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--> ''Arizona, noon, on the seventh of June,''
--> ''When they highballed over the pass,''
--> ''Bulldog Mack with a can on back,''
--> ''And a Jaguar haulin’ ass...''
--> ''When they highballed over the pass,''
--> ''Bulldog Mack with a can on back,''
--> ''And a Jaguar haulin’ ass...''
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Changed line(s) 7,8 (click to see context) from:
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Film/CrossOfIron'', ''Film/TheKillerElite'', ''Film/BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''Film/SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor Creator/JamesCoburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
to:
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Film/CrossOfIron'', ''Film/TheKillerElite'', ''Film/BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' ''Film/PatGarrettAndBillyTheKid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''Film/SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor Creator/JamesCoburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
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Changed line(s) 7,8 (click to see context) from:
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Film/CrossOfIron'', ''Film/TheKillerElite'', ''Film/BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor Creator/JamesCoburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
to:
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Film/CrossOfIron'', ''Film/TheKillerElite'', ''Film/BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''SmokeyAndTheBandit'', ''Film/SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor Creator/JamesCoburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
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* EvenEvilHasStandards: "Dirty Lyle" Wallace is visibly distressed when he finds Spider Mike bloodied after a beating by the Alvarez police, and solemnly promises to bring back word about Mike's soon-to-be-born son. It's implied that Spider Mike's beating is because he's black, suggesting Lyle, corrupt and vindictive as he is, abhors the racism of the south.
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* DeadpanSnarker: Rubber Duck and Lyle Wallace. But all the truckers have their moments.
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* DeadpanSnarker: Rubber Duck and Lyle Wallace. But [[WorldOfSnark all the truckers truckers]] have their moments.
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* DinerBrawl
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* DinerBrawlDinerBrawl: What starts the whole mess.
* HereWeGoAgain: [[spoiler:The very last scene of a film is a second convoy being formed, heading for Washington, D.C... and with the truck that holds Rubber Duck's (obviously empty) coffin as the leader.]]
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* RunForTheBorder
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* RunForTheBorderRunForTheBorder: What the truckers are trying to do, after ticking off Lyle at the beginning. The convoy is collateral effect.
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* TheSeventies
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* TheSeventiesTheSeventies: With full details like police enforcement (by any means necessary) of the 55 MPH speed limit, mullets, afros, CB radio being king...
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* GondorCallsforAid: When Spider Mike is thrown into prison by the Sheriff of Alvarez, Texas, a sympathetic janitor at the jail send a call for help by CB radio. The message is relayed from trucker to trucker until it arrives to Rubber Duck.
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* GondorCallsforAid: GondorCallsForAid: When Spider Mike is thrown into prison by the Sheriff of Alvarez, Texas, a sympathetic janitor at the jail send a call for help by CB radio. The message is relayed from trucker to trucker until it arrives to Rubber Duck.
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* TheFilmOfTheSong: ''Convoy'' is based on the eponymous C.W. [=McCall=] song. [=McCall=] actually re-recorded the song with new lyrics for the movie, making it a Song of the Film of the Song.
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* TheFilmOfTheSong: ''Convoy'' is based on the eponymous C.W. [=McCall=] song. [=McCall=] actually re-recorded the song with new DarkerAndEdgier lyrics for the movie, making it a Song of the Film of the Song.
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* PoliceBrutality: Wallace asks a Sheriff of a little Texas town to arrest Spider Mike, an afroamerican trucker who has left the convoy, to use him as a bait to catch Rubber Duck. The Sheriff brutally beats the poor chap down.
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* PoliceBrutality: Wallace asks a Sheriff of a little Texas town to arrest Spider Mike, an afroamerican Afro-American trucker who has left the convoy, to use him as a bait to catch Rubber Duck. The Sheriff brutally beats the poor chap down.
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[[quoteright:329:http://static.tvtropes.org/pmwiki/pub/images/2879656839_9bc32b1d7d_493.jpg]]
''Film/VanishingPoint''... [[RecycledInSpace with trucks!]]
