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* {{Expy}}: Lacombe is based on [[http://en.wikipedia.org/wiki/Jacques_Vall%C3%A9e Jacques Vallée]].
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This is a film directed by Creator/StevenSpielberg. The original version was released in 1977; a "Special Edition" ReCut was released in 1980 after Spielberg had proven he was a serious director. (There had been ExecutiveMeddling with the cut of the original.) Spielberg re-edited the film yet again for a "Collector's Edition" in 1998. All three cuts were included in the film's Blu-ray release in 2007, along with a new interview with Spielberg explaining the editing.

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This is a film directed by Creator/StevenSpielberg. The original version was released in 1977; a "Special Edition" ReCut was released in 1980 after Spielberg had proven he was a serious director. (There had been ExecutiveMeddling with the cut of the original.original, though entirely justified as the studio was going bankrupt and production had to be hastened.) Spielberg re-edited the film yet again for a "Collector's Edition" in 1998. All three cuts were included in the film's Blu-ray release in 2007, along with a new interview with Spielberg explaining the editing.
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!!Tropes:

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!!Tropes:
!!Close encounters of the third trope:
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After a series of bizarre incidents where long-lost ships and aircraft begin reappearing in very unusual places around the world, a wide swath of the state of Indiana is buzzed by a very flashy troupe of [=UFOs=]. One of the many witnesses to this flyby is power-company employee Roy Neary, played by Richard Dreyfuss. Following the event, Neary is inflicted with visions of a distinctive-looking mountain. His family life quickly falls apart, and he eventually learns that what he is seeing and obsessively sculpting is the rock formation Devil's Tower, Wyoming. He meets fellow witness Jillian Guiler (Melinda Dillon) a mother desperately seeking her young son Barry, who has been carried away by the [=UFOs=]. They attempt to reach the Tower, even as the US government, well aware of what is happening, concocts a biohazard scare and places a military cordon around the site...

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After a series of bizarre incidents where long-lost ships and aircraft begin reappearing in very unusual places around the world, a wide swath of the state of Indiana is buzzed by a very flashy troupe of [=UFOs=]. One of the many witnesses to this flyby is power-company employee Roy Neary, played by Richard Dreyfuss. Following the event, Neary is inflicted with visions of a distinctive-looking mountain. His family life quickly falls apart, and he eventually learns that what he is seeing and obsessively sculpting is the rock formation Devil's Tower, Wyoming. He meets fellow witness Jillian Guiler (Melinda Dillon) a mother desperately seeking her young son Barry, who has been carried away by the [=UFOs=]. They attempt to reach the Tower, even as the US government, well aware of what is happening, concocts a biohazard scare involving the derailment of a train carrying nerve gas and places a military cordon around the site...
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* BittersweetEnding

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* BittersweetEndingBittersweetEnding: Jillian gets her son back, but Neary leaves the Earth to go off into space.



* TheCallKnowsWhereYouLive

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* TheCallKnowsWhereYouLiveTheCallKnowsWhereYouLive: People who made contact with the alien probe are filled with visions of Devil's Tower, Wyoming.



* DawnOfAnEra: Probably.

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* DawnOfAnEra: Probably.Probably, as humanity makes first contact with alien life.



* DreamMelody

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* DreamMelodyDreamMelody: bum-bum-bum-bum-BUM



* FakeRabies: Roy's brushing his teeth knowing his kids are behind him with a paddle and a polaroid camera. When the kids whap him in the ass he whirls around with a mouth full of toothpaste froth and growls "ARRGH," and they get the perfect shot.

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* FakeRabies: Roy's brushing his teeth knowing his kids are behind him with a paddle and a polaroid Polaroid camera. When the kids whap him in the ass he whirls around with a mouth full of toothpaste froth and growls "ARRGH," and they get the perfect shot.



* ReCut
* RefusalOfTheCall

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* ReCut
ReCut: Later editions showed the inside of the spaceship after Roy gets in.
* RefusalOfTheCallRefusalOfTheCall: Neary tries hard to stop obsessing about his visions. Other people don't come to Devil's Tower. Most of the people that made it there meekly leave when the army scoops them up.
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** And then the arrival of the Mothership in the finale.
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** A musical shout-out that borders on ActorAllusion: Briefly, during the Devils Tower musical sequence when contact is trying to be made with the alien ship, the ''Jaws'' theme can be heard briefly. John Williams wrote both soundtracks, and Richard Dreyfuss was in both ''[=CE3K=]'' and ''Jaws''.

