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Changed line(s) 138 (click to see context) from:
* This exchange between Mia and Andrew right after they've called off their wedding, thereby proving that they are ''definitely'' going to stay good friends:
to:
* This exchange between Mia and Andrew right after they've called off their wedding, thereby proving that they are ''definitely'' ''[[AmicableExes definitely]]'' going to stay good friends:
Changed line(s) 142 (click to see context) from:
-->'''Mia''' and '''Andrew''': [''[[SpeakInUnison in perfect unison]]''] ''Good luck!''
to:
-->'''Mia''' and '''Andrew''': [''[[SpeakInUnison in perfect unison]]''] ''Good luck!''luck!''
* When Nicholas turns on his father's plans for the throne and nominates Mia would make a fine princess married or no, he remarks that one of the reasons she should keep the crown is because she would look lovely on a postage stamp. The Viscount's lines just seal it:
-->'''Viscount Mabrey:''' ''YOU'' WOULD "LOOK LOVELY ON A POSTAGE STAMP"!!
* When Nicholas turns on his father's plans for the throne and nominates Mia would make a fine princess married or no, he remarks that one of the reasons she should keep the crown is because she would look lovely on a postage stamp. The Viscount's lines just seal it:
-->'''Viscount Mabrey:''' ''YOU'' WOULD "LOOK LOVELY ON A POSTAGE STAMP"!!
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Added DiffLines:
* In return, Mia's interpretation of Clarisse's royal walk, a very flouncy kind of thing.
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* Mia's dance lessons.
-->'''Joe:''' This is between a waltz and a tango.
-->'''Mia:''' It's a wango?
-->'''Joe:''' This is between a waltz and a tango.
-->'''Mia:''' It's a wango?
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Changed line(s) 101,102 (click to see context) from:
** Baron Johann Klimt (compulsive gambler) - taxidermy
** Antoine Suisson (gay) - Harp, poetry, dressage, opera, [[TheLastOfTheseIsNotLikeTheOthers Liberace memorabilia]].
** Antoine Suisson (gay) - Harp, poetry, dressage, opera, [[TheLastOfTheseIsNotLikeTheOthers Liberace memorabilia]].
to:
** Baron Johann Klimt (compulsive gambler) - taxidermy
taxidermy.
** Antoine Suisson (gay) -Harp, poetry, dressage, opera, [[TheLastOfTheseIsNotLikeTheOthers Liberace memorabilia]].memorabilia.
** Antoine Suisson (gay) -
Changed line(s) 106 (click to see context) from:
** Sir Ian [=McAllistair=] - cigar aficionado and aged brandy. Also, theater.
to:
** Sir Ian [=McAllistair=] - cigar aficionado and aged brandy. Also, theater.
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** Baron Johann Klimt (compulsive gambler) - taxidermy
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Changed line(s) 100 (click to see context) from:
** There's some FreezeFrameBonus on the slides for each eligible bachelor under "hobbies." Sir Laurent Wilson, disqualified for being too old, is a hieroglyphics analyst and stamp collector. Prince Jacques Dube, the 12-year-old who danced with Mia at her birthday and disqualified for being too young, enjoys such hobbies as "parties, pranks, and paper mache." Sven Gustaffson, disqualified for being arrested too many times, is a world-renowned entomologist and has "suspected diamond thief" in his list of hobbies. Sir Ian McAllastair, aged 65, has hobbies that include "cigar aficianodo" and "aged brandy."
to:
** Antoine Suisson (gay) - Harp, poetry, dressage, opera, [[TheLastOfTheseIsNotLikeTheOthers Liberace memorabilia]].
** Sir Laurent
** Prince Jacques
** Sven
** Sir Ian
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Added DiffLines:
** There's some FreezeFrameBonus on the slides for each eligible bachelor under "hobbies." Sir Laurent Wilson, disqualified for being too old, is a hieroglyphics analyst and stamp collector. Prince Jacques Dube, the 12-year-old who danced with Mia at her birthday and disqualified for being too young, enjoys such hobbies as "parties, pranks, and paper mache." Sven Gustaffson, disqualified for being arrested too many times, is a world-renowned entomologist and has "suspected diamond thief" in his list of hobbies. Sir Ian McAllastair, aged 65, has hobbies that include "cigar aficianodo" and "aged brandy."