''Film/VanishingPoint''... [[RecycledInSpace with trucks!]]
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It's ''Film/VanishingPoint''... [[RecycledInSpace with trucks!]]
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* DueltotheDeath: [[spoiler:With a truck and a platoon of the Texas National Guard.]]
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* DueltotheDeath: DuelToTheDeath: [[spoiler:With a truck and a platoon of the Texas National Guard.]]
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* ScrewThisImOuttaHere!: When the trucks converge on his police station to free Spider Mike, the Sheriff of Alvarez [[DirtyCoward jumps on his patrol car and tries to flee]]. But he is outdriven by the truckers and crashes into an house.
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* ScrewThisImOuttaHere!: ScrewThisImOuttaHere: When the trucks converge on his police station to free Spider Mike, the Sheriff of Alvarez [[DirtyCoward jumps on his patrol car and tries to flee]]. But he is outdriven by the truckers and crashes into an house.
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* AllThereInTheScript: Although not clear in the film, Violet the truck stop waitress is actually "Dirty" Lyle Wallace's wife. According to the commentators on the 2016 Special Edition DVD/Blu Ray, it was more implicit in the script and added to the personal tensions between Lyle and Rubber Duck, since RD is very clearly engaged in an affair with Violet. The only hints that remain in the overall film is when RD asks Violet if/when is she going to leave her "old man" (slang for "husband") when she comes back into the truck stop after the fight and lets Lyle out. He then says to her, "We'll talk about this later." Although it can be inferred from this line and the fact that she actually freed him that they are involved (in the same way she's involved with RD), there is no direct implication that they are married. It only exists in the script.
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* ReCut: Creator/SamPeckinpah's original cut was around 3-1/2 hours long. Since he wasn't involved in post-production, the film was edited by studio staff and editor Garth Craven down to 1 hour and 50 minutes.
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* HollywoodPoliceDrivingAcademy: The police officers who give pursuit to the convoy after the brawl in the diner crashes their cars [[LemmingCops while chasing the trucks across a dirt road]].
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* HollywoodPoliceDrivingAcademy: The police officers who give pursuit to the convoy after the brawl in the diner crashes crash their cars [[LemmingCops while chasing the trucks across a dirt road]].
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* DeadpanSnarker: Rubber Duck and Lyle Wallace. But all the truckers have their moments.
* DirtyCoward: The Sheriff of Alvarez. He is a brutal racist who uselessly beats inoffensive prisoners, but his first reaction when the truckers come to get Spider Mike out of jail is to try and get out of Dodge. Lyle Wallace remarkably stands his ground.
* DirtyCoward: The Sheriff of Alvarez. He is a brutal racist who uselessly beats inoffensive prisoners, but his first reaction when the truckers come to get Spider Mike out of jail is to try and get out of Dodge. Lyle Wallace remarkably stands his ground.
* HollywoodPoliceDrivingAcademy: The police officers who give pursuit to the convoy after the brawl in the diner crashes their cars [[LemmingCops while chasing the trucks across a dirt road]].
* OhCrap!: The reaction of Lyle Wallace and of the Sheriff of Alvarez when they realize that the entire convoy of trucks has joined Rubber Duck to save Spider Mike.
* OnlyKnownByTheirNickname: We rarely learn any of the main characters real names.
* OnlyKnownByTheirNickname: We rarely learn any of the main characters real names.
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* OnlyKnownByTheirNickname: We rarely learn any of the main characters real names.
* PoliceAreUseless: Apart from Sheriff Wallace, who may be a CorruptCop, but is very good at his job, most of the police officers that try to stop Rubber Duck's convoy are either incompetent or [[PoliceBrutality brutal bigots]].
* PoliceAreUseless: Apart from Sheriff Wallace, who may be a CorruptCop, but is very good at his job, most of the police officers that try to stop Rubber Duck's convoy are either incompetent or [[PoliceBrutality brutal bigots]].
