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* The first bit of foreshadowing towards [[spoiler: Aerith's foreknowledge?]] When we saw Aerith in the original game's intro, her eyes were wide open, and she walked away from the mako leak fairly calmly and casually. In the ending scene, we saw the scene re-enacted, but this time with her eyes closed for a moment before opening them. [[spoiler: Meaning the entire original game was her vision of the future and that final scene was her at end of witnessing the vision]]. The first sign that [[spoiler: we're following something new? Aerith is ''much'' more startled and jumpy than the Aerith of the original game's intro because she ''knows'' what's going to happen now and still trying to process what she just witnessed.]]
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** Not only that, but 49 is 7-squared, a pun on just how much [[AdaptationExpansion bigger]] and twisty this version of the game is.
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* The subtitle of the game now serves as foreshadowing - the definition of "Remake" is to "make something again or differently". The story itself is being remade and going on a different path.

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* The subtitle of the game now serves as foreshadowing - the definition of "Remake" is to "make something again or differently". The story itself is being remade and going on a different path. Also, this game is the only remake in the ''Final Fantasy'' series to use remake as a subtitle, which serves as further foreshadowing that this game is not a 1:1 remake of the original.
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!!Fridge Logic

* Since Zack's memories and SOLDIER training are imprinted on Cloud, it suggests that Cloud isn't really that good a dancer, yet he still pulls some more very impressive moves in his dance-off with Andrea. [[HiddenDepths When, and how, did Zack learn to dance like that]]?
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*** Perhaps he simply handed it off to Cloud, with that vague sense of "something tells me you'll need it more than me soon"

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*** Perhaps he simply handed it off to Cloud, with that vague sense of "something tells me you'll need it more than me soon"soon".
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* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? Her own resolution is different from the others, centering more on coming to terms with what her future has in store. But she's not the only one who has some kind of resolution; there's also '''Cloud'''. It's quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret and Tifa scenes ''combined.'' On top of that, half his lines in the Barret and Tifa scenes are [[TerseTalker generic and reactive]]. This is not the case with Aerith as he takes a proactive approach and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserting his own opinion. Cloud's final sentence is to say "I'm coming for you," marking the significant shift in his CharacterDevelopment from cold, uncaring mercenary to the more genuinely altruistic hero he becomes from then on. The grand takeaway from all this is that it's actually both Aerith ''and'' Cloud's Resolution Scene. Chapter 14's description in the chapter selection screen also lends credence to this by summarizing the events as follows: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and each of them resolves to fight for Aerith's safe return."

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* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? Her own resolution is different from the others, centering more on coming to terms with what her destined future has in store. But she's She's not the only one who has some kind of resolution; resolution either; there's also '''Cloud'''. It's quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret and Tifa scenes ''combined.'' On top of that, half his lines in the Barret and Tifa scenes are [[TerseTalker generic and reactive]]. This is not the case with Aerith as he takes a proactive approach and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserting his own opinion. Cloud's final sentence is to say "I'm coming for you," marking the significant shift in his CharacterDevelopment from cold, uncaring mercenary to the more genuinely altruistic hero he becomes from then on. The grand takeaway from all this is that it's actually both Aerith ''and'' Cloud's Resolution Scene. Chapter 14's description in the chapter selection screen also lends credence to this by summarizing the events as follows: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and each of them resolves to fight for Aerith's safe return."
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* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? Her own resolution is different from the others, centering more on coming to terms with what her future has in store. But she's not the only one who has some kind of resolution; there's also '''Cloud'''. It's quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret and Tifa scenes ''combined.'' On top of that, half his lines in the Barret and Tifa scenes are [[TerseTalker generic and reactive]]. This is not the case with Aerith as he takes a proactive approach and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserting his own opinion. Cloud's final sentence is to say "I'm coming for you," marking the significant shift in his CharacterDevelopment from cold, uncaring mercenary to the more genuinely altruistic hero he becomes from then on. The grand takeaway from all this is that it's actually the both Aerith ''and'' Cloud's Resolution Scene. Chapter 14's description in the chapter selection screen also lends credence to this by summarizing the events as follows: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and each of them resolves to fight for Aerith's safe return."

