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** In the outtakes, Bo creates a few of these and uses them as B-roll by pointing his camera at a monitor; the [=YouTube=]-labeled chapter of one instance is even titled "mise en abyme" (a formal technique in Western art of placing a copy of an image within itself). He creates a similar effect at the end of "This Isn't a Joke".

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** In the outtakes, Bo creates a few of these and uses them as B-roll B-Roll footage by pointing his camera at a monitor; the [=YouTube=]-labeled chapter of one instance is even titled "mise en abyme" (a formal technique in Western art of placing a copy of an image within itself). He creates a similar effect at the end of "This Isn't a Joke".

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* LyricalDissonance: "That Funny Feeling" is a soft campfire song about the anxiety of impending societal collapse.

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* LyricalDissonance: A staple of Bo's comedy style that continues here.
**
"That Funny Feeling" is a soft campfire song about the anxiety of impending societal collapse.collapse.
** Socko's verse in "How the World Works" discusses the harsh realities of history and society while still being set to a jaunty children's song.
** "Shit" is a bouncy funk tune about [[WhatItSaysOnTheTin feeling like shit.]]
** In "All Time Low", Bo details what sounds like a panic attack through an upbeat pop song.


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* FailedASpotCheck: In "Microwave Popcorn" Bo burns a bag of popcorn and resorts to eating Skinny Pop before realizing there's a button on the microwave designated for popcorn.
--> ''I look back at the microwave--wait a minute''
--> ''How'd I miss this button? There's a button and the button says "Popcorn"''
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Corpsing is now trivia, moving to that tab.


* {{Corpsing}}: Bo can't help but laugh a bit after the line about ''Harry Potter'' fanart in "Welcome to the Internet".

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* DarkReprise:
** "Goodbye" ends with a reprise of "Welcome to the Internet," "Comedy," and and an almost nightmarish "Look Who's Inside Again". While none of those were exactly positive songs to begin with, they now focus entirely on Bo himself and the crossroads between his ambitions and his anxieties.
** The outtakes contain a brief scene of Bo creepily smiling in the dark paired with a clip of "How the World Works" slowed down to ''incredibly'' unnerving effect.



* DarkReprise: "Goodbye" ends with a reprise of "Welcome to the Internet," "Comedy," and and an almost nightmarish "Look Who's Inside Again". While none of those were exactly positive songs to begin with, they now focus entirely on Bo himself and the crossroads between his ambitions and his anxieties.
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On May 30, 2022, the one-year anniversary of ''Inside'', Bo announced that he would be releasing a collection of material left on the editing room floor during the production of the special in an hour's time on his [=YouTube=] channel. The end result, an hour-long video titled ''[[https://www.youtube.com/watch?v=5XWEVoI40sE The Inside Outtakes]]'', contains original bits and songs that didn't make the final cut alongside alternate versions of songs from the special. With the upload of the video, a deluxe version of the ''Inside'' album was also announced for eventual release on June 3. It contains the cut songs which appeared in the outtakes as well as the instrumental tracks from the special and two tracks which were also written for the special but didn’t make the cut for either the special proper or the outtakes.

to:

On May 30, 2022, the one-year anniversary of ''Inside'', Bo Burnham announced that he would be releasing a collection of material left on the editing room floor during the special's production of the special in an hour's time on his [=YouTube=] channel. The end result, an hour-long video titled ''[[https://www.youtube.com/watch?v=5XWEVoI40sE The Inside Outtakes]]'', contains original bits and songs that didn't make the final cut alongside alternate versions of songs from the special. With the upload of the video, a deluxe version of the ''Inside'' album was also announced for eventual release on June 3. It contains the cut songs which appeared in the outtakes as well as the instrumental tracks from the special and two tracks which were also written for the special but didn’t make the cut for either the special proper or the outtakes.



* TooDesperateToBePicky: "Biden" is Bo lamenting that he felt the best option for US President in the 2020 election was UsefulNotes/JoeBiden.

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* TooDesperateToBePicky: "Biden" is revolves around Bo lamenting that he felt the best option for US President in the 2020 election was UsefulNotes/JoeBiden.
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** "All-Time Low" starts with Bo (in spoken words) saying that his mental health has hit an all-time low. He suddenly transitions into a jaunty, upbeat tune with LyricalDissonance about how it feels like he's going to die at any moment. After that, he ends the track by saying "so yeah, not doing great" in spoken word again.
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* ByNoIMeanYes: In one part of "The Future":

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* ByNoIMeanYes: In one part of "The Future":Future", a song about crushing depressive feelings:



* TooDesperateToBePicky: "Biden" is Bo lamenting that the best option for US President at the time was UsefulNotes/JoeBiden.

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* TooDesperateToBePicky: "Biden" is Bo lamenting that he felt the best option for US President at in the time 2020 election was UsefulNotes/JoeBiden.
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''Bo Burnham: Inside'' (oftentimes referred to as just ''Inside'') is a 2021 musical special written, directed, filmed, edited and performed by comedian Creator/BoBurnham. The special was his first in five years following a hiatus from stage work that he took following 2016's ''Make Happy''.

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''Bo Burnham: Inside'' (oftentimes referred to as just ''Inside'') is a 2021 musical special written, directed, filmed, shot, edited and performed by comedian Creator/BoBurnham. The special was his first in five years following a hiatus from stage work that he took following 2016's ''Make Happy''.
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* IJustWantToBeYou: "1985" is all about how Bo wants to be an oblivious white guy in UsefulNotes/TheEighties. Bo then admits that not every white guy had it easy in 1985, before admitting that who he really wants to be is his father, Scott Burnham, in 1985.

