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It features Creator/GaryOldman playing a vampire, Creator/WinonaRyder playing a DamselInDistress, and Creator/KeanuReeves who, despite being an immortal according to the Internet, plays Jonathan Harker. Creator/AnthonyHopkins plays a [[LargeHam hammy]] Van Helsing.

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It features Creator/GaryOldman playing a vampire, Dracula, Creator/WinonaRyder playing a DamselInDistress, playing Mina Murray, and Creator/KeanuReeves who, despite being an immortal according to the Internet, plays Jonathan Harker. Creator/AnthonyHopkins plays a [[LargeHam hammy]] a Van Helsing.

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** In general, Coppola's film is far more faithful to the novel than the majority of Dracula adaptations, both in tone and in structure. For example, it is the only adaptation that does not composite the characters of Lord Holmwood, Dr. Seward, and Quincy into a single man. ''Nosferatu'', Browning's ''Dracula'', and Badham's Dracula also have different character roles and relationships from the book; for example, in Badham's Dracula, Lucy is the final girl instead of Mina, and Mina is Van Helsing's daughter.
** The film version largely does follow the general plot outline and story dynamic of the novel. It's portrayal of Dracula restores most of the UnbuiltTrope from the original book, and most importantly just like the novel, it doesn't fully give Dracula a single final form, allowing him to take multiple shapes, as well as travel in sunlight without withering like paper (a motif introduced by Murnau). Of course the film does avert it in one instance. The movie removes the ship massacre sequence that was an iconic part of the novel and a SignatureScene in Murnau's film, Coppola did this out of love for the Murnau film and a desire to not repeat or compete with it.

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** In general, Coppola's film is far more faithful to the novel than the majority of Dracula adaptations, both in tone and in structure. For example, it is the only adaptation that does not composite the characters of Lord Holmwood, Dr. Seward, and Quincy into a single man. ''Nosferatu'', Browning's ''Dracula'', and Badham's Dracula ''Dracula'' also have different character roles and relationships from the book; for example, in Badham's Dracula, ''Dracula'', Lucy is the final girl and fiancee of Harker instead of Mina, and Mina is Van Helsing's daughter.daughter. In Browning's ''Dracula'' and Badham's ''Dracula'' Jonathan Harker never even went to Transylvania, while in several other Dracula adaptations he went and got killed in Dracula's castle.
** ***For example, Coppola's film is the only adaptation that does not composite the characters of Lord Arthur Holmwood, Dr. Seward, and Quincey Morris into a single man. All three in this movie are Lucy's suitors with Lucy choosing Arthur as her husband. Arthur Holmwood is the one who has to stake vampire Lucy, like in the novel.
***Mina here is a schoolmistress, who uses typewriter, fiancee of Jonathan Harker and is the second victim of Dracula in England. Lucy here is a wealthy socialite, Mina's childhood friend and the one who becomes first victim of Dracula in England and turns into vampire.
***Jonathan Harker is the one who goes to Transylvania to Dracula and survives till the end of the film.
*** When Jonathan Harker comes to Dracula's castle and meets his host for the first time, Dracula is an old man, with hairy palms and long claw-like nails, like in the novel. Dracula gets younger after he feeds on blood and appears in England rejuveneted, just like in the novel.
***
The film version largely does follow the general plot outline and story dynamic of the novel. It's portrayal of Dracula restores most of the UnbuiltTrope from the original book, and most importantly just like the novel, it doesn't fully give Dracula a single final form, allowing him to take multiple shapes, shapes like wolf, mist or bat, as well as travel in sunlight without withering like paper (a motif introduced by Murnau). Of course Though the film does avert it in one instance. The movie removes shortens the ship massacre sequence that was an iconic part of the novel and a SignatureScene in Murnau's film, Coppola did this out of love for the Murnau film and a desire to not repeat or compete with it.

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* DiesDifferentlyInAdaptation: In the novel, Quincy Morris was the one who fatally stabbed Dracula. In the film, Mina is the one who stabs him after Johnathan slashes his throat. Then she decaptiates him.

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* DiesDifferentlyInAdaptation: In the novel, Quincy Morris was the one who fatally stabbed Dracula. In the film, Mina is the one who stabs him after Johnathan slashes his throat. Then she decaptiates decapitates him.


