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* ImagineSpot: Emma's rather overwrought picture of the scene when Miss Bates explains how Mr. Dixon saved Jane from falling off a cliff. She does the same thing later after Frank rescues Harriet.
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* ForeheadTouching: Emma and Knightly, after all the mutual misunderstandings are cleared up and she accepts his proposal.


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* NotSoDifferent: The series draws a line between Miss Bates being her mother's caregiver to Emma and her father after they visit Hartfield--Emma is clearly a little disturbed at the parallel when she sees it.
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* AuthorAppeal: Screenwriter Sandy Welch follows a similar pattern to her previous literary adaptations in many ways. She keeps the four-episode structure from ''OurMutualFriend'', ''Literature/NorthAndSouth'', and ''Film/JaneEyre''. Additionally, like ''Film/JaneEyre'', she approaches Emma's story through her childhood.

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* AuthorAppeal: Screenwriter Sandy Welch follows a similar pattern to her previous literary adaptations in many ways. She keeps the four-episode structure from ''OurMutualFriend'', ''Literature/OurMutualFriend'', ''Literature/NorthAndSouth'', and ''Film/JaneEyre''. Additionally, like ''Film/JaneEyre'', she approaches Emma's story through her childhood.

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* DawsonCasting: Humorously, not for Emma herself (though Godwin does appear more mature than her 22 years), but John Carson was 45, eight years older than Mr. Knightley's 37 (and it shows).

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* DawsonCasting: Humorously, not for Emma herself (though Godwin does appear more mature than her 22 years), but John Carson was 45, eight years older than Mr. Knightley's 37 (and it shows).



* FakeBrit: Paltrow, though her accent is generally fairly solid, has some fairly glaring moments of accent slippage.



* DawsonCasting: Romola Garai was 26, five years older than Emma's 21 (and a decade older than Emma at 16, in the prologue of the film).
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* UmbrellaOfTogetherness: Mr Weston shares his umbrella with Miss Taylor (future Mrs Weston) when it starts raining after the Sunday mass. In the novel, he met Emma and Miss Taylor when they were walking and he gallantly borrowed two umbrellas for them from Farmer Mitchell's because it was drizzling.

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* UmbrellaOfTogetherness: Mr Weston shares his umbrella with Miss Taylor (future Mrs Weston) when it starts raining after the Sunday mass.service. In the novel, he met Emma and Miss Taylor when they were walking and he gallantly borrowed two umbrellas for them from Farmer Mitchell's because it was drizzling.
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What The Hell Hero moment in the 1996 telefilm when Emma is nasty to Miss Bates and is rebuked for it by Mr. Knightley



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* WhatTheHellHero: Emma's insult to Miss Bates, which shocks the entire outing party to speechlessness. Mr. Knightley rebukes her for this, saying severely, "That was badly done, Emma. ''Badly'' done!", reducing her to tears.
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* GilliganCut: Several. Most notably the following:
-->'''Emma:''' (discussing the Box Hill party) "It shall be an intimate gathering and we shall only invite people we like!"
-->''Cut to:''
-->'''[[{{Jerkass}} Mrs. Elton:]]''' "Box Hill! What marvelous idea!"
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The BBC returned to ''Emma'' after nearly four decades, scripted by Sandy Welch (though they had planned a follow-up to ''Pride And Prejudice'' in 1996, cancelled when the other two versions were announced - a project which was also supposed to be scripted by Sandy Welch). Starred Romola Garai as Emma, Jonny Lee Miller as Mr. Knightley, and Michael Gambon as Mr. Woodhouse.

to:

The BBC returned to ''Emma'' after nearly four decades, scripted by Sandy Welch (though they had planned a follow-up to ''Pride And Prejudice'' in 1996, cancelled when the other two versions were announced - a project which was also supposed to be scripted by Sandy Welch). Starred Romola Garai as Emma, Jonny Lee Miller Creator/JonnyLeeMiller as Mr. Knightley, and Michael Gambon Creator/MichaelGambon as Mr. Woodhouse.