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* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? Her own resolution is different from the others, centering more on coming to terms with what her future has in store. But she's not the only one who has some kind of resolution; there's also '''Cloud'''. It's quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret and Tifa scenes ''combined.'' On top of that, half his lines in the Barret and Tifa scenes are [[TerseTalker generic and reactive]]. This is not the case with Aerith as he takes a proactive approach and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserting his own opinion. Cloud's final sentence is to say "I'm coming for you," marking the significant shift in his CharacterDevelopment from cold, uncaring mercenary to the more genuinely altruistic hero he becomes from then on. The grand takeaway from all this is that it's actually the both Aerith ''and'' Cloud's Resolution Scene. Chapter 14's description in the chapter selection screen also lends credence to this by summarizing the events as follows: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and each of them resolves to fight for Aerith's safe return."

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As I pointed out in the discussion pages, the event having Aerith's resolution doesn't really take away from Cloud's and could easily be described as pertaining to them both. Repair, don't delete.


* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? Her own resolution is different from the others, centering more on coming to terms with what her future has in store. But she's not the only one who has some kind of resolution; there's also '''Cloud'''. It's quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret and Tifa scenes ''combined.'' On top of that, half his lines in the Barret and Tifa scenes are [[TerseTalker generic and reactive]]. This is not the case with Aerith as he takes a proactive approach and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserting his own opinion. Cloud's final sentence is to say "I'm coming for you," marking the significant shift in his CharacterDevelopment from cold, uncaring mercenary to the more genuinely altruistic hero he becomes from then on. The grand takeaway from all this is that it's actually the both Aerith ''and'' Cloud's Resolution Scene. Chapter 14's description in the chapter selection screen also lends credence to this by summarizing the events as follows: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and each of them resolves to fight for Aerith's safe return."
** Additionally, while Tifa's scene has Cloud initially unsure how to comfort her, it's also notable in his scene with Aerith that he displays a lot more empathy and social development, even being mindful enough to mention Elmyra is also worried about Aerith's safety. When Aerith loses the nerve to tell him not to fall for her, Cloud gives her the confidence to do so by taking her message to heart and telling her to embrace the moment. All in all, this is one of Cloud's more humane moments in the game.



** Tifa’s is in the middle of the night. The sky is dark, and she’s sorry to have woken Cloud. When Tifa sees Leslie’s pendant the next day, she mentions the flower means “reunion,” which she mentions looking up in her Resolution scene.
** Aerith’s takes place just before morning, which she mentions as the scene ends. Her resolution is obviously when Cloud says she’s calling out to him.

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** Tifa’s is in the middle of the night. The sky is dark, and she’s sorry to have woken Cloud. When Tifa sees Leslie’s pendant the next day, she mentions notes that the flower means “reunion,” which she also mentions looking up in during her Resolution scene.
** Aerith’s takes place just before morning, which she mentions as the scene ends. Her resolution is obviously when Cloud says she’s acknowledges this event the next morning by saying that "she’s calling out to him.me."
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* All three Sesolution scenes are canon.

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* All three Sesolution Resolution scenes are canon.

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Considering not all players will see Aerith’s resolution scene, it doesn’t make sense for only it to be the canon one. While it does serve to advance the plot, the other scenes serve to advance Cloud’s relationships. Aerith’s resolution is her own, not Cloud’s, but what she’s resolving herself towards is different from the other characters. As for Cloud’s most human moment, that’s just YMMV.


* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? She doesn't make any kind of "resolution." Instead, it's somebody else: '''Cloud.''' It's quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret and Tifa scenes ''combined.'' On top of that, half his lines in the Barret and Tifa scenes are [[TerseTalker generic and reactive]]. This is not the case with Aerith as he takes a proactive approach and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserting his own opinion. Cloud's final sentence is to say "I'm coming for you," marking the significant shift in his CharacterDevelopment from cold, uncaring mercenary to the more genuinely altruistic hero he becomes from then on. The grand takeaway from all this is that it's actually the ''Cloud Resolution Scene.''
** Additionally, while Tifa's scene has Cloud initially unsure how to comfort her, it's also notable in his scene with Aerith that he displays a lot more empathy and social development, even being mindful enough to mention Elmyra is also worried about Aerith's safety. When Aerith loses the nerve to tell him not to fall for her, Cloud gives her the confidence to do so by taking her message to heart and telling her to embrace the moment. All in all, this is one of Cloud's most human moments in the game.

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* All three Sesolution scenes are canon.
** Barret’s takes place in late evening.
The cutscene in Chapter 14 when sky isn’t as dark as seen during Tifa’s resolution and Barret is not surprised to see Cloud speaks with Barret, Tifa, or Aerith up. When the group talks to Madame M, she says Barret was seen in a field of flowers, which could only be referring his resolution scene.
** Tifa’s is in the middle of the night. The sky is dark, and she’s sorry to have woken Cloud. When Tifa sees Leslie’s pendant the next day, she mentions
the flower garden is referred to means “reunion,” which she mentions looking up in her Resolution scene.
** Aerith’s takes place just before morning, which she mentions
as a "resolution" scene. It's common parlance for players to assume the person making a scene ends. Her resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? She doesn't make any kind of "resolution." Instead, it's somebody else: '''Cloud.''' It's quite significant that in the dream sequence with her, obviously when Cloud has more dialogue than he does in the Barret and Tifa scenes ''combined.'' On top of that, half his lines in the Barret and Tifa scenes are [[TerseTalker generic and reactive]]. This is not the case with Aerith as he takes a proactive approach and even pushes back against her declaration says she’s calling out to not fall in love, which is doubly significant because this is the first time he's asserting his own opinion. Cloud's final sentence is to say "I'm coming for you," marking the significant shift in his CharacterDevelopment from cold, uncaring mercenary to the more genuinely altruistic hero he becomes from then on. The grand takeaway from all this is that it's actually the ''Cloud Resolution Scene.''
** Additionally, while Tifa's scene has Cloud initially unsure how to comfort her, it's also notable in his scene with Aerith that he displays a lot more empathy and social development, even being mindful enough to mention Elmyra is also worried about Aerith's safety. When Aerith loses the nerve to tell him not to fall for her, Cloud gives her the confidence to do so by taking her message to heart and telling her to embrace the moment. All in all, this is one of Cloud's most human moments in the game.
him.
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** Additionally, while Tifa's scene has Cloud initially unsure how to comfort her, it's also notable in his scene with Aerith that he displays a lot more empathy and social development, even being mindful enough to mention Elmyra is also worried about Aerith's safety. When Aerith loses the nerve to tell him not to fall for her, Cloud gives her the confidence to do so by taking her message to heart and telling her to embrace the moment. All in all, this is one of Cloud's most human moments in the game.
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* Combined with a bit of meta-humor: Wedge being the only surviving member of the Avalanche trio post-plate collapse (and pre-arbiter fight) is fitting, considering [[Characters/StarWarsRebelAllianceAndNewRepublicStarfighterCorps his namesake]] was the only minor character to survive both of the Rebel Alliance's Death Star battles.
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* The new game over screen removes the film reel from the original, and in place of that is something that looks like a PlayStation 4 home screen background. This change makes sense since it's actually the Lifestream constantly flowing. It's literally showing everyone that IS dead.

