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* RuleOfSymbolism: Throughout the movie, John repeatedly mentions that his estate has an eighteen-hole golf course. [[spoiler:When Claire and Leo are unable to leave the estate towards the end, Claire carries Leo across the golf course, passing a flag marking the nineteenth hole. The nineteenth hole is a term for a pub or clubhouse where golfers drink after the game, often found near or on the course itself.]]
** At crucial times, the sisters try desperately yet fail to cross the bridge separating them from the rest of the world: [[spoiler:Justine, when Claire attempts to cheer her up the morning after her disastrous wedding, and Claire, when she wants to be in the village when Melancholia crashes into Earth.]]
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* ApocalypticMontage: [[spoiler:The movie opens with a [[Creator/RichardWagner dramatic]] montage depicting events leading up to the collision.]]

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* ApocalypticMontage: [[spoiler:The movie opens with a [[Creator/RichardWagner [[Music/RichardWagner dramatic]] montage depicting events leading up to the collision.]]
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moved to YMMV subpage as it's a subjective, Just For Fun wick


* XMeetsY: It's DespairEventHorizon: ''TheMovie'' meets ''Film/DeepImpact''.
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* {{Deuteragonist}}: Either Claire or Justine.



* {{Deuteragonist}}: Either Claire or Justine.
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* DrivenToSuicide: [[spoiler:Upon realizing that Melancholia is ''not'' going to pass harmlessly by, but is rather coming back to crash into Earth, John gives into despair and takes a lethal dose of sleeping pills.]]
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Like Von Trier's [[{{Film/Antichrist}} previous movie]], '' Melancholia'' was surrounded by some consternation at the Cannes Film Festival. Von Trier's jokes about UsefulNotes/AdolfHitler and UsefulNotes/NaziGermany resulted in him being declared a ''[[DudeNotFunny persona non grata]]''[[note]]In 2017 however, [[http://www.indiewire.com/2017/03/lars-von-trier-the-house-that-jack-built-cannes-1201791773/ this ban might be lifted]][[/note]]. Dunst's performance was praised, however, and she walked away with the Best Actress Award.

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Like Von Trier's [[{{Film/Antichrist}} previous movie]], '' Melancholia'' was surrounded by some consternation at the Cannes Film Festival. Von Trier's jokes about UsefulNotes/AdolfHitler and UsefulNotes/NaziGermany resulted in him being declared a ''[[DudeNotFunny persona non grata]]''[[note]]In 2017 however, [[http://www.indiewire.com/2017/03/lars-von-trier-the-house-that-jack-built-cannes-1201791773/ this ban might be have been lifted]][[/note]]. Dunst's performance was praised, however, and she walked away with the Best Actress Award.
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Like Von Trier's [[{{Film/Antichrist}} previous movie]], '' Melancholia'' was surrounded by some consternation at the Cannes Film Festival. Von Trier's jokes about UsefulNotes/AdolfHitler and UsefulNotes/NaziGermany resulted in him being declared a ''[[DudeNotFunny persona non grata]]''. Dunst's performance was praised, however, and she walked away with the Best Actress Award.

to:

Like Von Trier's [[{{Film/Antichrist}} previous movie]], '' Melancholia'' was surrounded by some consternation at the Cannes Film Festival. Von Trier's jokes about UsefulNotes/AdolfHitler and UsefulNotes/NaziGermany resulted in him being declared a ''[[DudeNotFunny persona non grata]]''.grata]]''[[note]]In 2017 however, [[http://www.indiewire.com/2017/03/lars-von-trier-the-house-that-jack-built-cannes-1201791773/ this ban might be lifted]][[/note]]. Dunst's performance was praised, however, and she walked away with the Best Actress Award.

