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*** Also, there are exact three ways off the ship: transporter, shuttlecraft/other auxiliary vessel, and airlock. It's been demonstrated several times that the computer makes transporter logs and keeps track of ''Enterprise's'' shuttle inventory. I don't recall any mention of monitoring the airlocks, but if all that's keeping you alive in deep space is essentially a tin can full of breathable air, you'd really hope that ''someone'' is notified every time an airlock opens or closes. If the number of people leaving by the means that we ''know'' the computer monitors or the one it '''probably'' monitors doesn't agree with the number of people currently on the ship, it should raise some alarm. ''Literally''.

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*** Also, there are exact exactly three ways off the ship: transporter, shuttlecraft/other auxiliary vessel, and airlock. It's been demonstrated several times that the computer makes transporter logs and keeps track of ''Enterprise's'' shuttle inventory. I don't recall any mention of monitoring the airlocks, but if all that's keeping you alive in deep space is essentially a tin can full of breathable air, you'd really hope that ''someone'' is notified every time an airlock opens or closes. If the number of people leaving by the means that we ''know'' the computer monitors or the one it '''probably'' monitors doesn't agree with the number of people currently on the ship, it should raise some alarm. ''Literally''.
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*** Also, there are exact three ways off the ship: transporter, shuttlecraft/other auxiliary vessel, and airlock. It's been demonstrated several times that the computer makes transporter logs and keeps track of ''Enterprise's'' shuttle inventory. I don't recall any mention of monitoring the airlocks, but if all that's keeping you alive in deep space is essentially a tin can full of breathable air, you'd really hope that ''someone'' is notified every time an airlock opens or closes. If the number of people leaving by the means that we ''know'' the computer monitors or the one it '''probably'' monitors doesn't agree with the number of people currently on the ship, it should raise some alarm. ''Literally''.
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* Budget. TNG couldn't afford the space suit costumes.
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** Its not so easy. Soran devoted his entire life to figuring out how to blow up stars(and took the knowledge to his grave). The Founders hundreds of years ahead of the Federation technologically. When the D blew up a star by accident it was one with highly specific properties. So while the potential exists, its clearly a lot harder than it looks.
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A Date With Rosie Palms is no longer a trope


*** Right, and let's not forget how in "Booby Trap" and "Galaxy's Child", Geordi used the ship's holodeck to simulate a renowned Starfleet engineer Dr. Leah Brahms, which he used to brainstorm engineering problems (perhaps among [[ADateWithRosiePalms other things]]). While the computer greatly exaggerated her sensual nature as per Geordi's specific request, its simulation of her intellectual capacity was apparently so spot-on that Geordi and the Dr. Brahms simulation actually independently reached the same solution to a particular engineering problem as Dr. Brahms had reached in her own private research back on Earth. That the computer can simulate an engineer to the point of solving engineering problems speaks volumes to the computer's capacity to mimic human intelligence. Of course, when he does meet the real Dr. Brahms, the episode turns into a bit of an absurdity, as [[spoiler:she is pretty much a complete bitch to the point of criticizing Geordi about every modification he'd made to the ship, ''including the one that she had already been planning to implement.'' She was ''mad at Geordi'' for coming up with ''the same solution as she had.'']]

