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* In his review of Tyler Perry’s ''A Madea Christmas'', he admits that he thinks Creator/LarryTheCableGuy’s character and his wife playfully ribbing each other is oddly endearing.
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Tastes Like Diabetes is no longer a trope. Moving examples to other tropes when applicable.


* Brad pointing out that ''The Babe Ruth Story'', while a bad film due to its TastesLikeDiabetes tone and [[WTHCastingAgency odd casting of the titular character]], does at least seem to legitimately like Creator/BabeRuth and want to portray him [[AllLovingHero in a positive way]] (unlike how the aforementioned ''Wired'' did with John Belushi).

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* Brad pointing out that ''The Babe Ruth Story'', while a bad film due to its TastesLikeDiabetes saccharine tone and [[WTHCastingAgency odd casting of the titular character]], does at least seem to legitimately like Creator/BabeRuth and want to portray him [[AllLovingHero in a positive way]] (unlike how the aforementioned ''Wired'' did with John Belushi).
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* His review of ''Film/TheStreetFighter'' trilogy is nothing but praise for the late Creator/ShinichiChiba, acknowledging how badass he was. The same can be said for his review of ''Film/Clifford'', dedicated to the late co-star Charles Grodin and praising his darkly hilariously unhinged performance in the film, along with other love for his other works.

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* His review of ''Film/TheStreetFighter'' trilogy is nothing but praise for the late Creator/ShinichiChiba, acknowledging how badass he was. The same can be said for his review of ''Film/Clifford'', ''{{Film/Clifford}}'', dedicated to the late co-star Charles Grodin Creator/CharlesGrodin and praising his darkly hilariously unhinged performance in the film, along with other love for his other works.
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* His review of ''Film/TheStreetFighter'' trilogy is nothing but praise for the late Creator/ShinichiChiba, acknowledging how badass he was.

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* His review of ''Film/TheStreetFighter'' trilogy is nothing but praise for the late Creator/ShinichiChiba, acknowledging how badass he was. The same can be said for his review of ''Film/Clifford'', dedicated to the late co-star Charles Grodin and praising his darkly hilariously unhinged performance in the film, along with other love for his other works.
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* While his review for ''Film/{{Maniac}}'' is definitely given in sarcasm, it's interesting to note that - throughout the review - he is secretly demonstrating a genuine appreciation for a film that has had little such praise. He's defending its merit against those who gave a film such negative criticism for its violent and sleazy nature ''when that was the entire point of making it''.

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* While his review for ''Film/{{Maniac}}'' ''Film/Maniac1980'' is definitely given in sarcasm, it's interesting to note that - throughout the review - he is secretly demonstrating a genuine appreciation for a film that has had little such praise. He's defending its merit against those who gave a film such negative criticism for its violent and sleazy nature ''when that was the entire point of making it''.
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** While he is more critical of the fourth film for back sliding into the over the top drama of the first two and saying it feels like a film made out of obligation and to fund more ambitious projects, Brad also gives praise for improvements such as the more sympathetic portrayal of Ayisha's father and acknowledging that the creators, both of these films and Pureflix in general, genuinely made an effort to listen to criticism and for David AR White's performance with Brad calling him "one of the most likable and underrated leading men in movies right now". He goes even further in saying how, despite all his jokes about the previous films, the people behind them sent him message of support when he was in hospital the previous year and Brad says that while he may disagree with them, he can acknowledge them as good people.

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** While he is more critical of the fourth film for back sliding into the over the top drama of the first two somewhat and saying it feels like a film made out of obligation and to fund more ambitious projects, Brad also gives praise for improvements such as the more sympathetic portrayal of Ayisha's father and acknowledging that the creators, both of these films and Pureflix in general, genuinely made an effort to listen to criticism and for David AR White's performance with Brad calling him "one of the most likable and underrated leading men in movies right now".now" and says the film still shows an improvement in the franchise compared to the earlier films. He goes even further in saying how, despite all his jokes about the previous films, the people behind them sent him message of support when he was in hospital the previous year and Brad says that while he may disagree with them, he can acknowledge them as good people.
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* While Brad's review of ''Film/{{Gotti}}'' describes it as a pretty bad movie overall because the poor editing turns it into a confusing RandomEventsPlot that doesn't really provide insight into John Gotti, he expresses this very sympathetically, feeling that the movie has a lot of ambition behind it, a decent soundtrack (though many of the songs are poorly included in the movie) and a cast that puts genuine effort into their performances, especially Creator/JohnTravolta; so much so that he finds the movie's badness more sad than amusing.

