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** From what I've read and heard, hauntings are due to the deceased still having something unfinished in their (after)life, and wont' be at rest until their desire is met. This is logical in the case of the Maitlands, who desired having a child, but died before they could even accomplish it.

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** From what I've read and heard, hauntings are due to the deceased still having something unfinished in their (after)life, and wont' won't be at rest until their desire is met. This is logical in the case of the Maitlands, who desired having a child, but died before they could even accomplish it.
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** [[Film/PoltergeistIITheOtherSide Reverend Kane]].

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** [[Film/PoltergeistIITheOtherSide Reverend Kane]].
They eventually do attempt to make themselves known by physically interacting with the Deetzes during the dinner song sequence, but they inadvertently end up being seen more as charming entertainment than terrifying haunts since they don't really know how to be scary.
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** Also, while their relationship is strained at the moment, she does still love her father dearly, goth girl or not. This version of Lydia seems a lot more emotionally open, if anything, and likely doesn’t care if “Daddy” sounds juvenile.
** It could also be a way to remind the audience of Lydia’s age, as her actresses are typically adults (albeit younger adults than the rest of the cast) and her being a child may not be immediately obvious.
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* Another element that bugs me, though it's not really a problem with the movie, is that this troper always wanted to learn more about "Saturn" and the sandworms. Was it the real planet Saturn (seems pretty unlikely, with Saturn being a gas giant and all), or another dimension with the same name (since stepping out of the house takes them there, maybe it's a parallel ghost reality)? Wiki/TheOtherWiki says that in an earlier draft, it was called Titan rather than Saturn (which might explain the giant moon in the sky: that's probably Saturn itself), and that might still work, since Betelgeuse says "you've been to Saturn" (he didn't say they've been "on" Saturn, so maybe he meant the Saturn moons). The sandworms could apparently see and eat ghosts, which just adds to strangeness of it all. There's no way the movie could've gotten into the details without [[MST3KMantra bogging things down]], but there's so much mystery behind that plot element, and Saturn and its sandworms are just so weird and cool that I'd love to hear the writers talk more about what they had in mind.

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* Another element that bugs me, though it's not really a problem with the movie, is that this troper always wanted to learn more about "Saturn" and the sandworms. Was it the real planet Saturn (seems pretty unlikely, with Saturn being a gas giant and all), or another dimension with the same name (since stepping out of the house takes them there, maybe it's a parallel ghost reality)? Wiki/TheOtherWiki Website/TheOtherWiki says that in an earlier draft, it was called Titan rather than Saturn (which might explain the giant moon in the sky: that's probably Saturn itself), and that might still work, since Betelgeuse says "you've been to Saturn" (he didn't say they've been "on" Saturn, so maybe he meant the Saturn moons). The sandworms could apparently see and eat ghosts, which just adds to strangeness of it all. There's no way the movie could've gotten into the details without [[MST3KMantra bogging things down]], but there's so much mystery behind that plot element, and Saturn and its sandworms are just so weird and cool that I'd love to hear the writers talk more about what they had in mind.
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** Because he's not just a ghost. He used to work with Juno, so was probably given special privileges, including free(er) range.
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***Barbara doesn't have a broken neck. Her arm hurts when they first get home and she fakes a broken neck when she hangs herself in the closet to scare the Deetzes, but she doesn't exhibit signs of a neck injury. It also makes no sense how they'd die from the crash, considering the car simply tipped over into water from a low height. It's more likely they somehow drowned, though that also makes no sense since they should've been able to get out of the car.
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**I always interpreted Jane as a nosy neighbor with boundary issues (it's a small town afterall) and when she said "they were family" it was that SHE considered herself family to them but they didn't feel the same, and that it was just another way for her to push her way into the Maitlands' personal lives, even after they had passed.
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** We see that the Maitlands can alter their faces in monstrous ways in that one scene. It's possible that ghosts can also alter their skin and hair colour if they so wish, especially in cases like Ms.Argentinia and Beetlejuice who must have had years of practice in changing their shape.
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***Lydia specifically makes the connection that BJ was the snake after learning his name from charades.
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* Why is it that some of the recently deceased, like the Maitlands and Juno, keep their mortal complexion while others like Ms. Argentina and The Magician's Assistant end up with [[AmazingTechnicolorPopulation multicolored skin tones?]] It doesn't seem to be tied to their cause of death or position in the afterlife; Ms. Argentina's green skin has nothing to do with her slit wrists. Hell, even Beetlejuice himself falls under this category, what with his pasty white skin and all.
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*** Maybe his idea to get the local ghosts to scare the humans into saying his name has worked in the past, and then somehow the curse got re-activated again (likely by the humans saying it three times again)? Or perhaps he got the curse placed on him later in life and used to be able to torment the living freely.
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** On a similar note, if Beetlejuice has always been dead and invisible to the living, then why does he say that he "missed that sound" when the Deetzes scream at the sight of him after Lydia summons him? If he was truly "born dead," then how would he be able to miss that sound when no one's ever been able to see him?
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*** Alternatively, even a fairly conservative wedding dress or suit can be fairly expensive, it's possible that Delia was planning to sell them for what could easily be $500 minimum rather than donating them. She may also have held onto them with idea that Lydia might be able to make use of them in a few years.