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* A lot of weird things happen in Chapter 18 in relation to the fight against the Whispers. Like how the gang walks through a portal with their backs against the Shinra tower, but once they step through the portal they're facing the tower again; or how the swarm of Whispers covering Midgar is visible both from Cloud's perspective in the present, and Zack's perspective in the past... How does this happen? ''Why'' does it happen? Because the final battle is fought within a singularity, and those tend to ''majorly'' mess up the spacetime continuum. Singularities tend to, for example, compress spatial dimensions until there is only one direction left to go: Towards the singularity's epicentre, i.e., the Shinra tower. Another effect singularities have is that time stops moving within them, meaning that though you can observe them trom a linear perspective from the outside, once you've stepped into them, you're simultaneously existing in the very moment the singularity was created as well as the moment it ceases to exist, as well as all time (or lack thereof) inbetween. This very nature is what makes a singularity the optimal place for an arbiter of fate to reside within; because it connects the arbiter to every moment in time. This also likely means that the Midgar within the singularity is a composite version of all Midgars: It is both the Midgar seen in Zack's past, as well as the Midgar in Cloud's present and the Midgar of the future that's about to be hit by Meteor.
** This is also likely how Sephiroth is able to summon Meteor with "Divine Proclamation" after he's absorbed the Whispers: He's not so much summoning Meteor as he's just invoking Midgar's destiny. And why does he do it? Because he's inviting Cloud and his friends to destroy destiny or perish trying. Either way, Sephiroth wins.
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I've replayed this game three times now, and at no point do any of the kids start equipping wooden Buster Swords UNTIL AFTER Cloud and Aerith saved them from the monsters. They were impressed by Cloud's combat display, that's why they started copying him. Before he met them, two of them can be seen with long sticks, but not a sword. This is a false entry.


* The slums children having wooden Buster swords before even meeting Cloud may seem weird, until you remember that it was Zack's -- Zack was Aerith's boyfriend, and he regularly visited her in the Sector 5 Slums while he had the sword, so either the kids had seen him with it and recognized him as a hero, or Aerith talked about him to the kids.

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* The slums children having wooden Buster swords before even meeting Cloud may seem weird, until you remember that two certain SOLDIER's were famously known to use it...
** And not just famous, either. Two of the most human and personable [=SOLDIERs=] ever to be seen.

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* The slums children having wooden Buster swords before even meeting Cloud may seem weird, until you remember that two certain SOLDIER's were famously known to use it...
** And not just famous, either. Two of
it was Zack's -- Zack was Aerith's boyfriend, and he regularly visited her in the most human Sector 5 Slums while he had the sword, so either the kids had seen him with it and personable [=SOLDIERs=] ever recognized him as a hero, or Aerith talked about him to be seen. the kids.
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* When we meet [[spoiler: Moggie]], the BGM of Gold Saucer plays as part of the 31 music discs collection. Why specifically the Gold Saucer? [[spoiler: In the original game, Cait Sith is riding a big Toysaurus or a stuffed Moogle and there is the Mog House minigame, involving Moogles, all from Gold Saucer.]]

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* When we meet [[spoiler: Moggie]], [[spoiler:Moggie]], the BGM of Gold Saucer plays as part of the 31 music discs collection. Why specifically the Gold Saucer? [[spoiler: In the original game, Cait Sith is riding a big Toysaurus or a stuffed Moogle and there is the Mog House minigame, involving Moogles, all from Gold Saucer.]]



* Tifa mentioned that she went to look up the meaning of the flower that Cloud gave her at the start of the game and it meant "reunion". Aerith would know what the flower meant so why did she gave Cloud a "reunion" flower? It might be a hint to her having already known Cloud from the original timeline and finally got to meet him again.

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* Tifa mentioned that she went to look up the meaning of the flower that Cloud gave her at the start of the game and it meant "reunion". Aerith would know what the flower meant so why did she gave Cloud a "reunion" flower? It might be a hint to her having [[spoiler:having already known Cloud from the original timeline and finally got to meet him again.]]

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* Tifa mentioned that she went to look up the meaning of the flower that Cloud gave her at the start of the game and it meant "reunion". Aerith would know what the flower meant so why did she gave Cloud a "reunion" flower? It might be hinting of her knowing Cloud and finally got to meet him.