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* IncrediblyLamePun:
-->Emma: ''Oh dear!''
-->Mr. Knightley: ''What's that?''
-->Emma: ''Oh, ah, something about the ah, deer...we need...for the venison stew.''



* [[spoiler:RelationshipCompression]]: Because of the expansion of the Harriet sections, the [[spoiler:Frank/Jane relationship is almost relegated to an afterthought - most of it happens completely offscreen, and some of Jane's actions are even given to other characters such as Miss Bates]].
* [[YoungerAndHipper Younger and Hipper]]: Jeremy Northam was only a few years younger than Mr. Knightley, but partly due to Gwyneth Paltrow's height, he was often perceived as "exactly the same age as Emma" (to quote Anthony Lane of The New Yorker).

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* [[spoiler:RelationshipCompression]]: {{Pun}}:
-->'''Emma:''' Oh dear!
-->'''Mr. Knightley:''' What's that?
-->'''Emma:''' Oh, ah, something about the ah, deer... we need... for the venison stew.
* RelationshipCompression:
Because of the expansion of the Harriet sections, the [[spoiler:Frank/Jane relationship is almost relegated to an afterthought - most of it happens completely offscreen, and some of Jane's actions are even given to other characters such as Miss Bates]].
* [[YoungerAndHipper Younger and Hipper]]: YoungerAndHipper: Jeremy Northam was only a few years younger than Mr. Knightley, but partly due to Gwyneth Paltrow's height, he was often perceived as "exactly the same age as Emma" (to quote Anthony Lane of The New Yorker).



* AdaptationDistillation: Though ''[=Emma=]'' is the second longest Austen novel and this telefilm is only an hour and 47 minutes long, Andrew Davies does a great job at keeping nearly all the relevant dialogue, scenes, and events. The resultant film is very faithful in event and general tone, but much, much faster paced. A few integrations of filmic techniques are seen in the use of Emma's imaginations being visualized, and the ending shades into PragmaticAdaptation with the combination of events into a Harvest Festival.

to:

* AdaptationDistillation: Though ''[=Emma=]'' ''Emma'' is the second longest Austen novel and this telefilm is only an hour and 47 minutes long, Andrew Davies does a great job at keeping nearly all the relevant dialogue, scenes, and events. The resultant film is very faithful in event and general tone, but much, much faster paced. A few integrations of filmic techniques are seen in the use of Emma's imaginations being visualized, and the ending shades into PragmaticAdaptation with the combination of events into a Harvest Festival.



The BBC returned to ''[=Emma=]'' after nearly four decades, scripted by Sandy Welch (though they had planned a follow-up to ''Pride And Prejudice'' in 1996, cancelled when the other two versions were announced - a project which was also supposed to be scripted by Sandy Welch). Starred Romola Garai as Emma, Jonny Lee Miller as Mr. Knightley, and Michael Gambon as Mr. Woodhouse.

to:

The BBC returned to ''[=Emma=]'' ''Emma'' after nearly four decades, scripted by Sandy Welch (though they had planned a follow-up to ''Pride And Prejudice'' in 1996, cancelled when the other two versions were announced - a project which was also supposed to be scripted by Sandy Welch). Starred Romola Garai as Emma, Jonny Lee Miller as Mr. Knightley, and Michael Gambon as Mr. Woodhouse.

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* [[YoungerAndHipper Younger and Hipper]]: Partly due to Emma's being cast at a more mature age, but Jonny Lee Miller was 34 at the time he played Mr. Knightley, and is young-looking.

