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* LennonSpecs: Dracula wears them.

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* LennonSpecs: Dracula wears them.them in his London-Dandy form.
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[[quoteright:336:[[{{Dracula}} http://static.tvtropes.org/pmwiki/pub/images/draculaffc_1255.jpg]]]]

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[[quoteright:336:[[{{Dracula}} [[quoteright:318:[[{{Dracula}} http://static.tvtropes.org/pmwiki/pub/images/draculaffc_1255.org/pmwiki/pub/images/dracula_kiss_4341.jpg]]]]
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* LennonSpecs: Dracula wears them.
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* AFormYouAreComfortableWith: Unlike earlier films, Dracula does not have a single fixed form - i.e. opera-cape, suit and slicked-back hair/little bat. He keeps shifting his forms, none of them consistent with his classic image. This was deliberately done as per Coppola to respect how in the original book, Dracula has different mutations and also to show how Dracula has been variously interpreted as a decaying count, a seductive young dandy, a Giant Half-Bat Half-Man thing, a wolf form and so on.
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No she\'s not. I think she\'s the \'youngest\' in the books.


** A minor example. The blonde vampire bride is the leader in the book. In this film Monica Bellucci's character is portrayed as the chief bride.
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** The idea of Dracula lusting after his reincarnated lover is absent in the book but it is a major part of ''Film/TheMummy1932', which was otherwise an Egyptian-flavored remake of ''{{Film/Dracula 1931}''}.
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* {{Cuckold}}: Jonathan Harker is an especially miserable example. While Mina never has ''sex'' with Dracula, their blood ritual late in the film obviously carries the same meaning. While Jonathan is trapped in the castle his fiance, who is the reason he went to Transylvania in the first place, is gallivanting around with his captor. After Jonathan manages to escape Mina only regrets that her affair must come to an end. By the end of the movie his wife is openly pining for the monster who imprisoned her fiance and raped and murdered her best friend. All he can do is tell her that when she eventually becomes a full vampire he won't kill her and by the end of the movie there is no indication that their relationship will heal.
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Harker\'s trauma is noted in the film, and Word of God refers to what happened as rape. Any double standard is in the audience and thus YMMV.


* DoubleStandardRapeFemaleOnMale: Given that they come out of literally nowhere and one of them ''bites him in the groin,'' Jonathan's encounter with Dracula's brides probably isn't entirely willing.
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--> '''Dracula:''' You think you can destroy me with your idols! I ''served'' the cross! I commanded nations, hundreds of years before you were born!

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--> '''Dracula:''' You think you can destroy me with your idols! I ''served'' I, who served the cross! I I, who commanded nations, hundreds ''hundreds'' of years before you were born!
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* DangerouslyCloseShave: Dracula does this to Harker- Harker is just nicked, but Dracula licking the blood off of the razor is one of the film's iconic moments.
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** This backstory comes from the fact that Dracula is an {{Expy}} of Vlad the Impaler who did oppose the Turks and wage a "Holy War" on behalf of God and protected Europe from Muslim influence. So from his perspective he was punished for doing God's work when his wife died.

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** This backstory comes from the fact that Dracula is an {{Expy}} of Vlad the Impaler UsefulNotes/VladTheImpaler who did oppose the Turks and wage a "Holy War" on behalf of God and protected Europe from Muslim influence. So from his perspective he was punished for doing God's work when his wife died.



* ImpaledWithExtremePrejudice: During the battle montage early on. Well Dracula IS Vlad the Impaler...what did you expect?

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* ImpaledWithExtremePrejudice: During the battle montage early on. Well Dracula IS Vlad the Impaler...UsefulNotes/VladTheImpaler...what did you expect?
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* FontAnachronism: We see a ticker tape typing out the message sent to Van Helsing from Dr. Seward. The type appears to be OCR (optical character reader) font which was not created until 1968. Keep in mind that the movie takes place in 1897. That's a 71 year difference.
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Moved to the Trivia tab.


* ActingForTwo: Winona Ryder plays both Elisabeta and Mina, of course. More subtly and symbolically, the priest who informs Vlad of Elisabeta's damnation is played by Anthony Hopkins, who turns up later as Van Helsing.
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** A fan-edited version exists, which cuts out the love story completely. Without the love story, it genuinely is the most faithful adaptation of Stoker's original novel.
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* AdaptationalModesty: Inverted. Lucy and Mina are quite modest in the original novel. This film cranks up the nudity and sex appeal.