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*** Alternatively, even a fairly conservative wedding dress or suit can be fairly expensive, it's possible that Delia was planning to sell them for what could easily be $500 minimum rather than donating them. She may also have held onto them with the idea that Lydia might be able to make use of them in a few years.



* What did Juno and Betelgeuse die of? They might be suicides, if you interpret the "suicides become civil servants" joke as canon, with the evidence of Ms Slit-Wrists, and Mr Hanging, and if you assume that this means every civil servant in the afterlife committed suicide. I wonder how?

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* What did Juno and Betelgeuse die of? They might be suicides, if you interpret the "suicides become civil servants" joke as canon, with the evidence of Ms Ms. Slit-Wrists, and Mr Mr. Hanging, and if you assume that this means every civil servant in the afterlife committed suicide. I wonder how?



* What did Juno mean when she told the Maitlands "Seems pretty quiet here. You should thank God you didn't die in Italy"?

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* What did Juno mean when she told the Maitlands Maitlands, "Seems pretty quiet here. You should thank God you didn't die in Italy"?



*** Secondary thought, Italy is home to Rome and the Vatican. Lots of Catholic Priests, so ghosts would have to be very quiet and keep to themselves, or risk quick exorcism.
** It's an ethnic joke about [[RambunctiousItalian Rambunctious Italians]].

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*** Secondary thought, Italy is home to Rome and the Vatican. Lots of Catholic Priests, priests, so ghosts would have to be very quiet and keep to themselves, or risk quick exorcism.
** It's an ethnic joke about [[RambunctiousItalian Rambunctious Italians]].
{{Rambunctious Italian}}s.




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*** Also, she was extremely upset at the time, since she had just watched the snake thing drop her father (whom she does genuinely love) before coming after her. She may have been too rattled to even hear what Barbara was saying, especially since she seems to think the Maitlands were responsible.



** Also, Adam's clearly on somewhat friendly terms with her, and his first instinct seeing her post mortem is a friendly wave. Since the Maitlands were specifically shown to have no children, it's possible the town simply had Jane resell the house since they had no next of kin.
*** Someone would have been in charge of the Maitland's estate, an executor they chose if they had a will, a court-appointed official if not (details depending on local laws) and whoever it was, that person would naturally sell the now-unoccupied house, and would call the local realtor to do it.
** Jane was related to Barbara (sister?) so she was probably the executrix of the estate and sold the house as soon as she was able. She already had an offer from Charles before the movie time started.

* If Beetlejuice needs witnesses in order to marry Lydia, it clearly needs to be a legal marriage. But in Connecticut, in order to get married below the age of 18 you need to be at least 16 and have a parents permission. Charles is kinda tied up and very clearly NOT giving his permission and Lydia is 15. So does it need to be legal or not?