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** A musical shout-out that borders on ActorAllusion: Briefly, during the Devils Tower musical sequence when contact is trying to be made with the alien ship, the ''Jaws'' ''Film/{{Jaws}}'' theme can be heard briefly. John Williams wrote both soundtracks, and Richard Dreyfuss was in both ''[=CE3K=]'' and ''Jaws''.
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After a series of bizarre incidents where long-lost ships and aircraft begin reappearing in very unusual places around the world, a wide swath of the state of Indiana is buzzed by a very flashy troop of [=UFOs=]. One of the many witnesses to this flyby is power-company employee Roy Neary, played by Richard Dreyfuss. Following the event, Neary is inflicted with visions of a distinctive-looking mountain. His family life quickly falls apart, and he eventually learns that what he is seeing and obsessively sculpting is the rock formation Devil's Tower, Wyoming. He meets fellow witness Jillian Guiler (Melinda Dillon) a mother desperately seeking her young son Barry, who has been carried away by the [=UFOs=]. They attempt to reach the Tower, even as the US government, well aware of what is happening, concocts a biohazard scare and places a military cordon around the site...

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After a series of bizarre incidents where long-lost ships and aircraft begin reappearing in very unusual places around the world, a wide swath of the state of Indiana is buzzed by a very flashy troop troupe of [=UFOs=]. One of the many witnesses to this flyby is power-company employee Roy Neary, played by Richard Dreyfuss. Following the event, Neary is inflicted with visions of a distinctive-looking mountain. His family life quickly falls apart, and he eventually learns that what he is seeing and obsessively sculpting is the rock formation Devil's Tower, Wyoming. He meets fellow witness Jillian Guiler (Melinda Dillon) a mother desperately seeking her young son Barry, who has been carried away by the [=UFOs=]. They attempt to reach the Tower, even as the US government, well aware of what is happening, concocts a biohazard scare and places a military cordon around the site...
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*** Or in case humans did. If one paranoid survivalist with a rifle started taking shots at the alien craft, they could start an interstellar war. It's very reasonable to want to make initial contract under controlled conditions.
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* EnemyRisingBehind: A lighter example, when the "car" behind Roy reveals itself to be a UFO by hovering upwards.


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* LemmingCops: The one poor officer who tried to follow the UFOs off the side of a mountain.


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** Also the whole UN armada in the Gobi desert.
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After a series of bizarre incidents where long-lost ships and aircraft begin reappearing in very unusual places around the world, a wide swath of the state of Indiana is buzzed by a very flashy troop of [=UFOs=]. One of the many witnesses to this flyby is power-company employee Roy Neary, played by Richard Dreyfuss. Following the event, Neary is inflicted with visions of a distinctive-looking mountain. His family life quickly falls apart, and he eventually learns that what he is seeing and obsessively sculpting is the rock formation Devil's Tower, Wyoming. He meets fellow witness Jillian Guiler (Melinda Dillon) who is desperately seeking her young son Barry, who has been carried away by the [=UFOs=]. They attempt to reach the Tower, even as the US government, well aware of what is happening, concocts a biohazard scare and places a military cordon around the site...

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After a series of bizarre incidents where long-lost ships and aircraft begin reappearing in very unusual places around the world, a wide swath of the state of Indiana is buzzed by a very flashy troop of [=UFOs=]. One of the many witnesses to this flyby is power-company employee Roy Neary, played by Richard Dreyfuss. Following the event, Neary is inflicted with visions of a distinctive-looking mountain. His family life quickly falls apart, and he eventually learns that what he is seeing and obsessively sculpting is the rock formation Devil's Tower, Wyoming. He meets fellow witness Jillian Guiler (Melinda Dillon) who is a mother desperately seeking her young son Barry, who has been carried away by the [=UFOs=]. They attempt to reach the Tower, even as the US government, well aware of what is happening, concocts a biohazard scare and places a military cordon around the site...
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* SurpriseVehicle: The "searchlight-bearing helicopter at night mistaken for a UFO" scene that would be copied by later TV shows. In fairness the helicopters first appear from over the horizon, so it's plausible the distinctive sound of their rotor blades might not be heard at that distance.
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* FootFocus: The "Barry's abduction" sequence shows one or two shots of Jillian's bare feet.
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* {{Foreshadowing}}: During the initial UFO chase, Barry and Jillian encounter a man sitting next to the road who is whistling is "She'll Be Coming 'Round the Mountain." During the final scene, of course, [[spoiler: a mothership comes 'round a mountain]].