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* IJustWantToBeYou: "1985" is all about how Bo wants to be an oblivious white guy in UsefulNotes/TheEighties. Bo then admits that not every white guy had it easy in 1985, before admitting that who he really wants to be is his father, father Scott Burnham, Burnham in 1985.1985 because "my father was happier than I am".



* MinorFlawMajorBreakup: Subverted and parodied in "Five Years", a song to a hypothetical girlfriend of five years about things Bo finds annoying about her, like eating his dumplings without asking, claiming to be a feminist but telling him to "be a man" and kill a spider, and needing to use the bathroom every time that he does.

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* MinorFlawMajorBreakup: Subverted and parodied in "Five Years", a song to a hypothetical girlfriend of five years about things Bo finds annoying about her, like eating his dumplings without asking, claiming to be a feminist but telling him to "be a man" and kill a spider, and needing to use the bathroom every time that he does.does despite the fact that they have two bathrooms.

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* BrandX: The outtakes feature bits revolving around companies obviously evocative of Google, [=YouTube=] and Creator/MarvelStudios among others -- except the names of all of them are simply replaced with "Inside", still bearing their iconic text and coloring.


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* BrandX: The outtakes feature bits revolving around companies obviously evocative of Google, [=YouTube=] and Creator/MarvelStudios among others -- except the names of all of them are simply replaced with "Inside", still bearing their iconic text and coloring.

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* BrandX: The outtakes feature bits revolving around companies obviously evocative of Google, [=YouTube=] and Creator/MarvelStudios among others -- except the names of all of them are simply replaced with "Inside", still bearing their iconic text and coloring.



* GenreBusting: Given its extensive coverage of controversial, serious subject matter and varying tones (ranging from genuinely funny to bleakly funny to sad to disturbing to nihilistic), it was evident that simply categorizing ''Inside'' as a "comedy special" wasn't going to cut it, and mass debate and analysis have brought no objective consensus. Various parts are dedicated to comedy, drama, music and stand-up, while the overarching presentation has been described as akin to a documentary or diary/essay film, and the special references its own existence and production in a thoroughly postmodern/metamodern manner. To top all of this off, at least one comment exists online where someone deems the special the funniest {{psychological horror}} they've seen.
* GoMadFromTheIsolation: The special was shot as Bo was social distancing in his house alone during the 2020 pandemic. [[DarkerAndEdgier Things get dark.]]



* NewSoundAlbum: The original special and outtakes incorporate a number of genres mostly uncharted by the music in Bo's past specials, including new wave, alternative R&B, bedroom pop, and '80s-style synthpop.
* OneManSong: "Bezos I" through "Bezos IV", all centered around Creator/{{Amazon}} founder Jeff Bezos.



* GenreBusting: Given its extensive coverage of controversial, serious subject matter and varying tones (ranging from genuinely funny to bleakly funny to sad to disturbing to nihilistic), it was evident that simply categorizing ''Inside'' as a "comedy special" wasn't going to cut it, and mass debate and analysis have brought no objective consensus. Various parts are dedicated to comedy, drama, music and stand-up, while the overarching presentation has been described as akin to a documentary or diary/essay film, and the special references its own existence and production in a thoroughly postmodern/metamodern manner. To top all of this off, at least one comment exists online where someone deems the special the funniest {{psychological horror}} they've seen.
* GoMadFromTheIsolation: The special was shot as Bo was social distancing in his house alone during the 2020 pandemic. [[DarkerAndEdgier Things get dark.]]



* NewSoundAlbum: Incorporates a number of genres mostly uncharted by the music in Bo's past specials, including new wave, alternative R&B, bedroom pop, and '80s-style synthpop.
* OneManSong: "Bezos I" and "Bezos II", both centered around Creator/{{Amazon}} founder Jeff Bezos.



* WrongfullyAttributed: InUniverse, one of the stock posting mishaps of basic white women in "White Women's Instagram" is "Some random quote from ''[[Literature/TheLordOfTheRings Lord of the Rings]]'', incorrectly attributed to [[UsefulNotes/MartinLutherKingJr Martin Luther King]]".

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* WrongfullyAttributed: InUniverse, InUniverse; one of the stock posting mishaps of basic white women in "White Women's Instagram" is "Some random quote from ''[[Literature/TheLordOfTheRings Lord of the Rings]]'', incorrectly attributed to [[UsefulNotes/MartinLutherKingJr Martin Luther King]]".



* {{Parody}}: "Five Years" is a pastiche of the modern R&B sound popularized by artists like Music/{{Drake}}, and takes overt influence from several of his songs. Bo's voicemail at the start has been compared to the similar use of an opening voicemail in "Marvins Room", numerous vocal melodies and cadences are lifted straight from "Controlla", and the set lighting for most of the song is reminiscent of the video for "Hotline Bling".

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* {{Parody}}: NoCelebritiesWereHarmed: One bit in the outtakes revolves around a presentation from the media production company "[[Creator/MarvelStudios Inside Studios]]" helmed by Bo assuming the persona of its president, and a self-described [[TakeThat "adult man in a baseball hat"]], in a clear nod to Creator/KevinFeige.
* {{Pastiche}}:
"Five Years" is a pastiche of one for the modern R&B sound popularized by artists like Music/{{Drake}}, and takes overt influence from several of his songs. Bo's voicemail at the start has been compared to the similar use of an opening voicemail in "Marvins Room", numerous vocal melodies and cadences are lifted straight from "Controlla", and the set lighting for most of the song is reminiscent of the video for "Hotline Bling".Bling".
* RearrangeTheSong: Done extensively, reaching particularly insane heights in the "Inside Studios" bit.