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*** Right, and let's not forget how in "Booby Trap" and "Galaxy's Child", Geordi used the ship's holodeck to simulate a renowned Starfleet engineer Dr. Leah Brahms, which he used to brainstorm engineering problems (perhaps among [[ADateWithRosiePalms other things]]).things). While the computer greatly exaggerated her sensual nature as per Geordi's specific request, its simulation of her intellectual capacity was apparently so spot-on that Geordi and the Dr. Brahms simulation actually independently reached the same solution to a particular engineering problem as Dr. Brahms had reached in her own private research back on Earth. That the computer can simulate an engineer to the point of solving engineering problems speaks volumes to the computer's capacity to mimic human intelligence. Of course, when he does meet the real Dr. Brahms, the episode turns into a bit of an absurdity, as [[spoiler:she is pretty much a complete bitch to the point of criticizing Geordi about every modification he'd made to the ship, ''including the one that she had already been planning to implement.'' She was ''mad at Geordi'' for coming up with ''the same solution as she had.'']]
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** Holoprograms are a lot like video games. Because the player has so much agency in shaping the narrative, a degree of herustics are required to adapt to their actions. At the same time, there still needs to be some amount of {{Railroading}} to keep the story on track, because it's not possible for the designers of these programs to account for every possible crazy game-breaking shenanigans the player might attempt. Bashir's Bond program on [=DS9=] is a similar example to Dixon Hill, in that the story mandates that one of the two LoveInterests die, but doesn't specify which one. And when Bashir decides to do a last-minute FaceHeelTurn as a stalling tactic, the villain is like "Oh, you're trying to be cheeky. Time for a GameOver." Even Lower Decks touches on this briefly in [[Recap/StarTrekLowerDecksS3E08CrisisPoint2Paradoxus "Paradoxus"]], showing us what happens when there is no such railroading. When Boimler starts to go progressively more off-script in a program he wrote himself, the holodeck is forced to improvise a PlotDetour on the fly. The result is, as one would expect from a purely AI-generated script, [[NonSequitur nonsensical garbage]]. Professional holo authors probably explicitly put in certain guiderails to keep things in line with their creative vision, which is why Picard was allowed to tune the violence of the scene, but not remove it entirely.
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*** I take huge issue with the claim that updating Data's security software would be a trivial task. Data is an extremely sophisticated black box. His creator is dead and inconsiderately did not leave behind a schematic of his positronic net. Though it's questionable whether such a schematic could even exist without becoming rapidly outdated as Data is constantly evolving. He's not even based on the same technology as Federation computers, which are duotronic/isolinear/bio-neural, not positronic. (Before anyone says, I am aware that "positronic" is an homage to Asimov's robots, but Asimov himself used that word specifically to make his robot brains distinct from conventional computer technology.) Data no doubt has some systems which are more easily reverse-engineered, and possibly even based on off-the-shelf technology that was available to Soong, but the really important part of Data and his brothers are their brains, the secret of which only Soong knew at the time of TNG. In brief, I doubt "positronic brain" is going to be on the OS compatibility list for Norton anytime soon.
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** This reaches the height of [[IdiotPlot stupidity]] in ''Identity Crisis''. Geordi, who is in danger of mutating into an alien, specifically recommends programming the computers to make sure he doesn't leave the ship. Yet later Crusher has to ask the computer where Geordi is before it divulges that he is not aboard the Enterprise.

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** This reaches the height of [[IdiotPlot stupidity]] stupidity in ''Identity Crisis''. Geordi, who is in danger of mutating into an alien, specifically recommends programming the computers to make sure he doesn't leave the ship. Yet later Crusher has to ask the computer where Geordi is before it divulges that he is not aboard the Enterprise.
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** Riker being prosecutor was a NecessaryWeasel. The judge\arbitrator's justification was that there were no legal specialists at hand and only a commanding officer (or whichever term includes Picard\Riker but no one else on base) could act as such in special circumstances. He prosecuted in good faith to the point of feeling bad about it. If the conflict-of-interest was at any point apparent, the judge\arbitrator would cancel the trial in Maddox's favor, and you can be sure that Riker would get career trouble over it (formally if his bias could be proven, informally otherwise). If he left anything out, Maddox is on hand to speak up. Even if they waited for an actual legal specialist, they probably couldn't prosecute as well as Riker did, even if Riker is holding back in ways that he think he can get away with, which he doesn't seem to be.

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** Riker being prosecutor was a NecessaryWeasel.involves AcceptableBreaksFromReality. The judge\arbitrator's justification was that there were no legal specialists at hand and only a commanding officer (or whichever term includes Picard\Riker but no one else on base) could act as such in special circumstances. He prosecuted in good faith to the point of feeling bad about it. If the conflict-of-interest was at any point apparent, the judge\arbitrator would cancel the trial in Maddox's favor, and you can be sure that Riker would get career trouble over it (formally if his bias could be proven, informally otherwise). If he left anything out, Maddox is on hand to speak up. Even if they waited for an actual legal specialist, they probably couldn't prosecute as well as Riker did, even if Riker is holding back in ways that he think he can get away with, which he doesn't seem to be.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process


** He does try to mimic emotion several times throughout the show, and every single time it comes off as exactly that; [[UncannyValley him simply mimicking it]]. It probably doesn't matter how well he reads up on the subjects, so long as he's unable to experience it himself, he lacks the fundamental knowledge of how to do it.