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* Tifa mentioned that she went to look up the meaning of the flower that Cloud gave her at the start of the game and it meant "reunion". Aerith would know what the flower meant so why did she gave Cloud a "reunion" flower? It might be hinting of a hint to her knowing having already known Cloud from the original timeline and finally got to meet him.him again.
* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? She doesn't make any kind of "resolution." Instead, it's somebody else: '''Cloud.''' It's quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret and Tifa scenes ''combined.'' On top of that, half his lines in the Barret and Tifa scenes are [[TerseTalker generic and reactive]]. This is not the case with Aerith as he takes a proactive approach and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserting his own opinion. Cloud's final sentence is to say "I'm coming for you," marking the significant shift in his CharacterDevelopment from cold, uncaring mercenary to the more genuinely altruistic hero he becomes from then on. The grand takeaway from all this is that it's actually the ''Cloud Resolution Scene.''
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** As for why she told Cloud not to fall for her in the Resolution scene? It's not because she has knowledge of Advent Children's events, no, it is because she knows she fated to die and has experience with both her mothers having lost their beloved and the pain they felt and of course she's trying to spare Cloud that same feeling.

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** As for why she told Cloud not to fall for her in the Resolution scene? It's not because she has knowledge of Advent Children's events, no, it is because she knows she she's fated to die and has experience with witnessed the suffering both her mothers went through from having lost their beloved and the pain they felt and of course she's beloved. She's trying to spare Cloud that same feeling.
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\n* During the entire expressway chase in Chapter 18, Cloud consistently drives on the right side of the pickup truck the rest of the party is in. The reason? The mission to get Aerith to safety is still on, and he's still in Mission Mode: he stays on the right side of the truck specifically so he can keep an eye on her since she's sitting in the passenger seat. The only time he drives on the left side is after the MOTOR robot is destroyed and they lose their Shinra pursuers.
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already mentionned above


* Cloud and the gang changed history by killing off the Fates. It has been theorized that the Fates are symbolism of the fans who want a pure Remake, 1:1 to the end. By killing them off, it is like Square-Enix is doing a StealthInsult or TakeThat to the fans since the fans are just players while Square-Enix are the ones in control of the Remake.

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* Cloud and the gang changed history by killing off the Fates. It has been theorized that the Fates are symbolism of the fans who want a pure Remake, 1:1 to the end. By killing them off, it is like Square-Enix is doing a StealthInsult or TakeThat to the fans since the fans are just players while Square-Enix are the ones in control of the Remake.

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Let’s not bring the ship war here ok? No one of the resolutions is more canon than the others. And the credit sequence is not a way of saying “this is the one true canon.”


* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? She doesn't make any kind of "resolution." But somebody else does: '''Cloud.''' It is quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret & Tifa scenes ''combined.'' And on top of that, half his lines in the Barret & Tifa scenes are [[TerseTalker generic and reactive.]] This is not the case with Aerith: he takes a proactive approach to her, and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserted his own opinion. Cloud's final sentence is to say "I'm coming for you," which as pointed out on this very wiki, is the first time he's going to go on a mission solely from his own heart's desire, instead of working for money or reputation. Indeed, the grand takeaway from all this is that this is actually the ''Cloud Resolution Scene.''
** Further supported by the summary of the cutscene in the post-game Chapter Selection menu: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and ''each of them resolves'' to fight for Aerith's safe return." That would naturally include Cloud. And not to mention, in the credits roll, there is a snippet of the Aerith/Cloud dream sequence in the cutscene montage, and only this one: it certainly makes sense to include this if you realize it's the moment the protagonist resolves himself.