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* ScrewThisImOuttaHere!: When the trucks converge on his police station to free Spider Mike, the Sheriff of Alvarez [[DirtyCoward jumps on his patrol car and tries to flee]]. But he is outdriven by the truckers and crashes into an house.
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* GondorCallsforAid: When Spider Mike is thrown into prison by the Sheriff of Alvarez, Texas, a sympathetic janitor at the jail send a call for help by CB radio. The message is relayed from trucker to trucker until it arrives to Rubber Duck.
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* PoliceAreUseless: Apart from Sheriff Wallace, who may be a CorruptCop, but is very good at his job, most of the police officers that try to stop Rubber Duck's convoy are either incompetent or [[PoliceBrutality brutal bigots]].
* PoliceBrutality: Wallace asks a Sheriff of a little Texas town to arrest Spider Mike, an afroamerican trucker who has left the convoy, to use him as a bait to catch Rubber Duck. The Sheriff brutally beats the poor chap down.
* PoliceBrutality: Wallace asks a Sheriff of a little Texas town to arrest Spider Mike, an afroamerican trucker who has left the convoy, to use him as a bait to catch Rubber Duck. The Sheriff brutally beats the poor chap down.
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* DueltotheDeath: [[spoiler:With a truck and a platoon of the Texas National Guard.]]
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* ThereIsNoKillLikeOverkill: At the end Wallace brings with him an entire unit of the Texas National Guard, complete of an M42 Duster armoured vehicle, to confront Rubber Duck and his truck
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* ThereIsNoKillLikeOverkill: At [[spoiler:At the end Wallace brings with him an entire unit of the Texas National Guard, complete of an M42 Duster armoured vehicle, to confront Rubber Duck and his trucktruck.]]
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Deleted line(s) 22 (click to see context) :
* FollowTheLeader: Follow ''Smokey and the Bandit''.
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* ThereIsNoKillLikeOverkill: At the end Wallace brings with him an entire unit of the Texas National Guard, complete of an M42 Duster armoured vehicle, to confront Rubber Duck and his truck
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* FakingTheDead: [[spoiler:During the final confrontation with Sheriff Wallace on the bridge, Rubber Duck deliberately steers his tractor unit over the side of the bridge, plummeting into the churning river, seemingly to his death. Later Mellisa finds him [[AttendingYourOwnFuneral attending his own funeral]] in disguise, where he explains his survival with the line: "You ever seen a duck that couldn't swim?"]]
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* FakingTheDead: [[spoiler:During the final confrontation with Sheriff Wallace on the bridge, bridge over Rio Grande, Rubber Duck deliberately steers his tractor unit over the side of the bridge, plummeting into the churning river, seemingly to his death. Later Mellisa finds him [[AttendingYourOwnFuneral attending his own funeral]] in disguise, where he explains his survival with the line: "You ever seen a duck that couldn't swim?"]]
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* FakingTheDead: [[spoiler:During the final confrontation with Sheriff Wallace on the bridge, Rubber Duck deliberately steers his tractor unit over the side of the bridge, plummeting into the churning river, seemingly to his death. Later Mellisa finds him [[AttendingYourOwnFuneral attending his own funeral]] in disguise, where he explains his survival with the line: "You ever seen a duck that couldn't swim?"]]
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Added namespaces.
Changed line(s) 3,8 (click to see context) from:
''VanishingPoint''... [[RecycledInSpace with trucks!]]