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** He does try to mimic emotion several times throughout the show, and every single time it comes off as exactly that; [[UncannyValley him simply mimicking it]].it. It probably doesn't matter how well he reads up on the subjects, so long as he's unable to experience it himself, he lacks the fundamental knowledge of how to do it.
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**** I think a seatbelt would be a more apt metaphor. It's the last line of defense for when things go catastrophically wrong. You might be able to go without it a thousand times and be fine, but you're still safer using it than not.
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*** It's not said in so many words, but when Riker points out that the Borg have access to everything Picard knows, Hanson dismisses it by saying Picard wouldn't give that information up. That at least implies his intention of using established tactics.

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*** It's not said in so many words, but when Riker Shelby points out that the Borg have access to everything Picard knows, Hanson dismisses it her by saying Picard wouldn't give that information up. That at least implies his intention of using established tactics.
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*** It's not said in so many words, but when Riker points out that the Borg have access to everything Picard knows, Hanson dismisses it by saying Picard wouldn't give that information up. That at least implies his intention of using established tactics.
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Wiki/ namespace cleaning.


** As it is, the episode's presentation of Professor Hawking is ''still'' not consistent with how Hawking is in real life. In real life, it takes him an ''extremely'' long time to write (and therefore have his computerized voice say) even a single sentence. From Wiki/ThatOtherWiki:

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** As it is, the episode's presentation of Professor Hawking is ''still'' not consistent with how Hawking is in real life. In real life, it takes him an ''extremely'' long time to write (and therefore have his computerized voice say) even a single sentence. From Wiki/ThatOtherWiki:Website/ThatOtherWiki:
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** This issue of OOP can be quite interesting to explore. Since we can see that replicators can also record the detail of the requested object, wouldn't be possible to generate a cuisine that is made out of complex, detailed parts? Hell, we have seen this in recent AI Image Generators like "A girl standing on the field and gazes upon the full moon at night, Impressionist, Trending in Artstation, 4k Resolution". For this particular case, some examples would be "Brando Hot Dog from Pink's Hotdog BGC, freshly cooked", "Roasted Whole Chicken in black pepper gravy, chicken meat from La Flèche chicken, roasted in 82 degree celcius", "Sichuan Hotpot, two-sections, one spicy soup, one herbal soup;all boiling in a hotpot with intergrated fire heater." and "A 65 cm tall milk chocolate, sculpted in a shape of a gramophone in Amaury Guichon's style".
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Up To Eleven is a defunct trope


** The program is limited by the order it is given. Geordi wants a Sherlock Holmes mystery that can stump Data. The computer can create any scenario, obviously, but it can only go so far before it strays from the concept of a 'Sherlock Holmes' story. A normal person would probably be tied up if you were to mishmash 4 different stories together coherently, but Data has his android-level pattern recognition skills, which forces the computer to take a villain UpToEleven in order to challenge him.

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** The program is limited by the order it is given. Geordi wants a Sherlock Holmes mystery that can stump Data. The computer can create any scenario, obviously, but it can only go so far before it strays from the concept of a 'Sherlock Holmes' story. A normal person would probably be tied up if you were to mishmash 4 different stories together coherently, but Data has his android-level pattern recognition skills, which forces the computer to take a villain UpToEleven up to eleven in order to challenge him.
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*** Again, this would be fine except that Data has outright stated that he ''cannot'' use contractions (as in "The Offspring").

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*** Again, this would be fine except that * Data has outright stated that he ''cannot'' use contractions (as in "The Offspring").



*** If inclined to get around this, we can say that Data meant that he cannot use them effectively (doesn't know when to use them naturally).

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*** ** If inclined to get around this, we can say that Data meant that he cannot use them effectively (doesn't know when to use them naturally).naturally), and that this statement itself is an example of why he avoids them. Compare the statement "I cannot play violin." This can mean the speaker is incapable of operating a violin, but more often means that the speaker is not proficient in the use of a violin to create anything you want to hear. Picture, if you will, someone suggesting a younger Data use contractions in his speech to sound more natural, then retracting their suggestion as Data proceeds to fill his sentences with every obscure contraction he's ever encountered.



** In "The Offspring", while Data does say that he "cannot" use contractions, in the same episode he says that using contractions are something his "program has never mastered". The latter implies that he has tried but cannot do it well. That also suggests that his "cannot" statement is oddly imprecise for Data.

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** In "The Offspring", while Data does say that he "cannot" use contractions, in the same episode he says that using contractions are something his "program has never mastered". The latter implies that he has tried but cannot do it well. That also again suggests that his "cannot" statement is oddly imprecise for Data.