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* [[YoungerAndHipper Younger UmbrellaOfTogetherness: Mr Weston shares his umbrella with Miss Taylor (future Mrs Weston) when it starts raining after the Sunday mass. In the novel, he met Emma and Hipper]]: Miss Taylor when they were walking and he gallantly borrowed two umbrellas for them from Farmer Mitchell's because it was drizzling.
* YoungerAndHipper:
Partly due to Emma's being cast at a more mature age, but Jonny Lee Miller was 34 at the time he played Mr. Knightley, and is young-looking.
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The BBC adapted ''[=Emma=]'' as part of their general habit of doing JaneAusten novels every ten to twenty years. Starred Doran Godwin as Emma and John Carson as Mr. Knightley.

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The BBC adapted ''[=Emma=]'' as part of their general habit of doing JaneAusten Creator/JaneAusten novels every ten to twenty years. Starred Doran Godwin as Emma and John Carson as Mr. Knightley.



* AdaptationDyeJob: In the novel, Emma, in a rare physical description by JaneAusten, has "the true hazel eye." Gwyneth Paltrow, on the other hand, has definitely blue eyes, which were highlighted in promotional materials (such as the CD score cover).

to:

* AdaptationDyeJob: In the novel, Emma, in a rare physical description by JaneAusten, Creator/JaneAusten, has "the true hazel eye." Gwyneth Paltrow, on the other hand, has definitely blue eyes, which were highlighted in promotional materials (such as the CD score cover).
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Despite not having ''{{Pride and Prejudice}}'' level popularity, ''{{Emma}}'' has inspired not one or two, but [[AdaptationOverdosed four straight adaptations]] currently available, and quite a few slant ones. These adaptations tend to provoke rather violent flamewars, though it seems to have calmed down a bit since the 2009 miniseries was made.

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Despite not having ''{{Pride ''Literature/{{Pride and Prejudice}}'' level popularity, ''{{Emma}}'' ''Literature/{{Emma}}'' has inspired not one or two, but [[AdaptationOverdosed four straight adaptations]] currently available, and quite a few slant ones. These adaptations tend to provoke rather violent flamewars, though it seems to have calmed down a bit since the 2009 miniseries was made.



!!The various versions of ''{{Emma}}'' are:

to:

!!The various versions of ''{{Emma}}'' ''[=Emma=]'' are:



The BBC adapted ''{{Emma}}'' as part of their general habit of doing JaneAusten novels every ten to twenty years. Starred Doran Godwin as Emma and John Carson as Mr. Knightley.

to:

The BBC adapted ''{{Emma}}'' ''[=Emma=]'' as part of their general habit of doing JaneAusten novels every ten to twenty years. Starred Doran Godwin as Emma and John Carson as Mr. Knightley.



ITV's telefilm starring Kate Beckinsale as Emma, MarkStrong as Mr. Knightley, and Olivia Williams as Jane Fairfax. The brainchild of the landmark 1995 BBC ''{{Pride and Prejudice}}'' team of writer Creator/AndrewDavies and producer Sue Birtwistle.

to:

ITV's telefilm starring Kate Beckinsale as Emma, MarkStrong as Mr. Knightley, and Olivia Williams as Jane Fairfax. The brainchild of the landmark 1995 BBC ''{{Pride ''Pride and Prejudice}}'' Prejudice'' team of writer Creator/AndrewDavies and producer Sue Birtwistle.



* AdaptationDistillation: Though ''{{Emma}}'' is the second longest Austen novel and this telefilm is only an hour and 47 minutes long, Andrew Davies does a great job at keeping nearly all the relevant dialogue, scenes, and events. The resultant film is very faithful in event and general tone, but much, much faster paced. A few integrations of filmic techniques are seen in the use of Emma's imaginations being visualized, and the ending shades into PragmaticAdaptation with the combination of events into a Harvest Festival.
* AuthorAppeal: Screenwriter Creator/AndrewDavies tends to alter or adapt one older male character in his screeplays to a recognizable type of friendly, sociable, homebody fellow - in ''{{Emma}}'', it's Mr. Weston, who in the novel is something of a clueless social butterfly, but here pipes in with a few words on the joys of marriage and home life.

to:

