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** And when he follows them to where the desert table is and notices the [[FoodPorn decadent array of sweets and pastries]], he briefly looks like a schoolboy visiting a candy shop for the first time, before quickly composing himself and looking uninterested when the waiters pass by him to leave, then sneaking in before the door closes.
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''(Salieri, Kappelmeister Bono and Orsini-Rosenberg laugh)''\\

to:

''(Salieri, Kappelmeister Bono Kapellmeister Bonno and Orsini-Rosenberg laugh)''\\



''(Kappelmeister Bono giggles nervously until Orsini-Rosenberg shoots him a [[DeathGlare withering look]])''

to:

''(Kappelmeister Bono ''(Kapellmeister Bonno giggles nervously until Orsini-Rosenberg shoots him a [[DeathGlare withering look]])''



* The scene where the Emperor attends the Marriage of Figaro rehearsal and the OhCrap expression building on his face when he is gradually explained and reminded that he himself prohibited ballet in Mozart's opera.
* The smooth transition from a dejected Mozart being scolded by his mother-in-law, to him staring at her as if struck by inspiration, to the premiere of ''Theatre/TheMagicFlute'', becomes extremely funny when you realise that the character is the Queen of the Night — the opera's villain — and she is performing her '''rage aria''' "Der Hölle Rache kocht in meinem Herzen" (Hell's vengeance boils in my heart"). In reality Cäcilia and Wolfgang grew quite fond of each other. (Also in reality, the soprano performing the aria at the premiere performance would historically be [[https://en.wikipedia.org/wiki/Josepha_Weber Josepha Hofer]], Mozart's sister-in-law and Cäcilia's eldest daughter.)

to:

* The scene where the Emperor attends the Marriage ''Marriage of Figaro Figaro'' rehearsal and the OhCrap expression building on his face when he is gradually explained and reminded that he himself prohibited ballet in Mozart's opera.
* The smooth transition from a dejected Mozart being scolded by his mother-in-law, to him staring at her as if struck by inspiration, to the premiere of ''Theatre/TheMagicFlute'', becomes extremely funny when you realise that the character is the Queen of the Night -- the opera's villain -- and she is performing her '''rage aria''' "Der Hölle Rache kocht in meinem Herzen" (Hell's ("Hell's vengeance boils in my heart"). In reality Cäcilia and Wolfgang grew quite fond of each other. (Also in reality, the soprano performing the aria at the premiere performance would historically be [[https://en.wikipedia.org/wiki/Josepha_Weber Josepha Hofer]], Mozart's sister-in-law and Cäcilia's eldest daughter.)
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* When Salieri plays ''Un Kleine Nachtmuzik'' for the priest, he does it barebones, like playing on a toy piano. Still, the priest instantly recognizes it.

to:

* When Salieri plays ''Un Kleine ''Eine kleine Nachtmuzik'' for the priest, he does it barebones, like playing on a toy piano. Still, the priest instantly recognizes it.
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* As Salieri recounts his diabolical plot to trick Mozart into writing his own requiem and then play it his funeral as if it were his own, the music [[ThemeMusicPowerUp flares triumphantly]] and [[SuddenSoundtrackStop abruptly stops]] when he notes there's [[MissingStepsPlan one crucial step]] he didn't account for:

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* As Salieri recounts his diabolical plot to trick Mozart into writing his own requiem and then play it his funeral as if it were his own, funeral, StealingTheCredit from Mozart and God, the music [[ThemeMusicPowerUp flares swells triumphantly]] and as he's ChewingTheScenery, then [[SuddenSoundtrackStop abruptly stops]] when he notes there's there was [[MissingStepsPlan one crucial step]] he didn't account for:

Added: 441

Changed: 26

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-->'''Salieri:''' ''([[SarcasmMode sarcastically]])'' Oh love! Well of course, In Italy, we know ''nothing'' about love!\\

to:

-->'''Salieri:''' ''([[SarcasmMode sarcastically]])'' ''({{sarcas|mMode}}tically)'' Oh love! Well of course, In Italy, we know ''nothing'' about love!\\


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* As Salieri recounts his diabolical plot to trick Mozart into writing his own requiem and then play it his funeral as if it were his own, the music [[ThemeMusicPowerUp flares triumphantly]] and [[SuddenSoundtrackStop abruptly stops]] when he notes there's [[MissingStepsPlan one crucial step]] he didn't account for:
--> '''Salieri:''' The ''only'' thing that worried me was the actual killing. How does one do that? How does one kill a man?
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* It's sandwiched between two intense moments, but when Constanze comes home after Mozart and Salieri work all night on the Requiem, she notices that Salieri fell asleep scrunched up in their son's less-than-adult-sized bed, and when she wakes him up he's startled and tumbles onto the floor.
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* At a costume party attended by himself, Constanze and Leopold, Mozart loses a game of musical chairs, with the host declaring that his father should decide on a penalty. Mozart eagerly urges his father to give him one; when Leopold dead-seriously requests that his son come back to Salzburg with him, Mozart [[ComicallyMissingThePoint rolls his eyes and reminds his dad that you can only give a penalty that can be performed in the room.]] Leopold then declares that he's tired of the game, at which point his son [[{{Manchild}} begins jumping up and down insisting that he must have a penalty!]]
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--> "I'm a famous horseman!"
--> "And we're a famous horse!"

to:

--> "I'm -->"I'm a famous horseman!"
-->
horseman!"\\
"And we're a famous horse!"