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* {{Foreshadowing}}: During the initial UFO chase, Barry and Jillian encounter a man sitting next to the road who is whistling is "She'll Be Coming 'Round the Mountain." During the final scene, of course, [[spoiler: a mothership comes 'round a mountain]].
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* {{Foreshadowing}}: During the initial UFO chase, Barry and Jillian encounter a man sitting next to the road who is whistling is "She'll Be Coming 'Round the Mountain."

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* {{Foreshadowing}}: During the initial UFO chase, Barry and Jillian encounter a man sitting next to the road who is whistling is "She'll Be Coming 'Round the Mountain."" During the final scene, of course, [[spoiler: a mothership comes 'round a mountain]].
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* Foreshadowing: During the initial UFO chase, Barry and Jillian encounter a man sitting next to the road who is whistling is "She'll Be Coming 'Round the Mountain."

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* Foreshadowing: {{Foreshadowing}}: During the initial UFO chase, Barry and Jillian encounter a man sitting next to the road who is whistling is "She'll Be Coming 'Round the Mountain."
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* Foreshadowing: During the initial UFO chase, Barry and Jillian encounter a man sitting next to the road who is whistling is "She'll Be Coming 'Round the Mountain."
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* ForcedPerspective: The shot of a ship sitting in the middle of the desert provides the photo illustration on the page. It wasn't really that big!
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* {{Leitmotif}}: The five tones (see StarfishLanguage below).

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* BeethovenWasAnAlienSpy: Mused about, probably jokingly.
-->'''Scientist 1:''' They haven't aged a day. Einstein was right.
-->'''Scientist 2:''' Einstein was probably one of them.



* TimeDilation: The reason why none of the abductees look any older when they return, including the pilots of Flight 19, who have been gone thirty years.
-->'''Scientist 1:''' They haven't aged a day. Einstein was right.
-->'''Scientist 2:''' [[BeethovenWasAnAlienSpy Einstein was probably one of them.]]



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* AppealToForce: The aliens abduct men, women and children in the 1940's then return them, unaged, 30-40 years later. This isn't exactly nice, but with that display of the mothership at the end no one really wants to pick a fight on the issue of earth's rights and jurisdiction in the matter.

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* AppealToForce: The aliens abduct men, women and children in the 1940's 1940s then return them, unaged, 30-40 30--40 years later. This isn't exactly nice, but with that display of the mothership at the end no one really wants to pick a fight on the issue of earth's rights and jurisdiction in the matter.



* CymbalBangingMonkey: Creepy as always
* DawnOfAnEra: Probably

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* CymbalBangingMonkey: Creepy as always
always.
* DawnOfAnEra: ProbablyProbably.



* HollywoodGeography: Muncie, Indiana is over thirty minutes from the Ohio border. The longitude and latitude provided by the aliens actually refer to a spot which is a good 200 miles away from Devil's Tower

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* HollywoodGeography: Muncie, Indiana is over thirty minutes from the Ohio border. The longitude and latitude provided by the aliens actually refer to a spot which is a good 200 miles away from Devil's TowerTower.



** Or it's just making its final approach from that direction, having already entered the atmosphere and dropped down to low altitude further out.



** A musical shout-out that borders on ActorAllusion: Briefly, during the Devils Tower musical sequence when contact is trying to be made with the alien ship, the Jaws theme can be heard briefly. John Williams wrote both soundtracks, and Richard Dreyfuss was in both CE3K and Jaws.

