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* DevilButNoGod: All the explicitly supernatural events of the film are caused by Satan-worshippers or directly by the Day Star itself, but there is no divine intervention from the godly side of things, lending ambiguity to whether God is merely testing Cutting and Fletcher like they believe or if Patience's claim that their God never existed is true.
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* EternallyPearlyWhiteTeeth: Averted. Every character in the film has some level of visible tooth decay and yellowing, but ''especially'' Flora due to her being a slave woman.
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* MaleFrontalNudity: The scene where Goodenow masturbates on the witching stone includes a very brief shot of his penis discharging.
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* CastingGag: Carl Sailor, who plays Reverend Russell, has a habit of [[spoiler:gruesomely dying in the woods]] in Rakich's other works.
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''The Sudbury Devil'' is a 2023 independent PsychologicalHorror period film created by Creator/AtunSheiFilms and written and directed by Creator/AndrewRakich. Set in UsefulNotes/{{Massachusetts}} Bay Colony in the 1670s in the aftermath of King Philip's War, it follows two Puritan {{witch hunter}}s -- John Fletcher and Josiah Cutting -- who arrive in the small town of Sudbury to investigate rumors of devil worship. In addition to Rakich himself, it also stars Benton Guinness as Fletcher, Linnea Gregg as Widow Gavett, and Josh Popa as Josiah Cutting.

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''The Sudbury Devil'' is a 2023 independent PsychologicalHorror [[PsychologicalHorror Psychological]] SplatterHorror period film created by Creator/AtunSheiFilms and written and directed by Creator/AndrewRakich. Set in UsefulNotes/{{Massachusetts}} Bay Colony in the 1670s in the aftermath of King Philip's War, it follows two Puritan {{witch hunter}}s -- John Fletcher and Josiah Cutting -- who arrive in the small town of Sudbury to investigate rumors of devil worship. In addition to Rakich himself, it also stars Benton Guinness as Fletcher, Linnea Gregg as Widow Gavett, and Josh Popa as Josiah Cutting.
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See also Creator/RobertEggers' ''Film/TheWitch'', a similarly period-accurate film with a similar premise of New England witchcraft.
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* FreudWasRight: The pagan ritual stone seen throughout the film has a lot of phallic symbolism. When [[spoiler:Patience and Fletcher have sex, a cascade of green energy shoots out of the top of it in a manner extremely reminiscent of ejaculation]].
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* SelfAbuse: Goodenow is prone to this, which is taken by the witchfinders as a sign of his demonic taint. Flora also masturbates in front of Fletcher to tempt him, which works. All if it is framed as the Puritans would have seen it, being weird ritualistic violence rather than self-pleasure.

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* SelfAbuse: Goodenow is prone to this, which is taken by the witchfinders as a sign of his demonic taint. Flora also masturbates in front of Fletcher to tempt him, which works. All if it is framed as the Puritans would have seen it, being weird ritualistic violence rather than self-pleasure. [[note]]Rakich's "Birth Of an American Town" series on his main Youtube channel discusses how masturbation was actually ''illegal'' in Puritan New England, although even Cotton Mather admitted it was so rampant that the laws against it were never really enforced.[[/note]]
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''The Sudbury Devil'' is a 2023 independent {{horror}} film by Andrew Rakich of the Website/YouTube channel Creator/AtunSheiFilms. Set in UsefulNotes/{{Massachusetts}} Bay Colony in the 1670s in the aftermath of King Philip's War, it follows two Puritan {{witch hunter}}s -- John Fletcher and Josiah Cutting -- who arrive in the small town of Sudbury to investigate rumors of devil worship. In addition to Rakich himself, it also stars Benton Guinness as Fletcher, Linnea Gregg as Widow Gavett, and Josh Popa as Josiah Cutting.

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''The Sudbury Devil'' is a 2023 independent {{horror}} PsychologicalHorror period film created by Andrew Rakich of the Website/YouTube channel Creator/AtunSheiFilms.Creator/AtunSheiFilms and written and directed by Creator/AndrewRakich. Set in UsefulNotes/{{Massachusetts}} Bay Colony in the 1670s in the aftermath of King Philip's War, it follows two Puritan {{witch hunter}}s -- John Fletcher and Josiah Cutting -- who arrive in the small town of Sudbury to investigate rumors of devil worship. In addition to Rakich himself, it also stars Benton Guinness as Fletcher, Linnea Gregg as Widow Gavett, and Josh Popa as Josiah Cutting.
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* AssholeVictim: The story makes it clear that the deceased Mr. Gavett was a misogynistic prick of a husband who treated Patience like shit, and her [[spoiler:illusory version of him is nothing more than a crude mockery of what she saw him as]].

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* TheBadGuyWins: [[spoiler:Fletcher fails to stop Patience from giving birth to the Devil's child, only asking that said child forever curse New England with its haunting]].