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* While Brad's review of ''Film/{{Gotti}}'' describes it as a pretty bad movie overall because the poor editing turns it into a confusing RandomEventsPlot that doesn't really provide insight into John Gotti, he expresses this very sympathetically, feeling that the movie has a lot of ambition behind it, a decent soundtrack (though many of the songs are poorly included in the movie) and a cast that [[TookTheBadFilmSeriously puts genuine effort into their performances, performances]], especially Creator/JohnTravolta; so much so that he finds the movie's badness more sad than amusing.
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** While he is more critical of the fourth film for back sliding into the over the top drama of the first two and saying it feels like a film made out of obligation and to fund more ambitious projects, Brad also gives praise for improvements such as the more sympathetic portrayal of Ayisha's father and acknowledging that the creators, both of these films and Pureflix in general, genuinely made an effort to listen to criticism and for David AR White's performance with Brad calling him "one of the most likable and underrated leading men in movies right now". He goes even further in saying how, despite all his jokes about the previous films, the people behind them sent him message of support when he was in hospital the previous year and Brad says that while he may disagree with them, he can acknowledge them as good people.
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** On a similar note, he's been quite vocal about his dislike for ''Film/Scream1996'' in the past, blaming it for the decline in slasher films in the late nineties. The Snob episode shows that he's warmed up to it over time.
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** The 1980 and 1981 extended-length episodes have a lot of this too, to the point that the arguable climax of "1981 in Film" is his rooting for ''Film/{{Heartbeeps}}'' (which was a Christmas release).
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* The Snob's appreciation for Arch Hall Jr. and his musical abilities in the ''Wild Guitar'' review, shown when he's ready to hurl vitriol at “Yes I Will” only to relent and, during "I'm Growing Taller," dance happily to it. By the end of the movie, he straight up admits that he ''loves'' the movie.

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* The Snob's appreciation for Arch Hall Jr. and his musical abilities in the ''Wild Guitar'' review, shown when he's ready to hurl vitriol at “Yes "Yes I Will” Will" only to relent and, during "I'm Growing Taller," dance happily to it. By the end of the movie, he straight up admits that he ''loves'' the movie.



** Hell, him gushing over movies he loves in general, like ''Film/TheHollywoodKnights'', ''Film/ThatDarnCat'', ''Film/NightOfTheCreeps'', ''Film/Carrie1976'', Film/JamesBond, ''Film/PhantomOfTheParadise'', ''Film/LittleShopOfHorrors'', ''Film/HalloweenIIISeasonOfTheWitch'' or ''Film/TheWitches1990''.

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** Hell, him gushing over movies he loves in general, like ''Film/TheHollywoodKnights'', ''Film/ThatDarnCat'', ''Film/NightOfTheCreeps'', ''Film/Carrie1976'', Film/JamesBond, ''Film/PhantomOfTheParadise'', ''Film/LittleShopOfHorrors'', ''Film/HalloweenIIISeasonOfTheWitch'' ''Film/HalloweenIIISeasonOfTheWitch'', ''Film/TheWitches1990'' or ''Film/TheWitches1990''.''Film/CannibalTheMusical''.



* His review of ''Film/TheStreetFighter'' trilogy is nothing but praise for the late [[Creator/ShinichiChiba Sonny Chiba]], acknowledging how badass he was.

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* His review of ''Film/TheStreetFighter'' trilogy is nothing but praise for the late [[Creator/ShinichiChiba Sonny Chiba]], Creator/ShinichiChiba, acknowledging how badass he was.
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** He reviewed ''Recap/MysteryScienceTheater3000TheMovie'' for its twenty-fifth anniversary. It's essentially him gushing about ''MST3K'' and how much he and others like him owe the show.