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Changed line(s) 11 (click to see context) from:
--> “I’m home,” Mr. G called, putting the bags down, and starting to take off his windbreaker. “I picked up some ice, too. I figured we might be running out by now….”
to:
--> “I’m home,” Mr. G called, putting the bags down, and starting to take off his windbreaker. “I picked up some ice, too. I figured we might be running out by now….”now…”
Changed line(s) 24,25 (click to see context) from:
--> Grandmère has given me her suite at the Ritz for
--> SEX!!!!
--> SEX!!!!
to:
--> Grandmère has given me her suite at the Ritz for
--> SEX!!!!MY GRANDMOTHER HAS GIVEN ME MY OWN SEX PLACE!!!
--> SEX!!!!
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Changed line(s) 24 (click to see context) from:
--> MY GRANDMOTHER HAS GIVEN ME MY OWN SEX PLACE!!!!!
to:
--> MY GRANDMOTHER HAS GIVEN ME MY OWN SEX PLACE!!!!!Grandmère has given me her suite at the Ritz for
--> SEX!!!!
--> SEX!!!!
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Changed line(s) 29 (click to see context) from:
to:
* Mia saying that she is not going to do the Lana Weinberger thing of writing "Mrs Josh Richter" in her Algebra notebook. Followed by her writing variations of "Michael Renaldo" repeatedly in her diary.
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Changed line(s) 28,29 (click to see context) from:
* Most of the Rene moments at the beginning of ''Princess-in-Waiting.'' Made even funnier by Mia's narration, which suggests that she's used to various debacles by now.
to:
* Most of the Rene moments at the beginning of ''Princess-in-Waiting.'' Made even funnier by Mia's narration, which suggests that she's used to various debacles by now.
''
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Changed line(s) 28,29 (click to see context) from:
* Most of the Rene moments at the beginning of ''Princess-in-Waiting.'' Made even funnier by Mia's narration, which suggests she's quite used to his various debacles by now.
to:
* Most of the Rene moments at the beginning of ''Princess-in-Waiting.'' Made even funnier by Mia's narration, which suggests that she's quite used to his various debacles by now.
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Changed line(s) 28,29 (click to see context) from:
* Most of the Rene moments at the beginning of ''Princess-in-Waiting.''
to:
* Most of the Rene moments at the beginning of ''Princess-in-Waiting.''
'' Made even funnier by Mia's narration, which suggests she's quite used to his various debacles by now.
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Changed line(s) 28 (click to see context) from:
to:
* Most of the Rene moments at the beginning of ''Princess-in-Waiting.''
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Changed line(s) 97 (click to see context) from:
'''Clarisse:''' No matter - put him on the guest list. He's a divine dancer.\\
to:
'''Clarisse:''' No matter - put him on the guest list. He's a divine dancer.\\
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* Mia's facial expressions during the closet scene.
--> '''Mia''': I have my own mall!
* Mia and Lily's reunion:
--> '''Mia:''' You're here!
--> '''Lily:''' I know!
--> '''Mia:''' You're in Genovia!
--> '''Lily:''' I know!
--> '''Mia:''' You're in my closet!
--> '''Lily:''' ...Yeah.
--> '''Mia:''' You're blonde!
--> '''Lily:''' I'm blonde.
--> '''Mia''': I have my own mall!
* Mia and Lily's reunion:
--> '''Mia:''' You're here!
--> '''Lily:''' I know!
--> '''Mia:''' You're in Genovia!
--> '''Lily:''' I know!
--> '''Mia:''' You're in my closet!
--> '''Lily:''' ...Yeah.
--> '''Mia:''' You're blonde!
--> '''Lily:''' I'm blonde.
'''Mia and Lily:''' ''(fist pump)'' Right on!\\
Deleted line(s) 86 (click to see context) :
'''Mia and Lily:''' Right on!