'''''Convoy''''' is a 1978 action film directed by Creator/SamPeckinpah (''TheWildBunch'', ''StrawDogs''), based on the 1975 country/western and novelty song "''Convoy''" by C.W. [=McCall=]. In [[TheSeventies 1978]], the National Maximum Speed Law which prohibits speeds exceeding 55 mph is in full force, and the country's truck drivers don't much like it. Martin "Rubber Duck" Penwald (Kris Kristofferson) is one such driver, just going about minding his own business. When he and some friends - Mellisa (Ali [=MacGraw=]), Pig Pen (Burt Young), Spider Mike (Franklyn Ajaye), and Widow Woman (Madge Sinclair) - run afoul of corrupt Sheriff "Dirty Lyle" Wallace (Ernest Borgnine), a [[DinerBrawl fight breaks out at a truck stop]] and the bunch are forced to flee in their trucks, the police in pursuit. [[RunForTheBorder Heading for the Mexico border]], dozens of other truckers join them in their own trucks, until the epononymous convoy emerges, over a mile long. They communicate by means of CB radio. Rubber Duck, heading up the front, is thrust into the status of a folk hero. Will they evade the authorities and make it?
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Cross Of Iron'', ''The Killer Elite'', ''BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor Creator/JamesCoburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
'''''Convoy''''' is a 1978 action film directed by Creator/SamPeckinpah (''TheWildBunch'', ''StrawDogs''), based on the 1975 country/western and novelty song "''Convoy''" by C.W. [=McCall=]. In [[TheSeventies 1978]], the National Maximum Speed Law which prohibits speeds exceeding 55 mph is in full force, and the country's truck drivers don't much like it. Martin "Rubber Duck" Penwald (Kris Kristofferson) is one such driver, just going about minding his own business. When he and some friends - Mellisa (Ali [=MacGraw=]), Pig Pen (Burt Young), Spider Mike (Franklyn Ajaye), and Widow Woman (Madge Sinclair) - run afoul of corrupt Sheriff "Dirty Lyle" Wallace (Ernest Borgnine), a [[DinerBrawl fight breaks out at a truck stop]] and the bunch are forced to flee in their trucks, the police in pursuit. [[RunForTheBorder Heading for the Mexico border]], dozens of other truckers join them in their own trucks, until the epononymous convoy emerges, over a mile long. They communicate by means of CB radio. Rubber Duck, heading up the front, is thrust into the status of a folk hero. Will they evade the authorities and make it?
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Cross Of Iron'', ''The Killer Elite'', ''BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor Creator/JamesCoburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
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[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films,
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* BringMyBrownPants: "We'd appreciate it if you'd bring a new car and a... and a new pair of pants."
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Has little if anything to do with [[TransFormers Optimus Prime]]'s Japanese counterpart.
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Has little if anything to do with [[TransFormers [[Franchise/{{Transformers}} Optimus Prime]]'s Japanese counterpart.
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Changed line(s) 9,10 (click to see context) from:
See also ''Film/EasyRider'', ''SweetSweetbacksBaadasssssSong'', ''Film/TwoLaneBlacktop'', ''Smokey and the Bandit'' and ''VanishingPoint''.
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See also ''Film/EasyRider'', ''SweetSweetbacksBaadasssssSong'', ''Film/SweetSweetbacksBaadasssssSong'', ''Film/TwoLaneBlacktop'', ''Smokey ''Film/SmokeyAndTheBandit'' and the Bandit'' and ''VanishingPoint''.
''Film/VanishingPoint''.
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* TheFilmOfTheSong
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* TheFilmOfTheSongTheFilmOfTheSong: ''Convoy'' is based on the eponymous C.W. [=McCall=] song. [=McCall=] actually re-recorded the song with new lyrics for the movie, making it a Song of the Film of the Song.
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Changed line(s) 7,8 (click to see context) from:
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Cross Of Iron'', ''The Killer Elite'', ''BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor James Coburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
to:
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Cross Of Iron'', ''The Killer Elite'', ''BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor James Coburn Creator/JamesCoburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
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Deleted line(s) 15 (click to see context) :
* [[BlackDudeDiesFirst Black Driver Loses Truck First]]: Weirdly displaced, the second female lead ''Widow Woman'' loses her 'white' truck in an over shot turn. Also the black driver ''Spider Mike'' ends up as "bait".