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* AdaptationPersonalityChange: Lucy is an Ingenue, bordering on PuritySue in the books. This film portrays her as flirty and promiscuous, as well as slightly ditzy.
** A minor example. The blonde vampire bride is the leader in the book. In this film Monica Bellucci's character is portrayed as the chief bride.


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* BlondeBrunetteRedhead: Dracula's brides. One brunette receives an AdaptationDyeJob to become a redhead (there was the blonde and two brunettes in the book).


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* LastGuyWins: Lucy ends up picking Arthur as a husband - the last of her suitors to enter the room at the ball.
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* UnwittingInstigatorOfDoom: The priest who says Dracula's wife's damned.

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* GlamourFailure

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* GlamourFailureGlamourFailure


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* GothicHorror: More than most adaptions.
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* FontAnachronism: We see a ticker tape typing out the message sent to Van Helsing from Dr. Seward. The type appears to be OCR (optical character reader) font which was not created until 1968.

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* FontAnachronism: We see a ticker tape typing out the message sent to Van Helsing from Dr. Seward. The type appears to be OCR (optical character reader) font which was not created until 1968. Keep in mind that the movie takes place in 1897. That's a 71 year difference.
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* FontAnachronism: We see a ticker tape typing out the message sent to Van Helsing from Dr. Seward. The type appears to be OCR (optical character reader) font which was not created until 1968.
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* LicensedGame: Interesting in that the available versions barely resemble each other. The NES version plays like a horror-themed [[Franchise/SuperMarioBros Mario]] (complete with ? blocks!), the SNES/Genesis version is a more generic action platformer, and the Sega CD version injects the previous with at-the-time high tech 3D rendered backdrops... and injects context-less clips from the film that suffer from house-sized artifacts. There is also a PC game played from the first person perspective as well as an Amiga version that fell somewhere between the Megadrive/Genesis, SNES and Sega CD versions gameplay-wise.

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* LicensedGame: Interesting in that the available versions [[ReformulatedGame barely resemble each other.other]]. The NES version plays like a horror-themed [[Franchise/SuperMarioBros Mario]] (complete with ? blocks!), the SNES/Genesis version is a more generic action platformer, and the Sega CD version injects the previous with at-the-time high tech 3D rendered backdrops... and injects along with context-less clips from the film that suffer from house-sized artifacts. There is also a PC game played from the first person perspective as well as an Amiga version that fell somewhere between the Megadrive/Genesis, SNES and Sega CD versions gameplay-wise.
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* AllStarCast: Most of the leads were A-listers at the time -- Anthony Hopkins was just coming off his ''Silence of the Lambs'' triumph -- with notable character actors rounding out the cast. This was effectively Gary Oldman's breakthrough role for mainstream American audiences.



* FakeNationality: Over half of the main cast, with the exceptions of Dr. Seward, Lucy, Arthur and Quincy.
** Since Dr. Seward's presumably not [[Creator/RichardEGrant Swazi/British colonial]] in this adaptation, he sort of qualifies as well.
** Averted with Romanian actress Florina Kendrick, as the Dracula bride who bites Harker in [[GroinAttack a sensitive spot]].
** Gary Oldman, who is British in real life, plays Dracula, who is Transylvanian.



* RecursiveAdaptation: The film was adapted into a novelization by Creator/FredSaberhagen.

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* AdaptationalHeroism: Dracula gets this treatment in the film. He becomes a vampire for renouncing God after his bride kills herself (and the Priest declares that her soul would be eternally damned as a result) and then falls in love with Mina because she is her reincarnation. ** This backstory comes from the fact that Dracula is an {{Expy}} of Vlad the Impaler who did oppose the Turks and wage a "Holy War" on behalf of God and protected Europe from Muslim influence. So from his perspective he was punished for doing God's work when his wife died.

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* AdaptationalHeroism: Dracula gets this treatment in the film. He becomes a vampire for renouncing God after his bride kills herself (and the Priest declares that her soul would be eternally damned as a result) and then falls in love with Mina because she is her reincarnation.
** This backstory comes from the fact that Dracula is an {{Expy}} of Vlad the Impaler who did oppose the Turks and wage a "Holy War" on behalf of God and protected Europe from Muslim influence. So from his perspective he was punished for doing God's work when his wife died.



