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* DocumentaryOfLies: Well, it ''self-defines'' itself as a documentary (of the 1934 Party Congress of the NSDAP), at least, and it was certainly innovative in the 'editing for emotional effect or make things appear to be other than they were' department.
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* DocumentaryOfLies: Well, it ''self-defines'' itself as a documentary (of the 1934 Party Congress of the NSDAP), at least, and it was certainly innovative in the 'editing for emotional effect or make things appear to be other than they were' department. On the other hand, it's hard to excuse scenes like Hitler [[AGodIAm descending godlike from the clouds]] at the film's opening.
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* StockParody: Probably one of the most referenced films of all time: everything from ''Franchise/StarWars'' to ''Film/{{Gladiator}}'' to ''Disney/TheLionKing'' borrows imagery from this movie, along with the innumerable documentaries who cannibalize its footage. More generally our collective image of Nazis (marching masses of soldiers, Hitler's manic speechmaking) largely originates here.
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* StockParody: Probably one of the most referenced films of all time: everything from ''Film/CitizenKane'' to ''Franchise/StarWars'' to ''Film/{{Gladiator}}'' to ''Disney/TheLionKing'' borrows imagery from this movie, along with the innumerable documentaries who cannibalize its footage. More generally our collective image of Nazis (marching masses of soldiers, Hitler's manic speechmaking) largely originates here.
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* StockParody: Probably one of the most referenced films of all time: everything from ''Franchise/StarWars'' to ''Film/{{Gladiator}}'' to ''Disney/TheLionKing'' borrows imagery from this movie. More generally our collective image of Nazis (marching masses of soldiers, Hitler's manic speechmaking) largely originates here.
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* StockParody: Probably one of the most referenced films of all time: everything from ''Franchise/StarWars'' to ''Film/{{Gladiator}}'' to ''Disney/TheLionKing'' borrows imagery from this movie.movie, along with the innumerable documentaries who cannibalize its footage. More generally our collective image of Nazis (marching masses of soldiers, Hitler's manic speechmaking) largely originates here.
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* SequelDisplacement: Riefenstahl made this as a follow-up to ''Victory of Faith'', which chronicled the 1933 Party rally. That movie however was suppressed by the German government after the Night of the Long Knives, for prominently featuring Ernst Rohm and the SA. ''Victory'' remains comparatively obscure, and considered inferior by most who have seen it.
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deleted literal Nazi apologism
Deleted line(s) 30 (click to see context) :
*** This shouldn't be that surprising. Antisemitism was undeniably part of Nazism, but it was a far smaller part of the overall ideology than most people think. Since the persecution of Jews was shocking and makes for good TV, it's almost the only part of Nazi Germany usually talked about in today's media. However, Nazism was more concerned with power, art, nationalism, and improvement of the Aryan race. Those are the things Triumph of the Will promoted.
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* ExecutiveMeddling: Averted; Hitler gave Riefenstahl carte-blanche to make the film how she wanted. Joseph Goebbels was not happy about this (as propaganda was his department), and various senior Nazi officials complained that the movie [[{{Irony}} didn't have any propaganda]]. Hitler overruled them.
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* ExecutiveMeddling: Averted; Hitler gave Riefenstahl carte-blanche to make the film how she wanted. Joseph Goebbels was not happy about this (as propaganda was his department), this, and various senior Nazi officials complained that the movie [[{{Irony}} didn't have any propaganda]]. Hitler overruled them.
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* ExecutiveMeddling: Averted; Hitler gave Riefenstahl carte-blanche to make the film how she wanted. Joseph Goebbels was not happy about this (as propaganda was his department), and various senior Nazi officials complained that the movie [[{{Irony}} didn't have any propaganda]]. Hitler overruled them.
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* StockParody: Probably one of the most referenced films of all time: everything from ''StarWars'' to ''{{Gladiator}}'' to ''TheLionKing'' borrows imagery from this movie. More generally our collective image of Nazis (marching masses of soldiers, Hitler's manic speechmaking) largely originates here.
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* StockParody: Probably one of the most referenced films of all time: everything from ''StarWars'' ''Franchise/StarWars'' to ''{{Gladiator}}'' ''Film/{{Gladiator}}'' to ''TheLionKing'' ''Disney/TheLionKing'' borrows imagery from this movie. More generally our collective image of Nazis (marching masses of soldiers, Hitler's manic speechmaking) largely originates here.
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* BadassArmy: Perhaps the most iconic scene in the movie is when Adolf Hitler is standing with SS leader Heinrich Himmler, and SA leader Viktor Lutze. Hitler, Himmler, and Lutze all salute the entire armed forced, and the troops salute the Nazis leaders back.
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* BadassArmy: Perhaps the most iconic scene in the movie is when Adolf Hitler is standing with SS leader Heinrich Himmler, and SA leader Viktor Lutze. Hitler, Himmler, and Lutze all salute the entire armed forced, and the troops salute the Nazis Nazi leaders back.
