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''Stalag 17'' is a 1953 war movie set in a UsefulNotes/{{World War II}} German POWCamp, directed by Creator/BillyWilder and starring Creator/WilliamHolden, Creator/OttoPreminger, Don Taylor, Robert Strauss, Neville Brand, Harvey Lembeck, Sig Rumann, and Creator/PeterGraves. Adapted by Wilder and Edwin Blum from the hit Broadway play of the same name, which in turn was based on the real-life [=POW=] experiences of authors Donald Bevan and Edmund Trzcinski.

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''Stalag 17'' is a 1953 war movie set in a UsefulNotes/{{World War II}} German POWCamp, directed by Creator/BillyWilder and starring Creator/WilliamHolden, Creator/OttoPreminger, Don Taylor, Robert Strauss, Neville Brand, Harvey Lembeck, Sig Rumann, and Creator/PeterGraves. Adapted by Wilder and Edwin Blum from the [[TheFilmOfThePlay hit Broadway play play]] of the same name, which in turn was based on the real-life [=POW=] experiences of authors Donald Bevan and Edmund Trzcinski.
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The film is built on a double allegory: the same paranoia that causes the [=POW=]s to target Sefton had 1) enabled the Nazis easily to scapegoat the Jews and 2) induced Hollywood shortly before the movie's release to institute the [[RedScare Blacklist]] scapegoating left-leaning scriptwriters, performers, and others.

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The film is built on a double allegory: the same paranoia that causes the [=POW=]s to target Sefton had 1) enabled the Nazis easily to scapegoat the Jews and 2) induced prompted Hollywood to institute a [[UsefulNotes/TheHollywoodBlacklist Blacklist]] shortly before the movie's film's release to institute the [[RedScare Blacklist]] scapegoating left-leaning [[RedScare left-leaning]] scriptwriters, performers, and others.

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* EveryManHasHisPrice: When offered silk stockings and 400 cigarettes in exchange for the identity of the spy in the barracks, Schultz can been seen seriously considering the offer for a few seconds before rejecting it.



* FunnyBackgroundEvent: When von Scherbach is making the phone call to Berlin to tell them that he has the saboteur, the guard behind him comes to attention for the duration of the call.



** Really, most of Sefton's trades fall into this, as he tends to get a good deal right when someone has died or something has been confiscated crom the barracks. He tries to convince the barracks that correlation isn't causation, but with suspicions and tempers flaring he is unsuccessful.

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** Really, most of Sefton's trades fall into this, as he tends to get a good deal right when someone has died or something has been confiscated crom from the barracks. He tries to convince the barracks that correlation isn't causation, but with suspicions and tempers flaring he is unsuccessful.
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* OnlyKnownByTheirNickname: Duke, Blondie, and Animal are only refered to as such throughout the movie. Their real names are only mentioned during mail call: Musgrove, Peterson, and Stanilaus Kuzawa, respectively.
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*** [[spoiler:When they come up with the plan to rescue Dunbar, the mole is the only one who's afraid of the [=SS=].]]
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* EveryoneHasStandards: Many of the people in the camp are short-tempered and/or a [[Jerkass]], but all of them are shocked when they hear Manfredi and Johnson being executed.

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* EveryoneHasStandards: Many of the people in the camp are short-tempered and/or a [[Jerkass]], {{jerkass}}es, but all of them are shocked when they hear Manfredi and Johnson being executed.
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** Played with by Sefton. He days he doesn't play chess, but is the one who outsmarts the spy. He even demonstrates a Fool's Mate while saying he doesn't understand the game.

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** Played with by Sefton. He days says he doesn't play chess, but is the one who outsmarts the spy. He even demonstrates a Fool's Mate while saying claiming he doesn't understand the game.
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* StealthInsult: Schulz is victimized by several of these.
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* ProfessionalWrestling: Schulz mentions to the prisoners he did this in America before the war and plans to do so again when the war is over.

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* ProfessionalWrestling: Schulz mentions to the prisoners that he did this in America before the war and plans to do so again when the war is over.
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** Von Scherbach's face when he sees they killed the mole and not Dunbar.

