "beautiful" part is [[{{bishonen}} self-evident]].
* The "Julia" music box theme from CowboyBebop certinally quallifies, as it harkens Spike's myth arc.
** Also, Andy would usually whistle his own generic Western theme whenever he showed up.
* One from a ''manga'', carried over into the OVA: Rip Van Winkle of ''{{Hellsing}}'' is continuously singing from the opera "The Magic Bullet" (about a huntsman who makes a deal with a devil for bullets that never miss; Tom Waits based ''The Black Rider'' on it). At one point, when Alucard attacks her, he sings the demon's part.
** This opera is actually called ''[[DerFreischuetz Der Freischütz]]'' (''See'' {{Theater}}, below'')," although some English-Language versions of the folktale it's based on were called "The Magic Bullets" since "The Free-Shooter" doesn't make as much sense in English as it does in German.
* In the Japanese ''{{Digimon}}'' series, each of the main characters gets their own {{Leitmotif}}. Hikari and Takeru get two, as they star in two separate seasons. If you're watching ''DigimonAdventure'' in Japanese, that quirky beeping techno music that plays every time Koushirou whips out his computer or realizes something important? It's called "Digital Scratch!" Get used to it. You will hear it a ''lot.''
** There's no way the ''02'' songs "Bokura no Digital World" (the season's memorial song) and "Mirai e no Message" (an image song) can contain the same six note melody (da-da-DAH dah dah ''daaah'') and similar chord progressions in the verses without some intention to tie the songs together by the composers. Even more, "3 Primary Colors" from ''Tamers'' (sung in the points of view of the three main kids, and it was used in that season's final episode) seems to use a variation of the aforementioned motif between vocal sections. Different characters, different continuity, same franchise...not surprised they sound alike.
** ''DigimonXrosWars'' LOVES leitmotifs, with several variations of different songs. There's several, but special mention goes to the Bagra Empire's theme, which has no less than ''seven'' versions of the theme played throughout the series, [[http://youtu.be/n1YLlNqiPc4 each]] [[http://youtu.be/bda22LjSFf8 one]] [[http://youtu.be/EjqLO0Trc-Y of]] [[http://youtu.be/PmUfaFt0LNE them]] [[http://youtu.be/v741y5fTKKA fitting]] [[http://youtu.be/A3A8m3LY7vw different]] [[http://youtu.be/ezJArZZqsG0 moods]].
* In ''MagicalGirlLyricalNanoha'', if someone has an elaborate TransformationSequence, it will be accompanied by their Leitmotif. Some, like Fate's "[[http://www.youtube.com/watch?v=1czXpwyVc9c Flash of Gold]]" or Teana's "[[http://www.youtube.com/watch?v=H367cs3Qvo0 Meteoric Marksman]]", are action-packed enough to be used for ThemeMusicPowerUp purposes as well. Others, like Nanoha's "[[http://www.youtube.com/watch?v=PR-vzNA1d0Q Raising Heart, Set Up!]]", can't be used anywhere else so she has other character themes for [[DefeatMeansFriendship befriending purposes]], like "[[http://www.youtube.com/watch?v=TsSjvKOdL8M Ace of Aces]]".
** Special mention goes to the name of Subaru's personal [[ThemeMusicPowerUp I'm-Going-To-Kick-Ass-Now]] Leitmotif for managing to throw in yet another ''GaoGaiGar'' ShoutOut. Its name? "[[http://www.youtube.com/watch?v=FbyHPrQQO7Y The Meaning of Courage]]".
* KatekyoHitmanReborn has a number but most notable is Hibari's which is about the only piece in the show on the piano and means that you know from the beginning just how awesome he is.
** Actually, each character has an epic theme song. The editors/writers just don't want to overuse them.
* ''SayonaraZetsubouSensei'' has some good examples, too. Each of the girls (and Itoshiki-sensei), or to be more precise the personality quirks their entire characters are based around, has their own specific theme - stalking, trolling, being incredibly positive, being incredibly depressing, you name it, it has a theme song.
* ''MinamiKe'' does this often with Hosaka, usually resorting to a Harmonica version of Tchaikovsky's Serenade for Strings in C major during his many rambling monologues dedicated to his unrequited love for Haruka.
* In ''TsubasaChronicle'' the main group of characters each have their own themes--most notably Kurogane, Fay, and Syaoran all have seperate themes that are often played when they're fighting, at least in the first season. Kurogane's is "break the sword of justice," Fay's is "strange names," and then Syaoran's "a song of storm and fire" is probably the best known one. Even some arcs have their own set of background music and insert songs.
* ''SuzumiyaHaruhi'' has a few good examples, but the one used with the most consistency is definitely "Nagato's Confession," a cool, stoic electronic tune. "How Promising" is also used pretty often and usually means Haruhi's about to pull some harebrained scheme again.
* ''{{Mobile Suit Gundam}}'' has some memorable, if trippy motifs (it was 1979, after all!) "The Gallant Char" sounds downright heroic compared to the typical Zeon themes, which had a psychedelic spooky aspect. Music associated with the crew and suits of White Base featured triumphant horns - when not in battle.
** ''{{Zeta Gundam}}'' - [[FourIsDeath Four Chords mean]] [[KillEmAll Somebody's Dead]].
*** The AEUG's theme also features triumphant horns, and features heavily even in battle scenes, while the Titans and Axis had unique themes as well. Many of these themes were carried over into ''{{Gundam ZZ}}'', as both were scored by Shigeaki Saegusa.