--> '''Salieri:''' ''([[SarcasmMode sarcastically]])'' Oh love! Well of course, In Italy, we know ''nothing'' about love!
--> ''(Salieri, Kappelmeister Bono and Orsini-Rosenberg laugh)''
--> '''Mozart:''' ''(Completely serious look on his face)'' No, I don't think you do. I mean, watching Italian [[{{Main/Opera}} opera]] -- all those male sopranos [[VocalRangeExceeded screeching]], stupid [[FatBastard fat couples]] rolling their eyes around. That's not love, it's just just just just ... rubbish!
--> ''(Kappelmeister Bono giggles nervously until Orsini-Rosenberg shoots him a [[DeathGlare withering look]])''

to:

--> '''Salieri:''' -->'''Salieri:''' ''([[SarcasmMode sarcastically]])'' Oh love! Well of course, In Italy, we know ''nothing'' about love!
-->
love!\\
''(Salieri, Kappelmeister Bono and Orsini-Rosenberg laugh)''
-->
laugh)''\\
'''Mozart:''' ''(Completely serious look on his face)'' No, I don't think you do. I mean, watching Italian [[{{Main/Opera}} opera]] {{Opera}} -- all those male sopranos [[VocalRangeExceeded screeching]], stupid [[FatBastard fat couples]] rolling their eyes around. That's not love, it's just just just just ... rubbish!
-->
rubbish!\\
''(Kappelmeister Bono giggles nervously until Orsini-Rosenberg shoots him a [[DeathGlare withering look]])''



--> '''Mozart:''' Here, everything goes backwards. People walk backwards, dance backwards, sing backwards, and even talk backwards.
--> '''Constanze:''' That's stupid.
--> '''Mozart:''' Why? People [[ToiletHumour fart backwards]]?
--> '''Constanze:''' Oh [[SarcasmMode haw haw haw]].
--> '''Mozart:''' ''(Crazy high-pitched laugh)''

to:

--> '''Mozart:''' -->'''Mozart:''' Here, everything goes backwards. People walk backwards, dance backwards, sing backwards, and even talk backwards. \n--> \\
'''Constanze:''' That's stupid.
-->
stupid.\\
'''Mozart:''' Why? People [[ToiletHumour fart backwards]]?
-->
backwards]]?\\
'''Constanze:''' Oh [[SarcasmMode haw haw haw]].
-->
haw]].\\
'''Mozart:''' ''(Crazy high-pitched laugh)''
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* When Salieri plays ''Un Kleine Nachtmuzik'' for the priest, he does it barebones, like playing on a toy piano. Still, the priest instantly recognizes it.
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* When Salieri is first trying to find Mozart, he notices some waiters passing by with some chocolates, and immediately abandons his search for Mozart, and follows them with a perfect "[[NotSoAboveItall Oh, I'm getting me some of that]]" face.

to:

* When Salieri is first trying to find Mozart, he notices some waiters passing by with some chocolates, and immediately abandons his search for Mozart, and follows them with a perfect "[[NotSoAboveItall "[[SweetTooth Oh, I'm getting me some of that]]" face.
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* The smooth transition from a dejected Mozart being scolded by his mother-in-law, to him staring at her as if struck by inspiration, to the premiere of ''Theatre/TheMagicFlute'', becomes extremely funny when you realise that the character is the Queen of the Night — the opera's villain — and she is performing her '''rage aria''' "Der Hölle Rache kocht in meinem Herzen" (Hell's vengeance boils in my heart"). In reality Cäcilia and Wolfgang grew quite fond of each other.

to:

* The smooth transition from a dejected Mozart being scolded by his mother-in-law, to him staring at her as if struck by inspiration, to the premiere of ''Theatre/TheMagicFlute'', becomes extremely funny when you realise that the character is the Queen of the Night — the opera's villain — and she is performing her '''rage aria''' "Der Hölle Rache kocht in meinem Herzen" (Hell's vengeance boils in my heart"). In reality Cäcilia and Wolfgang grew quite fond of each other. (Also in reality, the soprano performing the aria at the premiere performance would historically be [[https://en.wikipedia.org/wiki/Josepha_Weber Josepha Hofer]], Mozart's sister-in-law and Cäcilia's eldest daughter.)
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Adding the funny scene transition from mother-in-law to the Queen of the Night's rage aria.