* AdaptationDistillation: Though ''{{Emma}}'' ''[=Emma=]'' is the second longest Austen novel and this telefilm is only an hour and 47 minutes long, Andrew Davies does a great job at keeping nearly all the relevant dialogue, scenes, and events. The resultant film is very faithful in event and general tone, but much, much faster paced. A few integrations of filmic techniques are seen in the use of Emma's imaginations being visualized, and the ending shades into PragmaticAdaptation with the combination of events into a Harvest Festival.
* AuthorAppeal: Screenwriter Creator/AndrewDavies tends to alter or adapt one older male character in his screeplays to a recognizable type of friendly, sociable, homebody fellow - in ''{{Emma}}'', ''[=Emma=]'', it's Mr. Weston, who in the novel is something of a clueless social butterfly, but here pipes in with a few words on the joys of marriage and home life.



The BBC returned to ''{{Emma}}'' after nearly four decades, scripted by Sandy Welch (though they had planned a follow-up to ''{{Pride and Prejudice}}'' in 1996, cancelled when the other two versions were announced - a project which was also supposed to be scripted by Sandy Welch). Starred Romola Garai as Emma, Jonny Lee Miller as Mr. Knightley, and Michael Gambon as Mr. Woodhouse.

to:

The BBC returned to ''{{Emma}}'' ''[=Emma=]'' after nearly four decades, scripted by Sandy Welch (though they had planned a follow-up to ''{{Pride and Prejudice}}'' ''Pride And Prejudice'' in 1996, cancelled when the other two versions were announced - a project which was also supposed to be scripted by Sandy Welch). Starred Romola Garai as Emma, Jonny Lee Miller as Mr. Knightley, and Michael Gambon as Mr. Woodhouse.
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* HeyItsThatGuy: Mr. Woodhouse is Albus Dumbledore!

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The various versions of ''{{Emma}}'' are:

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\nThe !!The various versions of ''{{Emma}}'' are:



* BridalCarry:
** Mr Elton carries his new bride from their carriage through the threshold.
** When Frank Churchill rescues Harriet from the gypsies, she's too weak and he has to carry her in his arms. The novel text says she was leaning on him.



* ParasolOfPrettiness: Quite a lot of ladies have their parasols while walking.



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* AuthorAppeal: Screenwriter Sandy Welch follows a similar pattern to her previous literary adaptations in many ways. She keeps the four-episode structure from ''OurMutualFriend'', ''NorthAndSouth'', and ''Film/JaneEyre''. Additionally, like ''Film/JaneEyre'', she approaches Emma's story through her childhood.

to:

* AuthorAppeal: Screenwriter Sandy Welch follows a similar pattern to her previous literary adaptations in many ways. She keeps the four-episode structure from ''OurMutualFriend'', ''NorthAndSouth'', ''Literature/NorthAndSouth'', and ''Film/JaneEyre''. Additionally, like ''Film/JaneEyre'', she approaches Emma's story through her childhood.
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* AdaptationalVillainy: As a result of the above, Churchill's treatment of Jane is shown as more callous than it was in the book, and it's implied that he's going to keep on flirting after he's married in the complete confidence that his wife will ''always'' forgive him, making poor Jane's life miserable.
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* FakeBrit: Paltrow, though her accent is generally fairly solid, has some fairly glaring moments of accent slippage.
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* HoldingHands: Quite a bit of this after the proposal in episode four. Emma [[spoiler:and Mr. Knightley]] hold hands while sitting on a bench discussing their paths to each other. Later, they share IntertwinedFingers when breaking the news to her father.

to:

* HoldingHands: Quite a bit of this after the proposal in episode four. Emma [[spoiler:and Mr. Knightley]] hold hands while sitting on a bench discussing their paths to each other. Later, they share IntertwinedFingers behind Emma's back when breaking the news to her father.
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* EmpathicEnvironment: As in the novel, Emma's [[spoiler:LostLoveMontage]] occurs during a very appropriate rainstorm, which leads to a powerful scene of Emma looking out a window, the light falling through the windows showing how the rain paralells Emma's tears.