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** Also, Adam's clearly on somewhat friendly terms with her, and his first instinct seeing her post mortem is a friendly wave. Since the Maitlands were specifically shown to have no children, it's possible the town simply had Jane resell the house since they had no other next of kin.
*** Someone would have been in charge of the Maitland's Maitlands' estate, an executor they chose if they had a will, a court-appointed official if not (details depending on local laws) and whoever it was, that person would naturally sell the now-unoccupied house, and would call the local realtor to do it.
** Jane was related to Barbara (sister?) so she was probably the executrix of the estate and sold the house as soon as she was able. She already had an offer from Charles before the movie time started.

* If Beetlejuice needs witnesses in order to marry Lydia, it clearly needs to be a legal marriage. But in Connecticut, in order to get married below the age of 18 you need to be at least 16 and have a parents parent's permission. Charles is kinda tied up and very clearly NOT giving his permission and Lydia is 15. So does it need to be legal or not?




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** He could have made an argument that he ''did'' get permission. Right before the whole thing started, he called them "Mom and Dad" and tells them, "I just want you two to know - you're both welcome at our home any time you want to come over." Charles's response is to smile and nod, which Betelgeuse might have been able to claim was tantamount to approval.



** I think the implication was he would be a human, but with his powers intact. It's why it's so bad: not only would Lydia be permanently bound to a perverted RealityWarper, but now he can freely hang out in the mortal world, no questions asked. The musical implies Beetlejuice would lose his powers, although he would develop a new sense of empathy and joy, and he can still be killed like any other human, after which his powers would return.

* Here's my question - why on Earth did Delia and Charles marry? They have an antipathy for each other that puts the standard "married couples hate each other" trope to shame; there's no affection between Delia and Lydia, so it's not a case of Delia marrying Charles because she loves his daughter like her own; they seem to share no interests and in fact seen to be openly contemptuous of each other's interests... The closest I can see to a reason for them to have married is status, with Delia as an outre artist gaining status from being married to a real estate mogul, and Charles gaining a trophy wife with an odd but "acceptable" hobby.

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** I think the implication was he would be a human, but with his powers intact. It's why it's so bad: not only would Lydia be permanently bound to a perverted RealityWarper, but now he can could freely hang out in the mortal world, no questions asked. The musical implies Beetlejuice would lose his powers, although he would develop a new sense of empathy and joy, and he can still be killed like any other human, after which his powers would return.

* Here's my question - why on Earth did Delia and Charles marry? They have an antipathy for each other that puts the standard "married couples hate each other" trope to shame; there's no affection between Delia and Lydia, so it's not a case of Delia marrying Charles because she loves his daughter like her own; they seem to share no interests and in fact seen to be openly contemptuous of each other's interests... The closest I can see to a reason for them to have married is status, with Delia as an outre ''outré'' artist gaining status from being married to a real estate mogul, and Charles gaining a trophy wife with an odd but "acceptable" hobby.



* Why does Lydia refer to Charles as "Daddy" throughout the musical? She's a depressed {{Goth}} teenager who holds a lot of resentment for him and she doesn't call her mother (whom it seems she was much closer to) "Mommy". It seems weird she'd use a term associated with a DaddysGirl or someone much younger than her age. Plus she isn't consistent about it, she says "Daddy" in several songs but in some of her spoken dialogue it's "Dad." I guess maybe "Daddy" is easier to fit into song lyrics but it just doesn't jive with her overall gloomy character.

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* Why does Lydia refer to Charles as "Daddy" throughout the musical? She's a depressed {{Goth}} teenager who holds a lot of resentment for him and she doesn't call her mother (whom (to whom it seems she was much closer to) closer) "Mommy". It seems weird she'd use a term associated with a DaddysGirl or someone much younger than her age. Plus she isn't consistent about it, she says "Daddy" in several songs but in some of her spoken dialogue it's "Dad." I guess maybe "Daddy" is easier to fit into song lyrics but it just doesn't jive with her overall gloomy character.
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** Delia and Ortho did express dismay that the closet in question was so small. Possibly neither of them had thought of anything appropriate to do with such a modest space yet, so they hadn't cleaned it out yet.

