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Changed line(s) 33 (click to see context) from:
* Up until he gets serious, the entire interrogation sequence (which features the botched first naming attempt by Lois) especially when he talks to the people on the ''other'' side of the glass.
to:
* Up until he gets serious, the entire interrogation sequence (which features the botched first naming attempt by Lois) especially when he talks to the people on the ''other'' side of the glass.one-way mirror.
** Before casually mentioning that the people furiously loading tranquiliser guns in the room behind ''them'', don't need to bother.
** Before casually mentioning that the people furiously loading tranquiliser guns in the room behind ''them'', don't need to bother.
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***Look a little closer, the guy actually shoves himself a foot or so away because Clark Kent is steady as a boulder.
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Changed line(s) 5 (click to see context) from:
* After Superman leaves after destroying the general's drone.
to:
* After Superman leaves after destroying throws a large piece of military tech right in the general's drone.path of the General's speeding car:
Changed line(s) 7 (click to see context) from:
-->'''Clark:''' One of your surveillance drones...
to:
-->'''Clark:''' One of your surveillance drones...drones.
Changed line(s) 9,10 (click to see context) from:
-->'''Clark:''' ..."was"
-->and then...
-->and then...
to:
-->and then...
-->And then after he leaves...
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that bit at the end was hilarious, but can someone confirm the exact exchange between Swanwick and Clark?
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-->'''General:''' Are you effin' ''stupid?!''
-->'''Clark:''' One of your surveillance drones...
-->'''General:''' That's a 12 million dollar piece of equipment!
-->'''Clark:''' ..."was"
-->and then...
-->'''Clark:''' One of your surveillance drones...
-->'''General:''' That's a 12 million dollar piece of equipment!
-->'''Clark:''' ..."was"
-->and then...
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Added DiffLines:
** Also when he tries to shove Clark to the ground, only to end up hurting his hand for his troubles.
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Changed line(s) 29 (click to see context) from:
-->'''Zod''': [[BluntYes Yes]]. And I'm arguing it with a ghost.
to:
-->'''Zod''': [[BluntYes Yes]]. And I'm arguing it its merits with a ghost.
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Changed line(s) 26 (click to see context) from:
* Up until he gets serious, the entire interrogation sequence (which features the botched first naming attempt by Lois) especially when he talks to the people on the ''other'' side of the glass.
to:
* Up until he gets serious, the entire interrogation sequence (which features the botched first naming attempt by Lois) especially when he talks to the people on the ''other'' side of the glass.glass.
* This exchange between Zod and Jor-El's digital copy. The deadpan tone of Zod's voice is what sells it.
-->'''Jor-El''': You're talking about genocide.
-->'''Zod''': [[BluntYes Yes]]. And I'm arguing it with a ghost.
* This exchange between Zod and Jor-El's digital copy. The deadpan tone of Zod's voice is what sells it.
-->'''Jor-El''': You're talking about genocide.
-->'''Zod''': [[BluntYes Yes]]. And I'm arguing it with a ghost.
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Changed line(s) 25 (click to see context) from:
* Clark's general approach to things, separating his take on TheParagon from the ''other'' iconic comic paragon (see Steve Rogers in CaptainAmericaTheFirstAvenger); seeing as he's still trying to find his footing, his very straightforward and rather blunt approach makes him just as awkward in moments as Steve is, but in his own way.
to:
* Clark's general approach to things, separating his take on TheParagon from the ''other'' iconic comic paragon (see Steve Rogers in CaptainAmericaTheFirstAvenger); Film/CaptainAmericaTheFirstAvenger); seeing as he's still trying to find his footing, his very straightforward and rather blunt approach makes him just as awkward in moments as Steve is, but in his own way.
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Changed line(s) 26 (click to see context) from:
* Up until he gets serious, the entire interrogation sequence (which features the botched first naming attempt by Lois) especially when he talk to the people on the ''other'' side of the glass.
to:
* Up until he gets serious, the entire interrogation sequence (which features the botched first naming attempt by Lois) especially when he talk talks to the people on the ''other'' side of the glass.
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Changed line(s) 25 (click to see context) from:
* Clark's general approach to things, separating his take on TheParagon from the ''other'' iconic comic paragon (see Steve Rogers in CaptainAmericaTheFirstAvenger); seeing as he's still trying to find his footing, his very straightforward and rather blunt approach makes him just as awkward in moments as Steve is, but in his own way.
to:
* Clark's general approach to things, separating his take on TheParagon from the ''other'' iconic comic paragon (see Steve Rogers in CaptainAmericaTheFirstAvenger); seeing as he's still trying to find his footing, his very straightforward and rather blunt approach makes him just as awkward in moments as Steve is, but in his own way.way.