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* Blowing up a star appears to be terrifyingly easy in the 'trek universe. In Generations we see that Soran is able to do it using a small missile and a base he set up and built himself. In [=DS9=] a changeling is able to build a sun-buster using a few hour's uninhibited access to an industrial replicator and a standard-issue Starfleet runabout. In an episode of Star Trek, the Enterprise-D blows one up accidently with a couple of modified torpedoes(they were trying to fix it). Blowing up stares appears to be so easy that's even possible to do by mistake. So why aren't there more suns blowing up? If its that easy it seems like quite a few hostile governments, let alone terrorist organizations, should be busting suns left, right, and sideways.

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* Blowing up a star appears to be terrifyingly easy in the 'trek universe. In Generations we see that Soran is able to do it using a small missile and a base he set up and built himself. In [=DS9=] a changeling is able to build a sun-buster using a few hour's uninhibited access to an industrial replicator and a standard-issue Starfleet runabout. In an episode of Star Trek, the Enterprise-D blows one up accidently accidentally with a couple of modified torpedoes(they were trying to fix it). Blowing up stares appears to be so easy that's even possible to do by mistake. So why aren't there more suns blowing up? If its that easy it seems like quite a few hostile governments, let alone terrorist organizations, should be busting suns left, right, and sideways.


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*** As we've seen, the Founders (for one) don't play by the conventional rules of war or of geopolitics, and they seem to think that targeting the Bajoran sun is perfectly fair game (so it's a wonder why they don't try that tactic more often).
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** Sun-busting would suffer the same issues as WMD weapons in modern time. Mutually Assured Destruction. You blow up a sun, we'll blow up two of yours. Eventually no-one has any suns left. Destroying suns would also annihilate the planets & populations which are the only things that really matter during an intergalactic conflict.
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** If they play regularly or the crew is part of some future ELO rating system, he might be programmed to play at a similar level to whatever opponent he's playing.
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**** It's worth noting this was shown to be able to be done as early as TOS animated series where they used a characters original transporter pattern to deage them after they were turned old (or in one case, restore them to their original height when they were shrunk down) So it's not something new. As far as the characters here, they clearly wanted to be their regular ages. Picard might have enjoyed having hair and youthful energy again but he would rather be his middle aged dignified self in command of the ship. Keiko wanted her daughter to see her as a mother again, Ro wanted to be tough and mature, Guinan was ageless anyway.
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** The suggestion seems to be that while it was a marvel of bootleg technology, the ship was AwesomeButImpractical. They located the ship because every time Ardra used one of her tricks, the single-person vessel used enough power to light up like a beacon through a cloaking field that could hide the Enterprise. Impressive, but not a design that would scale in a practical way.

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** The suggestion seems to be that while it was a marvel of bootleg technology, the ship was AwesomeButImpractical. They located the ship because every time Ardra used one of her tricks, the single-person vessel used enough power to light up like a beacon through a its cloaking field field- the same one that could hide the Enterprise. Enterprise, a ship with the population and passive power draw of a small city. Impressive, but not a design technology that would scale in a practical way.
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**** It's still the same food you'd replicate in the mess hall. Beyond that, there are finite holodecks and many crew members, up to you if you want to spend your allotted time eating lunch instead of being Captain Awesome: Wizard-Pirate of Dinosaur Planet.


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** The suggestion seems to be that while it was a marvel of bootleg technology, the ship was AwesomeButImpractical. They located the ship because every time Ardra used one of her tricks, the single-person vessel used enough power to light up like a beacon through a cloaking field that could hide the Enterprise. Impressive, but not a design that would scale in a practical way.
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** Consider, however, the phenomenon summed up well by [[https://xkcd.com/484/ this xkcd comic]]- some of the most incredibly addictive games are not AAA-tier graphics showcases, but the sort of deceptively simple JustOneMoreLevel gameplay loops that have eaten countless quarters in arcades, dominated flash game sites, and now populate billions of smartphones. In essence, this would be the ultimate expression of such games- an effortlessly intuitive interface engineered to minimize concentration-breaking distractions or delays and a gameplay loop that maintains passive interest ''just'' long enough to begin responsively adapting to present a balance of challenge to reward tailored to maximize stimulation for a given user, with the effect increasing as it refines this model. What starts as an executive's wet dream rapidly starts to sound like a psychological weapon.

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