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Changed line(s) 6 (click to see context) from:
* When Dindon refers to Georges and Albin as "transvestite homosexuals," they respond, [[ITakeOffenseToThatLastOne incredibly offended]]:
to:
* When Dindon refers to Georges and Albin as "transvestite "two transvestite homosexuals," they respond, [[ITakeOffenseToThatLastOne incredibly offended]]:
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Changed line(s) 15 (click to see context) from:
* "Ladies and Gentlemen...and you!"
to:
* "Ladies and Gentlemen...and you!"you!"
* Some of the lyrics in the title track first have Zaza say "I know a Duchess who got pregnant at the bar", and a few minutes later the chorus belts out "The bar is cheering for the Duchess has returned!". A bit of a musical BrickJoke within one song.
* Some of the lyrics in the title track first have Zaza say "I know a Duchess who got pregnant at the bar", and a few minutes later the chorus belts out "The bar is cheering for the Duchess has returned!". A bit of a musical BrickJoke within one song.
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Changed line(s) 2 (click to see context) from:
** Albin when talking to the Dindons: "You should've seen the look on George's face when he told him he was marrying ''a woman'' (cue OhCrap moment)..."I mean a ''white'' woman".
to:
** Albin when talking to the Dindons: "You should've seen the look on George's face when he told him he was marrying ''a woman'' (cue OhCrap moment)..."I I mean a ''white'' woman".
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Changed line(s) 9 (click to see context) from:
* Though he doesn't actually identify as a woman, Albin is effeminate to where he still considers himself Jean-Michel's "mother" even before the dinner party. Also, Georges even refers to him as his ''wife'' at one point.
to:
* Though he doesn't actually identify as a woman, Albin is effeminate to where he still considers himself Jean-Michel's "mother" even before the dinner party. Also, Georges even refers to him as his ''wife'' "wife" at one point.
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Changed line(s) 9 (click to see context) from:
* Though he's does not actually identify as a real woman, Albin is effeminate to where he still considers himself Jean-Michel's "mother" even before the dinner party. Also, Georges even refers to him as his ''wife'' at one point.
to:
* Though he's does not he doesn't actually identify as a real woman, Albin is effeminate to where he still considers himself Jean-Michel's "mother" even before the dinner party. Also, Georges even refers to him as his ''wife'' at one point.
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Changed line(s) 3 (click to see context) from:
* When Jean-Michel address the "ironies" in the decor mainly composed of various homoerotic pieces.
to:
* When Jean-Michel address addressing the "ironies" in the decor mainly composed of various homoerotic pieces.
Changed line(s) 12 (click to see context) from:
** When Jean-Michel playfully dances with Jacob during "With Anne on my Arm" which kind of doubles as a heartwarming.
to:
** When Jean-Michel playfully dances dancing with Jacob during "With Anne on my Arm" which kind of doubles doubling as a heartwarming.
Added DiffLines:
-->"NOT THE CHICKEN."
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Changed line(s) 9 (click to see context) from:
* Though he's a man and does not identify as a woman, Albin is effeminate to where he still considers himself Jean-Michel's "mother" even before the dinner party. Also, Georges even refers to him as his ''wife'' at one point.
to:
* Though he's a man and does not actually identify as a real woman, Albin is effeminate to where he still considers himself Jean-Michel's "mother" even before the dinner party. Also, Georges even refers to him as his ''wife'' at one point.
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Added DiffLines:
* Though he's a man and does not identify as a woman, Albin is effeminate to where he still considers himself Jean-Michel's "mother" even before the dinner party. Also, Georges even refers to him as his ''wife'' at one point.
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Added DiffLines:
** Albin when talking to the Dindons: "You should've seen the look on George's face when he told him he was marrying ''a woman'' (cue OhCrap moment)..."I mean a ''white'' woman".
Added DiffLines:
** When he burns the chicken to a blackened crisp.
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Added DiffLines:
** When Jean-Michel playfully dances with Jacob during "With Anne on my Arm" which kind of doubles as a heartwarming.
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Changed line(s) 8 (click to see context) from:
* Any and every scene with Jacob, who's designed specifically to be an EnsembleDarkhorse. His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after he's [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag. During the third act he dresses in a completely over-the-top butler costume, looking a lot like an 18th century statesman complete with powdered wig.
to:
* Any and every scene with Jacob, who's designed specifically to be an EnsembleDarkhorse. His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after he's [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag. During the third act he dresses in a completely over-the-top butler costume, looking a lot like an 18th century statesman aristocrat complete with powdered wig.
Changed line(s) 10 (click to see context) from:
* "Ladies and Gentlemen...and you!"
to:
* "Ladies and Gentlemen...and you!"
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Added line(s) 7 (click to see context) :
* When Jean-Michel address the "ironies" in the decor mainly composed of various homoerotic pieces.
Changed line(s) 7 (click to see context) from:
* Any and every scene with Jacob, who's designed specifically to be an EnsembleDarkhorse. His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after he's [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag -- such as a completely over-the-top butler costume, looking a lot like an 18th century statesman complete with powdered wig.
to:
* Any and every scene with Jacob, who's designed specifically to be an EnsembleDarkhorse. His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after he's [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag -- such as drag. During the third act he dresses in a completely over-the-top butler costume, looking a lot like an 18th century statesman complete with powdered wig.