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* DisneyVillainDeath: Happens to one of the Gypsies in the climax when Quincy shoots him in the back and Harker throws him off the cart... and off a cliff.
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* ArmorPiercingQuestion: Vamp!Mina delivers one to her husband Jonathan when he attempts to stake Dracula and she asks him if he will drive a stake through her heart like he is to Dracula. He doesn't say anything back.
--> '''Vamp!Mina:''' When my time comes, won't you do the same?
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[[quoteright:318:[[{{Dracula}} https://static.tvtropes.org/pmwiki/pub/images/dracula_kiss_4341.jpg]]]]

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[[quoteright:318:[[{{Dracula}} https://static.tvtropes.org/pmwiki/pub/images/dracula_kiss_4341.jpg]]]]
jpg]]]][[caption-width-right:318:''[[TagLine Love never dies]]'']]
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* AllForNothing: Dracula's FaithHeelTurn and consequent vampirism due to his sheer despair and rage over not only losing Elisabeta (to suicide), but also being (seemingly) unable to be TogetherInDeath with her (as his religious branch unfortunately declares that SuicideIsShameful). But as the ending shows, [[spoiler:she ended up in Heaven after all (thus disproving said declaration), and he's apparently invoked enough RedemptionEqualsDeath to be allowed to rejoin her. Meaning that all of his evil actions have been completely pointless.]]

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* AllForNothing: Dracula's FaithHeelTurn and consequent vampirism due to his sheer despair and rage over not only losing Elisabeta (to suicide), but also being (seemingly) unable Elisabeta's suicide (which, according to be their clergy's SuicideIsShameful beliefs, means no TogetherInDeath with her (as his religious branch unfortunately declares that SuicideIsShameful). if he goes to Heaven). But as in the ending shows, [[spoiler:she ended up end - [[spoiler:she's shown to be in Heaven after all (thus disproving said declaration), all, and he's apparently invoked undergone enough RedemptionEqualsDeath to be allowed to rejoin her. Meaning her... meaning that all of his evil villainous actions have been completely pointless.]]pointless]].



* UnwittingInstigatorOfDoom: The downright-LawfulStupid priest who abruptly says that Dracula's suicidal wife is damned.

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* UnwittingInstigatorOfDoom: The downright-LawfulStupid priest who abruptly says casually tells Dracula that Dracula's his suicidal wife is damned.damned, while the latter is at his most emotionally vulnerable.
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* IconicOutfit:
** The armor that the Count wears in the prologue, a full body red suit with ribbed skin textures resembling a flayed man, complete with a draconic helm, is quite famous and memorable despite appearing in just one scene. It was alluded to in ''Literature/AClashOfKings'' where Ramsay Bolton appears at the end wearing an armor described to be similar to this, and it also inspired two armor designs in ''VideoGame/TheWitcher3WildHunt'' DLC ''Blood and Wine'', a red one that's almost a dead ringer for this armor, and a black variant.
** The strange kimono-like outfit that Dracula wears when he meets and hosts Val Helsing is also quite famous, worthy of parodies in a Creator/MelBrooks spoof, and ''WesternAnimation/TheSimpsons'' episode.

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* BehindTheBlack: Van Helsing, Harker, and the others somehow manage to miss Dracula hanging upside down from the ceiling in his giant bat form until he shoots into the frame screaming at them.



* BloodyHorror: Dracula's initial transformation into a vampire comes when he enters the church where Elisabeta's body lies, renounces God and then stabs the crucifix on the altar. It ''bleeds'', and he laps up the resulting fountain of blood like an animal as all the other statues in the room start bleeding as well.



%%* HemoErotic

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%%* HemoErotic* HemoErotic: This is probably the most sexualized depiction of Dracula since the Hammer Horror period.


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** Additionally, the film retains a retro, turn-of-the-century approach to its special effects not just in terms of the effects themselves but in the ''ways'' that they are deployed. Although Dracula has multiple different (and highly elaborate) forms, his actual transformations between them almost always take place offscreen, in the shadows, or between camera cuts. This is intended as a parallel to the special effects of emerging cinema and early vampire movies, particularly the StopTrick, which is one of the oldest special effects in the history of movies and was first used in films around the time period this movie takes place.


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* JumpScare: Dracula is about to bite Mina when Van Helsing and the other men break into the bedroom, only to find Mina alone. Suddenly, Dracula pops ''down'' into the frame while hanging upside down, transformed into a giant bat and snarling.

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* AdaptationalWimp:
** Renfield went down fighting Dracula in the book and came close to killing him (in his mist form no less) ''[[BadassNormal with his bare hands]]''.

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* AdaptationalWimp:
**
AdaptationalWimp: Renfield went down fighting Dracula in the book and came close to killing him (in his mist form no less) ''[[BadassNormal with his bare hands]]''.