* ImpaledWithExtremePrejudice: During the battle montage early on.

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* ImpaledWithExtremePrejudice: During the battle montage early on. Well Dracula IS Vlad the Impaler...what did you expect?
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* {{Deconstruction}}: The film deconstructs the ''Dracula'' myth by reconstructing many of the UnbuiltTropes of the original, such as clarifying the ''vampires are not killed by sunlight'' trope. (Rather, they are depowered.) More broadly, the film expands upon the book as a portrait of Victorian London and the changing mores of sexuality, women and the advances of science that was part of the time and goes on to expand on the sexual subtext of the story, which is what underlies the Mina-Dracula romance.

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* {{Deconstruction}}: The film deconstructs the ''Dracula'' myth by reconstructing many of the UnbuiltTropes UnbuiltTrope of the original, such as clarifying the ''vampires are not killed by sunlight'' trope. (Rather, they are depowered.) More broadly, the film expands upon the book as a portrait of Victorian London and the changing mores of sexuality, women and the advances of science that was part of the time and goes on to expand on the sexual subtext of the story, which is what underlies the Mina-Dracula romance.

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Am removing Blatant Lies because it\'s not true, and it\'s already troped under In Name Only


* AdaptationalHeroism: Dracula gets this treatment in the film. He becomes a vampire for renouncing God after his bride kills herself (and the Priest declares that her soul would be eternally damned as a result) and then falls in love with Mina because she is her reincarnation. Yeah, it didn't make much sense.

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* AdaptationalHeroism: Dracula gets this treatment in the film. He becomes a vampire for renouncing God after his bride kills herself (and the Priest declares that her soul would be eternally damned as a result) and then falls in love with Mina because she is her reincarnation. Yeah, it didn't make much sense.** This backstory comes from the fact that Dracula is an {{Expy}} of Vlad the Impaler who did oppose the Turks and wage a "Holy War" on behalf of God and protected Europe from Muslim influence. So from his perspective he was punished for doing God's work when his wife died.



* BlatantLies: It was promoted as '' 'The Most Accurate Retelling of the original Dracula ever done' ''...but departed so drastically from the original novel that it needed its ''own'' {{Novelization}}! (That said, apart from the 1977 TV adaptation and the 1922 CaptainErsatz classic {{Film/Nosferatu}}, it ''is'' more faithful to the original novel than many prior adaptations, most of which were [[LostInImitation closer to the Lugosi movie and the play that it was based on]].)



* ByronicHero: Count Dracula.



* {{Deconstruction}}: The film uses many of the book's ideas about vampires, including the fact that the original book stated ''vampires are not killed by sunlight''. (Rather, they are depowered.) More broadly, the film expands upon the book as a portrait of Victorian London and the changing mores of sexuality, women and the advances of science that was part of the time and goes on to expand on the sexual subtext of the story.
** More importantly, it deconstructs Dracula's vampire image by never giving him a fixed human and vampire form, often changing and shifting identities in the course of the movie, never arriving at a fixed classical image.

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* {{Deconstruction}}: The film uses deconstructs the ''Dracula'' myth by reconstructing many of the book's ideas about vampires, including UnbuiltTropes of the fact that original, such as clarifying the original book stated ''vampires are not killed by sunlight''.sunlight'' trope. (Rather, they are depowered.) More broadly, the film expands upon the book as a portrait of Victorian London and the changing mores of sexuality, women and the advances of science that was part of the time and goes on to expand on the sexual subtext of the story.
story, which is what underlies the Mina-Dracula romance.
** More importantly, it deconstructs Dracula's vampire image by never giving him a fixed human and vampire form, often changing and shifting identities in the course of the movie, never arriving at a fixed classical image. image unlike Bela Lugosi's or Murnau's Nosferatu who are so ObviouslyEvil that you wonder why anyone is surprised when they turn out to be vampires. Here Dracula has [[VoluntaryShapeshifter a different form for different occasions]], the iconic traditional Old Dracula look when he greets Jonathan, a younger Londoner appearance when he visits Mina in daylight and a monstrous bat form and so on.



* FallenHero: From the Christian perspective. Dracula was once a servant of the cross.

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* FallenHero: From the Christian perspective. Dracula was once a servant of the cross.cross, defending Europe from [[ValuesDissonance Muslim influence]].