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Changed line(s) 5,6 (click to see context) from:
'''''Convoy''''' is a 1978 action film directed by SamPeckinpah (''TheWildBunch'', ''StrawDogs''), based on the 1975 country/western and novelty song "''Convoy''" by C.W. [=McCall=]. In [[TheSeventies 1978]], the National Maximum Speed Law which prohibits speeds exceeding 55 mph is in full force, and the country's truck drivers don't much like it. Martin "Rubber Duck" Penwald (Kris Kristofferson) is one such driver, just going about minding his own business. When he and some friends - Mellisa (Ali [=MacGraw=]), Pig Pen (Burt Young), Spider Mike (Franklyn Ajaye), and Widow Woman (Madge Sinclair) - run afoul of corrupt Sheriff "Dirty Lyle" Wallace (Ernest Borgnine), a [[DinerBrawl fight breaks out at a truck stop]] and the bunch are forced to flee in their trucks, the police in pursuit. [[RunForTheBorder Heading for the Mexico border]], dozens of other truckers join them in their own trucks, until the epononymous convoy emerges, over a mile long. They communicate by means of CB radio. Rubber Duck, heading up the front, is thrust into the status of a folk hero. Will they evade the authorities and make it?
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'''''Convoy''''' is a 1978 action film directed by SamPeckinpah Creator/SamPeckinpah (''TheWildBunch'', ''StrawDogs''), based on the 1975 country/western and novelty song "''Convoy''" by C.W. [=McCall=]. In [[TheSeventies 1978]], the National Maximum Speed Law which prohibits speeds exceeding 55 mph is in full force, and the country's truck drivers don't much like it. Martin "Rubber Duck" Penwald (Kris Kristofferson) is one such driver, just going about minding his own business. When he and some friends - Mellisa (Ali [=MacGraw=]), Pig Pen (Burt Young), Spider Mike (Franklyn Ajaye), and Widow Woman (Madge Sinclair) - run afoul of corrupt Sheriff "Dirty Lyle" Wallace (Ernest Borgnine), a [[DinerBrawl fight breaks out at a truck stop]] and the bunch are forced to flee in their trucks, the police in pursuit. [[RunForTheBorder Heading for the Mexico border]], dozens of other truckers join them in their own trucks, until the epononymous convoy emerges, over a mile long. They communicate by means of CB radio. Rubber Duck, heading up the front, is thrust into the status of a folk hero. Will they evade the authorities and make it?
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Changed line(s) 9,10 (click to see context) from:
See also ''Film/EasyRider'', ''SweetSweetbacksBaadasssssSong'', ''Two-Lane Blacktop'', and the aforementioned ''Smokey and the Bandit'' and ''VanishingPoint''.
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See also ''Film/EasyRider'', ''SweetSweetbacksBaadasssssSong'', ''Two-Lane Blacktop'', and the aforementioned ''Film/TwoLaneBlacktop'', ''Smokey and the Bandit'' and ''VanishingPoint''.
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Renamed trope
* BystanderSyndrome: Rubber Duck is really kind of careless about some things and does a great job of showing it by nearly running off with out his compatriots, letting strangers and other truckers follow him, and risking the lives of alot of people by assuming it isn't his problem.
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* SomebodyElsesProblem: Rubber Duck is really kind of careless about some things and does a great job of showing it by nearly running off with out his compatriots, letting strangers and other truckers follow him, and risking the lives of alot of people by assuming it isn't his problem.
Deleted line(s) 32 (click to see context) :
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Has little if anything to do with [[TransFormers Optimus Prime]]'s Japanese counterpart.
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[[quoteright:329:http://static.tvtropes.org/pmwiki/pub/images/2879656839_9bc32b1d7d_493.jpg]]
''VanishingPoint''... [[RecycledInSpace with trucks!]]