** ''{{G Gundam}}'' made extensive use of themes for the main fighters, not to mention the themes used for the Shining and Bakunetsu God Fingers.
** ''GundamWing'' has different themes for, among others, the five Gundam pilots, Relena, Wing Zero, the Mobile Dolls, and Treize. Heero's ("The Wings of a Boy Who Killed Adolesence") and Relena's ("Soft Hair, Clear Eyes") have several remixes, most famously the former's "Codename Heero Yuy" (the next episode preview theme), while Duo's ("Black Wind Inviting Death") and Quatre's ("Looking for Peace Hidden in the Corpse") never actually get used in the show and can only be heard on the soundtrack or in the ''SDGundamGGeneration'' video games.
** Both Gundam SEED and SEED Destiny gave us more leitmotifs. Whenever Freedom sortied in SEED, it was followed by METEOR by T.M. Revolution, the band that made the first opening for both shows. When Strike Freedom sorited in SEED Destiny, Vestige (also by TMR) started playing.
** Gundam 00. Each faction's ace-pilots have their own music. Graham had "Union", Patrick had one, Ali-Al Saachez had his own (but shared it with the Throne Meisters). And most importantly: Celestial Being had their music for whenever they appeared. And it even came in several versions: a normal version called Intervention, a slightly slower version, and one called Trans-Am, which (you guessed it) play when Exia unlocks Trans-Am.
*** The movie gave us even more epic versions of Intervention, one of which plays in its entirety and EVEN EXPANDED for the duration of the only battle where Tieria and Setsuna actually fight. The main battle in the end even had its own epic battle music.
* GunslingerGirl's anime adaptation gave all the girls one of these. They also have a version with lyrics. Here are [[http://www.youtube.com/watch?v=dc2K_riXHL8 Triela's,]] [[http://www.youtube.com/watch?v=yPZq1_81__Y&feature=related Claes's,]] [[http://www.youtube.com/watch?v=c5nSzDrK75M&feature=related Angelina's,]] [[http://www.youtube.com/watch?v=wAeuIH3Xjkc&feature=related Rico's,]] and [[http://www.youtube.com/watch?v=sQ7bE-oOCdw&feature=related Henrietta's]].
* In the anime of ''{{Baccano}}'', the brief appearances of the TortureTechnician Mr. Chick are accompanied by a faint, upbeat and ''very'' unnerving whistling tune.
* {{Slayers}} has a couple. The main heroes' Leitmotifs are pretty subtle, but the not-quite-main characters (especially the [[BlackAndGreyMorality morally ambiguous]] sorts) have some very apparent ones, which sometimes serve as foreshadowing or add a flashbacky layer of emotional poignancy, especially when dead or absent characters' motifs turn up in the later series, Revolution. Rezo's theme in particular is an elegant, rather catchy little melody.
** Although "The Clan of the Fire Dragon King", a somewhat playful but sinister song was used in Season 3 for...well...the clan of the Fire Dragon King. But in Seasons 4 and 5, it plays quite often when Xellos is around. It fits perfectly for him.
* FairyTail has quite a few to the point where some of their attacks get theme songs.
* Alois Trancy from ''BlackButler'' has the Slightly Chipped Full Moon and its variations.
* ''[[GhostInTheShellStandAloneComplex Ghost in the Shell: Stand Alone Complex]]'' has the song "I Can't Be Cool" whenever the Major is hacking, although that's more of a ''[[IncrediblyLamePun 1337motif]]''.
* ''SoulEater'' has many of these (most of which have lyrics):
** "Never Lose Myself" for Blackā Star (and by extension, we assume, his teammate Tsubaki--although he ''would'' [[AttentionWhore make it all about him]]). The second OST gives him another theme, with the ironic title "Lost Myself".
*** Black Star also has "harmoNIZE" as his battle theme.
** Kid and his teammates Liz and Patty have "Death The Kid (So Crazy)", their general theme, and "Bang! Bang! Bang! Bang! Have a Nice Dream", a ThemeMusicPowerUp.
** Similarly, Soul and Maka have "Soul-Eater (So Scandalous)" as a general theme and "PSYCHEDELIC SOULJAM" for their fight scenes.
** "Lady of Gorgon" for Medusa.
** "Kindertotenlied" (that's "child death song" in German) and "Salve Maria -Peace be with You-" for Crona.
** There's also "M.Albarn" for Maka, "C.Mosquito" and "D.Mosquito" for Mosquito, "Mifune" and "Masamune" for the characters bearing those names, "Camellia" for Tsubaki, and "Lycaon" for Free.
** Let's not forget "STEP UP" for Justin Law.
* ''GaoGaiGar'' has several, though most seem to be more for specific scenes rather than the characters themselves. A few examples include the different themes that accompany [[TransformationSequence Final Fusion]], [[MemeticMutation Symmetrical Docking]], [[CombiningMecha Big Volfogg's combination sequence]], and [[DisappearsIntoLight Goldion]] [[DroptheHammer Hammer]]. Additionally, there are other songs that seem to play in less specific situations, such as the [[AnimeThemeSong Anime Theme Song]] playing during some of the titular [[HumongousMecha GaoGaiGar's]] [[CrowningMomentofAwesome CMOAs]].