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** Delia and Ortho Otho did express dismay that the closet in question was so small. Possibly neither of them had thought of anything appropriate to do with such a modest space yet, so they hadn't cleaned it out yet.



** At the end of the movie, Charles is shown reading a book by the Handbook for the Recently Deceased press, "Harmorious Lifestyles and Peaceful Co-existences Between the Living and the Dead." [[StrangeMindsThinkAlike It reads like stereo instructions]], but I think it was a sign the Deetzes got Juno's permission to let the Deetzes stay and she gave Charles and Delia a manual for living with the Maitlands.

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** At the end of the movie, Charles is shown reading a book by the Handbook for the Recently Deceased press, "Harmorious ''Harmonious Lifestyles and Peaceful Co-existences Between the Living and the Dead." '' [[StrangeMindsThinkAlike It reads like stereo instructions]], but I think it was a sign the Deetzes got Juno's permission to let the Deetzes stay and she gave Charles and Delia a manual for living with the Maitlands.



** Exactly--the only time Lydia would have heard the name would have been when Barbara was banishing Snake!BJ, who only looks marginally like Beetlejuice does normally. Besides, she has no reason to believe that Adam and Barbara have anything to do with a random, tiny ghost who happens to be living in the town model. Finally, as mentioned elsewhere on the page, nobody knows it's a name--for all they know, "Beetlejuice" is just some kind of evil-banishing spell for putting bad ghosts back where they belong.

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** *** Exactly--the only time Lydia would have heard the name would have been when Barbara was banishing Snake!BJ, who only looks marginally like Beetlejuice does normally. Besides, she has no reason to believe that Adam and Barbara have anything to do with a random, tiny ghost who happens to be living in the town model. Finally, as mentioned elsewhere on the page, nobody knows it's a name--for all they know, "Beetlejuice" is just some kind of evil-banishing spell for putting bad ghosts back where they belong.



* Here's my question- why on Earth did Delia and Charles marry? They have an antipathy for each other that puts the standard "married couples hate each other" trope to shame, there's no affection between Delia and Lydia, so it's not a case of Delia marrying Charles because she loves his daughter like her own, they seem to share no interests and in fact seen to be openly contemptuous of each other's interests... The closest I can see to a reason for them to have married is status, with Delia as an outre artist gaining status from being married to a real estate mogul, and Charles gaining a trophy wife with an odd but "acceptable" hobby.

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* Here's my question- question - why on Earth did Delia and Charles marry? They have an antipathy for each other that puts the standard "married couples hate each other" trope to shame, shame; there's no affection between Delia and Lydia, so it's not a case of Delia marrying Charles because she loves his daughter like her own, own; they seem to share no interests and in fact seen to be openly contemptuous of each other's interests... The closest I can see to a reason for them to have married is status, with Delia as an outre artist gaining status from being married to a real estate mogul, and Charles gaining a trophy wife with an odd but "acceptable" hobby.



* What I never got was why does "The Handbook for the Recently Deceased" have a section on how to perform exorcisms, especially when most ghosts are confined to the areas they died in? And what purpose does it serve since you obviously can't reverse it?

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* What I never got was why does "The ''The Handbook for the Recently Deceased" Deceased'' have a section on how to perform exorcisms, especially when most ghosts are confined to the areas they died in? And what purpose does it serve since you obviously can't reverse it?
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** If it helps, the DC tryout has Beetlejuice tell the audience he was "born dead" and cursed to wander the Earth and cursed to be unable to say his name, invisible to people. The Broadway version omits this, although this could still hold true.
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** I think the implication was he would be a human, but with his powers intact. It's why it's so bad: not only would Lydia be permanently bound to a perverted RealityWarper, but now he can freely hang out in the mortal world, no questions asked. The musical goes with Beetlejuice would lose all of his powers, although he would develop a new sense of empathy and joy, and he can still be killed like any other human.