'''''Convoy''''' is a 1978 action film directed by SamPeckinpah (''TheWildBunch'', ''StrawDogs''), based on the 1975 country/western and novelty song "''Convoy''" by C.W. [=McCall=]. In [[TheSeventies 1978]], the National Maximum Speed Law which prohibits speeds exceeding 55 mph is in full force, and the country's truck drivers don't much like it. Martin "Rubber Duck" Penwald (Kris Kristofferson) is one such driver, just going about minding his own business. When he and some friends - Mellisa (Ali [=MacGraw=]), Pig Pen (Burt Young), Spider Mike (Franklyn Ajaye), and Widow Woman (Madge Sinclair) - run afoul of corrupt Sheriff "Dirty Lyle" Wallace (Ernest Borgnine), a [[DinerBrawl fight breaks out at a truck stop]] and the bunch are forced to flee in their trucks, the police in pursuit. [[RunForTheBorder Heading for the Mexico border]], dozens of other truckers join them in their own trucks, until the epononymous convoy emerges, over a mile long. They communicate by means of CB radio. Rubber Duck, heading up the front, is thrust into the status of a folk hero. Will they evade the authorities and make it?
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Cross Of Iron'', ''The Killer Elite'', ''BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor James Coburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
See also ''Film/EasyRider'', ''SweetSweetbacksBaadasssssSong'', ''Two-Lane Blacktop'', and the aforementioned ''Smokey and the Bandit'' and ''VanishingPoint''.
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!!This film provides examples of:
* [[BlackDudeDiesFirst Black Driver Loses Truck First]]: Weirdly displaced, the second female lead ''Widow Woman'' loses her 'white' truck in an over shot turn. Also the black driver ''Spider Mike'' ends up as "bait".
* CunningLikeAFox: Rubber Duck is sly, cunning, and wily in all regards.
* DinerBrawl
* TheFilmOfTheSong
* FolkHero: Rubber Duck becomes this by the movie's end.
* FollowTheLeader: Follow ''Smokey and the Bandit''.
* HeroInsurance: Considering the damage, wrecks, and loss of other things you figure the heroes all have it.
* {{Jerkass}}: Lyle seems to mostly just want revenge for getting his ass handed to him but he is also a CorruptCop who extorts money from people and has power trips off pushing others around.
* NewAgeRetroHippie: The ''Long Haired Friends of Jesus'' following the Convoy certainly counts.
* NonActionGuy: Rubber Duck isn't much of a fighter; and lets his truck, wits, and friends do the work for him.
* NobleFugitive: Rubber Duck is mostly a noble person when running from the law, even asks if people need help, stops to see if his crew is okay, and honestly cares for others.
* PlotArmor: Every trucker in the movie apparently comes pre-equipped with this, but especially ''Widow Woman'', ''Pig Pen'', ''Spider Myke'', and ''Rubber Duck''.
* OnlyKnownByTheirNickname: We rarely learn any of the main characters real names.
* RunForTheBorder
* TheSeventies
* SomebodyElsesProblem: Rubber Duck is really kind of careless about some things and does a great job of showing it by nearly running off with out his compatriots, letting strangers and other truckers follow him, and risking the lives of alot of people by assuming it isn't his problem.
* TookALevelInJerkass: Rubber Duck appears to do this at a few points in the movie.
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''VanishingPoint''... [[RecycledInSpace with trucks!]]
'''''Convoy''''' is a 1978 action film directed by SamPeckinpah (''TheWildBunch'', ''StrawDogs''), based on the 1975 country/western and novelty song "''Convoy''" by C.W. [=McCall=]. In [[TheSeventies 1978]], the National Maximum Speed Law which prohibits speeds exceeding 55 mph is in full force, and the country's truck drivers don't much like it. Martin "Rubber Duck" Penwald (Kris Kristofferson) is one such driver, just going about minding his own business. When he and some friends - Mellisa (Ali [=MacGraw=]), Pig Pen (Burt Young), Spider Mike (Franklyn Ajaye), and Widow Woman (Madge Sinclair) - run afoul of corrupt Sheriff "Dirty Lyle" Wallace (Ernest Borgnine), a [[DinerBrawl fight breaks out at a truck stop]] and the bunch are forced to flee in their trucks, the police in pursuit. [[RunForTheBorder Heading for the Mexico border]], dozens of other truckers join them in their own trucks, until the epononymous convoy emerges, over a mile long. They communicate by means of CB radio. Rubber Duck, heading up the front, is thrust into the status of a folk hero. Will they evade the authorities and make it?