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'''Clarisse:''' No matter - put him on the guest list. He's a divine dancer.\\
Changed line(s) 86,87 (click to see context) from:
* Mia's reaction to finding out who Nicholas really is. No ArmourPiercingSlap, no GroinAttack, instead a well placed stomp to the foot. Later on Clarisse gives her opinion on Mia admitting that she flirted with him at her ball.
--> '''Clarisse''': As your Queen I simply cannot condone it. As your grandmother I say: right on.
--> '''Clarisse''': As your Queen I simply cannot condone it. As your grandmother I say: right on.
to:
* Mia's reaction to finding out who Nicholas really is. No ArmourPiercingSlap, no GroinAttack, instead a well placed stomp to the foot. Later on Later, Clarisse gives her opinion on Mia admitting that she flirted with him at her ball.
--> '''Clarisse''': As yourQueen Queen, I simply cannot condone it. As your grandmother grandmother, I say: right on.
--> '''Clarisse''': As your
Changed line(s) 117,118 (click to see context) from:
-->'''Mia''' and '''Andrew''': [''[[SpeakInUnison in perfect unison]]''] ''Good luck!''
----
----
to:
-->'''Mia''' and '''Andrew''': [''[[SpeakInUnison in perfect unison]]''] ''Good luck!''
----luck!''
----
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Changed line(s) 27 (click to see context) from:
to:
* "Tell him to suck your [REDACTED]."
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Changed line(s) 26,27 (click to see context) from:
--> Lilly: Why is there a dentist from Scottsdale, Arizona, sleeping on your couch?
to:
--> Lilly: '''Lilly:''' Why is there a dentist from Scottsdale, Arizona, sleeping on your couch?
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Changed line(s) 25 (click to see context) from:
to:
* In ''A Royal Wedding'' when Mia's father falls asleep on her couch, she sends a photo of him to Michael. Michael jokingly texts back: "Why have you left me for a middle-aged band teacher? ;-)" Then Mia texts Lilly with news about her half-sister and sends her to picture to explain why she can't come round.
--> Lilly: Why is there a dentist from Scottsdale, Arizona, sleeping on your couch?
--> Lilly: Why is there a dentist from Scottsdale, Arizona, sleeping on your couch?
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Changed line(s) 24,27 (click to see context) from:
--> Right as Michael arrived to pick me up, it hit me. What Grandmère was REALLY doing, giving me that key: Use the rooms to stage a very private and very romantic good-bye? Grandmère HAD to be implying what I think she was implying.
--> Grandmère has given me her suite at the Ritz for
--> SEX!!!!
--> Grandmère has given me her suite at the Ritz for
--> SEX!!!!
to:
--> Right as Michael arrived to pick me up, it hit me. What Grandmère was REALLY doing, giving me that key: Use the rooms to stage a very private and very romantic good-bye? Grandmère HAD to be implying what I think she was implying.
--> Grandmère has given me her suite at the Ritz for
--> SEX!!!!
MY GRANDMOTHER HAS GIVEN ME MY OWN SEX PLACE!!!!!
--> Grandmère has given me her suite at the Ritz for
--> SEX!!!!
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Changed line(s) 20,21 (click to see context) from:
* Mia telling all about her and Lilly's "fun" with Lilly's stalker Norman, a man with a foot fetish who chased her and Mia around the park a few weeks ago, trying to make them take off their shoes.
--> '''Mia:''' I always have such a good time with Lilly.
--> '''Mia:''' I always have such a good time with Lilly.
to:
* Mia telling all about her and Lilly's "fun" with Lilly's stalker Norman, a man with a foot fetish who chased her and Mia around the park a few weeks ago, trying to make them take off their shoes.
--> '''Mia:''' Ishoes. Mia then finishes off the story by saying that she always have has such a good time with Lilly.
--> '''Mia:''' I
Changed line(s) 24,25 (click to see context) from:
** Philippe eventually books her a suite at another hotel. Grandmere then mentions to Mia that the suite is paid for until the end of the week and will be completely empty - just in case Mia should like to give Michael a "very private and very romantic good-bye." Mia completely fails to realise what she is implying.
to:
** Philippe eventually books her a suite at another hotel. Grandmere then mentions to Mia that the suite is paid for until the end of the week and will be completely empty - just in case Mia should like to give Michael a "very private and very romantic good-bye." [[DelayedReaction It takes Mia completely fails a while to realise what she is means.]]