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** I think the implication was he would be a human, but with his powers intact. It's why it's so bad: not only would Lydia be permanently bound to a perverted RealityWarper, but now he can freely hang out in the mortal world, no questions asked. The musical goes with implies Beetlejuice would lose all of his powers, although he would develop a new sense of empathy and joy, and he can still be killed like any other human.
human, after which his powers would return.

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** "Marry in haste, repent in leisure." Also consider the stress involved in the move, Lydia's trouble adjusting, and Charles recovering from a nervous breakdown.


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** It's very possible that the bureaucracy needs to remove ghosts from time to time (such as certain wild-haired psychotic perverts named after insects, for example). Or possibly a warning for ghosts if humans perform the exorcism, so they know to disrupt the ritual if they hear that specific incantation.
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** It's an ethnic joke about [[RambunctiousItalian Rambunctious Italians]]

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** It's an ethnic joke about [[RambunctiousItalian Rambunctious Italians]]
Italians]].




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** At the end of the movie, Charles is shown reading a book by the Handbook for the Recently Deceased press, "Harmorious Lifestyles and Peaceful Co-existences Between the Living and the Dead." [[StrangeMindsThinkAlike It reads like stereo instructions]], but I think it was a sign the Deetzes got Juno's permission to let the Deetzes stay and she gave Charles and Delia a manual for living with the Maitlands.
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** [[Film/{{Poltergeist}} Reverend Kane]].

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** [[Film/{{Poltergeist}} [[Film/PoltergeistIITheOtherSide Reverend Kane]].

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** I think the implication was he would be a human, but with his powers intact. It's why it's so bad: not only would Lydia be permanently bound to a perverted RealityWarper, but now he can freely hang out in the mortal world, no questions asked.

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** I think the implication was he would be a human, but with his powers intact. It's why it's so bad: not only would Lydia be permanently bound to a perverted RealityWarper, but now he can freely hang out in the mortal world, no questions asked. \n The musical goes with Beetlejuice would lose all of his powers, although he would develop a new sense of empathy and joy, and he can still be killed like any other human.



* What I never got was why does "The Handbook for the Recently Deceased" have a section on exorcisms? What purpose does it serve beyond, you obviously can't reverse it?

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* What I never got was why does "The Handbook for the Recently Deceased" have a section on exorcisms? What how to perform exorcisms, especially when most ghosts are confined to the areas they died in? And what purpose does it serve beyond, since you obviously can't reverse it?


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** The whole distinction might be a reference to the cartoon, where a RunningGag was the MultipleChoicePast they gave Beetlejuice's origins. Some episodes treat Beetlejuice as originally being a human, who for some reason or another, died in his mid-to-late 30s and then became a resident of the Neitherworld. Other episodes treat Beetlejuice as always being a ghost who was born in the Neitherworld, including the fact that his neighbors all went to high school with him. Not helping is the fact Beetlejuice isn't the most trustworthy specter and the cartoon has virtually zero continuity between episodes. Since the musical also makes Beetlejuice untrustworthy and delusional, it's probably up to the viewer to decide if he was always a demon in the Netherworld or if he was born human and has been dead for so long, he forgot the experience.

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Put entries in the appropriate folders, please.


* What I never got was why does "The Handbook for the Recently Deceased" have a section on exorcisms? What purpose does it serve beyond, you obviously can't reverse it?



* What I never got was why does "The Handbook for the Recently Deceased" have a section on exorcisms? What purpose does it serve beyond, you obviously can't reverse it?

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** I thought it was more BlueAndOrangeMorality, and he just wanted to torture the Deetzes.




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** I think the implication was he would be a human, but with his powers intact. It's why it's so bad: not only would Lydia be permanently bound to a perverted RealityWarper, but now he can freely hang out in the mortal world, no questions asked.


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** I thought it was more they just had moving stress, hence why they act so apathetic.