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* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But Aerith herself? She doesn't make any kind of "resolution." But somebody else does: '''Cloud.''' It is quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret & Tifa scenes ''combined.'' And on top of that, half his lines in the Barret & Tifa scenes are [[TerseTalker generic and reactive.]] This is not the case with Aerith: he takes a proactive approach to her, and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserted his own opinion. Cloud's final sentence is to say "I'm coming for you," which as pointed out on this very wiki, is the first time he's going to go on a mission solely from his own heart's desire, instead of working for money or reputation. Indeed, the grand takeaway from all this is that this is actually the ''Cloud Resolution Scene.''
** Further supported by the summary of the cutscene in the post-game Chapter Selection menu: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and ''each of them resolves'' to fight for Aerith's safe return." That would naturally include Cloud. And not to mention, in the credits roll, there is a snippet of the Aerith/Cloud dream sequence in the cutscene montage, and only this one: it certainly makes sense to include this if you realize it's the moment the protagonist resolves himself.
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** Further supported by the summary of the cutscene in the post-game Chapter Selection menu: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and ''each of them resolves'' to fight for Aerith's safe return." That would naturally include Cloud.

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** Further supported by the summary of the cutscene in the post-game Chapter Selection menu: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and ''each of them resolves'' to fight for Aerith's safe return." That would naturally include Cloud.
Cloud. And not to mention, in the credits roll, there is a snippet of the Aerith/Cloud dream sequence in the cutscene montage, and only this one: it certainly makes sense to include this if you realize it's the moment the protagonist resolves himself.
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* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of Aerith. But for Aerith herself? She doesn't make any kind of "resolution." But somebody else does: '''Cloud.''' It is quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret & Tifa scenes ''combined.'' And on top of that, half his lines in the Barret & Tifa scenes are [[TerseTalker generic and reactive.]] This is not the case with Aerith: he takes a proactive approach to her, and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserted his own opinion. Cloud's final sentence is to say "I'm coming for you," which as pointed out on this very wiki, is the first time he's going to go on a mission solely from his own heart's desire, instead of working for money or reputation. Indeed, the grand takeaway from all this is that this is actually the ''Cloud Resolution Scene.''

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* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of saving Aerith. But for Aerith herself? She doesn't make any kind of "resolution." But somebody else does: '''Cloud.''' It is quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret & Tifa scenes ''combined.'' And on top of that, half his lines in the Barret & Tifa scenes are [[TerseTalker generic and reactive.]] This is not the case with Aerith: he takes a proactive approach to her, and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserted his own opinion. Cloud's final sentence is to say "I'm coming for you," which as pointed out on this very wiki, is the first time he's going to go on a mission solely from his own heart's desire, instead of working for money or reputation. Indeed, the grand takeaway from all this is that this is actually the ''Cloud Resolution Scene.''

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to:

* The cutscene in Chapter 14 when Cloud speaks with Barret, Tifa, or Aerith in the flower garden is referred to as a "resolution" scene. It's common parlance for players to assume the person making a resolution is the party member waiting in the garden (indeed, almost every single video on Youtube of this moment is titled that way: "Barret Resolution Scene," "Tifa Resolution Scene," "Aerith Resolution Scene"), and it does make sense for Barret and Tifa: for Barret, he is resolving to fight for his friends, which includes his buddies in Avalanche and Aerith, and for Tifa, she is resolving to move on past all the things she's lost for the sake of Aerith. But for Aerith herself? She doesn't make any kind of "resolution." But somebody else does: '''Cloud.''' It is quite significant that in the dream sequence with her, Cloud has more dialogue than he does in the Barret & Tifa scenes ''combined.'' And on top of that, half his lines in the Barret & Tifa scenes are [[TerseTalker generic and reactive.]] This is not the case with Aerith: he takes a proactive approach to her, and even pushes back against her declaration to not fall in love, which is doubly significant because this is the first time he's asserted his own opinion. Cloud's final sentence is to say "I'm coming for you," which as pointed out on this very wiki, is the first time he's going to go on a mission solely from his own heart's desire, instead of working for money or reputation. Indeed, the grand takeaway from all this is that this is actually the ''Cloud Resolution Scene.''
** Further supported by the summary of the cutscene in the post-game Chapter Selection menu: "After rescuing Wedge, the group returns to Sector 5, but there is still no sign of Aerith. Enough friends have already been lost, and ''each of them resolves'' to fight for Aerith's safe return." That would naturally include Cloud.
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* When we meet [[spoiler: Moggie]], the BGM of Gold Saucer plays as part of the 31 music discs collection. Why specifically the Gold Saucer? In the original game, Cait Sith is riding a big Toysaurus or a stuffed Moogle and there is the Mog House minigame, involving Moogles, all from Gold Saucer.