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* DiesDifferentlyInAdaptation: In the novel, Quincy Morris was the one who fatally stabbed Dracula. In the film, Mina is the one who stabs him after Johnathan slashes his throat. Then she decaptiates him.
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* WhyDontYaJustShootHim: No reason is presented as to why Dracula leaves Jonathan Harker alive and imprisoned at his castle while he goes to London. Killing Harker after the purchase of Carfax abbey would have allowed Dracula to seduce Mina without interference, especially if Mina had received word of Jonathan's death in the Transylvanian wilderness.

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* WhyDontYaJustShootHim: No reason is presented as to why Dracula leaves Jonathan Harker alive and imprisoned at his castle while he goes to London. Killing Harker after the purchase of Carfax abbey Abbey would have allowed Dracula to seduce Mina without interference, especially if Mina had received word of Jonathan's death in the Transylvanian wilderness.
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* GhostlyGlide: Dracula's fluid gliding around his mansion.
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* {{Dracula}}: What, did you think this trope page was going to be about Freddy Krueger?

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* {{Dracula}}: What, did you think this trope page was going to be about [[Franchise/ANightmareOnElmStreet Freddy Krueger?Krueger]]?
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* LooksLikeOrlock: At one point [[https://www.youtube.com/watch?v=mzyeGBdQmCM Dracula himself turns into a bat monster]] that has many Orlock-like characteristics, such as huge bat-like ears, claws and fangs.

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* LooksLikeOrlock: LooksLikeOrlok: At one point [[https://www.youtube.com/watch?v=mzyeGBdQmCM Dracula himself turns into a bat monster]] that has many Orlock-like Orlok-like characteristics, such as huge bat-like ears, claws and fangs.
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It features Creator/GaryOldman playing a vampire, and Creator/WinonaRyder playing a DamselInDistress. Creator/AnthonyHopkins plays a [[LargeHam hammy]] Van Helsing.

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It features Creator/GaryOldman playing a vampire, and Creator/WinonaRyder playing a DamselInDistress.DamselInDistress, and Creator/KeanuReeves who, despite being an immortal according to the Internet, plays Jonathan Harker. Creator/AnthonyHopkins plays a [[LargeHam hammy]] Van Helsing.

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* HollywoodCostuming: The ladies' outfits follow the basic tenets of [[TheGayNineties late-1890's]] fashion, but some details are just a bit off, like Lucy's unusually low neckline. However, Mina's decade-out-of-style bustle dress is actually an aversion, as it was intended to show that Mina couldn't afford the latest fashions, since she is "only a schoolmistress". Also, how 'bout that awesome-looking "skinned jackal" armor that Dracula wears in the prologue?

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* HollywoodCostuming: The ladies' outfits follow the basic tenets of [[TheGayNineties late-1890's]] fashion, but some details are just a bit off, like Lucy's unusually low neckline. However, Mina's decade-out-of-style bustle dress is actually an aversion, as it was intended to show that Mina couldn't afford the latest fashions, since she is "only a schoolmistress". Also, how 'bout that awesome-looking "skinned jackal" "[[https://pbs.twimg.com/media/DirsXOYXcAAHHYE.jpg skinned jackal]]" armor that Dracula wears in the prologue?


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* RuleOfCool: Most of the costumes are at least ''somewhat'' close to actual period dress - except for Dracula's completely ahistorical armor, which is bright red, has ears like a wolf, and is textured like a flayed human body, but it looks so totally badass that most people don't care about its relation to "realism".
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* ShadowDiscretionShot: The depiction of the opening battle against the Muslim turks.

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* BilingualBonus: The prologue has Vlad conversing with the Priest ([[SignificantDoubleCasting played by Hopkins]]) in Romanian.



* HollywoodCostuming: The ladies' outfits follow the basic tenets of [[TheGayNineties late-1890's]] fashion, but some details are just a bit off, like Lucy's unusually low neckline. However, Mina's decade-out-of-style bustle dress is actually an aversion, as it was intended to show that Mina couldn't afford the latest fashions, since she is "only a schoolmistress".

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* HollywoodCostuming: The ladies' outfits follow the basic tenets of [[TheGayNineties late-1890's]] fashion, but some details are just a bit off, like Lucy's unusually low neckline. However, Mina's decade-out-of-style bustle dress is actually an aversion, as it was intended to show that Mina couldn't afford the latest fashions, since she is "only a schoolmistress". Also, how 'bout that awesome-looking "skinned jackal" armor that Dracula wears in the prologue?
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* FreudianExcuse: The reason Dracula went from Christian Crusader to vampire was because of the unfairness of his wife's death. She only committed suicide because of a false message that her husband had died. Yet suicide is suicide, and she was deemed [[BarredFromTheAfterlife unworthy of going to Heaven]]. Thus, Dracula renounced the Cross and became the monster he is today.
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* KukrisAreKool: Van Helsing uses one to [[spoiler:decapitate Dracula's brides]].