* Up until he gets serious, the entire interrogation sequence (which features the botched first naming attempt by Lois) especially when he talk to the people on the ''other'' side of the glass.
* Up until he gets serious, the entire interrogation sequence (which features the botched first naming attempt by Lois) especially when he talk to the people on the ''other'' side of the glass.
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Changed line(s) 25 (click to see context) from:
* Clark's general approach to things, separating his take on TheParagon from the ''other'' iconic comic paragon (see Steve Rogers in CaptainAmericaTheFirstAvenger); seeing as he's still trying to find his footing, his very straightforward and rather blunt approach makes him just as Adorkable in moments as Steve is, but in his own way.
to:
* Clark's general approach to things, separating his take on TheParagon from the ''other'' iconic comic paragon (see Steve Rogers in CaptainAmericaTheFirstAvenger); seeing as he's still trying to find his footing, his very straightforward and rather blunt approach makes him just as Adorkable awkward in moments as Steve is, but in his own way.
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Changed line(s) 24 (click to see context) from:
* The Reverend gulping when Clark tells him that he is the one Zod is looking for.
to:
* The Reverend gulping when Clark tells him that he is the one Zod is looking for.for.
* Clark's general approach to things, separating his take on TheParagon from the ''other'' iconic comic paragon (see Steve Rogers in CaptainAmericaTheFirstAvenger); seeing as he's still trying to find his footing, his very straightforward and rather blunt approach makes him just as Adorkable in moments as Steve is, but in his own way.
* Clark's general approach to things, separating his take on TheParagon from the ''other'' iconic comic paragon (see Steve Rogers in CaptainAmericaTheFirstAvenger); seeing as he's still trying to find his footing, his very straightforward and rather blunt approach makes him just as Adorkable in moments as Steve is, but in his own way.
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Changed line(s) 23 (click to see context) from:
** One of the pilots lets out an "oh shit" as Faora leaps at his aircraft.
to:
** One of the pilots lets out an "oh shit" as Faora leaps at his aircraft.aircraft.
* The Reverend gulping when Clark tells him that he is the one Zod is looking for.
* The Reverend gulping when Clark tells him that he is the one Zod is looking for.
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Changed line(s) 22 (click to see context) from:
* During the battle at Smallville, the military tell the fighter jet pilots to use deadly force. Deadly force . . . against superhumans.
to:
* During the battle at Smallville, the military tell the fighter jet pilots to use deadly force. Deadly force . . . against superhumans.superhumans.
** One of the pilots lets out an "oh shit" as Faora leaps at his aircraft.
** One of the pilots lets out an "oh shit" as Faora leaps at his aircraft.
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Changed line(s) 21 (click to see context) from:
* When Superman and Lois finally kiss... Perry White stares awkwardly.
to:
* When Superman and Lois finally kiss... Perry White stares awkwardly.awkwardly.
* During the battle at Smallville, the military tell the fighter jet pilots to use deadly force. Deadly force . . . against superhumans.
* During the battle at Smallville, the military tell the fighter jet pilots to use deadly force. Deadly force . . . against superhumans.
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Changed line(s) 20 (click to see context) from:
* When Superman runs into an adult Pete Ross, Superman gives a look that screams YouHaveGotToBeKiddingMe.
to:
* When Superman runs into an adult Pete Ross, Superman gives a look that screams YouHaveGotToBeKiddingMe.YouHaveGotToBeKiddingMe
* When Superman and Lois finally kiss... Perry White stares awkwardly.
* When Superman and Lois finally kiss... Perry White stares awkwardly.
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Changed line(s) 17,18 (click to see context) from:
--> ''(Clark has ever single one of her bags slung on his arms, clearly unhindered by their weight. Lois stares [[{{Beat}} for a moment]] and then gets right back to work.)''
* The fight with Zod gets into a partially constructed building at one point. In a "blink and you'll miss it" moment, Zod whacks Superman into a "days without an accident" counter, knocking the numbers off and reverting it to zero.
* The fight with Zod gets into a partially constructed building at one point. In a "blink and you'll miss it" moment, Zod whacks Superman into a "days without an accident" counter, knocking the numbers off and reverting it to zero.
to:
--> ''(Clark has ever every single one of her bags slung on his arms, clearly unhindered by their weight. Lois stares [[{{Beat}} for a moment]] and then gets right back to work.)''