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[[caption-width-right:350:''"Well, well, look who's inside again..."'']]

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[[caption-width-right:350:''"Well, well, look who's inside again...[[caption-width-right:350:''"It's a beautiful day to stay inside."'']]



[[foldercontrol]]

[[folder:Both Specials]]
* ArcWords: "Stay inside" or a variant thereof is a recurring message, communicated mainly through use as a lyric in multiple songs in the original special ("Content", "All Eyes on Me", "Goodbye", etc.) and as a slogan in ads for various fictional companies in the outtakes.
* AspectRatioSwitch: Present throughout the special and outtakes. For example, most of "White Woman's Instagram" is shot in square format to mimic an Instagram post. Once the woman [[HiddenDepths starts opening up about her emotions in a genuine manner]], the screen widens...then reverts back to square when she returns to cliche posting.
* BeardOfSorrow: ''Inside'' was Bo's first special since he stepped away from performing on stage in 2015, and, since the special mainly focuses on his anxiety and depression, both his hair and facial hair are very unkempt throughout.
* DarkerAndEdgier: ''Inside'' is darker than Bo's previous material. What happens if, mid-UsefulNotes/Covid19Pandemic, Bo spends months making a special inside his own house, without any audience or ''anyone'' else on camera but him? You get an uncomfortably close look at his own mental struggles that have only gotten worse as the pandemic has rolled on. Dealing with his anxiety and depression is a frequent theme of his work, but it becomes much more resonant without an audience to please.
* DoubleMeaningTitle: The title is repeated quite a bit, both in the sense of the physical inside (as the special is largely shot in one room) and the emotional inside (as it is deeply introspective on Bo's behalf).
* DrosteImage:
** Following "Unpaid Intern", we cut to Bo reacting to the song and commenting on it. [[spoiler:But after the song within the video ends, the video itself keeps going, this time playing Bo's reaction to his song, which he is understandably confused by. This continues with Bo commenting on and criticising his other reactions before he finally makes it stop after four or five loops.]]
** In the outtakes, Bo creates a few of these and uses them as B-roll by pointing his camera at a monitor; the [=YouTube=]-labeled chapter of one instance is even titled "mise en abyme" (a formal technique in Western art of placing a copy of an image within itself). He creates a similar effect at the end of "This Isn't a Joke".
--->"Look at me and me ''and me and me and me''--"
* NakedPeopleAreFunny: Bo briefly appears nude at the end of "Goodbye" and twice in the outtakes: once during a montage of him walking into a shot after setting up the camera (with his backside pixelated), and again in a separate bit of him opening and closing his bathroom door while on the toilet.
[[/folder]]



* AspectRatioSwitch: Present throughout the special. For example, most of "White Woman's Instagram" is shot in square format to mimic an Instagram post. Once the woman [[HiddenDepths starts opening up about her emotions in a genuine manner]], the screen widens...then reverts back to square when she returns to cliche posting.
* BeardOfSorrow: ''Inside'' was Bo's first special since he stepped away from performing on stage in 2015, and, since the special mainly focuses on his anxiety and depression, both his hair and facial hair are very unkempt.



* DarkerAndEdgier: ''Inside'' is darker than Bo's previous material. What happens if, mid-UsefulNotes/Covid19Pandemic, Bo spends months making a special inside his own house, without any audience or ''anyone'' else on camera but him? You get an uncomfortably close look at his own mental struggles that have only gotten worse as the pandemic has rolled on. Dealing with his anxiety and depression is a frequent theme of his work, but it becomes much more resonant without an audience to please.
* DarkReprise: "Goodbye" ends with a reprise of "Welcome to the Internet," "Comedy," and and an almost nightmarish "Look Who's Inside Again". While none of those were exactly positive songs to begin with, they now focus entirely on Bo himself and the crossroads between his ambitions and his anxieties.
* DoubleMeaningTitle: The title is repeated quite a bit, both in the sense of the physical inside (as the special is largely shot in one room) and the emotional inside (as it is deeply introspective on Bo's behalf).
* DrosteImage: Following "Unpaid Intern", we cut to Bo reacting to the song and commenting on it. [[spoiler:But after the song within the video ends, the video itself keeps going, this time playing Bo's reaction to his song, which he is understandably confused by. This continues with Bo commenting on and criticising his other reactions before he finally makes it stop after four or five loops.]]

to:

* DarkerAndEdgier: ''Inside'' is darker than Bo's previous material. What happens if, mid-UsefulNotes/Covid19Pandemic, Bo spends months making a special inside his own house, without any audience or ''anyone'' else on camera but him? You get an uncomfortably close look at his own mental struggles that have only gotten worse as the pandemic has rolled on. Dealing with his anxiety and depression is a frequent theme of his work, but it becomes much more resonant without an audience to please.
* DarkReprise: "Goodbye" ends with a reprise of "Welcome to the Internet," "Comedy," and and an almost nightmarish "Look Who's Inside Again". While none of those were exactly positive songs to begin with, they now focus entirely on Bo himself and the crossroads between his ambitions and his anxieties. \n* DoubleMeaningTitle: The title is repeated quite a bit, both in the sense of the physical inside (as the special is largely shot in one room) and the emotional inside (as it is deeply introspective on Bo's behalf).\n* DrosteImage: Following "Unpaid Intern", we cut to Bo reacting to the song and commenting on it. [[spoiler:But after the song within the video ends, the video itself keeps going, this time playing Bo's reaction to his song, which he is understandably confused by. This continues with Bo commenting on and criticising his other reactions before he finally makes it stop after four or five loops.]]