--> Right as Michael arrived to pick me up, it hit me. What Grandmère was REALLY doing, giving me that key: Use the rooms to stage a very private and very romantic good-bye? Grandmère HAD to be implying what I think she was implying.
--> Grandmère has given me her suite at the Ritz for
--> SEX!!!!
--> Right as Michael arrived to pick me up, it hit me. What Grandmère was REALLY doing, giving me that key: Use the rooms to stage a very private and very romantic good-bye? Grandmère HAD to be implying what I think she was implying.
--> Grandmère has given me her suite at the Ritz for
--> SEX!!!!
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Changed line(s) 23,24 (click to see context) from:
* Mia's Lord of the Rings analogy when she tries to explain Michael's motives for going to Japan to her father. Made funnier in that Phillipe is simultaneously trying to deal with Grandmere's complaints about her hotel not being up to her (very high) standards.
to:
* Mia's Lord of the Rings analogy when she tries to explain Michael's motives for going to Japan to her father. Made funnier in that Phillipe is simultaneously trying to deal with Grandmere's complaints about her hotel suite not being up to her (very high) standards.
** Philippe eventually books her a suite at another hotel. Grandmere then mentions to Mia that the suite is paid for until the end of the week and will be completely empty - just in case Mia should like to give Michael a "very private and very romantic good-bye." Mia completely fails to realise what she is implying.
** Philippe eventually books her a suite at another hotel. Grandmere then mentions to Mia that the suite is paid for until the end of the week and will be completely empty - just in case Mia should like to give Michael a "very private and very romantic good-bye." Mia completely fails to realise what she is implying.
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Changed line(s) 23,24 (click to see context) from:
* Mia's Lord of the Rings analogy when she tries to explain Michael's motives for going to Japan.
to:
* Mia's Lord of the Rings analogy when she tries to explain Michael's motives for going to Japan.
Japan to her father. Made funnier in that Phillipe is simultaneously trying to deal with Grandmere's complaints about her hotel not being up to her (very high) standards.
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Changed line(s) 23 (click to see context) from:
to:
* Mia's Lord of the Rings analogy when she tries to explain Michael's motives for going to Japan.
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Changed line(s) 22 (click to see context) from:
to:
* When Philippe tries to tell Mia he's a prince in book 1 and she gets the hiccups.
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Changed line(s) 20 (click to see context) from:
to:
* Mia telling all about her and Lilly's "fun" with Lilly's stalker Norman, a man with a foot fetish who chased her and Mia around the park a few weeks ago, trying to make them take off their shoes.
--> '''Mia:''' I always have such a good time with Lilly.
--> '''Mia:''' I always have such a good time with Lilly.
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Changed line(s) 18 (click to see context) from:
to:
* The list of rules that the consort of the prince/ss of Genovia has to follow includes not being able to interrupt the prince/ss, having to ask their permission to leave the room, not being able to take part in any risk-taking behaviour... Mia points out how unreasonable these expectations are.
--> I shudder to think of the total loser I will one day be forced to marry. I am already in mourning for the cool race car–driving, mountain-climbing, sky-diving guy I could have had, if it weren’t for this whole crummy princess thing.
--> I shudder to think of the total loser I will one day be forced to marry. I am already in mourning for the cool race car–driving, mountain-climbing, sky-diving guy I could have had, if it weren’t for this whole crummy princess thing.
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Changed line(s) 17 (click to see context) from:
to:
* Mia's first algebra lesson after she gets outed as princess being disrupted by the news people outside and students yelling out the windows ''at'' the news people: “You killed Princess Di! Bring back Princess Di!”
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Changed line(s) 16 (click to see context) from:
to:
* Before she realised he was a bodyguard, apparently Mia assumed the bulge in Lars' jacket (his gun) was a third arm, only she was always too embarrassed to ask him about it directly, so he never corrected her.