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A 1935 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once a year for propaganda purposes in every German cinema until 1945. Despite its loathesome subject matter (the 1934 Nazi Party Congress), it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Adolf Hitler, Heinrich Himmler and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
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A 1935 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once a year for propaganda purposes in every German cinema until 1945. Despite its loathesome subject matter (the 1934 Nazi Party Congress), it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Adolf Hitler, Heinrich Himmler Himmler, and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
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A 1935 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once a year for propaganda purposes in every German cinema until 1945. Despite its loathesome subject matter (the 1934 Nazi Party Congress), it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Hitler, Himmler and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
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A 1935 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once a year for propaganda purposes in every German cinema until 1945. Despite its loathesome subject matter (the 1934 Nazi Party Congress), it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Adolf Hitler, Heinrich Himmler and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
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** Not just a baddass army, but the SS in particular was also an [[ArmiesAreEvil evil army]].
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** Not just a baddass badass army, but the SS in particular was also an [[ArmiesAreEvil evil army]].
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* Badass Army: Perhaps the most iconic scene in the movie is when Adolf Hitler is standing with SS leader Heinrich Himmler, and SA leader Viktor Lutze. Hitler, Himmler, and Lutze all salute the entire armed forced, and the troops salute the Nazis leaders back.
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* Badass Army: BadassArmy: Perhaps the most iconic scene in the movie is when Adolf Hitler is standing with SS leader Heinrich Himmler, and SA leader Viktor Lutze. Hitler, Himmler, and Lutze all salute the entire armed forced, and the troops salute the Nazis leaders back.
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* Badass Army: Perhaps the most iconic scene in the movie is when Adolf Hitler is standing with SS leader Heinrich Himmler, and SA leader Viktor Lutze. Hitler, Himmler, and Lutze all salute the entire armed forced, and the troops salute the Nazis leaders back.
** Not just a baddass army, but the SS in particular was also an [[ArmiesAreEvil evil army]].
** Not just a baddass army, but the SS in particular was also an [[ArmiesAreEvil evil army]].
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* GloriousLeader: The way Hitler is presented.
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*** This shouldn't be that surprising. Antisemitism was undeniably part of Nazism, but it was a far smaller part of the overall ideology than most people think. Since the persecution of Jews was shocking and makes for good TV, it's almost the only part of Nazi Germany usually talked about in today's media. However Nazism was more concerned with power, art, nationalism, and improvement of the Aryan race. Those are the things Triumph of the Will promoted.
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*** This shouldn't be that surprising. Antisemitism was undeniably part of Nazism, but it was a far smaller part of the overall ideology than most people think. Since the persecution of Jews was shocking and makes for good TV, it's almost the only part of Nazi Germany usually talked about in today's media. However However, Nazism was more concerned with power, art, nationalism, and improvement of the Aryan race. Those are the things Triumph of the Will promoted.
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Added DiffLines:
*** This shouldn't be that surprising. Antisemitism was undeniably part of Nazism, but it was a far smaller part of the overall ideology than most people think. Since the persecution of Jews was shocking and makes for good TV, it's almost the only part of Nazi Germany usually talked about in today's media. However Nazism was more concerned with power, art, nationalism, and improvement of the Aryan race. Those are the things Triumph of the Will promoted.
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fix wording of intro
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A 1935 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once year for propaganda purposes in every German cinema until 1945. Despite its loathesome subject matter (the 1934 Nazi Party Congress), it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Hitler, Himmler and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
The movie is officially not public domain, [[AbandonWare but since it also has no owners]], it's available on in various online video places. Viewer discretion required, as well as not living in Germany. (Like all other Nazi propaganda, it is banned there.)
The movie is officially not public domain, [[AbandonWare but since it also has no owners]], it's available on in various online video places. Viewer discretion required, as well as not living in Germany. (Like all other Nazi propaganda, it is banned there.)
to:
A 1935 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once a year for propaganda purposes in every German cinema until 1945. Despite its loathesome subject matter (the 1934 Nazi Party Congress), it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Hitler, Himmler and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
The movie is officially not public domain, [[AbandonWare but since it also has no owners]], it's available onin various online video places.sites. Viewer discretion required, as well as not living in Germany. (Like all other Nazi propaganda, it is banned there.)
The movie is officially not public domain, [[AbandonWare but since it also has no owners]], it's available on
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* StockParody: Probably one of the most referenced films of all time: everything from ''StarWars'' to ''{{Gladiator}}'' to ''TheLionKing'' borrows imagery from this movie. More generally our collective image of Nazis (marching masses of soldiers, Hitler's manic speechmaking) largely originates here.
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1935. It got out before the next Party Congress (I also felt that we probably need to mention what the subject matter of the film was, rather than just calling it loathesome).
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A 1936 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once year for propaganda purposes in every German cinema until 1945. Despite its loathesome subject matter, it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Hitler, Himmler and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
to:
A 1936 1935 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once year for propaganda purposes in every German cinema until 1945. Despite its loathesome subject matter, matter (the 1934 Nazi Party Congress), it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Hitler, Himmler and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
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* DocumentaryOfLies: Well, it ''self-defines'' itself as a documentary (of the 1934 Party Congress of the NSDAP), at least, and it was certainly innovative in the 'editing for emotional effect or make things appear to be other than they were' department.