* ClusterFBomb: "WTFIGO" eventually transitions to Bo repeating "what the fuck is going on?" over and over in the second half of the song. The other songs aren't averse to swearing, but "WTFIGO" contains a swear word on every line in the latter part.

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* ByNoIMeanYes: In one part of "The Future":
-->''Is it gonna end? (Yes!)\\
When? (Never!)\\
Alrighty then.''
* ClusterFBomb: "WTFIGO" eventually transitions to Bo repeating "what "What the fuck is going on?" over and over in the second half of the song. The other songs aren't averse to swearing, but "WTFIGO" this one contains a swear word on every line in the latter part.part.
* FadingIntoTheNextSong: "Bezos III" transitions seamlessly into "The Future".



* SayMyName: "Bezos III" and "Bezos IV" mostly consist of repeating Jeff Bezos' name over and over again.

to:

* {{Parody}}: "Five Years" is a pastiche of the modern R&B sound popularized by artists like Music/{{Drake}}, and takes overt influence from several of his songs. Bo's voicemail at the start has been compared to the similar use of an opening voicemail in "Marvins Room", numerous vocal melodies and cadences are lifted straight from "Controlla", and the set lighting for most of the song is reminiscent of the video for "Hotline Bling".
* SayMyName: "Bezos III" and "Bezos IV" mostly consist of repeating Jeff Bezos' name over and over again.

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* ClusterFBomb: "WTFIGO" eventually transitions to repeating "what the fuck is going on?" over and over in the second half of the song. The other songs aren't averse to swearing, but "WTFIGO" contains a swear word on every line in the latter part.

to:

* ClusterFBomb: "WTFIGO" eventually transitions to Bo repeating "what the fuck is going on?" over and over in the second half of the song. The other songs aren't averse to swearing, but "WTFIGO" contains a swear word on every line in the latter part.



* LethalChef: "Microwave Popcorn" is all about Bo trying and failing to make microwave popcurn. He puts it in the microwave for too long, resulting in the popcorn coming out burnt.
* MinorFlawMajorBreakup: Subverted in "Five Years". Bo sings a song to a hypothetical girlfriend of five years about things he finds annoying about her, like eating his dumplings without asking, telling him to kill a spider, and needing to use the bathroom every time that he does.

to:

* LethalChef: "Microwave Popcorn" is all about Bo trying and failing to make microwave popcurn.popcorn. He puts it in the microwave for too long, resulting in the popcorn coming out burnt.
* MinorFlawMajorBreakup: Subverted and parodied in "Five Years". Bo sings Years", a song to a hypothetical girlfriend of five years about things he Bo finds annoying about her, like eating his dumplings without asking, claiming to be a feminist but telling him to "be a man" and kill a spider, and needing to use the bathroom every time that he does.



* TooDesperateToBePicky: "Biden" is Bo lamenting that the best option for president at the time was UsefulNotes/JoeBiden, wondering how things came to be that Biden is "the best-case scenario".

to:

* TooDesperateToBePicky: "Biden" is Bo lamenting that the best option for president US President at the time was UsefulNotes/JoeBiden, wondering how things came to be that Biden UsefulNotes/JoeBiden.
-->''They're really gonna make me vote for Joe Biden.\\
How
is "the the best-case scenario".scenario Joe Biden?''
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Added DiffLines:

[[folder:''Inside'']]


Added DiffLines:

[[/folder]]

[[folder:''Inside Outtakes'' / Deluxe Edition]]
* ClusterFBomb: "WTFIGO" eventually transitions to repeating "what the fuck is going on?" over and over in the second half of the song. The other songs aren't averse to swearing, but "WTFIGO" contains a swear word on every line in the latter part.
* IJustWantToBeYou: "1985" is all about how Bo wants to be an oblivious white guy in UsefulNotes/TheEighties. Bo then admits that not every white guy had it easy in 1985, before admitting that who he really wants to be is his father, Scott Burnham, in 1985.
* LethalChef: "Microwave Popcorn" is all about Bo trying and failing to make microwave popcurn. He puts it in the microwave for too long, resulting in the popcorn coming out burnt.
* MinorFlawMajorBreakup: Subverted in "Five Years". Bo sings a song to a hypothetical girlfriend of five years about things he finds annoying about her, like eating his dumplings without asking, telling him to kill a spider, and needing to use the bathroom every time that he does.
* SayMyName: "Bezos III" and "Bezos IV" mostly consist of repeating Jeff Bezos' name over and over again.
* TooDesperateToBePicky: "Biden" is Bo lamenting that the best option for president at the time was UsefulNotes/JoeBiden, wondering how things came to be that Biden is "the best-case scenario".
[[/folder]]
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The original tracklist missed one.

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# "Bezos II"
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Adding the tracks from the deluxe soundtrack

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''Tracks exclusive to the Deluxe Edition''
[[AC:Disc 3]]
# "Bezos III"
# "The Future"
# "WTFIGO"
# "1985"
# "Feel Good"
# "Five Years"
# "Biden"
# "Microwave Popcorn"
# "Bezos IV"
# "Spider"
# "This Isn't a Joke"
# "The Chicken"

[[AC:Disc 4]]
# "The Inside Waltz"
# "Brand Consultant"
# "Looking Back"
# "Knife"
# "Window Washer"
# "Video Game"
# "Sleep"
# "Jeans"
# "Be Yourself"
# "Peanut Butter"
# "Camera"
# "Triggered"
# "The ICU"

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* TheScottishTrope: Throughout the run of ''Inside'', Bo never actually refers to the pandemic by name, instead referring to "the funniest thing [happening]" that forced him to stay isolated just when he was getting out of his depressive funk and planning a return to comedy.

to:

* TheScottishTrope: Throughout the run of ''Inside'', Bo never actually refers to the pandemic by name, instead at most referring to "the funniest thing [happening]" that forced him to stay isolated just when he was getting out of his depressive funk and planning a return to comedy.