* The fight with Zod gets into a partially constructed building at one point. In a "blink and you'll miss it" moment, Zod whacks Superman into a "days without an accident" counter, knocking the numbers off and reverting it tozero.zero.
* When a soldier refers to Clark as "Superman", General Swanwick stares at the soldier, clearly thinking that was the stupidest thing he has ever heard.
* When Superman runs into an adult Pete Ross, Superman gives a look that screams YouHaveGotToBeKiddingMe.
* The fight with Zod gets into a partially constructed building at one point. In a "blink and you'll miss it" moment, Zod whacks Superman into a "days without an accident" counter, knocking the numbers off and reverting it to
* When a soldier refers to Clark as "Superman", General Swanwick stares at the soldier, clearly thinking that was the stupidest thing he has ever heard.
* When Superman runs into an adult Pete Ross, Superman gives a look that screams YouHaveGotToBeKiddingMe.
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Changed line(s) 14 (click to see context) from:
* The outcome of Clark's stand-off with the jerk customer at the diner in act one. Clark leaves, [[TranquilFury silent and upset]], and later the jerk finds his truck staked through four roughly sharpened pieces of timber. That's what he gets for pissing off Clark.
to:
* The outcome of Clark's stand-off with the jerk customer at the diner in act one. Clark leaves, [[TranquilFury silent and upset]], and later the jerk finds his truck staked through four roughly sharpened pieces of timber. [[DoNotTauntCthulhu That's what he gets for pissing off Clark.]]
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Changed line(s) 17 (click to see context) from:
--> ''(Clark has ever single one of her bags slung on his arms, clearly unhindered by their weight. Lois stares [[{{Beat}} for a moment]] and then gets right back to work.)''
to:
--> ''(Clark has ever single one of her bags slung on his arms, clearly unhindered by their weight. Lois stares [[{{Beat}} for a moment]] and then gets right back to work.)'')''
* The fight with Zod gets into a partially constructed building at one point. In a "blink and you'll miss it" moment, Zod whacks Superman into a "days without an accident" counter, knocking the numbers off and reverting it to zero.
* The fight with Zod gets into a partially constructed building at one point. In a "blink and you'll miss it" moment, Zod whacks Superman into a "days without an accident" counter, knocking the numbers off and reverting it to zero.
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Changed line(s) 14 (click to see context) from:
* The outcome of Clark's stand-off with the jerk customer at the diner in act one. Clark leaves, [[TranquilFury silent and upset]], and later the jerk finds his truck staked through four roughly sharpened pieces of timber. That's what he gets for pissing off Clark.
to:
* The outcome of Clark's stand-off with the jerk customer at the diner in act one. Clark leaves, [[TranquilFury silent and upset]], and later the jerk finds his truck staked through four roughly sharpened pieces of timber. That's what he gets for pissing off Clark.Clark.
* When Lois arrives at the US military's post in Canada investigating [[spoiler: Kara's scout ship]]. Clark, going by Joe, is tasked with collecting Lois' belongings.
-->'''Lois''' (to Clark): Be careful with those, they're really heavy.
--> ''(Clark has ever single one of her bags slung on his arms, clearly unhindered by their weight. Lois stares [[{{Beat}} for a moment]] and then gets right back to work.)''
* When Lois arrives at the US military's post in Canada investigating [[spoiler: Kara's scout ship]]. Clark, going by Joe, is tasked with collecting Lois' belongings.
-->'''Lois''' (to Clark): Be careful with those, they're really heavy.
--> ''(Clark has ever single one of her bags slung on his arms, clearly unhindered by their weight. Lois stares [[{{Beat}} for a moment]] and then gets right back to work.)''
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Changed line(s) 13 (click to see context) from:
-->'''City worker''': ''*salutes with his burger*'' "All good, man!" ''*[[BreakingTheFourthWall turns to camera]]*'' "Maybe a little overtime."
to:
-->'''City worker''': ''*salutes with his burger*'' "All good, man!" ''*[[BreakingTheFourthWall turns to camera]]*'' "Maybe a little overtime.""
* The outcome of Clark's stand-off with the jerk customer at the diner in act one. Clark leaves, [[TranquilFury silent and upset]], and later the jerk finds his truck staked through four roughly sharpened pieces of timber. That's what he gets for pissing off Clark.