[[TroubledProduction Production was somewhat troubled]]. Sam Peckinpah's earlier films, ''Cross Of Iron'', ''The Killer Elite'', ''BringMeTheHeadOfAlfredoGarcia'', and ''Pat Garrett & Billy the Kid'' had struggled at the box office, and Peckinpah needed to do a successful blockbuster if he was to get on. EMI had bought the screen rights to [=McHall=]'s song that chronicled the story of a convoy blasting past the fifty-five mph limit with an army of police attempting to enforce it. The screenplay was written by B.W.L. Norton, and was originally comprised with fast and furious action backed up by cartoonish characters and slapstick dialogue. Given the massive success of the similar ''SmokeyAndTheBandit'', [[FollowTheLeader Peckinpah saw an opportunity in the script for the successful blockbuster he needed]]. However, unhappy with Norton's screenplay, Peckinpah tried to encourage the actors to re-write, improvise and ad-lib their dialogue, with little success. At the time, Peckinpah was struggling with drug addiction, so friend and actor James Coburn was brought in to serve as second unit director. Coburn directed much of the film's footage while Peckinpah remained in his on-location trailer. The picture finished 11 days behind schedule at a cost of $12 million, more than double its original budget. Surprisingly, ''Convoy'' was the highest-grossing picture of Peckinpah's career, notching $46.5 million at the box office. But alas, his reputation was seriously damaged by rumors of increasingly destructive alcohol and cocaine abuse. Peckinpah would make just one more film, ''The Osterman Weekend'' in 1983, before his death the following year.
See also ''Film/EasyRider'', ''SweetSweetbacksBaadasssssSong'', ''Two-Lane Blacktop'', and the aforementioned ''Smokey and the Bandit'' and ''VanishingPoint''.
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!!This film provides examples of:
* [[BlackDudeDiesFirst Black Driver Loses Truck First]]: Weirdly displaced, the second female lead ''Widow Woman'' loses her 'white' truck in an over shot turn. Also the black driver ''Spider Mike'' ends up as "bait".
* CunningLikeAFox: Rubber Duck is sly, cunning, and wily in all regards.
* DinerBrawl
* TheFilmOfTheSong
* FolkHero: Rubber Duck becomes this by the movie's end.
* FollowTheLeader: Follow ''Smokey and the Bandit''.
* HeroInsurance: Considering the damage, wrecks, and loss of other things you figure the heroes all have it.
* {{Jerkass}}: Lyle seems to mostly just want revenge for getting his ass handed to him but he is also a CorruptCop who extorts money from people and has power trips off pushing others around.
* NewAgeRetroHippie: The ''Long Haired Friends of Jesus'' following the Convoy certainly counts.
* NonActionGuy: Rubber Duck isn't much of a fighter; and lets his truck, wits, and friends do the work for him.
* NobleFugitive: Rubber Duck is mostly a noble person when running from the law, even asks if people need help, stops to see if his crew is okay, and honestly cares for others.
* PlotArmor: Every trucker in the movie apparently comes pre-equipped with this, but especially ''Widow Woman'', ''Pig Pen'', ''Spider Myke'', and ''Rubber Duck''.
* OnlyKnownByTheirNickname: We rarely learn any of the main characters real names.
* RunForTheBorder
* TheSeventies
* SomebodyElsesProblem: Rubber Duck is really kind of careless about some things and does a great job of showing it by nearly running off with out his compatriots, letting strangers and other truckers follow him, and risking the lives of alot of people by assuming it isn't his problem.
* TookALevelInJerkass: Rubber Duck appears to do this at a few points in the movie.
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