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* BehemothBattle: King Kong against three V-Rexes to protect Ann.
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* TheCavalry: Ann is cornered on a tree log and about to be eaten by a V-Rex...and then they hear a mighty roar and Kong comes swinging in from above to save her.
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** Ann is cornered on a tree log and about to be eaten by a V-Rex...and then they hear a mighty roar and Kong comes swinging in from above to save her.
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* BusFullOfInnocents: While going berserk having broken free of his chains at the theater, Kong bumps into a bus and he tries breaking it open to see if Ann's inside. Jack diverts Kong's attention just in time.

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* BusFullOfInnocents: While going berserk having broken free of his chains at the theater, Kong bumps into a bus streetcar and he tries breaking it open to see if Ann's inside. Jack diverts Kong's attention just in time.
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* SoupOfPoverty: To really sell the feeling of the Great Depression at the time this story takes place, long lines of poor people can be seen eating soup in the streets, and following an evening's Vaudeville act, Ann Darrow takes her [[IntergenerationalFriendship elderly friend]] Manny to dinner.
-->'''Manny:''' You think the kitchen'll still be open on Third?
-->'''Ann:''' Soup and biscuits. Perfect.

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* ArtisticLicensePaleontology: Although excusable in earlier works as [[ScienceMarchesOn science marching on]], the dinosaurs and most other prehistoric lifeforms all emulate RuleOfCool, primarily as an artifact of the original movie. It's explained in the documentary that the creatures on Skull Island are different from known dinosaurs because they have had 65 million years in which to evolve into their current forms. [[JustifiedTrope Evolution marches on]].

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* ArtisticLicensePaleontology: Although excusable in earlier works as [[ScienceMarchesOn science marching on]], the dinosaurs and most other prehistoric lifeforms all emulate RuleOfCool, primarily as an artifact of the original movie. It's explained in the documentary that the creatures on Skull Island are different from known dinosaurs because they have had 65 million years in which to evolve into their current forms. [[JustifiedTrope Evolution marches on]]. The designers also admitted that they were aware that the crocodilian features were inaccurate in their dinosaurs, but that this was done solely because it looked cooler.



* ShownTheirWork: King Kong himself was painstakingly designed to emulate real gorillas in term of behavior, facial expression and anatomy, beating his chest with cupped hands rather than punching his chest. The vastatosaurs also silently stalk Ann like actual predators, don't make a loud thud when they move, and only roar when they encounter Kong.

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* ShownTheirWork: ShownTheirWork:
**
King Kong himself was painstakingly designed to emulate real gorillas in term of behavior, facial expression and anatomy, beating his chest with cupped hands rather than punching his chest. Andy Serkis even studied ''wild'' mountain gorillas to accurately depict their behaviour.
**
The vastatosaurs Vastatosaurs also silently stalk Ann like actual predators, don't make a loud thud when they move, and only roar when they encounter Kong.
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* PrefersGoingBarefoot: Ann does not express the slightest hint of discomfort despite sprinting through rocky jungles in her bare feet. She even seems more comfortable without shoes.

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* PrefersGoingBarefoot: Ann does not express the slightest hint of discomfort despite sprinting through rocky jungles in her bare feet. She even seems more comfortable without her shoes.
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* PrefersGoingBarefoot: Ann does not express the slightest hint of discomfort despite sprinting through rocky jungles in her bare feet. She even seems more comfortable without shoes.
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** In the swamps and rivers, ''Piranhadon'' is the undisputed bruisers of the marine ecosystem.

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* AlwaysABiggerFish:
** The heroine hides from a huge carnivorous lizard in a hollow log, and it tears at the wood to try to get her. Suddenly it stops, and she seems safe... until ''half'' the same lizard is seen dangling from the jaws of a ginormous ''V. Rex'', which just bit it in two.
** At one point in the extended cut, the film crew is attacked by a swarm of giant aquatic centipedes while rafting across a lake, but the centipedes all quickly retreat when they sense the approach of a ''[[SeaMonster Piranhadon]]''.
** Kong himself is a near constant example of this trope in the first half of the movie, as he repeatedly kills a number of animals that are trying to eat Ann Darrow. He's probably the only animal on the island capable of killing a fully-grown ''V. rex''.