* WhamLine: "White Woman's Instagram" has ''two'' in a short period.
** First comes "It's been a decade since you've been gone...", after which the song takes a sincere and empathetic turn away from the mockery preceding it.
** The end of the same breakdown also has "Give a hug and kiss to Dad," [[spoiler:possibly insinuating that ''both'' of the titular white woman's parents are dead.]]

to:

* WhamLine: "White Woman's Instagram" has ''two'' in a short period.
** First comes
"It's been a decade since you've been gone...", after which the song takes a sincere and empathetic turn away from the mockery preceding it.
** The end of the same breakdown also has "Give a hug and kiss to Dad," [[spoiler:possibly insinuating that ''both'' of the titular white woman's parents are dead.]]
it.
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On May 30, 2022, the one-year anniversary of ''Inside'', Bo announced that he would be releasing a collection of material left on the editing room floor during the production of the special in an hour's time on his [=YouTube=] channel. The end result, an hour-long video titled ''[[https://www.youtube.com/watch?v=5XWEVoI40sE The Inside Outtakes]]'', contains original bits and songs that didn't make the final cut alongside alternate versions of songs from the special. With the upload of the video, a deluxe version of the ''Inside'' album was also announced, which released on June 3, containing the cut songs which appeared in the outtakes, as well as the instrumental tracks from the special and two tracks which were also written for the special but didn’t make the cut for either the special proper or the outtakes.

to:

On May 30, 2022, the one-year anniversary of ''Inside'', Bo announced that he would be releasing a collection of material left on the editing room floor during the production of the special in an hour's time on his [=YouTube=] channel. The end result, an hour-long video titled ''[[https://www.youtube.com/watch?v=5XWEVoI40sE The Inside Outtakes]]'', contains original bits and songs that didn't make the final cut alongside alternate versions of songs from the special. With the upload of the video, a deluxe version of the ''Inside'' album was also announced, which released announced for eventual release on June 3, containing 3. It contains the cut songs which appeared in the outtakes, outtakes as well as the instrumental tracks from the special and two tracks which were also written for the special but didn’t make the cut for either the special proper or the outtakes.
Is there an issue? Send a MessageReason:
Updated information about INSIDE (DELUXE)


On May 30, 2022, the one-year anniversary of ''Inside'', Bo announced that he would be releasing a collection of material left on the editing room floor during the production of the special in an hour's time on his [=YouTube=] channel. The end result, an hour-long video titled ''[[https://www.youtube.com/watch?v=5XWEVoI40sE The Inside Outtakes]]'', contains original bits and songs that didn't make the final cut alongside alternate versions of songs from the special. With the upload of the video, a deluxe version of the ''Inside'' album (likely containing songs from the outtakes) was also announced for release on June 3.

to:

On May 30, 2022, the one-year anniversary of ''Inside'', Bo announced that he would be releasing a collection of material left on the editing room floor during the production of the special in an hour's time on his [=YouTube=] channel. The end result, an hour-long video titled ''[[https://www.youtube.com/watch?v=5XWEVoI40sE The Inside Outtakes]]'', contains original bits and songs that didn't make the final cut alongside alternate versions of songs from the special. With the upload of the video, a deluxe version of the ''Inside'' album (likely was also announced, which released on June 3, containing the cut songs which appeared in the outtakes, as well as the instrumental tracks from the outtakes) was special and two tracks which were also announced written for release on June 3.the special but didn’t make the cut for either the special proper or the outtakes.

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The special was released on May 30, 2021 on Creator/{{Netflix}}, and had a limited US theatrical release in the summer of the same year[[note]]It was initially announced that showings would only be held on July 22 as a "one night only" event, but between the high demand that grew and the rapid rate of show sellouts, many theaters extended the run across the weekend, with some even adding additional showings afterwards.[[/note]], making it the first Netflix "comedy" special to ever receive theatrical distribution. The accompanying soundtrack, ''Inside (The Songs)'', was released on various platforms on June 10[[note]]A physical CD and vinyl release was later announced in September.[[/note]] by Republic Records, with label executive Tyler Arnold personally reaching out to Burnham, having been a fan of his for years and being a huge fan of the special [[note]]This marked the first instance of a simultaneous film/album release for a Burnham special since ''what.'' in 2013, following legal complications obstructing the process for ''Make Happy'' -- and potentially in part a result of heavy online fan campaigning for ''Inside'' to avoid a similar fate.[[/note]] Bo released a collection of cutting-room-floor material entitled ''The Inside Outtakes'' [[https://www.youtube.com/watch?v=5XWEVoI40sE on his [=YouTube=] channel]] exactly one year later on May 30, 2022.

to:

The special was released on May 30, 2021 on Creator/{{Netflix}}, and had a limited US theatrical release in the summer of the same year[[note]]It was initially announced that showings would only be held on July 22 as a "one night only" event, but between the high demand that grew and the rapid rate of show sellouts, many theaters extended the run across the weekend, with some even adding additional showings afterwards.[[/note]], afterwards[[/note]], making it the first Netflix "comedy" special to ever receive theatrical distribution. The accompanying soundtrack, ''Inside (The Songs)'', was released on various platforms on June 10[[note]]A physical CD and vinyl release was later announced in September.[[/note]] by Republic Records, with label executive Tyler Arnold personally reaching out to Burnham, Bo, having been a fan of his for years and being a huge fan of the special [[note]]This special[[note]]This marked the first instance of a simultaneous film/album release for a Burnham special one of Bo's specials since ''what.'' in 2013, following legal complications obstructing the process for ''Make Happy'' -- and potentially in part a result of heavy online fan campaigning for ''Inside'' to avoid a similar fate.[[/note]] fate[[/note]].