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** He reviewed ''Recap/MysteryScienceTheater3000TheMovie'' for its twenty-fifth anniversary. It's essentially him gushing about ''MST3K'' ''[[Series/MysteryScienceTheater3000 MST3K]]'' and how much he and others like him owe the show.
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** Presumably out of respect for the real Rachel, he avoids showing her death scene.
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* His review of ''Film/TheStreetFighter'' trilogy is nothing but praise for the late [[Creator/ShinichiChiba Sonny Chiba]], acknowledging how badass he was.
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Clearing out wicks to Author Existence Failure


* He opens up the ''Film/{{Goldfinger}}'' review with a moving tribute to Creator/SeanConnery, [[AuthorExistenceFailure who passed away a few weeks back]].

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* He opens up the ''Film/{{Goldfinger}}'' review with a moving tribute to Creator/SeanConnery, [[AuthorExistenceFailure who passed away a few weeks back]].back.
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** He reviewed ''Recap/MysteryScienceTheater3000TheMovie'' for its twenty-fifth anniversary. It's essentially him gushing about ''MST3K'' and how much he and others like him owe the show.
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* The Snob acknowledging that however silly ''Film/MobstersAndMormons'' is, it's still the rare religious film he's reviewed where the religious characters are genuinely kind to others, and there's legitimate CharacterDevelopment ''without'' going into CharacterDerailment or EasyEvangelism. He contrasts this to the various Creator/PureFlixEntertainment movies he's reviewed in which the non-Evangelical antagonists tend to suffer... rather bad fates.

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* The Snob acknowledging that however silly ''Film/MobstersAndMormons'' is, it's still the rare religious film he's reviewed where the religious characters are genuinely kind to others, and there's legitimate CharacterDevelopment ''without'' going into CharacterDerailment or EasyEvangelism.EasyEvangelism, with the Pasquales even shown practicing their Catholic beliefs at the end of the movie. He contrasts this to the various Creator/PureFlixEntertainment movies he's reviewed in which the non-Evangelical antagonists tend to suffer... rather bad fates.
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* The Snob acknowledging that however silly ''Film/MobstersAndMormons'' is, it's still the rare religious film he's reviewed where the religious characters are genuinely kind to others, and there's legitimate CharacterDevelopment ''without'' going into CharacterDerailment or EasyEvangelism. He contrasts this to the various Evangelical films he's reviewed in which the non-Evangelical antagonists tend to suffer... rather bad fates.

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* The Snob acknowledging that however silly ''Film/MobstersAndMormons'' is, it's still the rare religious film he's reviewed where the religious characters are genuinely kind to others, and there's legitimate CharacterDevelopment ''without'' going into CharacterDerailment or EasyEvangelism. He contrasts this to the various Evangelical films Creator/PureFlixEntertainment movies he's reviewed in which the non-Evangelical antagonists tend to suffer... rather bad fates.
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* The Snob acknowledging that however silly ''Film/MobstersAndMormons'' is, it's still the rare religious film he's reviewed where the religious characters are genuinely kind to others.

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* The Snob acknowledging that however silly ''Film/MobstersAndMormons'' is, it's still the rare religious film he's reviewed where the religious characters are genuinely kind to others.others, and there's legitimate CharacterDevelopment ''without'' going into CharacterDerailment or EasyEvangelism. He contrasts this to the various Evangelical films he's reviewed in which the non-Evangelical antagonists tend to suffer... rather bad fates.
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None


* His review of ''Film/RepoTheGeneticOpera'' is similar. Brad mentioned that when he first watched the movie, he turned it off midway through. Years later, he gave it another go and is way more complimentary, acknowledging its appeal and that it's exactly the kind of film designed to have a cult following. He even defends ''Creator/ParisHilton'' of all people.

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* His review of ''Film/RepoTheGeneticOpera'' is similar. Brad mentioned that when he first watched the movie, he turned it off midway through. Years later, he gave it another go and is way more complimentary, acknowledging its appeal and that it's exactly the kind of film designed to have a cult following. He even defends ''Creator/ParisHilton'' of all people.people, pointing out that she'd actually gave [[DoingItForTheArt some of her own clothes and funding to make sure the movie could get made]].
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* Through his review of ''Film/Halloween4TheReturnOfMichaelMyers'', he kept making jokes about how bitchy the character of Rachel was, but when the topic came up about Rachel's actress getting injured during filming a scene, but didn't go to the hosptial till it was done, even he had to give her props, showing that while he may hate the character, but not the actor... unless it's Kirk Cameron.