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* AlwaysABiggerFish:
AlwaysABiggerFish: This is Skull Island, so there are several examples:
** The heroine hides In the film:
***Ann Darrow hid
from a huge carnivorous lizard ''Foetodon'' a 2-ton neosuchian land crocodile in a hollow log, and log. As it tears at the wood to try to get her. Suddenly her it suddenly stops, and she seems safe... until ''half'' the same lizard land-croc is seen dangling from the jaws of a ginormous ''V. Rex'', which just bit it in two.
** *** At one point in the extended cut, the film crew is attacked by a swarm of giant aquatic centipedes ''Scorpio-pedes'' while rafting across a lake, but the centipedes all quickly retreat when they sense the approach of a ''[[SeaMonster Piranhadon]]''.
**
Piranhadon]]''. In the ''World of Kong'', ''Piranhadon'' itself needs to be wary of ''V. Rex'' when ambushing on shore, as the giant fish could become an easy prey to the much larger Tyrannasaurid.
***
Kong himself is a near constant example of this trope in the first half of the movie, as he repeatedly kills a number of animals that are trying to eat Ann Darrow. He's probably the only animal on the island capable of killing a fully-grown ''V. rex''.rex''.
** In the zoological book, ''The World of Kong'':
***GiantSpider ''Stickalithus'' hunt ostrich-sized birds called ''Hylaeornis''. But ''Stickalithus'' itself can fall prey to the equally humongous ''Lividuvespa'', the largest wasp in the world with a ''3 meter wingspan''. Think the tarantula hawk wasp on ''steroids''.
***Gorgonopsid ''Lycaesaurus'' are known to hunt baby ''Ferructus'' and prey on ''Brutornis'' eggs. But they themselves would be eaten by ''Brutornis'' if the hunt goes awry.
***The ''Great Grey Heron'' is known to intentionally stalk the waterways to hunt baby ''Foetodons''. But once the ''Foetodons'' grow up, the tables are turned.
***The small flying lizard, ''Dracomicros hospes'' is often hunted by the dimetrodon-descendent ''Malevolusaurus perditor''. ''Malevolusaurus'' itself is hunted by the gorgonopsid ''Gladiodon igneospinus''.


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* NeverSmileAtACrocodile: In the film, there is ''Foetodon'', a 2-ton neosuchian land-crocodile. In the zoological book, there are several crocodilomorphs including ''Bear-Croc'', ''Dirusuchus'', ''Hebeosaurus'' and ''Nefundusaurus''. It is downplayed with ''Hebeosaurus'' as it is a peaceful herbivorous aetosaur.


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* PredatorsAreMean: This is Skull Island, it is to be expected. To be more specific, there are several apex predators each corresponding to their biomes:
**In the coasts, ''Tartarusaurus'', ''Nefundusaurus'' and ''Aciedactylus'' compete with each other as top predator.
**In the grassy plains, the giant birds ''Brutornis'' and ''Zeropteryx'' knows no equal; viewing each other as rivals in the pecking order.
**In the jungles, ''Vastatosaurus rex'' is the king of Skull Island, whilst ''Carvers'', ''Venatosaurus'', ''Foetodon'' and ''Lividuvespa'' compete for second place.
**In the chasmous pit, ''Deplector'' reigns supreme as the lords of the abyss.
**In the jagged mountain tops, ''Gladiodon'' is the lone tyrant of Skull Island's tallest peaks.

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* FeatheredFiend: In the World of Kong book and a deleted scene, Skull Island's plains is dominated by South American Terror Birds. Brutornis for example, is ''3.5 meters tall''. In the grass plains, both Brutornis and Zeropteryx are apex predators in their biomes.