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* What I never got was why does "The Handbook for the Recently Deceased" have a section on exorcisms? What purpose does it serve beyond, you obviously can't reverse it?


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* Something that's bugged me is how does life in the Netherworld work in this version? At least the movie implies there's some kind of day-to-day life, whereas the cartoon, it was its own society. Juno says it's an "infinite abyss of nothingness" so how does life work? Or does it suck if you're a ghost and not a demon?
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** Exactly--the only time Lydia would have heard the name would have been when Barbara was banishing Snake!BJ, who only looks marginally like Beetlejuice does normally. Besides, she has no reason to believe that Adam and Barbara have anything to do with a random, tiny ghost who happens to be living in the town model. Finally, as mentioned elsewhere on the page, nobody knows it's a name--for all they know, "Beetlejuice" is just some kind of evil-banishing spell for putting bad ghosts back where they belong.
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** Even as a kid, I noticed this yet intuitively processed it as RuleOfFunny.

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** Even as a kid, I noticed this yet intuitively processed it as RuleOfFunny.
RuleOfFunny (I didn't know the term, of course, but I did understand the concept).

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*** Because his name is Beetlejuice, he just spells it Betelgeuse to get around the curse that bars him from saying or rendering his name. Thus he could create the tombstone.


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* Here's my question- why on Earth did Delia and Charles marry? They have an antipathy for each other that puts the standard "married couples hate each other" trope to shame, there's no affection between Delia and Lydia, so it's not a case of Delia marrying Charles because she loves his daughter like her own, they seem to share no interests and in fact seen to be openly contemptuous of each other's interests... The closest I can see to a reason for them to have married is status, with Delia as an outre artist gaining status from being married to a real estate mogul, and Charles gaining a trophy wife with an odd but "acceptable" hobby.
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*** Alternatively, even a fairly conservative wedding dress or suit can be fairly expensive, it's possible that Delia was planning to sell them for what could easily be $500 minimum rather than donating them. She may also have held onto them with idea that Lydia might be able to make use of them in a few years.

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** Delia and Ortho did express dismay that the closet in question was so small. Possibly neither of them had thought of anything appropriate to do with such a modest space yet, so they hadn't cleaned it out yet.
























** If he can't ''write'' his own name, then why is there a big red "Here lies Betelgeuse" sign on his gravesite in the miniature town? Presumably Adam didn't build that, or even if he built the monument he wouldn't have defaced it with Betelgeuse's name.






* The Deetzes (apart from Lydia) can't see Adam and Barbara, so they think they can't haunt them. The only problem is that they're still capable of moving physical objects. Barbara holds the wooden horse in front of a mirror, and Adam slams the attic door into someones face. Who cares if they can't see you? What's scarier than a poltergeist?

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* The Deetzes (apart from Lydia) can't see Adam and Barbara, so they think they can't haunt them. The only problem is that they're still capable of moving physical objects. Barbara holds the wooden horse in front of a mirror, and Adam slams the attic door into someones someone's face. Who cares if they can't see you? What's scarier than a poltergeist?
















[[AC:Fridge Logic]]

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\n[[AC:Fridge Logic]]** Possibly she heard the ''word'', but didn't realize it was the rude ghost's actual ''name''.



** It could be more a case of Saturn being disjoined from corporeal-world time. The fact that their previous visits had all involved time passing slower there than on Earth was just coincidence; it could just as easily have worked the other way around.






* What exactly was going to happen if Beetlejuice got married? Would he just be able to exist permenantly or was he going to return as a living being with all his powers?

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* What exactly was going to happen if Beetlejuice got married? Would he just be able to exist permenantly permanently or was he going to return as a living being with all his powers?
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** As for the sandworms eating ghosts, why assume the sandworms are alive? Could be that life died out on Saturn/Titan/wherever many millions of years ago, but the ghosts of its one-time top predators are still hanging around there.
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* What exactly was going to happen if Beetlejuice got married? Would he just be able to exist permenantly or was he going to return as a living being with all his powers?

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