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* The school bus pulling up in front of Vernita's house is a hilarious reminder that the deadly battle is occurring in oblivious, white-picket-fence suburbs.
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* During the fight between Beatrix and the Crazy-88, one of the Mooks lets out a [[StockScream Wilhelm scream]]
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Changed line(s) 23 (click to see context) from:
* Elle's reaction to [[ItMakesSenseInContext being covered in]] [[Squick Budd's tobacco spit]]:
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* Elle's reaction to [[ItMakesSenseInContext being covered in]] [[Squick [[{{Squick}} Budd's tobacco spit]]:
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* Elle's reaction to [[ItMakesSenseInContext being covered in]] [[Squick Budd's tobacco spit]]:
--->'''Elle''': ''[[UnderStatement Gross]]''.
--->'''Elle''': ''[[UnderStatement Gross]]''.
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Changed line(s) 13 (click to see context) from:
** "Now, this concerns you."
to:
** "Now, you should pay attention because this concerns you."
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Changed line(s) 12,13 (click to see context) from:
* "Now, this concerns you."
* "I've always liked that word 'gargantuan'. It's a shame I so rarely have a chance to use it in a sentence."
* "I've always liked that word 'gargantuan'. It's a shame I so rarely have a chance to use it in a sentence."
to:
* Elle's speech to [[spoiler: Budd, whom she has just poisoned with a black mamba snake]] has some choice lines. Her speech is also a CrowningMomentOfAwesome.
** "Now, this concerns you."
*"
** "I've always liked that word 'gargantuan'. It's a shame I so rarely have a chance to use it in a sentence.""
** "Now, this concerns you.
*
** "I've always liked that word 'gargantuan'. It's a shame I so rarely have a chance to use it in a sentence.
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** Followed by a bit of physical comedy as Elle does a faceplant over the knocked-out wall in the bathroom.
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* Vernita and The Bride, who've just had a furious, destructive fight all over the house, stopping and hiding their weapons behind their backs as Nikki's bus pulls up. And Vernita's excuse for the mess.
--> That good for nothing dog of yours got in here and acted a damn fool!
--> That good for nothing dog of yours got in here and acted a damn fool!
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* Vernita and The Bride, who've just had a furious, destructive fight all over the house, stopping and hiding their weapons behind their backs as Nikki's bus pulls up. And Vernita's excuse for the mess.
--> That good for nothing dog of yours got in here and acted a damn fool!
--> That good for nothing dog of yours got in here and acted a damn fool!
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* Buck could not have made his car easier to locate in a parking lot. The bride is speeding in her wheelchair past ordinary looking cars, when she practically does a double take and slams on the brakes at the sight of a gaudily customized yellow pickup truck with the name "PUSSY WAGON" emblazoned in huge letters on the back. She takes out the matching keychain, looks back at the Pussy Wagon, and gives a little smile of triumph.
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Changed line(s) 38 (click to see context) from:
* Hattori Hanzo and his assistant bickering LikeAnOldMarriedCouple when the Bride walks into his sushi bar. Hanzo even has to verbally drag the assistant out of the breakroom where he was [[DaytimeDramaQueen watching his stories]].
to:
* Hattori Hanzo and his assistant bickering LikeAnOldMarriedCouple when the Bride [[https://www.youtube.com/watch?v=rIr6rEndy0A walks into his sushi bar. bar.]] Hanzo even has to verbally drag the assistant out of the breakroom where he was [[DaytimeDramaQueen watching his stories]].stories]]. Please note the Bride nonchalantly ducking under their joined arms while Hanzo is twisting his assistant's finger. The UltimateBlacksmith is too engrossed in kvetching to realize that the supposedly-DumbBlonde is just taking all this in like a floor show.
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Changed line(s) 33 (click to see context) from:
* The fact that Karen's first reaction when trying to read the instructions is to say, "I don't know what this fucking shit means!" seems to be LampshadeHanging the inscrutable nature of feminine products in general.
to:
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* The fact that Karen's first reaction when trying to read the instructions is to say, "I don't know what this fucking shit means!" seems to be LampshadeHanging the inscrutable nature of feminine products in general.