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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/melcnholia_5966.jpg]]

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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/melcnholia_5966.jpg]]org/pmwiki/pub/images/tvtropes_9.jpg]]


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* {{Homage}}: The image of Justine floating down the stream in her dress with a bouquet is inspired by John Everett Millais' 1852 painting "Ophelia"
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** The name 'Justine' was taken from the (in)famous Creator/MarquisDeSade novel, ''Justine, or the Misfortunes of Virtue''
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* ApocalypseHow: Class X (Physical Annihilation)
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** BittersweetEnding: [[spoiler: Everyone dies, but Justine is able to come to a kind of peace with herself in the face of the apocalypse, and create a way for her sister and nephew to be together at the end. Von Trier has said it's the happiest ending he's ever written.]]
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* EverybodyDies: ''Duh...''
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* SlidingScaleOfIdealismVersusCynicism: Pretty much breaks the scale on the cynicism side. It doesn't really matter that the world is going to end and possibly all life in the universe will be extinguished; Life is so shitty and devoid of meaning that it's a good, perhaps even beautiful thing. Sort of justified, in that the whole scenario is a metaphor for depression, except that the director is pretty much romanticizing it with this film.

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* SlidingScaleOfIdealismVersusCynicism: Pretty much breaks the scale on the cynicism side. It doesn't really matter that the world is going to end and possibly all life in the universe will be extinguished; Life life is so shitty and devoid of meaning that it's a good, perhaps even beautiful thing. Sort of justified, in that the whole scenario is a metaphor for depression, except that the director is pretty much romanticizing it with this film.
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''Melancholia'' is a 2011 SpeculativeFiction film written and directed by Creator/LarsVonTrier. It mainly focuses on the relationship between the [[SiblingYinYang two sisters Justine and Claire]], played by Creator/KirstenDunst and Charlotte Gainsbourg. The movie is divided into two parts, the first about Justine's wedding, the second about the upcoming fly-by of the rogue planet [[DoubleMeaningTitle Melancholia]] that's drifting through the solar system. The focus lies on how the characters relate to the events surrounding them, from the mundane event of a wedding to the possibility of a planetary collision.

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''Melancholia'' is a 2011 SpeculativeFiction film written and directed by Creator/LarsVonTrier. It mainly focuses on the relationship between the [[SiblingYinYang two sisters Justine and Claire]], played by Creator/KirstenDunst and Charlotte Gainsbourg.Creator/CharlotteGainsbourg. The movie is divided into two parts, the first about Justine's wedding, the second about the upcoming fly-by of the rogue planet [[DoubleMeaningTitle Melancholia]] that's drifting through the solar system. The focus lies on how the characters relate to the events surrounding them, from the mundane event of a wedding to the possibility of a planetary collision.
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* ExactlyWhatItSaysOnTheTin
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* {{Book Ends}}: [[spoiler: The opening montage shows Earth crashing into Melancholia. The movie ends with a view from the surface.]]

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* {{Book Ends}}: {{Bookends}}: [[spoiler: The opening montage shows Earth crashing into Melancholia. The movie ends with a view from the surface.]]
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No bolding for work titles. See format rules on How To Create A Works Page, 4th paragraph \"No bolding is used for work titles\" and FAQ: \"What emphasis do I use for the title?: Whatever you do, it does not belong in boldface-font.\"


'''''Melancholia''''' is a 2011 SpeculativeFiction film written and directed by Creator/LarsVonTrier. It mainly focuses on the relationship between the [[SiblingYinYang two sisters Justine and Claire]], played by Creator/KirstenDunst and Charlotte Gainsbourg. The movie is divided into two parts, the first about Justine's wedding, the second about the upcoming fly-by of the rogue planet [[DoubleMeaningTitle Melancholia]] that's drifting through the solar system. The focus lies on how the characters relate to the events surrounding them, from the mundane event of a wedding to the possibility of a planetary collision.

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'''''Melancholia''''' ''Melancholia'' is a 2011 SpeculativeFiction film written and directed by Creator/LarsVonTrier. It mainly focuses on the relationship between the [[SiblingYinYang two sisters Justine and Claire]], played by Creator/KirstenDunst and Charlotte Gainsbourg. The movie is divided into two parts, the first about Justine's wedding, the second about the upcoming fly-by of the rogue planet [[DoubleMeaningTitle Melancholia]] that's drifting through the solar system. The focus lies on how the characters relate to the events surrounding them, from the mundane event of a wedding to the possibility of a planetary collision.
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* BlessedWithSuck: Von Trier basically explores the idea how people with depression can function better than other under certain circumstances.