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* When we meet [[spoiler: Moggie]], the BGM of Gold Saucer plays as part of the 31 music discs collection. Why specifically the Gold Saucer? [[spoiler: In the original game, Cait Sith is riding a big Toysaurus or a stuffed Moogle and there is the Mog House minigame, involving Moogles, all from Gold Saucer.]]
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* When we meet [[spoiler: Moggie]], the BGM of Gold Saucer plays as part of the 31 music discs collection. Why specifically the Gold Saucer? In the original game, Cait Sith is riding a big Toysaurus or a stuffed Moogle and there is the Mog House minigame, involving Moogles, all from Gold Saucer.
* [[spoiler: In Chapter 4, the gang consisting of Cloud, Jessie, Biggs and Wedge all head off to Jessie's home. At some point, Cloud sees 4 cats, all of them being parallels of the former 4. Why cats? Cloud's mission was to rob Jessie's home. As we know, [[StealthPun cat burglars]] do that.]]
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* Cloud and the gang changed history by killing off the Fates. It has been theorized that the Fates are symbolism of the fans who want a pure Remake, 1:1 to the end. By killing them off, it is like Square-Enix is doing a StealthInsult or TakeThat to the fans since the fans are just players while Square-Enix are the ones in control of the Remake.
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** It also ties in with Compilation materials and the bigger picture a bit better. Before Barret's branch, there was a much larger group of AVALANCHE that tried to hit Shin-Ra where it hurts, and just about everyone in the slums has voiced displeasure for the corporation at one point or another if they're not apathetic. It makes sense that more potential volunteers would be out there in one fashion or another, instead of just five people and the equivalent of a mercenary handling ''everything'', much less the logistics of where Barret and Jessie would get their infiltration data and bomb recipes to begin with. The fact that Midgar now has side-quests might also go a long way towards the group improving public relations with the slum-dwellers.

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** It also ties in with Compilation materials and the bigger picture a bit better. Before Barret's branch, there was a much larger group of AVALANCHE that tried to hit Shin-Ra Shinra where it hurts, and just about everyone in the slums has voiced displeasure for the corporation at one point or another if they're not apathetic. It makes sense that more potential volunteers would be out there in one fashion or another, instead of just five people and the equivalent of a mercenary handling ''everything'', much less the logistics of where Barret and Jessie would get their infiltration data and bomb recipes to begin with. The fact that Midgar now has side-quests might also go a long way towards the group improving public relations with the slum-dwellers.



* In the original bombing run mission, the supporting cast never fought, which is expanded into them using Cloud to tear up the small-time security forces outside the reactor until Barret's help is officially needed. It makes sense; Cloud's using a melee weapon and fireballs, taking on the Shin-Ra forces relatively discretely before they can properly set up alerts, and this is why Barret's not fighting either since his gun would alert the whole area. Once they're inside the reactor and no longer need passcodes or dealing with security doors to continue, it's full license for them to go loud at that point.

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* In the original bombing run mission, the supporting cast never fought, which is expanded into them using Cloud to tear up the small-time security forces outside the reactor until Barret's help is officially needed. It makes sense; Cloud's using a melee weapon and fireballs, taking on the Shin-Ra Shinra forces relatively discretely before they can properly set up alerts, and this is why Barret's not fighting either since his gun would alert the whole area. Once they're inside the reactor and no longer need passcodes or dealing with security doors to continue, it's full license for them to go loud at that point.
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*** Friendly reminder Zack survives in an AlternateTimeline.

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