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** A musical shout-out that borders on ActorAllusion: Briefly, during the Devils Tower musical sequence when contact is trying to be made with the alien ship, the Jaws ''Jaws'' theme can be heard briefly. John Williams wrote both soundtracks, and Richard Dreyfuss was in both CE3K ''[=CE3K=]'' and Jaws.''Jaws''.



** The iconic leitmotif of five tones - 4d3,4e3,4c3,4c2,4g2 or D - E - C - lower octave C - G - sounds a lot like "hello".

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** The iconic leitmotif of five tones - 4d3,4e3,4c3,4c2,4g2 -- 4d3, 4e3, 4c3, 4c2, 4g2; or D - E - C - D, E, C, lower octave C - C, G - -- sounds a lot like "hello".

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* AntiVillain: Ronnie Neary is pretty bitchy and close-minded, but her only real goal is to do what's best for her family..

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* AntiVillain: Ronnie Neary is pretty bitchy and close-minded, but her only real goal is to do what's best for her family..family.
* AppealToForce: The aliens abduct men, women and children in the 1940's then return them, unaged, 30-40 years later. This isn't exactly nice, but with that display of the mothership at the end no one really wants to pick a fight on the issue of earth's rights and jurisdiction in the matter.



* ScrewTheRulesIHaveANuke: The aliens abduct men, women and children in the 1940's then return them, unaged, 30-40 years later. This isn't exactly nice, but with that display of the mothership at the end no one really wants to pick a fight on the issue of earth's rights and jurisdiction in the matter.
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* KarmaHoudini: It's never explicitly stated what sort of agreement - if any - the government had with the aliens, but the fact remains that they kidnapped people and children from their lives and families and returned them all, unaged, years later. Then these aliens are free to go. Although, realistically, there's really nothing the humans could do to hold them back even if they wanted to. No one bothers asking the aliens, though.

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* KarmaHoudini: It's never explicitly stated what sort of agreement - if any - the government had with the The aliens, but the fact remains that they kidnapped people and children from their lives and families and returned them all, unaged, who have spent at least 32 years later. Then these aliens are free to go. Although, realistically, there's really nothing (since the humans could do to hold them back even if they wanted to. No one bothers asking the aliens, though.disappearance of Flight 19) kidnapping humans.
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Added in literal california doubling, using a bridge to represent a toll booth in indiana.


* CaliforniaDoubling: Mobile, Alabama stands in for Muncie, Indiana. Additionally, nearby Bay Minette, Alabama stands in for Moorcroft, Wyoming. Some scenes were filmed at the real Devils Tower, though the climax was, of course, filmed on a sound stage... an aircraft hangar in Mobile, Alabama.

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* CaliforniaDoubling: Mobile, Alabama stands in for Muncie, Indiana. Additionally, nearby Bay Minette, Alabama stands in for Moorcroft, Wyoming. Some scenes were filmed at the real Devils Tower, though the climax was, of course, filmed on a sound stage... an aircraft hangar in Mobile, Alabama. The Ohio state line was filmed on the approach to the Vincent Thomas Bridge, in Long Beach California.
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** A musical shout-out that borders on ActorAllusion: Briefly, during the Devils Tower musical sequence when contact is trying to be made with the alien ship, the Jaws theme can be heard briefly. John Williams wrote both soundtracks, and Richard Dreyfuss was in both CE3K and Jaws.

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** This is actually the first time "greys" were used in a film.

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** This is actually the first time "greys" were used in a film.
*** One of the first. They're also in 1956's ''EarthVsTheFlyingSaucers'' (once they take their helmets off).



*** The initial tall alien was a marionette. It was impossible to completely film it without the strings showing except in the shots visible in the movie, which is why you only see it the once.

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*** The initial tall alien was a marionette. It was impossible to completely film it without the strings showing except in the shots visible in the movie, which is why you only see it the once.



* TheMountainsOfIllinois: Or Indiana.

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* TheMountainsOfIllinois: Or Indiana.northern Indiana.
** Southern Indiana is hilly and even has a few mountains (the Little Smokies), as it shades into the foothills of the Cumberland. Indiana would have been fine if Spielberg had chosen a town like Bean Blossom instead of Muncie.
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misspelling


*** The initial tall alien was a marionette. It was impossible to completely film it without the strings showing expect in the shots visible in the movie, which is why you only see it the once.