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* BlessedWithSuck: Von Trier basically explores the idea how people with depression can function better than other others under certain circumstances.circumstances. Such as Justine and Claire, where the former is eerily calmed and the latter is breaking down [[spoiler:as Melancholia hits.]]



* OhCrap: [[spoiler: Claire's realisation that Melancholia is coming back around after its fly-by.]]

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* OhCrap: [[spoiler: Claire's realisation realization that Melancholia is coming back around after its fly-by.]]
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* {{Bookends}}: [[spoiler: The opening montage shows Earth crashing into Melancholia. The movie ends with a view from the surface.]]

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* {{Bookends}}: {{Book Ends}}: [[spoiler: The opening montage shows Earth crashing into Melancholia. The movie ends with a view from the surface.]]
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The second installment of Von Trier's "depression" trilogy, between ''Film/{{Antichrist}}'' and ''Film/{{Nymphomaniac}}''.

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* BookEnds: [[spoiler: The opening montage shows Earth crashing into Melancholia. The movie ends with a view from the surface.]]

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* BookEnds: {{Bookends}}: [[spoiler: The opening montage shows Earth crashing into Melancholia. The movie ends with a view from the surface.]]



* WriteWhatYouKnow: Von Trier got the idea for the movie while being treated for depression. Kirsten Dunst had also suffered from depression prior to the movie.
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'''''Melancholia''''' is a 2011 SpeculativeFiction film written and directed by Creator/LarsVonTrier. It mainly focuses on the relationship between the [[SiblingYinYang two sisters Justine and Claire]], played by KirstenDunst and Charlotte Gainsbourg. The movie is divided into two parts, the first about Justine's wedding, the second about the upcoming fly-by of the rogue planet [[DoubleMeaningTitle Melancholia]] that's drifting through the solar system. The focus lies on how the characters relate to the events surrounding them, from the mundane event of a wedding to the possibility of a planetary collision.

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'''''Melancholia''''' is a 2011 SpeculativeFiction film written and directed by Creator/LarsVonTrier. It mainly focuses on the relationship between the [[SiblingYinYang two sisters Justine and Claire]], played by KirstenDunst Creator/KirstenDunst and Charlotte Gainsbourg. The movie is divided into two parts, the first about Justine's wedding, the second about the upcoming fly-by of the rogue planet [[DoubleMeaningTitle Melancholia]] that's drifting through the solar system. The focus lies on how the characters relate to the events surrounding them, from the mundane event of a wedding to the possibility of a planetary collision.

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* ArtisticLicenseAstronomy: Von Trier has mentioned he was never interested in depicting the astronomical events accurately. In a nutsell: Melancholia couldn't have hidden behind the sun without being visible for very long, it couldn't have concealed Antares for more than a few moments, and even a flyby could potentially be disastrous.[[note]]It might "slingshot" the Earth out of orbit, and the tidal forces could also wreak havoc, depending on Melancholia's mass.[[/note]]
** Really, as ''Brows Held High'' pointed out, the whole idea of Melancholia passing through our entire solar system to hit the fairly small Earth rather than ''any'' of the other celestial bodies around it is so cosmically improbable as to be laughable, making Melancholia seem less like a rogue planet and more like tourist magically flying around space. In all honesty with what's portrayed on-screen, Melancholia should've just floated into the sun and been vaporized before it came ''anywhere'' near Earth.
** Melancholia's trajectory – first crossing Earth's orbit in a flyby, then receding, only to approach Earth again, while Earth's orbit doesn't change at all – suggests that Melancholia actually experienced sufficient gravitational pull while passing Earth to knock the former out of its orbit. This would imply that Melancholia's mass is ''much'' smaller than the Earth's (i.e. even smaller than that of Earth's moon). However, in the opening montage we see that [[spoiler:Earth ''shatters'' at the impact while Melancholia doesn't experience any sort of noteworthy deformation, which in turn would suggest that Melancholia is either massive, has a very dense crust or an atmosphere that's sufficiently dense that it could crush the Earth. Either possibility implies that Melancholia's mass is ''huge''. It also has sufficient mass to sap Earth's atmosphere even while flying by at a "safe" distance.]]