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* LostLoveMontage: When Emma [[spoiler:realizes she's been in love with Mr. Knightley for a long time, she experiences this]] during an [[EmpathicEnvironment appropriate rainstorm]].


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* HoldingHands: Quite a bit of this after the proposal in episode four. Emma [[spoiler:and Mr. Knightley]] hold hands while sitting on a bench discussing their paths to each other. Later, they share IntertwinedFingers when breaking the news to her father.
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ITV's telefilm starring Kate Beckinsale as Emma, MarkStrong as Mr. Knightley, and Olivia Williams as Jane Fairfax. The brainchild of the landmark 1995 BBC ''{{Pride and Prejudice}}'' team of writer AndrewDavies and producer Sue Birtwistle.

to:

ITV's telefilm starring Kate Beckinsale as Emma, MarkStrong as Mr. Knightley, and Olivia Williams as Jane Fairfax. The brainchild of the landmark 1995 BBC ''{{Pride and Prejudice}}'' team of writer AndrewDavies Creator/AndrewDavies and producer Sue Birtwistle.



* AdaptationalAngstUpgrade: Though not directly spelled out in the telefilm, AndrewDavies gave a version of this to Frank Churchill. Instead of the somewhat careless charmer of the novel, Davies believes that Frank is a sociopath who hates women as a result of his mother's death (viewed as abandonment) and his aunt's controlling personality.

to:

* AdaptationalAngstUpgrade: Though not directly spelled out in the telefilm, AndrewDavies Creator/AndrewDavies gave a version of this to Frank Churchill. Instead of the somewhat careless charmer of the novel, Davies believes that Frank is a sociopath who hates women as a result of his mother's death (viewed as abandonment) and his aunt's controlling personality.



* AuthorAppeal: Screenwriter AndrewDavies tends to alter or adapt one older male character in his screeplays to a recognizable type of friendly, sociable, homebody fellow - in ''{{Emma}}'', it's Mr. Weston, who in the novel is something of a clueless social butterfly, but here pipes in with a few words on the joys of marriage and home life.

to:

* AuthorAppeal: Screenwriter AndrewDavies Creator/AndrewDavies tends to alter or adapt one older male character in his screeplays to a recognizable type of friendly, sociable, homebody fellow - in ''{{Emma}}'', it's Mr. Weston, who in the novel is something of a clueless social butterfly, but here pipes in with a few words on the joys of marriage and home life.
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* DuelingMovies: Was being filmed at the same time that the McGrath/Paltrow/Northam film was in theaters. Came out in the same year in the UK. Also something of a meta-situation, since six Jane Austen films came out from 1995-1996.

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* DuelingMovies: Was being filmed at the same time that the McGrath/Paltrow/Northam [=McGrath=]/Paltrow/Northam film was in theaters. Came out in the same year in the UK. Also something of a meta-situation, since six Jane Austen films came out from 1995-1996.
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None

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* DuelingMovies: Was being filmed at the same time that the McGrath/Paltrow/Northam film was in theaters. Came out in the same year in the UK. Also something of a meta-situation, since six Jane Austen films came out from 1995-1996.

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* GaussianGirl: Emma frequently appears as such, especially when writing in her diary, thinking about [[spoiler:Mr. Knightley]].



* GenkiGirl: Though not as pronounced as Romola Garai's 2009 Emma, Kate Beckinsale's Emma is described in the screenplay as possessing bouncing arrogance and energy. Additionally, when she thinks her scheme between Harriet and Mr. Elton is succeeding, she gives a very cheerful bounce as she walks towards her house.