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* FeatheredFiend: In the World of Kong book and a deleted scene, Skull Island's plains is dominated by South American Terror Birds. Brutornis ''Brutornis'' for example, is ''3.5 meters tall''. In the grass plains, both Brutornis ''Brutornis'' and Zeropteryx ''Zeropteryx'' are apex predators in their biomes.

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* EverythingTryingtoKillYou: From giant terror birds, to an assortment of extremely large, hungry and angry dinosaurs, to small animals filled with infectious disease and poison, to extremely hostile native, and arthropods so big and viscous it gives the Carboniferous a run for its money. Skull Island is not for the brave of heart.

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* EverythingTryingtoKillYou: [[EverythingTryingtoKillYou Everything Trying to Kill You]]: From giant terror birds, to an assortment of extremely large, hungry and angry dinosaurs, to small animals filled with infectious disease and poison, to extremely hostile native, and arthropods so big and viscous it gives the Carboniferous a run for its money. Skull Island is not for the brave of heart.
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* EverythingTryingtoKillYou: From giant terror birds, to an assortment of extremely large, hungry and angry dinosaurs, to small animals filled with infectious disease and poison, to extremely hostile native, and arthropods so big and viscous it gives the Carboniferous a run for its money. Skull Island is not for the brave of heart.
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* {{Deathworld}}: Well, this ''is'' Skull Island we are talking about and you will most likely shit several layers of pants in the process. If we thought the animals shown in the film was nasty, the extended universe of The World of Kong book ''really'' hammers in the point by calling Skull Island a ''"menagerie of horrors"''. Chances of anyone surviving this island without proper military support is near zero.


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* FeatheredFiend: In the World of Kong book and a deleted scene, Skull Island's plains is dominated by South American Terror Birds. Brutornis for example, is ''3.5 meters tall''. In the grass plains, both Brutornis and Zeropteryx are apex predators in their biomes.


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* IsleOfGiantHorrors: A more realistic take on the trope. But Skull Island is dominated by giant megafaunas of various types and viciousness.
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trope is renamed Prefers Going Barefoot. Dewicking old name


* PajamaCladHero: Throughout her time on Skull Island, Ann Darrow walks around in her pajamas and [[DoesNotLikeShoes bare feet]], but it's {{justified}} with [[DamselInDistress her getting kidnapped by Skull Island's human inhabitants in her sleep]].

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* PajamaCladHero: Throughout her time on Skull Island, Ann Darrow walks around in her pajamas and [[DoesNotLikeShoes bare feet]], feet, but it's {{justified}} with [[DamselInDistress her getting kidnapped by Skull Island's human inhabitants in her sleep]].

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* AdaptationalContextChange: The scene of first contact with the natives is considerably different, as the crew witnessing the initial sacrifice ceremony is completely omitted, and instead of the natives just yelling at them to leave, they violently attack them, killing two people (though in fairness, Denham didn't give a good first impression). It's also indicated that the natives chose Ann as a sacrifice specifically after she screamed, and Kong roared in response, whereas in the original, they just choose her arbitrarily because of her appearance.
* AdaptationalHeroism:



* AdaptationalContextChange: The scene of first contact with the natives is considerably different, as the crew witnessing the initial sacrifice ceremony is completely omitted, and instead of the natives just yelling at them to leave, they violently attack them, killing two people (though in fairness, Denham didn't give a good first impression). It's also indicated that the natives chose Ann as a sacrifice specifically after she screamed, and Kong roared in response, whereas in the original, they just choose her arbitrarily because of her appearance.

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* AdaptationalContextChange: The scene of first contact with the natives is considerably different, as the crew witnessing the initial sacrifice ceremony is completely omitted, and instead of the natives just yelling at them to leave, they violently attack them, killing two people (though in fairness, Denham didn't give a good first impression). It's also indicated that the natives chose Ann as a sacrifice specifically after she screamed, and Kong roared in response, whereas in the original, they just choose her arbitrarily because of her appearance.