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* ArtisticLicenseAstronomy: Von Trier has mentioned he was never interested in depicting the astronomical events accurately. In a nutsell:
**
Melancholia couldn't have hidden behind the sun without being visible for very long, it couldn't have concealed Antares for more than a few moments, and long.
** The film presents the only danger Melancholia poses to Earth is by direct collision. However,
even a flyby could potentially be disastrous.[[note]]It disastrous. It might "slingshot" the Earth out of orbit, and the tidal forces could also wreak havoc, depending on Melancholia's mass.[[/note]]
** Really, as ''Brows Held High'' pointed out, the whole idea of Melancholia passing through our entire solar system to hit the fairly small Earth rather than ''any'' of the other celestial bodies around it is so cosmically improbable as to be laughable, making Melancholia seem less like a rogue planet and more like tourist magically flying around space. In all honesty with what's portrayed on-screen, Melancholia should've just floated into the sun and been vaporized before it came ''anywhere'' near Earth.
mass.
** Melancholia's trajectory – first crossing Earth's orbit in a flyby, then receding, only to approach Earth again, while Earth's orbit doesn't change at all – suggests that Melancholia actually experienced sufficient gravitational pull while passing Earth to knock the former out of its orbit. This would imply that Melancholia's mass is ''much'' smaller than the Earth's (i.e. even smaller than that of Earth's moon). However, in the opening montage we see that [[spoiler:Earth ''shatters'' at the impact impact, while Melancholia doesn't experience any sort of noteworthy deformation, which in turn would suggest that Melancholia is either massive, has a very dense crust or an atmosphere that's sufficiently dense that it could crush the Earth. Either possibility implies that Melancholia's mass is ''huge''. It also has sufficient mass to sap Earth's atmosphere even while flying by at a "safe" distance.]]
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** It's never stated that Justine got her insight from or during depression. It's very possible that her special knowledge caused her depression.
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Like Von Trier's [[{{Film/Antichrist}} previous movie]], '' Melancholia'' was surrounded by some consternation at the Cannes Film Festival. Von Trier's jokes about AdolfHitler and NaziGermany resulted in him being declared a ''[[DudeNotFunny persona non grata]]''. Dunst's performance was praised, however, and she walked away with the Best Actress Award.

to:

Like Von Trier's [[{{Film/Antichrist}} previous movie]], '' Melancholia'' was surrounded by some consternation at the Cannes Film Festival. Von Trier's jokes about AdolfHitler UsefulNotes/AdolfHitler and NaziGermany UsefulNotes/NaziGermany resulted in him being declared a ''[[DudeNotFunny persona non grata]]''. Dunst's performance was praised, however, and she walked away with the Best Actress Award.
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* LighterAndSofter: Only and ''only'' when compared to the [[{{Film/Antichrist}} preceding film]] in Lars von Trier's "Depression Trilogy".[[note]]At least this movie doesn't have self-eviscerating foxes in it...[[/note]]
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** Melancholia's trajectory – first crossing Earth's orbit in a flyby, then receding, only to approach Earth again, while Earth's orbit doesn't change at all – suggests that Melancholia actually experienced sufficient gravitational pull while passing Earth to knock the former out of its orbit. This would imply that Melancholia's mass is ''much'' smaller than the Earth's (i.e. even smaller than that of Earth's moon). However, in the opening montage we see that [[spoiler:Earth ''shatters'' at the impact while Melancholia doesn't experience any sort of noteworthy deformation, which in turn would suggest that Melancholia is either massive, has a very dense crust or an atmosphere that's sufficiently dense that it could crush the Earth. Either possibility implies that Melancholia's mass is ''huge''. It also has sufficient mass to sap Earth's atmosphere even while slying by at a "safe" distance.]]