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* Through his review of ''Film/Halloween4TheReturnOfMichaelMyers'', he kept making jokes about how bitchy the character of Rachel was, but when the topic came up about Rachel's actress getting injured during filming a scene, but didn't go to the hosptial till it was done, even he had to give her props, showing that while he may hate the character, but not the actor...he can separate performer from performance... unless it's Kirk Cameron.
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* During his review of ''Film/Exterminator2'', while introducing the villain named X, he pays tribute to his friend and "excellent riffer" Mister X. He re-tweeted this moment with "Aw, shucks".
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* He opens up the ''Film/{{Goldfinger}}'' review with a moving tribute to Creator/SeanConnery, [[AuthorExistenceFailure who passed away a few weeks back]].

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** Hell, him gushing over movies he loves in general, like ''Film/TheHollywoodKnights'', ''Film/ThatDarnCat'' or ''Film/NightOfTheCreeps''.

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** Hell, him gushing over movies he loves in general, like ''Film/TheHollywoodKnights'', ''Film/ThatDarnCat'' ''Film/ThatDarnCat'', ''Film/NightOfTheCreeps'', ''Film/Carrie1976'', Film/JamesBond, ''Film/PhantomOfTheParadise'', ''Film/LittleShopOfHorrors'', ''Film/HalloweenIIISeasonOfTheWitch'' or ''Film/NightOfTheCreeps''.''Film/TheWitches1990''.


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* His review of ''Film/RepoTheGeneticOpera'' is similar. Brad mentioned that when he first watched the movie, he turned it off midway through. Years later, he gave it another go and is way more complimentary, acknowledging its appeal and that it's exactly the kind of film designed to have a cult following. He even defends ''Creator/ParisHilton'' of all people.
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* The Snob's review of ''Film/TheRockyHorrorPictureShow'' is entirely kind to the film and plays along with the audience participation, despite it possibly seeming more likely for the Snob to poke fun at the popularity of the film. At the end, he gives it a pretty glowing review, and also takes another moment to advocate for ''Film/ShockTreatment'' as well, maybe even giving it higher praise than its own review got.

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* The Snob's review of ''Film/TheRockyHorrorPictureShow'' is entirely kind to the film and plays along (inadequately) with the audience participation, despite it possibly seeming more likely for the Snob to poke fun at the popularity of the film. The most he does is call out the audience nicknames given to Brad and Janet. At the end, he gives it the film a pretty glowing review, and also takes another moment to advocate for ''Film/ShockTreatment'' as well, maybe even giving it higher praise than he did in its own review got.positive review.
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Added DiffLines:

* The Snob's review of ''Film/TheRockyHorrorPictureShow'' is entirely kind to the film and plays along with the audience participation, despite it possibly seeming more likely for the Snob to poke fun at the popularity of the film. At the end, he gives it a pretty glowing review, and also takes another moment to advocate for ''Film/ShockTreatment'' as well, maybe even giving it higher praise than its own review got.
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** Hell, him gushing over movies he loves in general, like ''Film/TheHollywoodKnights'' and ''Film/ThatDarnCat''.

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** Hell, him gushing over movies he loves in general, like ''Film/TheHollywoodKnights'' and ''Film/ThatDarnCat''.''Film/TheHollywoodKnights'', ''Film/ThatDarnCat'' or ''Film/NightOfTheCreeps''.
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* While his review for ''Maniac'' is definitely given in sarcasm, it's interesting to note that - throughout the review - he is secretly demonstrating a genuine appreciation for a film that has had little such praise. He's defending its merit against those who gave a film such negative criticism for its violent and sleazy nature ''when that was the entire point of making it''.

to:

* While his review for ''Maniac'' ''Film/{{Maniac}}'' is definitely given in sarcasm, it's interesting to note that - throughout the review - he is secretly demonstrating a genuine appreciation for a film that has had little such praise. He's defending its merit against those who gave a film such negative criticism for its violent and sleazy nature ''when that was the entire point of making it''.it''.
* The ''Shock! Shock! Shock!'' review ends with a tribute to Creator/JamesGandolfini.
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* Dave's cameo in the ''Tyler Perry's A Fall from Grace'' is one for fans of ''WebVideo/MidnightScreenings'' who were worried about not seeing the familiar faces following Brad's move to Chicago.

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