On May 30, 2022, the one-year anniversary of ''Inside'',
Bo released announced that he would be releasing a collection of cutting-room-floor material entitled ''The Inside Outtakes'' [[https://www.left on the editing room floor during the production of the special in an hour's time on his [=YouTube=] channel. The end result, an hour-long video titled ''[[https://www.youtube.com/watch?v=5XWEVoI40sE The Inside Outtakes]]'', contains original bits and songs that didn't make the final cut alongside alternate versions of songs from the special. With the upload of the video, a deluxe version of the ''Inside'' album (likely containing songs from the outtakes) was also announced for release on his [=YouTube=] channel]] exactly one year later on May 30, 2022.June 3.

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The special was released on May 30, 2021 on Creator/{{Netflix}}, and had a limited US theatrical release in the summer of the same year[[note]]It was initially announced that showings would only be held on July 22 as a "one night only" event, but between the high demand that grew and the rapid rate of show sellouts, many theaters extended the run across the weekend, with some even adding additional showings afterwards.[[/note]], making it the first Netflix "comedy" special to ever receive theatrical distribution. The accompanying soundtrack, ''Inside (The Songs)'', was released on various platforms on June 10[[note]]A physical CD and vinyl release was later announced in September.[[/note]] by Republic Records, with label executive Tyler Arnold personally reaching out to Burnham, having been a fan of his for years and being a huge fan of the special. This marked the first instance of a simultaneous film/album release for a Burnham special since ''what.'' in 2013, following legal complications obstructing the process for ''Make Happy'' -- and potentially in part a result of heavy online fan campaigning for ''Inside'' to avoid a similar fate.

to:

The special was released on May 30, 2021 on Creator/{{Netflix}}, and had a limited US theatrical release in the summer of the same year[[note]]It was initially announced that showings would only be held on July 22 as a "one night only" event, but between the high demand that grew and the rapid rate of show sellouts, many theaters extended the run across the weekend, with some even adding additional showings afterwards.[[/note]], making it the first Netflix "comedy" special to ever receive theatrical distribution. The accompanying soundtrack, ''Inside (The Songs)'', was released on various platforms on June 10[[note]]A physical CD and vinyl release was later announced in September.[[/note]] by Republic Records, with label executive Tyler Arnold personally reaching out to Burnham, having been a fan of his for years and being a huge fan of the special. This special [[note]]This marked the first instance of a simultaneous film/album release for a Burnham special since ''what.'' in 2013, following legal complications obstructing the process for ''Make Happy'' -- and potentially in part a result of heavy online fan campaigning for ''Inside'' to avoid a similar fate.[[/note]] Bo released a collection of cutting-room-floor material entitled ''The Inside Outtakes'' [[https://www.youtube.com/watch?v=5XWEVoI40sE on his [=YouTube=] channel]] exactly one year later on May 30, 2022.
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''Bo Burnham: Inside'' (sometimes referred to as just ''Inside'') is a 2021 musical special written, directed, filmed, edited and performed by comedian Creator/BoBurnham. The special was his first in five years following a hiatus from stage work that he took following 2016's ''Make Happy''.

to:

''Bo Burnham: Inside'' (sometimes (oftentimes referred to as just ''Inside'') is a 2021 musical special written, directed, filmed, edited and performed by comedian Creator/BoBurnham. The special was his first in five years following a hiatus from stage work that he took following 2016's ''Make Happy''.

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* AmbiguousEnding: The ending has Bo [[spoiler:step outside for the time in months but trying to get back inside the house once the audience starts laughing and the spotlight is on him. It then cuts to Bo sitting in a blue-lit room watching himself on a projector and smiling. The use of blue in the special reflect his existential crisis and mental health, indicating that this part of the ending is all in his head.]]
** [[spoiler: An optimist would say this ending is about Bo expecting to be scared when he can finally start performing on stage again but the smile is ultimately saying that he's going to be alright once that part is done.]]
** [[spoiler: A pessimist would say this is Bo becoming too adjusted to being home alone and him returning to the stage would be so overwhelming that it's only a matter of time until his mental health deteriorates again.]]

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* AmbiguousEnding: The ending has Bo [[spoiler:step outside for the first time in months but under a large spotlight, only to find upon trying to get back inside the house once the that his front door is locked, after which an audience starts incessantly laughing and the spotlight is on at him. It then cuts to Bo sitting in a blue-lit room watching himself this scene unfold on a projector and subtly smiling. The use of blue in the special reflect his existential crisis and mental health, indicating that this part of the ending is all in his head.]]
** [[spoiler: An optimist would say that this ending is about Bo expecting to be scared when he can finally start performing on stage again again, but the smile is ultimately saying communicating through the smile that he's going to be alright once that part is done.]]
** [[spoiler: A pessimist would say that this is Bo becoming too adjusted to being home alone and such that him returning to the stage would be so overwhelming that it's only a matter of time until his mental health deteriorates again.]]