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** Melancholia's trajectory – first crossing Earth's orbit in a flyby, then receding, only to approach Earth again, while Earth's orbit doesn't change at all – suggests that Melancholia actually experienced sufficient gravitational pull while passing Earth to knock the former out of its orbit. This would imply that Melancholia's mass is ''much'' smaller than the Earth's (i.e. even smaller than that of Earth's moon). However, in the opening montage we see that [[spoiler:Earth ''shatters'' at the impact while Melancholia doesn't experience any sort of noteworthy deformation, which in turn would suggest that Melancholia is either massive, has a very dense crust or an atmosphere that's sufficiently dense that it could crush the Earth. Either possibility implies that Melancholia's mass is ''huge''. It also has sufficient mass to sap Earth's atmosphere even while slying flying by at a "safe" distance.]]
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** Melancholia's trajectory – first crossing Earth's orbit in a flyby, then receding, only to approach Earth again – suggests that Melancholia actually experienced sufficient gravitational pull while passing Earth to knock the former out of its orbit. This would imply that Melancholia's mass is ''much'' smaller than the Earth's. However, in the opening montage we see that [[spoiler:Earth ''shatters'' at the impact while Melancholia doesn't experience any sort of noteworthy deformation, which in turn would suggest that Melancholia is either massive, has a very thick crust or an atmosphere that's sufficiently dense that the friction could crush the Earth. Either possibility implies that Melancholia's mass is ''huge''.]]

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** Melancholia's trajectory – first crossing Earth's orbit in a flyby, then receding, only to approach Earth again again, while Earth's orbit doesn't change at all – suggests that Melancholia actually experienced sufficient gravitational pull while passing Earth to knock the former out of its orbit. This would imply that Melancholia's mass is ''much'' smaller than the Earth's. Earth's (i.e. even smaller than that of Earth's moon). However, in the opening montage we see that [[spoiler:Earth ''shatters'' at the impact while Melancholia doesn't experience any sort of noteworthy deformation, which in turn would suggest that Melancholia is either massive, has a very thick dense crust or an atmosphere that's sufficiently dense that the friction it could crush the Earth. Either possibility implies that Melancholia's mass is ''huge''. It also has sufficient mass to sap Earth's atmosphere even while slying by at a "safe" distance.]]
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** Justine herself, being aloof towards her new husband and cheating on him on their wedding night. Plus some of the things she says to her sister, including [[spoiler:mocking her plea of how to spend their final hour and making Claire do it her own way.]]

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** Justine herself, being aloof towards her new husband and cheating on him on their wedding night. Plus some of the things she says to her sister, including [[spoiler:mocking her plea of how to spend their final hour and making Claire do it her own way.]]]] She is, however, genuinely concerned about her little nephew and goes out of her way to alleviate his fears.



* NotEvenBotheringWithTheAccent: Everyone in the film uses their natural accent, so it's not clear where the film takes place. Claire and Justine are sisters with British parents, but Dunst as Justine uses her American accent. She works for a Swedish man who has a nephew with an American accent. The resort's butler is Danish and the wedding has a German planner. Claire is married to an American man and their child has an American accent.

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* NotEvenBotheringWithTheAccent: Everyone in the film uses their natural accent, so it's not clear where the film takes place. Claire and Justine are sisters with British parents, but Dunst as Justine uses her American accent. She works for a Swedish man who has a nephew with an American accent. The resort's butler is Danish and the wedding has a German planner. Claire is married to an American man and their child has an American accent.accent, while Gainsbourg as Claire herself doesn't hide the fact that she's of mixed Anglo-French origin, speaking in a bit of a (hardly discernible) French accent every now and then.
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** Melancholia's trajectory – first crossing Earth's orbit in a flyby, then receding, only to approach Earth again – suggests that Melancholia actually experienced sufficient gravitational pull while passing Earth to knock the former out of its orbit. This would imply that Melancholia's mass is ''much'' smaller than the Earth's. However, in the opening montage we see that [[spoiler:Earth ''shatters'' at the impact while Melancholia doesn't experience any sort of noteworthy deformation, which in turn would suggest that Melancholia is either massive, has a very thick crust or an atmosphere that's sufficiently dense that the friction could crush the Earth. Either possibility implies that Melancholia's mass is ''huge''.]]

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