Added DiffLines:

* The smooth transition from a dejected Mozart being scolded by his mother-in-law, to him staring at her as if struck by inspiration, to the premiere of ''Theatre/TheMagicFlute'', becomes extremely funny when you realise that the character is the Queen of the Night — the opera's villain — and she is performing her '''rage aria''' "Der Hölle Rache kocht in meinem Herzen" (Hell's vengeance boils in my heart"). In reality Cäcilia and Wolfgang grew quite fond of each other.
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* The [[SanitySlippage little dance and the raspberry]] that Mozart blows at the portrait of his father, accompanied by the silly-sounding music that is the ''TheMagicFlute'' Overture.

to:

* The [[SanitySlippage little dance and the raspberry]] that Mozart blows at the portrait of his father, accompanied by the silly-sounding music that is the ''TheMagicFlute'' ''Theatre/TheMagicFlute'' Overture.
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* The scene where the Emperor attends the Marriage of Figaro and the OhCrap expression building on his face when he is gradually explained and reminded that he himself prohibited ballet in Mozart's opera.

to:

* The scene where the Emperor attends the Marriage of Figaro rehearsal and the OhCrap expression building on his face when he is gradually explained and reminded that he himself prohibited ballet in Mozart's opera.
Is there an issue? Send a MessageReason:
None


* The scene where the Emperor attends the Marriage of Figaro and the OhCrap expression building on his face when he's told he prohibited ballet in Mozart's opera.

to:

* The scene where the Emperor attends the Marriage of Figaro and the OhCrap expression building on his face when he's told he is gradually explained and reminded that he himself prohibited ballet in Mozart's opera.
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None

Added DiffLines:

* The scene where the Emperor attends the Marriage of Figaro and the OhCrap expression building on his face when he's told he prohibited ballet in Mozart's opera.
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None

Added DiffLines:

** Mozart starts a backwards talking game, in which he declares his love for her and asks her to marry him. [[RuleOfThree His third backwards message is "Tihs ym tae."]]
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* The parody of ''The Magic Flute'', complete with a dove flying right out a horse's ass.

to:

* The parody of ''The Magic Flute'', ''Don Giovanni'', complete with a dove flying right out a horse's ass.
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Added DiffLines:

* When Salieri is first trying to find Mozart, he notices some waiters passing by with some chocolates, and immediately abandons his search for Mozart, and follows them with a perfect "[[NotSoAboveItall Oh, I'm getting me some of that]]" face.
Is there an issue? Send a MessageReason:
None


* The [[SanitySlippage little dance and the raspberry]] that Mozart blows at the portrait of his father, accompanied by the silly-sounding music that is the ''TheMagicFlute'' Overture.

to:

* The [[SanitySlippage little dance and the raspberry]] that Mozart blows at the portrait of his father, accompanied by the silly-sounding music that is the ''TheMagicFlute'' Overture.Overture.
* Mozart's joking around with Constanze in the banquet room at the beginning of the film.
--> '''Mozart:''' Here, everything goes backwards. People walk backwards, dance backwards, sing backwards, and even talk backwards.
--> '''Constanze:''' That's stupid.
--> '''Mozart:''' Why? People [[ToiletHumour fart backwards]]?
--> '''Constanze:''' Oh [[SarcasmMode haw haw haw]].
--> '''Mozart:''' ''(Crazy high-pitched laugh)''
----
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* The little dance and the raspberry that Mozart blows at the portrait of his father, accompanied by the silly-sounding music that is the ''TheMagicFlute'' Overture.

to:

* The [[SanitySlippage little dance and the raspberry raspberry]] that Mozart blows at the portrait of his father, accompanied by the silly-sounding music that is the ''TheMagicFlute'' Overture.
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None

Added DiffLines:

* The little dance and the raspberry that Mozart blows at the portrait of his father, accompanied by the silly-sounding music that is the ''TheMagicFlute'' Overture.
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None


* "Grazie, Signore."

to:

* "Grazie, Signore."[[DeathGlare Grazie, Signore]]."
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--> "And we're a famous horse!"

to:

--> "And we're a famous horse!"horse!"
* When the Emperor asks Mozart to name them a German virtue and he names 'love'. The entire bit that follows:
--> '''Salieri:''' ''([[SarcasmMode sarcastically]])'' Oh love! Well of course, In Italy, we know ''nothing'' about love!
--> ''(Salieri, Kappelmeister Bono and Orsini-Rosenberg laugh)''
--> '''Mozart:''' ''(Completely serious look on his face)'' No, I don't think you do. I mean, watching Italian [[{{Main/Opera}} opera]] -- all those male sopranos [[VocalRangeExceeded screeching]], stupid [[FatBastard fat couples]] rolling their eyes around. That's not love, it's just just just just ... rubbish!
--> ''(Kappelmeister Bono giggles nervously until Orsini-Rosenberg shoots him a [[DeathGlare withering look]])''
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* Any time Mozart laughs, especially when he does so when he can't think of anything to say.
* The death of Salieri's father is PlayedForLaughs, almost crossing into LemonyNarrator territory.
* "Grazie, Signore."
* The parody of ''The Magic Flute'', complete with a dove flying right out a horse's ass.
--> "I'm a famous horseman!"
--> "And we're a famous horse!"

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