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* KukrisAreKool: Van Helsing uses one to [[spoiler:decapitate Dracula's brides]].brides]], and Jonathan to [[spoiler:slit Dracula's throat]].
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* KukrisAreKool: Van Helsing uses one to [[spoiler:decapitate Dracula's brides]].
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* BeautyIsNeverTarnished: Elisabeta kills herself by jumping from a precipice high enough that she falls through clouds/mist. Considering that she should have landed on her front and face, the only sign of the resulting damage is a dainty trickle of blood from her corpse's mouth. She is said to have "flung herself into the river", so there should be some water damage depending on how long it was before she was found.

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* BeautyIsNeverTarnished: Elisabeta kills herself by jumping from a precipice high enough that she falls through clouds/mist. Considering that she should have landed on her front and face, the only sign of the resulting damage is a dainty trickle of blood from her corpse's mouth. She is said to have "flung herself into the river", so there should also be some water damage damage, depending on how long it was before she was found.

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* AdaptationalConsent: In the original book, vampire attacks seemed to be metaphors for rape, so while this trope is averted with Lucy it is played straight with Mina as she is PromotedToLoveInterest.



* AdaptationalConsent: In the original book, vampire attacks seemed to be metaphors for rape, so while this trope is averted with Lucy it is played straight with Mina as she is PromotedToLoveInterest.

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* AdaptedOut:
** Mrs Westenra, Lucy's mother, has a significant role in the first half of the book. She stupidly removes the garlic protection around Lucy on the night Dracula turns her - allowing him to break into the house. An older woman is seen crying by Lucy's coffin - and if this is her then it's also SparedByTheAdaptation as she dies as Dracula turns Lucy.
** Some time is devoted to an old man Lucy and Mina befriend in Whitby in the book. He doesn't appear in the film.
** Whitby itself is adapted out - as Mina is visiting Lucy at Hillingham instead.



* BeautyIsNeverTarnished: Elisabeta kills herself by jumping from a precipice high enough that she falls through clouds/mist. Considering that she should have landed on her front and face, the only sign of the resulting damage is a dainty trickle of blood from her corpse's mouth.

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* BeautyIsNeverTarnished: Elisabeta kills herself by jumping from a precipice high enough that she falls through clouds/mist. Considering that she should have landed on her front and face, the only sign of the resulting damage is a dainty trickle of blood from her corpse's mouth. She is said to have "flung herself into the river", so there should be some water damage depending on how long it was before she was found.



%%* BloodFromTheMouthb: Plenty of it!

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%%* BloodFromTheMouthb: * BloodFromTheMouth: Plenty of it!it!
** Elisabeta's body has a trickle of blood from her mouth.
** Vampire!Lucy vomits a stream of blood from her mouth when Van Helsing pulls a crucifix on her.
** [[spoiler: Dracula himself when he's stabbed at the end]].



* DemotedToExtra: Seward, one of the most important characters and principal narrators in the original novel, is relegated to being part of [[ThoseTwoGuys Those Three Guys]] with Holmwood and Morris.



* DoubleStandardRapeFemaleOnMale: Subverted. Dracula's brides seducing Jonathan is at first presented as a sensual scene, but quickly turns horrific as they start feeding on him. The parallels to rape are clear.



%%* FaithHeelTurn: "I renounce God!"

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%%* * FaithHeelTurn: "I renounce God!"Dracula renounces God after Elisabeta kills herself - thus becoming an all-powerful vampire.



%%* GlamourFailure

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%%* GlamourFailure * GlamourFailure: Jonathan can still recognise Dracula even in his younger form.



%%* GothicHorror: More than most adaptions.

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%%* * GothicHorror: More than most adaptions. adaptions, this plays up the Gothic architecture of Dracula's castle, the asylum, Hillingham and Carfax Abbey.



%%* HauntedCastle

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%%* HauntedCastle* HauntedCastle: Dracula's of course. WordOfGod is that they imagined it as a place that defies the laws of physics - such as Jonathan opening a perfume bottle where the contents drip ''upward'' into the sky.



%%* ImpossiblyLowNeckline: [[http://25.media.tumblr.com/tumblr_lgg2vvntxu1qh1urno1_500.jpg Lucy's "snake dress"]].

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%%* * ImpossiblyLowNeckline: [[http://25.media.tumblr.com/tumblr_lgg2vvntxu1qh1urno1_500.jpg Lucy's "snake dress"]].dress"]] would probably need a lot of double-sided tape to stay in place. It's also quite anachronistic for the time period.