* BeardOfSorrow: ''Inside'' was Burnham's first special since he stepped away from performing on stage in 2015, and, since the special mainly focuses on his anxiety and depression, both his hair and facial hair are very unkempt.

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* BeardOfSorrow: ''Inside'' was Burnham's Bo's first special since he stepped away from performing on stage in 2015, and, since the special mainly focuses on his anxiety and depression, both his hair and facial hair are very unkempt.



** "Welcome to the Internet"s primary humor dwells on the rapid switch between seemingly benign and absolutely horrid things you can find on the Internet.

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** The primary humor of "Welcome to the Internet"s primary humor Internet" dwells on the rapid switch between seemingly benign and absolutely horrid things you can find on the Internet.



* {{Corpsing}}: Burnham laughs a bit after the line about ''Harry Potter'' fanart in "Welcome to the Internet".
* DarkerAndEdgier: ''Inside'' is darker than Burnham's previous material. What happens if, mid-UsefulNotes/Covid19Pandemic, Bo spends months making a special inside his own house, without any audience or ''anyone'' else on camera but him? You get an uncomfortably close look at his own mental struggles that have only gotten worse as the pandemic has rolled on. Dealing with his anxiety and depression is a frequent theme of his work, but it becomes much more resonant without an audience to please.

to:

* {{Corpsing}}: Burnham laughs Bo can't help but laugh a bit after the line about ''Harry Potter'' fanart in "Welcome to the Internet".
* DarkerAndEdgier: ''Inside'' is darker than Burnham's Bo's previous material. What happens if, mid-UsefulNotes/Covid19Pandemic, Bo spends months making a special inside his own house, without any audience or ''anyone'' else on camera but him? You get an uncomfortably close look at his own mental struggles that have only gotten worse as the pandemic has rolled on. Dealing with his anxiety and depression is a frequent theme of his work, but it becomes much more resonant without an audience to please.



* GainaxEnding: The special [[spoiler:ends with Bo finally leaving his room, only to be confronted by a spotlight and the sound of a cheering audience. Horrified, he tries to get back in but is locked out, and the audience laughs endlessly as they watch him struggle...and all of this is being watched by Bo himself on a screen, still inside the room, who gives a small smile.]]

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* GainaxEnding: The special [[spoiler:ends with Bo finally leaving his room, only to be confronted by a spotlight and the sound of a cheering audience. Horrified, he tries to get back in but is finds that he's been locked out, and the audience laughs endlessly as they watch him struggle...and all of this is being watched by Bo himself on a screen, still inside the room, who gives a small smile.]]



* InternetSafetyAesop: The entire special involves criticising the use of the internet in the 21st century, ranging from irresponsible parents using it as a babysitting tool, users using social media to compensate for self-esteem issues and feelings of inadequacy, and how addictive it is.

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* InternetSafetyAesop: The entire special involves criticising the use of the internet in the 21st century, ranging from with its points including irresponsible parents using it as a babysitting tool, users using social media to compensate for self-esteem issues and feelings of inadequacy, and how addictive it is.



* ReactionVideo: The skit following "Unpaid Intern" is a [[ParodiedTrope parody]] [[spoiler:and {{deconstruction}}, showing Bo reacting to the song before inexplicably being made to react to his reaction of the song, and then ''that'' reaction, and so on, which turns into a process of him criticizing his own internal processes.]]



* TheScottishTrope: Throughout the run of ''Inside'', Burnham never actually refers to the pandemic by name, instead referring to "the funniest thing [happening]" that forced him to stay isolated just when he was getting out of his depressive funk.

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* TheScottishTrope: Throughout the run of ''Inside'', Burnham Bo never actually refers to the pandemic by name, instead referring to "the funniest thing [happening]" that forced him to stay isolated just when he was getting out of his depressive funk.funk and planning a return to comedy.



* TakeThat: "Bezos I" and "Bezos II" are sarcastic praises of Jeff Bezos, CEO of Creator/{{Amazon}} and one of the richest men in the world, who only became wealthier during the pandemic. In the former, Burnham calls out Bezos's SelfMadeMan narrative[[note]]he was from a relatively well-off family who invested hundreds of thousands of dollars into Amazon when it was starting out[[/note]], while in the latter Burnham snidely offers empty congratulations.

to:

* TakeThat: "Bezos I" and "Bezos II" are sarcastic praises of Jeff Bezos, CEO of Creator/{{Amazon}} and one of the richest men in the world, who only became wealthier during the pandemic. In the former, Burnham Bo calls out Bezos's SelfMadeMan narrative[[note]]he was from a relatively well-off family who invested hundreds of thousands of dollars into Amazon when it was starting out[[/note]], while in the latter Burnham Bo snidely offers empty congratulations.
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''Inside'' consists of a variety of satirical songs and sketches. Burnham filmed it without a crew or audience in the guest house of his Los Angeles home during the first year of the UsefulNotes/COVID19Pandemic. While the pandemic is never explicitly referenced, feelings that became universal in its wake are central to the special -- namely those of isolation, depression, nihilism and increasing frustration with the state of the world, all juxtaposed with topics of modern culture such as social activism and online personas. The indefinite seclusion also leads to Burnham reflecting on his career up to this point; as a result, further explored themes include performativity, a creator's relationship with the Internet and their audience, and generation gaps (spurred by Burnham turning 30 while making the special).

to:

''Inside'' consists of a variety of satirical songs and sketches. sketches, and was filmed by Burnham filmed it without a crew or audience in the guest house of his Los Angeles home during the first year of the UsefulNotes/COVID19Pandemic. While the pandemic is never explicitly referenced, feelings that became universal in its wake are central to the special -- namely those of isolation, depression, nihilism and increasing frustration with the state of the world, all juxtaposed with topics of modern culture such as social activism and online personas. The indefinite seclusion also leads to Burnham reflecting on his career up to this point; the point of producing the special; as a result, further explored themes include performativity, a creator's relationship with the Internet and their audience, and generation gaps (spurred (the lattermost spurred by Burnham turning 30 while making the special).