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** Von Scherbach's face Scherbach, when he sees they killed the mole and not Dunbar.Dunbar. And then Schulz, when Von Scherbach turns and shoots a DeathGlare at him.
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* ProfessionalWrestling: Schulz mentions to the prisoners he did this in America before the war and plans to do so again when the war is over.
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** Gets a CallBack later in the film, as the same guy is shown knitting a pair of baby socks, then pausing to utter another "I believe it!" to nobody in particular.
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'''Harry:''' I tell ya, Animal, those Nazis ain't-\\
'''Animal:''' (''angrily'') I said you could say it again; that doesn't mean you have to repeat it!

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'''Harry:''' I tell ya, Animal, those Nazis ain't-\\
ain't--\\
'''Animal:''' (''angrily'') ''(angrily)'' I said you could say it again; that doesn't mean you have to repeat it!
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* WhyAreYouLookingAtMeLikeThat: A rare case of this being PlayedForDrama: when Von Scherbach takes Dunbar out of the barracks, Hoffy and the others yell at Bagradian and claim he must have let it slip about the "time bomb" Dunbar used to take out the supply train, while Bagradian snaps that he didn't tell anyone until they got to the barracks. On that, everyone turns and looks at Sefton.

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* WhyAreYouLookingAtMeLikeThat: A rare case of this being PlayedForDrama: when Von Scherbach takes Dunbar out of the barracks, Hoffy and the others yell at Bagradian and claim he must have let it slip about the "time bomb" Dunbar used to take out the supply train, while to which Bagradian snaps that he didn't tell anyone until they got to the barracks. On that, everyone turns and looks at Sefton.
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* SycophanticServant: Cookie is a mild one to Sefton, although less so when he thinks Sefton might really be TheMole.

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* SycophanticServant: Cookie is a mild one to Sefton, although less so when he thinks Sefton might really be TheMole.the mole.
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-->[''reading''] "...and you'll ''never'' believe this, but she has just my eyes and my nose!" Why does she keep saying I'll never believe it? I believe it. I ''believe'' it!

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-->[''reading''] -->''(reading)'' "...and you'll ''never'' believe this, but she has just my eyes and my nose!" Why does she keep saying I'll never believe it? I believe it. I ''believe'' it!it! ''(less assuredly, after a {{beat}})'' I believe it...
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** Due to the lights being turned off (ironically because of the fake air raid they staged), Schultz and the mole don't notice that Sefton is still in the barracks, hiding behind a blanket.

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** Due to the lights being turned off (ironically because of the fake air raid they staged), Schultz Schulz and the mole don't notice that Sefton is still in the barracks, hiding behind a blanket.
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** Due to the lights being off (ironically because of the fake air raid they staged) Sxhultz and the spy don't notice that Sefton is hiding behind a blanket.

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** Due to the lights being turned off (ironically because of the fake air raid they staged) Sxhultz staged), Schultz and the spy mole don't notice that Sefton is still in the barracks, hiding behind a blanket.
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* EvilIsPetty: After getting muddy water splashed on his boots, the commandant cancels the miniature Christmas trees he was going to put in each barracks and orders that the delousing showers be done with ice water.

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* EvilIsPetty: After getting muddy water splashed on his boots, the commandant Col. von Scherbach cancels the miniature Christmas trees he was going to put in each barracks and orders that the delousing showers be done with ice water.
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* DoorstopBaby: A POW gets a letter from his girlfriend [[BlatantLies saying she found one]].

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* DoorstopBaby: A POW gets a letter from his girlfriend [[BlatantLies saying she found one]].one that [[BlatantLies just happens to have her eyes and nose]].
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* VerbalTic: Marco the Mailman's "At ease! At ease!" in a high pitched Trans Atlantic accent with Animal echoing it back in a deep bass.

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* VerbalTic: Marco the Mailman's "At ease! At ease!" in a high pitched Trans Atlantic accent high-pitched voice, with Animal echoing it back in a deep bass.
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** Cookie has an occasional stutter.

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** Cookie has an occasional stutter.[[SpeechImpediment stutter]].
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* ShoutOut:
** Animal's CelebCrush on Creator/BettyGrable.
** Bagradian does impressions of Creator/ClarkGable, Creator/RonaldColman, Creator/JamesCagney, and Creator/CaryGrant.
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** As is Bagradian, with his various celebrity impressions and so forth.
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* WhyAreYouLookingAtMeLikeThat: A rare case of this being PlayedForDrama: when Von Scherbach takes Dunbar out of the barracks, Hoffy and the others yell at Bagradian and claim he must have let it slip about the "time bomb" Dunbar used to take out the supply train, while Bagradian snaps that he didn't tell anyone until they got to the barracks. On that, everyone starts to look at Sefton.