* The outcome of Clark's stand-off with the jerk customer at the diner in act one. Clark leaves, [[TranquilFury silent and upset]], and later the jerk finds his truck staked through four roughly sharpened pieces of timber. That's what he gets for pissing off Clark.
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Changed line(s) 5,6 (click to see context) from:
* After Superman saves a soldier ("You okay?")
to:
Deleted line(s) 9 (click to see context) :
Deleted line(s) 12 (click to see context) :
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* After Superman saves a soldier ("You okay?")
-->'''General:''' What are you smiling about, Captain?
-->'''Captain:''' [[DistractedByTheSexy I just think he’s kinda hot.]]
* Superman about to lift off, which generates shock waves:
-->'''Superman:''' You might wanna step back a little bit. [''{{beat}}''] Maybe a little bit more.
-->'''General:''' What are you smiling about, Captain?
-->'''Captain:''' [[DistractedByTheSexy I just think he’s kinda hot.]]
* Superman about to lift off, which generates shock waves:
-->'''Superman:''' You might wanna step back a little bit. [''{{beat}}''] Maybe a little bit more.
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Changed line(s) 9 (click to see context) from:
-->'''City worker''': ''*raises his burger*'' "All good, man!" ''*[[BreakingTheFourthWall turns to camera]]*'' "Maybe a little overtime."
to:
-->'''City worker''': ''*raises ''*salutes with his burger*'' "All good, man!" ''*[[BreakingTheFourthWall turns to camera]]*'' "Maybe a little overtime."
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Changed line(s) 4,5 (click to see context) from:
-->'''Lois''': Well, here, it's... an S. How about Sup - (''static'')
to:
-->'''Lois''': Well, here, it's... an S. *[[{{Beat}} beat]]* How about Sup - (''static'')
Sup- (''static'')
* The Carl's Jr/Hardee's [[http://www.youtube.com/watch?v=VIE2Li7auNE commercial]] featuring Metropolis City Service dealing with Superman's potholes. Just as the city worker says that they'll be done "right after lunch" (despite the large mess all over the place), Superman lands further down the street, creating yet another pothole.
-->'''City worker''': ''*gives a look of "Dude, again?"*''
-->'''Superman''': ''*gives a rather sheepish and apologetic look*''
-->'''City worker''': ''*raises his burger*'' "All good, man!" ''*[[BreakingTheFourthWall turns to camera]]*'' "Maybe a little overtime."
* The Carl's Jr/Hardee's [[http://www.youtube.com/watch?v=VIE2Li7auNE commercial]] featuring Metropolis City Service dealing with Superman's potholes. Just as the city worker says that they'll be done "right after lunch" (despite the large mess all over the place), Superman lands further down the street, creating yet another pothole.
-->'''City worker''': ''*gives a look of "Dude, again?"*''
-->'''Superman''': ''*gives a rather sheepish and apologetic look*''
-->'''City worker''': ''*raises his burger*'' "All good, man!" ''*[[BreakingTheFourthWall turns to camera]]*'' "Maybe a little overtime."
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Changed line(s) 4,5 (click to see context) from:
-->'''Lois''': Well, here, it's an S. How about Sup - (''static'')
to:
-->'''Lois''': Well, here, it's it's... an S. How about Sup - (''static'')
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Changed line(s) 4,5 (click to see context) from:
-->'''Lois''': Well, here it's an S. How about Sup - (''static'')
to:
-->'''Lois''': Well, here here, it's an S. How about Sup - (''static'')
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Changed line(s) 1 (click to see context) from:
* From the third trailer, Superman and Lois's discussion about the S on his chest was actually kinda funny.
to:
* From the third trailer, Superman and Lois's discussion about the S on his chest was actually kinda funny.chest.
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Changed line(s) 1 (click to see context) from:
* From the third trailer, Superman and Lois's discussion about the S on his chest was actually kinda funny.
to:
* From the third trailer, Superman and Lois's discussion about the S on his chest was actually kinda funny.funny.
-->'''Lois''': What's the 'S' stand for?
-->'''Clark''': It's not an 'S'. On my world, it means 'hope'.
-->'''Lois''': Well, here it's an S. How about Sup - (''static'')
-->'''Lois''': What's the 'S' stand for?
-->'''Clark''': It's not an 'S'. On my world, it means 'hope'.
-->'''Lois''': Well, here it's an S. How about Sup - (''static'')
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* From the third trailer, Superman and Lois's discussion about the S on his chest was actually kinda funny.