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* AdaptationalContextChange: The scene of first contact with the natives is considerably different, as the crew witnessing the initial sacrifice ceremony is completely omitted, and instead of the natives just yelling at them to leave, they violently attack them, killing two people (though in fairness, Denham didn't give a good first impression). It's also indicated that the natives chose Ann as a sacrifice specifically after she screamed, and Kong roared in response, whereas in the original, they just choose her arbitrarily because of her appearance.
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* AdaptationalHeroism:

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* AdaptationalHeroism:AdaptationalContextChange: The scene of first contact with the natives is considerably different, as the crew witnessing the initial sacrifice ceremony is completely omitted, and instead of the natives just yelling at them to leave, they violently attack them, killing two people (though in fairness, Denham didn't give a good first impression). It's also indicated that the natives chose Ann as a sacrifice specifically after she screamed, and Kong roared in response, whereas in the original, they just choose her arbitrarily because of her appearance.
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* AweInspiringDinosaurShot: Carl and his crew are stunned at the sight of a ''Brontosaurus'' herd. Jack attempts to exploit the trope as he believes getting footage of the dinosaurs would prove the validity of their time filming in Skull Island. However, a tense and foreboding track plays in the background, indicating that something bad is about to go down, which eventually does in the form of a pack of ''Venatosaurus''.

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* AnachronismStew: In opening scene, primates from Central Park zoo are shown in natural looking, densely planted environment. Such exhibits became possible only in modern zoos (and likely animals were filmed in the wild, except obviously captive orangutan playing with sack, and chimpanzee)

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* AnachronismStew: In opening scene, primates from Central Park zoo are shown in natural looking, densely planted environment. Such exhibits became possible only in modern zoos (and likely animals were filmed in the wild, except obviously captive orangutan playing with sack, and chimpanzee)chimpanzee).
** A strange variation can be seen (or heard) in the use of the song ''Bye, Bye, Blackbird''. It was written and composed in 1926, prior to the events of the movie. However, the version used is the cover by Peggy Lee from the 1950s.
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* MonsterDelay: {{Exaggerated}} and {{justified}}, as [[SlowPacedBeginning it takes an extended period of time for the film to get to the part where the main human cast travels to]] [[LostWorld Skull Island]], and as such, once the [[ProtagonistTitle titular ape]] finally appears on-screen for the first time, ''more than an hour'' has already gone by since the film's beginning.
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* PajamaCladHero: Throughout her time on Skull Island, Ann Darrow walks around in her pajamas and [[DoesNotLikeShoes bare feet]], but it's {{justified}} with [[DamselInDistress her getting kidnapped by Skull Island's human inhabitants in her sleep]].
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should be in YMMV


* IdiotBall: If the creatures of the island just left him and Ann alone, Kong would do the same to them. The only reason that Kong ''murders them'' is because ''they'' picked the fight. They pushed all the buttons...
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should be in YMMV


* {{Flanderization}}: The film goes out of its way to remove every positive character trait Carl Denham had in 1933, and replace them with something negative.
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* BittersweetEnding: Just like the [[Film/KingKong1933 original]], New York is saved from Kong's rampage, but he's just as much a victim, having been kidnapped from his home against his will. Plus, Ann has to bear the guilt that she's partially responsible for this. This version makes it even more tragic, as it emphasizes that Kong is a lonely, frightened animal more than a monster, and Ann is truly distraught by his death. It's hinted that Ann and Jack will at least be get a shot at happiness together, though.

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* BittersweetEnding: Just like the [[Film/KingKong1933 original]], New York is saved from Kong's rampage, but he's just as much a victim, having been kidnapped from his home against his will. Plus, Ann has to bear the guilt that she's partially responsible for this. This version makes it even more tragic, as it emphasizes that Kong is a lonely, frightened animal more than a monster, and Ann is truly distraught by his death. It's hinted that Ann and Jack will at least be get given a shot at happiness together, though.