** InNameOnly: One reviewer quipped that it should have been called ''Bram Stoker's Dracula, If Francis Ford Coppola Had Been Standing Over His Shoulder Telling Him How It Should Be Written''. Whilst it certainly takes inspiration from the book, it is clearly Coppola's take on the Dracula mythos.

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** * InNameOnly: One reviewer quipped It was promoted as '' 'The Most Accurate Retelling of the original Dracula ever done' ''...but departed so drastically from the original novel that it should have been called ''Bram Stoker's Dracula, If Francis Ford Coppola Had Been Standing Over His Shoulder Telling Him How It Should Be Written''. Whilst it needed its ''own'' {{Novelization}}! Especially making the Mina-Dracula romance that was at best subtext in the original and certainly takes inspiration from not part of the plot into the central narrative.
** The film may not be faithful to the original story but it is faithful to the style of
the book, it is clearly Coppola's take on in presenting the different epistolary viewpoints on screen and bringing a Dracula mythos.closer to the Stoker original than many prior adaptations, most of which were [[LostInImitation closer to the Lugosi movie and the play that it was based on]].)
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* DullSurprise: Keanu Reeves.

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* DullSurprise: Keanu Reeves.Reeves, as always.
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* LoveRedeems: In the ending [[spoiler:Mina's love softens Dracula's heart and he asks her to end his torment. The final shot of the movie implies that Dracula and Elisabeta have been reunited in heaven.]]
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* WorthyOpponent: Van Helsing has a certain degree of respect for Dracula, even while acknowledging that it's necessary to destroy him.
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** Dracula's independent shadow and his rising from the coffin are taken from ''Film/{{Nosferatu}}'', while many famous quotes are included from [[{{Film/Dracula 1931}} the Lugosi version]]. Coppola also included a lot of [[ShoutOut Shout Outs]] to his old mentor, RogerCorman, with the film's style similar to Corman's Edgar Allan Poe films.

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** Dracula's independent shadow and his rising from the coffin are taken from ''Film/{{Nosferatu}}'', while many famous quotes are included from [[{{Film/Dracula 1931}} the Lugosi version]]. Coppola also included a lot of [[ShoutOut Shout Outs]] to his old mentor, RogerCorman, Creator/RogerCorman, with the film's style similar to Corman's Edgar Allan Poe films.
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** Dracula's independent shadow and his rising from the coffin are taken from ''Film/{{Nosferatu}}'', while many famous quotes are included from [[{{Film/Dracula}} the Lugosi version]]. Coppola also included a lot of [[ShoutOut Shout Outs]] to his old mentor, RogerCorman, with the film's style similar to Corman's Edgar Allan Poe films.

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** Dracula's independent shadow and his rising from the coffin are taken from ''Film/{{Nosferatu}}'', while many famous quotes are included from [[{{Film/Dracula}} [[{{Film/Dracula 1931}} the Lugosi version]]. Coppola also included a lot of [[ShoutOut Shout Outs]] to his old mentor, RogerCorman, with the film's style similar to Corman's Edgar Allan Poe films.



** "[[IDoNotDrinkWine I never drink... wine]]" is used verbatim in a shout out to Lugosi's ''Film/{{Dracula}}'' (1930].

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** "[[IDoNotDrinkWine I never drink... wine]]" is used verbatim in a shout out to Lugosi's ''Film/{{Dracula}}'' (1930].''Film/{{Dracula 1931}}''.
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* UltimateUniverse: Gary Oldman's portrayal of Count Dracula incorporates both Bela Lugosi's distinctive accent and Max Schreck's "creepy and clawed" comportment from ''Film/{{Nosferatu}}''. As well, the romantic approach given to his and Mina's relationship was presaged by the 1979 version that toplined Frank Langella (in that version, the heroine doesn't feel shame for her longing to be with Dracula and is even nastier to the good guys who want to save her).

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* UltimateUniverse: Gary Oldman's portrayal of Count Dracula incorporates both Bela Lugosi's distinctive accent and Max Schreck's "creepy and clawed" comportment from ''Film/{{Nosferatu}}''. As well, the romantic approach given to his and Mina's relationship was presaged by [[Film/{{Dracula 1979}} the 1979 version version]] that toplined Frank Langella (in that version, the heroine doesn't feel shame for her longing to be with Dracula and is even nastier to the good guys who want to save her).

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