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Changed line(s) 2 (click to see context) from:
* "Masculinity", if only for Georges's pep talk to Albin: "Albin, you are the greatest performer on the Riviera. You've taken on the likes of Shakespeare, Moliere, and came ''this close'' to getting that tour of ''[[Theatre/HelloDolly Dolly]]''...but dear old 'Uncle Al' ''is beyond your reach''."
to:
* "Masculinity", if only for Georges's pep talk to Albin: "Albin, you are the greatest performer on the Riviera. You've taken on the likes of Shakespeare, Moliere, and came ''this close'' to getting that tour of ''[[Theatre/HelloDolly Dolly]]''...but dear old 'Uncle Al' Dolly]]''. Are you trying to tell me that playing dear, simple Uncle Al ''is beyond your reach''."range?''"
Changed line(s) 7,10 (click to see context) from:
* Any and every scene with Jacob who's designed specifically to be an EnsembleDarkhorse.
** His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after we'd see him [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
** His completely over-the-top Butler costume looking a lot like an 18th century statesman complete with powdered wig.
** "Zis for me, zat for you and zis for your Papa".
** His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after we'd see him [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
** His completely over-the-top Butler costume looking a lot like an 18th century statesman complete with powdered wig.
** "Zis for me, zat for you and zis for your Papa".
to:
* Any and every scene with Jacob Jacob, who's designed specifically to be an EnsembleDarkhorse.
**EnsembleDarkhorse. His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after we'd see him he's [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
** Hisdrag -- such as a completely over-the-top Butler costume butler costume, looking a lot like an 18th century statesman complete with powdered wig.
** "Zis for me, zat for you and zis for yourPapa".Papa!"
**
** His
** "Zis for me, zat for you and zis for your
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Changed line(s) 2 (click to see context) from:
* "Masculinity", if only for Georges's pep talk to Albin: "Albin, you are the greatest performer on the Riviera. You've taken on the likes of Shakespeare, Moliere, and came ''this close'' to getting that tour of ''[[Theatre/HelloDolly Dolly]]''."
to:
* "Masculinity", if only for Georges's pep talk to Albin: "Albin, you are the greatest performer on the Riviera. You've taken on the likes of Shakespeare, Moliere, and came ''this close'' to getting that tour of ''[[Theatre/HelloDolly Dolly]]''.Dolly]]''...but dear old 'Uncle Al' ''is beyond your reach''."
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Changed line(s) 9 (click to see context) from:
** His completely over-the-top Butler costume looking like an 18th century statesman powdered wig and all.
to:
** His completely over-the-top Butler costume looking a lot like an 18th century statesman complete with powdered wig and all.wig.
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Changed line(s) 2 (click to see context) from:
* "Masculinity"
to:
* "Masculinity""Masculinity", if only for Georges's pep talk to Albin: "Albin, you are the greatest performer on the Riviera. You've taken on the likes of Shakespeare, Moliere, and came ''this close'' to getting that tour of ''[[Theatre/HelloDolly Dolly]]''."
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None
Changed line(s) 8 (click to see context) from:
** His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after we'd see he him [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
to:
** His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after we'd see he him [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
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Changed line(s) 8,9 (click to see context) from:
** His entrance alone has him in a gown ready to "step-in" for Albin. Soon after we'd see he him [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
** His completely over-the-top Butler costume looking like a 17th century statesman complete with a powdered wig.
** His completely over-the-top Butler costume looking like a 17th century statesman complete with a powdered wig.
to:
** His entrance alone has him in a gown and boa ready to "step-in" for Albin. Soon after we'd see he him [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
** His completely over-the-top Butler costume looking likea 17th an 18th century statesman complete with a powdered wig.wig and all.
** His completely over-the-top Butler costume looking like
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Changed line(s) 6 (click to see context) from:
-->"One ''plain'' homosexual."
to:
-->"One ''plain'' homosexual.""
* Any and every scene with Jacob who's designed specifically to be an EnsembleDarkhorse.
** His entrance alone has him in a gown ready to "step-in" for Albin. Soon after we'd see he him [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
** His completely over-the-top Butler costume looking like a 17th century statesman complete with a powdered wig.
** "Zis for me, zat for you and zis for your Papa".
* Any and every scene with Jacob who's designed specifically to be an EnsembleDarkhorse.
** His entrance alone has him in a gown ready to "step-in" for Albin. Soon after we'd see he him [[WholesomeCrossdresser casually wearing]] a FrenchMaidOutfit and/or VaporWear or some other garb of drag.
** His completely over-the-top Butler costume looking like a 17th century statesman complete with a powdered wig.
** "Zis for me, zat for you and zis for your Papa".
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Changed line(s) 1 (click to see context) from:
* The dinner party.
to:
* The dinner party.party.
* "Masculinity"
* "Judas! ...Traitor! ...''Heterosexual''!"
* When Dindon refers to Georges and Albin as "transvestite homosexuals," they respond, [[ITakeOffenseToThatLastOne incredibly offended]]:
-->"''One'' transvestite."
-->"One ''plain'' homosexual."
* "Masculinity"
* "Judas! ...Traitor! ...''Heterosexual''!"
* When Dindon refers to Georges and Albin as "transvestite homosexuals," they respond, [[ITakeOffenseToThatLastOne incredibly offended]]:
-->"''One'' transvestite."
-->"One ''plain'' homosexual."