* {{Expy}}: Jack Black himself has noted similarities between Carl Denham and Creator/OrsonWelles. (Welles actually worked on a documentary about South America called ''It's All True'', which was cancelled when he was fired by RKO.)

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* {{Expy}}: Jack Black Creator/JackBlack himself has noted similarities between Carl Denham and Creator/OrsonWelles. (Welles actually worked on a documentary about South America called ''It's All True'', which was cancelled when he was fired by RKO.)



** It's difficult to see during the fight with the final ''Vastatosaurus rex'', but Kong actually '''bites the vastatosaur's tongue off''', then spits it out and resumes fighting. The film covers it up by cutting from a close-up view to a mid-range shot from an obscured angle so fast it's somewhat difficult to spot. Look closely in [[https://www.youtube.com/watch?v=b-f5iMDXvcA this clip]], though, about 48 seconds in.

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** It's difficult to see during the fight with the final ''Vastatosaurus rex'', but Kong actually '''bites '''[[TongueTrauma bites the vastatosaur's tongue off''', off]]''', then spits it out and resumes fighting. The film covers it up by cutting from a close-up view to a mid-range shot from an obscured angle so fast it's somewhat difficult to spot. Look closely in [[https://www.youtube.com/watch?v=b-f5iMDXvcA this clip]], though, about 48 seconds in.



** The film executives at the beginning (excepting Zelman) are portrayed as boorish with no sense of art, but their frustration with Carl asking for more money to film on location while having nothing but animal footage to show for his film is understandable. Likewise their move to scrap the picture and use the filmed material for stock footage is reasonable from a business perceptive, even if it's personally devastating to Denham.

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** The film executives at the beginning (excepting Zelman) are portrayed as boorish with no sense of art, but their frustration with Carl asking for more money to film on location while having nothing but animal footage to show for his film is understandable. Likewise Likewise, their move to scrap the picture and use the filmed material for stock footage {{stock footage}} is reasonable from a business perceptive, even if it's personally devastating to Denham.
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* ObjectShapedLandmass: This remake portrays Skull Island in the shape of a skeletal hand, due to the island's gradual sinking into the ocean, meaning the current remnants are mostly a series of mountain ranges of a once larger landmass jutting out of the sea.
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* MammalMonstersAreMoreHeroic: This film features one of the most sympathetic incarnations of Kong, unlike the more monstrous dinosaurs, reptiles, and arthropods. The only other mammalian creatures (the Terapusmordax) are a severely downplayed case -- whilst they're hideously ugly and semi-antagonistic (and one glares menacingly at Jack), they only really attack when they're provoked.
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* HollywoodNatives: Played with and deconstructed. The ruins that their ancestors built suggest that the natives weren't always as seemingly feral as they are by 1933, but that living in constant danger from predators and being forced inland by the shrinking size of Skull Island has made them increasingly vicious and desperate to survive.
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* AttackOfTheMonsterAppendage: During the recreation of the Spider Pit scene, an unfortunate crewman gets snatched by a gigantic crustacean claw coming out a hole, presumably devoured by the claw's owner offscreen. The [[AllThereInTheManual tie-in artbook]] reveals said claw to be attached to a GiantCrab monster called a Deplector.


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* ExposedToTheElements: Ann in the climax. ''The whole thing''. The final scene is set in New York during winter, where it's so cold that the waters in Central Park Lake is frozen enough to support Kong's weight, and somehow Ann can run around in a thin, sleeveless dress. It gets really egregious when Kong climbs up the Empire State Building holding Ann; her poor fingers should've frozen completely and broke off the moment she tries climbing the metal railings, let alone dangling on the broken steel ladder for a few minutes. At any rate, by the time Jack reaches the Empire State Building's tip (he's at least wearing a thick jacket and thus excused from this trope) Ann should've been a beautiful blond ice sculpture.
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* TongueTrauma: While battling the last surviving ''Vastatosaurus rex'', just before ripping his jaws open, Kong bites into and pulls out part of the dinosaur's tongue.

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