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*** The initial tall alien was a marionette. It was impossible to completely film it without the strings showing expect except in the shots visible in the movie, which is why you only see it the once.
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* FootFocus: The "Barry's abduction" sequence shows one or two shots of Jillian's bare feet.

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* KarmaHoudini: It's never explicitly stated what sort of agreement - if any - the government had with the aliens, but the fact remains that they kidnapped people and children from their lives and families and returned them all, unaged, years later. Then these aliens are free to go. Although, realistically, there's really nothing the humans could do to hold them back even if they wanted to. No one bothers asking the aliens, though.



* KarmaHoudini: It's never explicitly stated what sort of agreement - if any - the government had with the aliens, but the fact remains that they kidnapped people and children from their lives and families and returned them all, unaged, years later. Then these aliens are free to go. Although, realistically, there's really nothing humans could do to hold them back if they wanted to.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/close_encounters.jpg]]
[[caption-width-right:350:Okay, okay, ''now'' we believe. ]]

->''Close encounters of the first kind:''
-->''Sighting of an unidentified flying object''
->''Close encounters of the second kind:''
-->''Physical evidence of a UFO''
->''Close encounters of the'' third ''kind:''
-->''Actual contact.''
->--'''1977 theatrical trailer'''

''Bah [[superscript:bi]] bah [[subscript:bom]] baaaaaaa.''

After a series of bizarre incidents where long-lost ships and aircraft begin reappearing in very unusual places around the world, a wide swath of the state of Indiana is buzzed by a very flashy troop of [=UFOs=]. One of the many witnesses to this flyby is power-company employee Roy Neary, played by Richard Dreyfuss. Following the event, Neary is inflicted with visions of a distinctive-looking mountain. His family life quickly falls apart, and he eventually learns that what he is seeing and obsessively sculpting is the rock formation Devil's Tower, Wyoming. He meets fellow witness Jillian Guiler (Melinda Dillon) who is desperately seeking her young son Barry, who has been carried away by the [=UFOs=]. They attempt to reach the Tower, even as the US government, well aware of what is happening, concocts a biohazard scare and places a military cordon around the site...

This is a film directed by Creator/StevenSpielberg. The original version was released in 1977; a "Special Edition" ReCut was released in 1980 after Spielberg had proven he was a serious director. (There had been ExecutiveMeddling with the cut of the original.) Spielberg re-edited the film yet again for a "Collector's Edition" in 1998. All three cuts were included in the film's Blu-ray release in 2007, along with a new interview with Spielberg explaining the editing.

The title comes from [=UFOlogy=], an encounter of the third kind being one in which the observer sees the aliens themselves as well as their craft.

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!!Tropes:

* AlienAbduction: TheMovie
* AliensInCardiff
* AntiVillain: Ronnie Neary is pretty bitchy and close-minded, but her only real goal is to do what's best for her family..
* BeethovenWasAnAlienSpy: Mused about, probably jokingly.
-->'''Scientist 1:''' They haven't aged a day. Einstein was right.
-->'''Scientist 2:''' Einstein was probably one of them.
* TheBermudaTriangle: There's a brief shot in the Special Edition of a ship is in the middle of the Gobi desert. It's supposed to be one of the BermudaTriangle disappearances. The film opens with the discovery of Flight 19, a Navy aviation training exercise that disappeared out of Ft. Lauderdale.
* BigBlackout
* BittersweetEnding
* {{Brainwashed}}: Neary et al. want to [[AlienAbduction leave everyone and everything they've ever known]], possibly never to return. See HypnoRay and ValuesDissonance.
** Not really. Jillian is under the same effect, but is satisfied with just getting her son back and decides not to leave.
** Roy's life was pretty much a mess even ''before'' the encounters.
* BlueAndOrangeMorality: we never learn why the aliens abducted people and why they're returning them now. They are depicted as an entirely unknowable force who do things for reasons the human characters cannot begin to fathom.
* CaliforniaDoubling: Mobile, Alabama stands in for Muncie, Indiana. Additionally, nearby Bay Minette, Alabama stands in for Moorcroft, Wyoming. Some scenes were filmed at the real Devils Tower, though the climax was, of course, filmed on a sound stage... an aircraft hangar in Mobile, Alabama.
* TheCallKnowsWhereYouLive
* CoincidentalBroadcast: How Neary finally learns what it is he's been obsessing about.
* CymbalBangingMonkey: Creepy as always
* DawnOfAnEra: Probably
* DisappearedDad: Bye, Roy.
** Also, whoever Barry's father was.
* DramaticAlienVTOL: In fact Spielberg did a lot of help make this trope. The climax has the ship come in first, just as the bright lights at first with the shadow of the FlyingSaucer shape eventually becoming clearer as the five notes we've heard through the movie comes through the score. It lands and then the ramp opens and again a crack of light and then the shadows of the aliens themselves, stamping the image of the Greys, in their first appearance on film, in our heads.
* DreamMelody
* DreamSequence
* EnforcedMethodActing: Used with the young actor playing Barry. For example to get good reactions in the kitchen scene, where you only see his face, off camera they had a clown which Barry (Cary Guffy) smiled at. Then (same take)they brought in a man in a gorilla suit, which he looked at with a puzzled expression. Then the man in the gorilla suit took his mask off, revealing it to be a grown up he knew. Cary smiled.
* FakeRabies: Roy's brushing his teeth knowing his kids are behind him with a paddle and a polaroid camera. When the kids whap him in the ass he whirls around with a mouth full of toothpaste froth and growls "ARRGH," and they get the perfect shot.
* FirstContact: Not the first movie to detail the first meeting between Humans and Aliens, but the one to [[TropeCodifier codify it]].
* FlyingSaucer: And beautiful ones at that; they look like ornaments covered in lights. And wait until you see the mother ship. Imagine a ship the size of a town decked out with neon Christmas lights.
** Originally the mothership was supposed to be hugely impressive but a bit menacing. In fact, Trumbull was about to get all Freudian and have the underside of the ship [[FreudWasRight resemble a giant breast]]. Then Spielberg, filming in India, drove six nights in a row past a gigantic oil refinery that was all lit up in a million colors, full of interesting antennae, walkways and pipes, and the "city of light" was born. Bless you, [[http://www.bharatpetroleum.com/EnergisingEnvironment/MumbaiRefinery.aspx?id=3 Bharat Petroleum]]. Thank you.
* GovernmentConspiracy: You don't want to go to Wyoming. It's anthrax, or nerve gas, or something. Just turn your vehicle around, ma'am.
* TheGreys: The extraterrestrials were physically modeled after real-life accounts of alien abductions.
** This is actually the first time "greys" were used in a film.
** Also subverted, as Spielberg deliberately gave the Grays different heights, intending to show that their species had the same kind of diversity as ours. Most abduction accounts and subsequent fiction describe the Grays as all identical.
** The aliens at the end were played all played by young girls, Spielberg felt that "girls move more gracefully than boys."
*** The initial tall alien was a marionette. It was impossible to completely film it without the strings showing expect in the shots visible in the movie, which is why you only see it the once.
* HollywoodGeography: Muncie, Indiana is over thirty minutes from the Ohio border. The longitude and latitude provided by the aliens actually refer to a spot which is a good 200 miles away from Devil's Tower
* HopeSpot: After a family blowup over it, Neary decides to give up on his obsession. He takes down the UFO articles, and and in trying to dismantle the mountain statue he has, [[SelfFulfillingProphecy the dismantling makes it look like the real-world mountain it's supposed to]]. Next scene, he's chucking dirt into his house to make a bigger mountain.