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* TheBadGuyWins: [[spoiler:Fletcher fails to stop Patience from giving birth to the Devil's child, only asking that said child forever curse New England with its haunting]]. Of course, if the fact that Patience is the antagonist and this is a bad thing are the same is up to the viewer.


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* MindScrew: The film boasts a cavalcade of freaky, psychedelic and simultaneously schizophrenic imagery which paints a much larger, more disjointed and complicated picture than can be understood with just one viewing.
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* {{Expy}}: Magistrate John Fletcher is a very deliberate one of [[Film/Ravenous1999 Captain John Boyd]]. Both are seduced into evil by the main villain [[spoiler:but persevere and end up {{Mutual Kill}}ing them at the end, except in Fletcher's case TheBadGuyWins and he winds up using his seed to birth the Devil's child]].

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Masturbation by itself is no longer a trope.


* ADateWithRosiePalms: Rakich's "Birth Of an American Town" series on his main Youtube channel discusses how this was actually ''illegal'' in Puritan New England, although even Cotton Mather admitted it was so rampant that the laws against it were never really enforced. [[spoiler: Goodenow is prone to this, which is taken by the witchfinders as a sign of his demonic taint. Flora also masturbates in front of Fletcher to tempt him, which works.]]


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* TheBadGuyWins: [[spoiler:Fletcher fails to stop Patience from giving birth to the Devil's child, only asking that said child forever curse New England with its haunting]].


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* {{Expy}}: Magistrate John Fletcher is a very deliberate one of [[Film/Ravenous1999 Captain John Boyd]]. Both are seduced into evil by the main villain [[spoiler:but persevere and end up {{Mutual Kill}}ing them at the end, except in Fletcher's case TheBadGuyWins and he winds up using his seed to birth the Devil's child]].


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* GirlOnGirlIsHot: When Patience and Flora start making out, Goodenow ''immediately'' starts cranking it right next to them.


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* LightIsNotGood: Whatever the "Day-Star" is, be it Satan, Lucifer or some kind of EldritchAbomination, it resembles a light which burns extremely bright.


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* SelfAbuse: Goodenow is prone to this, which is taken by the witchfinders as a sign of his demonic taint. Flora also masturbates in front of Fletcher to tempt him, which works. All if it is framed as the Puritans would have seen it, being weird ritualistic violence rather than self-pleasure.
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* ShoutOut: "Mr. Gavett" at one point says "Ah, Sentimentality. the last bastion of a weakling". In a slight rephrasing of one of [[Film/Ravenous1999 Colonel Ives' most famous quotes]], "Morality: the last bastion of a coward".
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* AmbiguousSituation: Enforced in one scene, with a trick self-admittedly borrowed from ''Film/AmericanPsycho''. It was shot twice, with Rakich giving two completely different performances in each; one where Mr. Gavett is just a normal, kindly fellow offering hospitality to the witch hunters and in another a flamboyantly proud servant of the devil barely able to conceal his glee at manipulating the protagonists. Shots from the two were then spliced together, making it just as hard for the audience to discern which is the truth as the witch finders.

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* AmbiguousSituation: Enforced in one scene, with a trick self-admittedly borrowed from ''Film/AmericanPsycho''. Mr. Gavett, as witches are known to do, flubs a prayer over a meal, in a way that could be easily taken as a StealthInsult towards God, Christianity, Puritanism, and religion in general. It was shot twice, with Rakich giving two completely different performances in each; one where Mr. Gavett is just a normal, kindly fellow offering hospitality to the witch hunters who'd made an understandable mistake and in another a flamboyantly proud servant of the devil barely able to conceal his glee at manipulating the protagonists. Shots from the two were then spliced together, making it just as hard for the audience to discern which is the truth as the witch finders.
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* ADateWithRosiePalms: [[spoiler: Goodenow is prone to this, which is taken by the witchfinders as a sign of his demonic taint. Flora also masturbates in front of Fletcher to tempt him, which works.]]

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* ADateWithRosiePalms: Rakich's "Birth Of an American Town" series on his main Youtube channel discusses how this was actually ''illegal'' in Puritan New England, although even Cotton Mather admitted it was so rampant that the laws against it were never really enforced. [[spoiler: Goodenow is prone to this, which is taken by the witchfinders as a sign of his demonic taint. Flora also masturbates in front of Fletcher to tempt him, which works.]]
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* SpiritualAntithesis: To Rakich's "In Defense of Puritanism" video on his main Youtube channel. That video, while open and frank about the problematic elements like bigotry within the Puritan movement, argued that the movement was a fundamentally progressive one by the standards of its time, and that its values have become cherished American values. In this film, the audience is shown the ways in which its vices have ''also'' unfortunately been baked into American society.
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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes. Fletcher actually comes to a ''more'' racist opinion about Africans than even the source he quotes, who at least [[YouAreACreditToYourRace felt that some with African ancestry could demonstrate intelligence and humanity]]; Fletcher dismisses all non-Christians as [[CreativeSterility incapable of creative thought]].