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Changed line(s) 38 (click to see context) from:
* The Bride using sheer focus to get her toes moving again post-coma. It takes telling herself (obviously to the audience too) an entire, lengthly backstory of O-Ren to fuel her desire for revenge to get one of her big toes moving. Then she prepares to heal the other toes. Cue a "Thirteen Hours Later" board.
to:
* The Bride using sheer focus to get her toes moving again post-coma. It takes telling herself (obviously to the audience too) an entire, lengthly lengthy backstory of O-Ren to fuel her desire for revenge to get one of her big toes moving. Then she prepares to heal the other toes. Cue a "Thirteen Hours Later" board.
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** Even funnier is when Bud's boss rants about a car wash before saying, "And I own a fucking car wash."
*** His hooker/girlfriend then saying "Do you want me to leave?", feeling the awkwardness is ten times better.
*** His hooker/girlfriend then saying "Do you want me to leave?", feeling the awkwardness is ten times better.
Changed line(s) 38 (click to see context) from:
* The cut to the Bride's childhood classroom during roll call after her real name is revealed by Elle. Not only do the other kids in her class have [[UnfortunateNames truly atrocious names]], but the Bride's childhood self is *still* portrayed by the fully-grown Uma Thurman.
to:
* The cut to the Bride's childhood classroom during roll call after her real name is revealed by Elle. Not only do the other kids in her class have [[UnfortunateNames truly atrocious names]], but the Bride's childhood self is *still* *'''still'''* portrayed by the fully-grown Uma Thurman.
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Changed line(s) 13 (click to see context) from:
* The Bride meeting Vernita Green. First, a NarmCharm-tastic sequence of zooming in on each face as the ''Series/{{Ironside}}'' theme plays. The Bride then punches Vernita in the face.
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* The Bride meeting Vernita Green. First, a NarmCharm-tastic sequence of zooming in on each face as the ''Series/{{Ironside}}'' ''Series/{{Ironside 1967}}'' theme plays. The Bride then punches Vernita in the face.
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* [[https://www.youtube.com/watch?v=BBoP2l7VBeo The Bride is standing right outside Bud's house]]. She dramatically throws the door open...only to be [[IncrediblyLamePun blown]] [[BlownAcrossTheRoom away]] by two 12-gauge shotgun rounds of pure rock salt to the chest.
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Changed line(s) 39 (click to see context) from:
* When the Bride severs part of Johnny Mo's leg, he lets out a scream that lasts for three [[StylisticSuck disheveled]] shots.
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* When the Bride severs part of Johnny Mo's leg, he lets out a particularly amusing scream that lasts for three [[StylisticSuck disheveled]] shots.{{Repeat Cut}}s.
** Also, all of the FunnyBruceLeeNoises he made during their fight.
** Also, all of the FunnyBruceLeeNoises he made during their fight.
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Changed line(s) 38 (click to see context) from:
* The cut to the Bride's childhood classroom during roll call after her real name is revealed by Elle. Not only do the other kids in her class have [[UnfortunateNames truly atrocious names]], but the Bride's childhood self is *still* portrayed by the fully-grown Uma Thurman.
to:
* The cut to the Bride's childhood classroom during roll call after her real name is revealed by Elle. Not only do the other kids in her class have [[UnfortunateNames truly atrocious names]], but the Bride's childhood self is *still* portrayed by the fully-grown Uma Thurman.Thurman.
* When the Bride severs part of Johnny Mo's leg, he lets out a scream that lasts for three [[StylisticSuck disheveled]] shots.
----
* When the Bride severs part of Johnny Mo's leg, he lets out a scream that lasts for three [[StylisticSuck disheveled]] shots.
----
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Changed line(s) 37 (click to see context) from:
* Pei-Mei's chronic beard-stroking.
to:
* Pei-Mei's chronic beard-stroking.beard-stroking.
* The cut to the Bride's childhood classroom during roll call after her real name is revealed by Elle. Not only do the other kids in her class have [[UnfortunateNames truly atrocious names]], but the Bride's childhood self is *still* portrayed by the fully-grown Uma Thurman.
* The cut to the Bride's childhood classroom during roll call after her real name is revealed by Elle. Not only do the other kids in her class have [[UnfortunateNames truly atrocious names]], but the Bride's childhood self is *still* portrayed by the fully-grown Uma Thurman.
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Changed line(s) 36 (click to see context) from:
* The Bride using sheer focus to get her toes moving again post-coma. It takes telling herself (obviously to the audience too) an entire, lengthly backstory of O-Ren to fuel her desire for revenge to get one of her big toes moving. Then she prepares to heal the other toes. Cue a "Thirteen Hours Later" board.
to:
* The Bride using sheer focus to get her toes moving again post-coma. It takes telling herself (obviously to the audience too) an entire, lengthly backstory of O-Ren to fuel her desire for revenge to get one of her big toes moving. Then she prepares to heal the other toes. Cue a "Thirteen Hours Later" board.board.