* HypnoRay: How the Grays turn people into {{Mad Artist}}s and then [[{{Brainwashed}} enthusiastic]] {{a|lienAbduction}}bductees.
* InnocentAliens?: Sure! Except for the {{A|lienAbduction}}bducting and the {{Hypno Ray}}ing and all that.
* {{Mad Artist}}s: Neary and his fellow volunteer/victims, each compelled to fill a RoomFullOfCrazy with artwork before they figure out Devil's Tower is a real place ... that now they have to go to.
* KarmaHoudini: It's never explicitly stated what sort of agreement - if any - the government had with the aliens, but the fact remains that they kidnapped people and children from their lives and families and returned them all, unaged, years later. Then these aliens are free to go. Although, realistically, there's really nothing humans could do to hold them back if they wanted to.
* MindScrew
* TheMentallyDisturbed: Neary's behavior is clearly deranged, though to be fair it's not his fault.
* MonumentalView: There's no place like the landing pad within sight of Devil's Tower.
* TheMothership
* TheMountainsOfIllinois: Or Indiana.
* NotDrawnToScale
* {{Novelization}}: Penned (apparently) by Spielberg himself. It is written fairly haphazardly.
* OminousFloatingSpaceship: The alien mothership at first
* {{Reconstruction}} of sci-fi alien movies. [[spoiler:Except that the aliens that originally acted menacingly in the end turn out to be nice grey guys.]]
* ReCut
* RefusalOfTheCall
* RoomFullOfCrazy: In this case a mountain of mud in Neary's living room.
* RuleOfCool: The reason why the Mothership rises ''upward'' from behind the mountain in the finale, even though [[FridgeLogic that would mean it had previously dug a hole into the Earth]]. Spielberg said in an interview that it didn't make any sense, but it was the image he wanted to convey.
* TheRuntAtTheEnd: The last UFO in the flyby.
* SaharanShipwreck
* SanitySlippage: What happens after you get zapped by the HypnoRay.
* ScrewTheRulesIHaveANuke: The aliens abduct men, women and children in the 1940's then return them, unaged, 30-40 years later. This isn't exactly nice, but with that display of the mothership at the end no one really wants to pick a fight on the issue of earth's rights and jurisdiction in the matter.
* SensorSuspense: The air traffic control scene, where the aircraft (and possible [=UFOs=]) are represented not by blips as such, but by basic text and graphics on radar-like screens.
* ShoutOut: The mothership has an [[StarWars R2D2]] attached to its underside.
** Among other things, including a mini graveyard and a VW van. The model, which is about the size of a large wedding cake, now resides in a glass case at the [[http://en.wikipedia.org/wiki/Steven_F._Udvar-Hazy_Center Steven F. Udvar-Hazy center,]] an annex of the Smithsonian National Air & Space Museum, located in Dulles, Virginia. Definitely worth a look if you're in the neighborhood.
* StarfishLanguage: Near the end of the movie, the aliens communicate/signal with a series of tones that happens to be the same notes as the main RecurringRiff of the soundtrack.
** The iconic leitmotif of five tones - 4d3,4e3,4c3,4c2,4g2 or D - E - C - lower octave C - G - sounds a lot like "hello".
* StayWithTheAliens
* TakingTheKids
* TheTeaser: The opening sequence at the Mexican junkyard where Lacombe's team discovers the missing planes of Flight 19.
-->'''Laughlin''': Who flies crates like these anymore?
-->'''Project Leader''': ''No one does''. These planes were reported missing in 1945.
-->'''Laughlin''': (stunned) But it looks brand new. Where's the pilot? I don't understand. ''[[NothingIsScarier Where's the crew?]]'' Hey! How the hell did it get here?
* TheyWouldCutYouUp: Averted. This GovernmentConspiracy just wants everything to stay normal. It knows better than to fuck with these SufficientlyAdvancedAliens.
* ThisLoserIsYou: Roy Neary's family life.
* ThroughTheEyesOfMadness: Neary believes that everything he's doing is reasonable, that the risks he takes and the rules he breaks are [[DesignatedHero for heroic ends]], and the film encourages the audience to agree with him.
* VillainyFreeVillain: When it comes down to it in the end, there are no villains in this film. This is what made the movie such a refreshing take on alien contact in its time.
** The aliens are strange and mysterious and do some ethically questionable things, but they aren't overtly hostile and give everything and everyone back.
** The government creates a huge lie to clear Devil's Tower for the aliens to drop by, but you really can't blame them - meeting a possibly dangerous, obviously superior alien race. They would want the area clear for privacy and to have an army ready in the background just in case the aliens came out shooting.
** On a smaller scale, Ronnie Neary is a bit of a bitch, but you really can't blame her for being freaked out by Roy's crazy behavior and wanting to protect her kids. She does, however, put a little too much stake in the what-will-the-neighbors-think concern.
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