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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes. Fletcher Cutting actually comes to a ''more'' racist opinion about Africans than even the source he quotes, who at least [[YouAreACreditToYourRace felt that some with African ancestry could demonstrate intelligence and humanity]]; Fletcher Cutting dismisses all non-Christians as [[CreativeSterility incapable of creative thought]].
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[[caption-width-right:350:''"Night falls hard here, sirs. And with it comes a most dreadful dark and a most heavy silence."'']]

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[[caption-width-right:350:''"Night falls hard here, sirs. And with it comes a most dreadful dark dark...and a most heavy silence."'']]
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* EvilVersusEvil: [[spoiler:Ultimately, the film depicts a struggle between the LawfulEvil of the Puritan witch-hunters and the ChaoticEvil of the Satan-worshipping witches.]]

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* EvilVersusEvil: EvilVersusEvil:[[invoked]] [[spoiler:Ultimately, the film depicts a struggle between the LawfulEvil of the Puritan witch-hunters and the ChaoticEvil of the Satan-worshipping witches.]]
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* EvilVersusEvil: [[spoiler:Ultimately, the film depicts a struggle between the LawfulEvil of the Puritan witch-hunters and the ChaoticEvil of the Satan-worshipping witches.]]

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* LovecraftCountry: The town of Sudbury is very isolated and remote at this point in history, making it an ideal setting for spooky gothic horror.

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* LovecraftCountry: {{Gorn}}: The town of Sudbury is very isolated and remote at violence in this point in history, making movie is ''extremely'' graphic, which is just how Andrew Rakich likes it. [[spoiler:Special note goes to Patience (disguised as her late husband) shooting an open hole straight through Rev. Russell with a flintlock musket, and to Fletcher disemboweling Patience at the end -- she ''pulls her own guts out of her stomach'', and it an ideal setting for spooky gothic horror.is ''not'' hidden from the camera.]]


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* LovecraftCountry: The town of Sudbury is very isolated and remote at this point in history, making it an ideal setting for spooky gothic horror.
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* MagicIsFeminine: [[spoiler:Patience Gavett's consorting with Satan and dabbling in witchcraft is explicitly framed as a backlash to an oppressive patriarchal theocracy that kept her as an abused housewife.]]
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* ClosedCircle: The overwhelming majority of the film takes place in a single small clearing outside Sudbury.
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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes. Fletcher actually comes to a ''more'' conservative opinion about Africans than the racist source he quotes, who at least [[YouAreACreditToYourRace felt that some with African ancestry could demonstrate intelligence and humanity]]; Fletcher dismisses all non-Christians as [[CreativeSterility incapable of creative thought]].

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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes. Fletcher actually comes to a ''more'' conservative racist opinion about Africans than even the racist source he quotes, who at least [[YouAreACreditToYourRace felt that some with African ancestry could demonstrate intelligence and humanity]]; Fletcher dismisses all non-Christians as [[CreativeSterility incapable of creative thought]].
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* ArmyOfThievesAndWhores: Fletcher served in Samuel Moseley's company during King Philip's War. Mr. Gavett and Rev. Russell harbor a romantic notion of Moseley's men as former privateers who bravely defended the English colonists. Fletcher, by contrast, says he and his comrades were glorified brigands and cutpurses who were deputized by the colonies to massacre innocent Indians.

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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes. Fletcher actually comes to a ''more'' conservative opinion about Africans than the racist source he quotes, who at least [[ACreditToYourRace felt that some with African ancestry could demonstrate intelligence and humanity]]; Fletcher dismisses all non-Christians as [[CreativeSterility incapable of creative thought]].

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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes. Fletcher actually comes to a ''more'' conservative opinion about Africans than the racist source he quotes, who at least [[ACreditToYourRace [[YouAreACreditToYourRace felt that some with African ancestry could demonstrate intelligence and humanity]]; Fletcher dismisses all non-Christians as [[CreativeSterility incapable of creative thought]].


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* {{Foreshadowing}}: Fletcher is mentioned as serving in the militia company of Samuel Mosely. Those familiar with Rakich's documentary series on King Philip's War will know that this is an early indication that he's hardly a paragon of righteous conduct.

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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes.

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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes. Fletcher actually comes to a ''more'' conservative opinion about Africans than the racist source he quotes, who at least [[ACreditToYourRace felt that some with African ancestry could demonstrate intelligence and humanity]]; Fletcher dismisses all non-Christians as [[CreativeSterility incapable of creative thought]].


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* PsychologicalProjection: Christians argue that the Devil sometimes takes a beautiful form to better tempt them to sin and witchcraft, but many of the culturally Christian characters in the film try to present themselves as godly and virtuous while actually being horrible, vicious people.
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* DeliberateValuesDissonance: Most of the characters portray the regressive social attitudes of the time, especially the protagonists Fletcher and Cutting. They routinely denounce Native Americans as savages who deserved to be wiped out, and cast Africans as unthinking brutes.
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''Be the devil that we so richly deserve.''

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-> ''Be the devil that we so richly deserve.''

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