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* DreamSequence: Emma's daydreams and matchmaking scenarios often appear via this device - usually with hilariously over-the-top dream music, flower petals, slow motion, and first person point of view.
* GenkiGirl: Though not as pronounced as Romola Garai's 2009 Emma, Kate Beckinsale's Emma is described in the screenplay as possessing bouncing arrogance and energy. Additionally, when she thinks her scheme between Harriet and Mr. Elton is succeeding, she gives a very cheerful bounce as she walks towards her house.4
* NightmareSequence: In a counterpart to her dreams, Emma's worst fears also play out in her dreams when [[spoiler:Mr. Knightley marries first Jane Fairfax, then Harriet Smith, demonstrating Emma's growing awareness of her own feelings]].

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Tropes tropes tropes, we love to trope!


* AdaptationDyeJob: In the novel, Emma, in a rare physical description by JaneAusten, has "the true hazel eye." Gwyneth Paltrow, on the other hand, has definitely blue eyes, which were highlighted in promotional materials (such as the CD score cover).



* AdaptationalAngstUpgrade: Though not directly spelled out in the telefilm, AndrewDavies gave a version of this to Frank Churchill. Instead of the somewhat careless charmer of the novel, Davies believes that Frank is a sociopath who hates women as a result of his mother's death (viewed as abandonment) and his aunt's controlling personality.




to:

* SmugSnake: Frank Churchill. Per the changes noted above, his character has some significant lines in this vein.

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* IncrediblyLamePun:
-->Emma: ''Oh dear!''
-->Mr. Knightley: ''What's that?''
-->Emma: ''Oh, ah, something about the ah, deer...we need...for the venison stew.''



* OverprotectiveDad: Michael Gambon plays an extremely gentle version of this character. While Mr Woodhouse is something of this trope in the novel and all adaptations, Gambon's Mr Woodhouse explicitly speaks of his special concern for his daughters as a result of losing his wife when they were very young.

to:

* OverprotectiveDad: Michael Gambon plays an extremely gentle version of this character. While Mr Mr. Woodhouse is something of this trope in the novel and all adaptations, Gambon's Mr Mr. Woodhouse explicitly speaks of his special concern for his daughters as a result of losing his wife when they were very young.
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More tropes! Slowly, I add them up.

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* AuthorAppeal: Screenwriter AndrewDavies tends to alter or adapt one older male character in his screeplays to a recognizable type of friendly, sociable, homebody fellow - in ''{{Emma}}'', it's Mr. Weston, who in the novel is something of a clueless social butterfly, but here pipes in with a few words on the joys of marriage and home life.


Added DiffLines:

* AuthorAppeal: Screenwriter Sandy Welch follows a similar pattern to her previous literary adaptations in many ways. She keeps the four-episode structure from ''OurMutualFriend'', ''NorthAndSouth'', and ''Film/JaneEyre''. Additionally, like ''Film/JaneEyre'', she approaches Emma's story through her childhood.


Added DiffLines:

* OverprotectiveDad: Michael Gambon plays an extremely gentle version of this character. While Mr Woodhouse is something of this trope in the novel and all adaptations, Gambon's Mr Woodhouse explicitly speaks of his special concern for his daughters as a result of losing his wife when they were very young.
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Written and directed by Douglas McGrath for Miramax films, the film starred Gwyneth Paltrow as Emma and Jeremy Northam as Mr. Knightley.

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Written and directed by Douglas McGrath [=McGrath=] for Miramax films, the film starred Gwyneth Paltrow as Emma and Jeremy Northam as Mr. Knightley.
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ymmv can not have examples, only their subitems can


->"''One half of the world [[{{YMMV}} cannot understand]] the pleasures of the other.''"

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->"''One half of the world [[{{YMMV}} world cannot understand]] understand the pleasures of the other.''"
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!'''These tropes find their match in the films:'''

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!'''These tropes find their match in the films:'''
this film:'''



!'''These tropes find their match in the films:'''

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!'''These tropes find their match in the films:'''
this film:'''



!'''These tropes find their match in the films:'''

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!'''These tropes find their match in the films:'''
this film:'''



!'''These tropes find their match in the films:'''

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!'''These tropes find their match in the films:'''
this film:'''

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