* Pei-Mei's chronic beard-stroking.
* Pei-Mei's chronic beard-stroking.
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Changed line(s) 35 (click to see context) from:
* Hattori Hanzo and his assistant bickering LikeAnOldMarriedCouple when the Bride walks into his sushi bar. Hanzo even has to verbally drag the assistant out of the breakroom where he was [[DaytimeDramaQueen watching his stories]].
to:
* Hattori Hanzo and his assistant bickering LikeAnOldMarriedCouple when the Bride walks into his sushi bar. Hanzo even has to verbally drag the assistant out of the breakroom where he was [[DaytimeDramaQueen watching his stories]].stories]].
* The Bride using sheer focus to get her toes moving again post-coma. It takes telling herself (obviously to the audience too) an entire, lengthly backstory of O-Ren to fuel her desire for revenge to get one of her big toes moving. Then she prepares to heal the other toes. Cue a "Thirteen Hours Later" board.
* The Bride using sheer focus to get her toes moving again post-coma. It takes telling herself (obviously to the audience too) an entire, lengthly backstory of O-Ren to fuel her desire for revenge to get one of her big toes moving. Then she prepares to heal the other toes. Cue a "Thirteen Hours Later" board.
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---> '''Sofie Fatale:''' "このfuck野郎と同じようにね。"[[note]]"Kono fuck yarou to onaji you ni ne," or as O-ren put it just beforehand, "Just like this fucker right here."[[/note]]
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Changed line(s) 19 (click to see context) from:
---> I'll kill you, you fucking bitch! You fucking bitch! I'll kill you! ... [[OhCrap oh shit]].
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---> [[VillainousBreakdown I'll kill you, you,]] [[ClusterFBomb you fucking bitch! You fucking bitch! bitch!]] I'll kill you! ... [[OhCrap oh shit]].
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Changed line(s) 34 (click to see context) from:
to:
* Hattori Hanzo and his assistant bickering LikeAnOldMarriedCouple when the Bride walks into his sushi bar. Hanzo even has to verbally drag the assistant out of the breakroom where he was [[DaytimeDramaQueen watching his stories]].
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Changed line(s) 17 (click to see context) from:
* "And... that hat. That fuckin' hat.... How many times have I told you, don't wear that ''fucking'' hat here. [...] I'm not the boss of the customers, I'm the boss of ''you.'' And I'm telling you, that I want you to keep that ''shit-kicker hat at home!"''
to:
* "And... that hat. That fuckin' hat.... How many times have I told you, don't wear that ''fucking'' hat here. " [...] I'm "I'm not the boss of the customers, I'm the boss of ''you.'' And I'm telling you, that I want you to keep that ''shit-kicker hat hat'' at home!"'' home!"
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Changed line(s) 17 (click to see context) from:
* "And... that hat. That fuckin' hat.... How many times have I told you, don't wear that ''fucking'' hat here." [...] I'm not the boss of the customers, I'm the boss of ''you.'' And I'm telling you, that I want you to keep that ''shit-kicker hat'' at home!"
to:
* "And... that hat. That fuckin' hat.... How many times have I told you, don't wear that ''fucking'' hat here." [...] I'm not the boss of the customers, I'm the boss of ''you.'' And I'm telling you, that I want you to keep that ''shit-kicker hat'' hat at home!" home!"''
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Changed line(s) 33 (click to see context) from:
* The Bride's reaction to Bill's [[spoiler: explanation]]: "You [[spoiler: overreacted?! THAT's your explanation?!]]"
to:
* The Bride's reaction to Bill's [[spoiler: explanation]]: "You [[spoiler: overreacted?! THAT's your explanation?!]]"explanation?!]]"
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* "And... that hat. That fuckin' hat.... How many times have I told you, don't wear that ''fucking'' hat here." [...] I'm not the boss of the customers, I'm the boss of ''you.'' And I'm telling you, that I want you to keep that ''shit-kicker hat'' at home!"
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** Tanaka's ten foot fountain of blood looked like something right out of Creator/MontyPython, and this being Tarantino, that's definitely the point.
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** Tanaka's ten foot ten-foot fountain of blood looked like something right out of Creator/MontyPython, ''Creator/MontyPython'', and this being Tarantino, that's definitely the point.