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** At least, zero ''explicit'' references to Jews. One of the shown short excerpts from the speeches made during the Party Congress does speak about the need to keep races -- and the German race specifically -- pure.
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Not a trope.
Deleted line(s) 8 (click to see context) :
* AdolfHitler: [[CaptainObvious Obviously]].
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Changed line(s) 18 (click to see context) from:
** A few American propaganda pieces just showed the marching and translated parts of the speeches into English, letting the mere fact it was meant to be inspirational for the Germans speak for itself. The ''[[FrankCapra Why We Fight]]'' series did this a lot.
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** A few American propaganda pieces just showed the marching and translated parts of the speeches into English, letting the mere fact it was meant to be inspirational for the Germans speak for itself. The ''[[FrankCapra Why We Fight]]'' ''Series/WhyWeFight'' series did this a lot.
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A 1936 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once year for propaganda purposes in every German cinema until 1945.
The movie is officially not public domain, [[AbandonWare but since it also has no owners]], it's available on in various online video places. Viewer discretion required, as well as not living in Germany.
The movie is officially not public domain, [[AbandonWare but since it also has no owners]], it's available on in various online video places. Viewer discretion required, as well as not living in Germany.
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A 1936 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once year for propaganda purposes in every German cinema until 1945. \n\n Despite its loathesome subject matter, it is regarded as an innovative, groundbreaking film that showed how cinema could be used for propaganda and documenting spectacle. It proved highly influential--the medal scene that ends ''[[Film/ANewHope Star Wars]]'' is a direct lift from the scene in this movie where Hitler, Himmler and Viktor Lutze lay a wreath at the memorial for President Hindenburg.
The movie is officially not public domain, [[AbandonWare but since it also has no owners]], it's available on in various online video places. Viewer discretion required, as well as not living in Germany. (Like all other Nazi propaganda, it is banned there.)
The movie is officially not public domain, [[AbandonWare but since it also has no owners]], it's available on in various online video places. Viewer discretion required, as well as not living in Germany. (Like all other Nazi propaganda, it is banned there.)
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None
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The movie is officially not public domain, but since it also has no owners, it's available on in various online video places. Viewer discretion required, as well as not living in Germany.
to:
The movie is officially not public domain, [[AbandonWare but since it also has no owners, owners]], it's available on in various online video places. Viewer discretion required, as well as not living in Germany.
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dead link.
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The movie is officially not public domain, but since it also has no owners, it's available on [[http://www.youtube.com/movie?v=BBfYncHshJc Youtube]]. Viewer discretion required, as well as not living in Germany.
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The movie is officially not public domain, but since it also has no owners, it's available on [[http://www.youtube.com/movie?v=BBfYncHshJc Youtube]].in various online video places. Viewer discretion required, as well as not living in Germany.
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* IntendedAudienceReaction: See PropagandaMachine.
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* RousingSpeech: Well, they certainly seem roused. [[NightmareFuel And ready to kill on command]].
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* RousingSpeech: Well, they certainly seem roused. [[NightmareFuel And ready to kill on command]].command.]]
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Renamed some tropes and moed others to the YMMV tab.
Changed line(s) 11,12 (click to see context) from:
* HitlerCam: The TropeNamer, and possibly the TropeMaker, though it's actually used rather sparingly.
* HoYay: Not just the shirtless frolicking stormtroopers. Check out the glow in Rudolf Hess' eyes when he introduces Hitler's last speech.
* HoYay: Not just the shirtless frolicking stormtroopers. Check out the glow in Rudolf Hess' eyes when he introduces Hitler's last speech.
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* HitlerCam: The TropeNamer, {{Trope Namer|s}}, and possibly the TropeMaker, {{Trope Maker|s}}, though it's actually used rather sparingly.
* HoYay: Not just the shirtless frolicking stormtroopers. Check out the glow in Rudolf Hess' eyes when he introduces Hitler's last speech.sparingly.
* HoYay: Not just the shirtless frolicking stormtroopers. Check out the glow in Rudolf Hess' eyes when he introduces Hitler's last speech.
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* TheyPlottedAPerfectlyGoodWaste: See PropagandaMachine, above.
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* RousingSpeech: Well, they certainly seem roused. [[HighOctaneNightmareFuel And ready to kill on command]].
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* RousingSpeech: Well, they certainly seem roused. [[HighOctaneNightmareFuel [[NightmareFuel And ready to kill on command]].
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added link to youtube
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A 1936 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once year for propaganda purposes in every German cinema until 1945.
to:
A 1936 film directed by Leni Riefenstahl and funded by [[NaziGermany the German government]]. It was shown once year for propaganda purposes in every German cinema until 1945.
The movie is officially not public domain, but since it also has no owners, it's available on [[http://www.youtube.com/movie?v=BBfYncHshJc Youtube]]. Viewer discretion required, as well as not living in Germany.
The movie is officially not public domain, but since it also has no owners, it's available on [[http://www.youtube.com/movie?v=BBfYncHshJc Youtube]]. Viewer discretion required, as well as not living in Germany.