%%* OohMeAccentsSlipping: Good Lord, where do we start?

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%%* OohMeAccentsSlipping: Good Lord, where * OohMeAccentsSlipping:
** Keanu Reeves struggles to maintain an English accent most of the time. The man himself claims he was exhausted from other films and "didn't have anything left to give".
** Winona Ryder fares better, though slips
do we start?show - particularly as she rolls her rs when saying "I'm so terribly worried".



* TheOphelia: Elisabeta. Coppola even referred to her as such on the set.

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* TheOphelia: Elisabeta.Elisabeta who commits suicide by jumping into the river. Coppola even referred to her as such on the set.



%%* VictorianLondon

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%%* VictorianLondon * VictorianLondon: As in the book, the film takes place in 1897. The film notably cuts out Mina and Lucy's trip to Yorkshire for the summer, instead focusing on their time at Hillingham (which is closer to London).



%%* WorldOfHam

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%%* WorldOfHam* WorldOfHam: The film has a very operatic tone, with Dracula and Van Helsing in particular being quite hammy.
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* BeautyIsNeverTarnished: Elisabeta kills herself by jumping from a precipice high enough that she falls through clouds/mist. The only sign of the resulting damage is a trail of blood from her corpse's mouth.

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* BeautyIsNeverTarnished: Elisabeta kills herself by jumping from a precipice high enough that she falls through clouds/mist. The Considering that she should have landed on her front and face, the only sign of the resulting damage is a trail dainty trickle of blood from her corpse's mouth.
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* TheVamp: Dracula's brides.
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* BeautyIsNeverTarnished: Elisabeta kills herself by jumping from a precipice high enough that she falls through clouds/mist. The only sign of the resulting damage is a trail of blood from her corpse's mouth.
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Flash forward to [[VictorianLondon England, 1897]]. A clerk named Renfield (Music/TomWaits) is gibbering in his [[BedlamHouse asylum cell]] while his replacement, Jonathan Harker (Creator/KeanuReeves), travels to Transylvania to complete the sale of various properties around London to a certain Count Dracula who is ''extremely'' intrigued when he sees a picture of Harker's bride-to-be, Mina Murray, as she looks ''remarkably'' like a certain lost love...


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Flash forward to [[VictorianLondon England, England]], [[TheGayNineties 1897]]. A clerk named Renfield (Music/TomWaits) is gibbering in his [[BedlamHouse asylum cell]] while his replacement, Jonathan Harker (Creator/KeanuReeves), travels to Transylvania to complete the sale of various properties around London to a certain Count Dracula who is ''extremely'' intrigued when he sees a picture of Harker's bride-to-be, Mina Murray, as she looks ''remarkably'' like a certain lost love...




%%* BloodFromTheMouth: Plenty of it!

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%%* BloodFromTheMouth: BloodFromTheMouthb: Plenty of it!



* HollywoodCostuming: The ladies' outfits follow the basic tenets of late-1890's fashion, but some details are just a bit off, like Lucy's unusually low neckline. However, Mina's decade-out-of-style bustle dress is actually an aversion, as it was intended to show that Mina couldn't afford the latest fashions, since she is "only a schoolmistress".

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* HollywoodCostuming: The ladies' outfits follow the basic tenets of late-1890's [[TheGayNineties late-1890's]] fashion, but some details are just a bit off, like Lucy's unusually low neckline. However, Mina's decade-out-of-style bustle dress is actually an aversion, as it was intended to show that Mina couldn't afford the latest fashions, since she is "only a schoolmistress".
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The 1992 movie adaption of [[Literature/{{Dracula}} the novel]] directed by Creator/FrancisFordCoppola from James V. Hart's script. Even though it follows the book much more closely than previous ''Dracula'' movies, one of its most obvious features is the romance plot that's not in the book.

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The 1992 movie adaption of [[Literature/{{Dracula}} the novel]] directed by Creator/FrancisFordCoppola from James V. Hart's script. Even though it follows the book much more closely than previous ''Dracula'' movies, one of its most obvious features is the a romance plot that's not in the book.

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The 1992 movie adaption of [[Literature/{{Dracula}} the novel]] directed by Creator/FrancisFordCoppola from James V. Hart's script.

to:

The 1992 movie adaption of [[Literature/{{Dracula}} the novel]] directed by Creator/FrancisFordCoppola from James V. Hart's script.
script. Even though it follows the book much more closely than previous ''Dracula'' movies, one of its most obvious features is the romance plot that's not in the book.

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