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* WhyAreYouLookingAtMeLikeThat: A rare case of this being PlayedForDrama: when Von Scherbach takes Dunbar out of the barracks, Hoffy and the others yell at Bagradian and claim he must have let it slip about the "time bomb" Dunbar used to take out the supply train, while Bagradian snaps that he didn't tell anyone until they got to the barracks. On that, everyone starts to look turns and looks at Sefton.
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* TakeThat: In his OpeningNarration, Cookie expresses his distaste for "those war pictures--all about ''flying leathernecks'' and ''submarine patrols'' and ''frogmen'' and ''guerillas in the Philippines''." Yes, those are all actual titles of other war movies.
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* SycophanticServant: Cookie to Sefton, although less so when he thinks Sefton might really be TheMole.

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* SycophanticServant: Cookie is a mild one to Sefton, although less so when he thinks Sefton might really be TheMole.

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The film opens with the narrator, Cookie (Gil Stratton), recalling life in Barracks 4 of Stalag 17 -- a Luftwaffe POW compound "somewhere on the Danube" holding 630 sergeants from various U.S. flight crews -- and in particular the attempted December 1944 escape of two prisoners, Manfredi and Johnson, whose capture and death lead the rest of the [=POW=]s to suspect that there's a traitor in their midst who tipped off the Germans. The primary suspect is Sefton (Holden), a cynical scrounger who employs Cookie as a lackey and whose caustic attitude and self-centered opportunism rankles the rest of the barracks.

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The film opens with the narrator, Cookie (Gil Stratton), recalling life in Barracks 4 of Stalag 17 -- a Luftwaffe POW compound "somewhere on the Danube" holding 630 sergeants from various U.S. flight crews -- and in particular the attempted December 1944 escape of two prisoners, Manfredi and Johnson, whose capture and death lead the rest of the [=POW=]s to suspect that there's a traitor in their midst who tipped off the Germans. The primary suspect is Sefton (Holden), a cynical scrounger who employs Cookie as a his lackey and whose caustic attitude and self-centered opportunism rankles the rest of the barracks.



* SpellMyNameWithAThe: Animal goes back and forth being referred to as "Animal" and "The Animal".

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* SpellMyNameWithAThe: Animal goes back and forth between being referred to as "Animal" and "The Animal".Animal".
* SycophanticServant: Cookie to Sefton, although less so when he thinks Sefton might really be TheMole.



* WeNeedADistraction: In the climax, Sefton comes up with the idea of using [[spoiler:Price]] as this so he can get to Dunbar safely and they can escape the P.O.W camp.

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* WeNeedADistraction: In the climax, Sefton comes up with the idea of using [[spoiler:Price]] as this so he can get to Dunbar safely and they can escape the P.O.W POW camp.

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* RunningGag: Sefton usinh Duke's stubble to light his matches.

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* RunningGag: Sefton usinh using Duke's stubble to light his matches.


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* TheScrounger: Sefton, although unlike many examples he's in it entirely for himself.
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The film opens with the narrator, Cookie (Gil Stratton), recalling life in Barracks 4 of Stalag 17 -- a Luftwaffe POW compound "somewhere on the Danube" holding 630 sergeants from various U.S. flight crews -- and in particular the attempted December 1944 escape of two prisoners, Manfredi and Johnson, whose capture and death lead the rest of the [=POW=]s to suspect that there's a traitor in their midst who tipped off the Germans. The primary suspect is Cookie's friend, the cynical and somewhat antisocial J.J. Sefton (Holden).

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The film opens with the narrator, Cookie (Gil Stratton), recalling life in Barracks 4 of Stalag 17 -- a Luftwaffe POW compound "somewhere on the Danube" holding 630 sergeants from various U.S. flight crews -- and in particular the attempted December 1944 escape of two prisoners, Manfredi and Johnson, whose capture and death lead the rest of the [=POW=]s to suspect that there's a traitor in their midst who tipped off the Germans. The primary suspect is Cookie's friend, the Sefton (Holden), a cynical scrounger who employs Cookie as a lackey and somewhat antisocial J.J. Sefton (Holden).whose caustic attitude and self-centered opportunism rankles the rest of the barracks.

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