* NewSoundAlbum: Incorporates a number of genres mostly uncharted by Bo's past albums, including new wave, alternative R&B, bedroom pop, and '80s-style synthpop.

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* NewSoundAlbum: Incorporates a number of genres mostly uncharted by the music in Bo's past albums, specials, including new wave, alternative R&B, bedroom pop, and '80s-style synthpop.
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* FreudianExcuseIsNoExcuse: In the first verse of "Problematic", Bo says that he was a sheltered kid who wrote offensive things and said them, not realizing back then how much he'd eventually regret it. The second verse denounces the first, where Bo states that he shouldn't use his childhood as an excuse, and that he accepts his actions as his own without trying to justify them away.

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* BreadEggsMilkSquick: "Welcome to the Internet" says that the internet has "movies, and doctors, and fantasy sports, and a bunch of colored pencil drawings of all the different characters in ''Franchise/HarryPotter'' fucking each other". The faster part of the song also jumps around between light-hearted things people would search for and Internet conspiracy theories.
* {{Corpsing}}: Burnham laughs a bit after the line about ''Harry Potter'' fanart in "Welcome to the Internet".
* DoubleMeaningTitle: The title is repeated quite a bit, both in the sense of the physical inside (as the special is largely shot in one room) and the emotional inside (as it is deeply introspective on Bo's behalf).


Added DiffLines:

* BreadEggsMilkSquick: "Welcome to the Internet" says that the internet has "movies, and doctors, and fantasy sports, and a bunch of colored pencil drawings of all the different characters in ''Franchise/HarryPotter'' fucking each other". The faster part of the song also jumps around between light-hearted things people would search for and Internet conspiracy theories.


Added DiffLines:

* {{Corpsing}}: Burnham laughs a bit after the line about ''Harry Potter'' fanart in "Welcome to the Internet".


Added DiffLines:

* DoubleMeaningTitle: The title is repeated quite a bit, both in the sense of the physical inside (as the special is largely shot in one room) and the emotional inside (as it is deeply introspective on Bo's behalf).
Is there an issue? Send a MessageReason:
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* BreadEggsMilkSquick: "Welcome to the Internet" says that the internet has "movies, and doctors, and fantasy sports, and a bunch of colored pencil drawings of all the different characters in ''Franchise/HarryPotter'' fucking each other". The faster part of the song also jumps around between light-hearted things people would search for to Internet conspiracy theories, like "Here's a healthy breakfast option! You should kill your mom!"

to:

* BreadEggsMilkSquick: "Welcome to the Internet" says that the internet has "movies, and doctors, and fantasy sports, and a bunch of colored pencil drawings of all the different characters in ''Franchise/HarryPotter'' fucking each other". The faster part of the song also jumps around between light-hearted things people would search for to and Internet conspiracy theories, like "Here's a healthy breakfast option! You should kill your mom!"theories.



* DoubleMeaningTitle: The title is repeated quite a bit, both in the sense of the literal inside (as the special is largely shot in one room) and the emotional inside (as it is deeply introspective on Bo's behalf).

to:

* DoubleMeaningTitle: The title is repeated quite a bit, both in the sense of the literal physical inside (as the special is largely shot in one room) and the emotional inside (as it is deeply introspective on Bo's behalf).



* BreakTheHaughty: Downplayed. Bo deliberately writes himself as arrogant and having a savior complex with his comedy at the beginning of ''Inside'', yet by the end of the special the isolation has grinded him down.
* CerebusSyndrome: ''Inside'' starts off relatively lighthearted. The beginning consists of mostly jokes and hopefulness. But as the special rolls on, Bo gets more unhinged as [[GoMadFromTheIsolation his isolation gets to him]] and he ruminates on how doomed the world really seems to be. By the end of the special he seems to be hanging on by a thread.

to:

* BreakTheHaughty: Downplayed. Bo deliberately writes himself as arrogant and having a savior complex with his comedy at the beginning of ''Inside'', the special, yet by the end of the special special, the isolation has grinded beaten him down.
* CerebusSyndrome: ''Inside'' The special starts off relatively lighthearted. The lighthearted, with the beginning consists consisting of mostly jokes and hopefulness. But as the special rolls on, Bo gets more unhinged as [[GoMadFromTheIsolation his isolation gets to him]] and he ruminates on how doomed the world really seems to be. By the end of the special special, he seems to be hanging on by a thread.
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* SanitySlippage: If ''Inside'' has a narrative, it's this, being about and created in the throes of the COVID-19 quarantine. Most of the songs are about the feeling of isolation and depression, and growing anxieties over the world's problems, with increasingly bizarre and discordant sound and visual effects.
* TheScottishTrope: Throughout the run of ''Inside'', Burnham never actually refers to the coronavirus by name, instead referring to "the funniest thing [happening]" that forced him to stay isolated just when he was getting out of his depressive funk.

to:

* SanitySlippage: If ''Inside'' has a narrative, it's this, being about and created in the throes of the COVID-19 quarantine.pandemic. Most of the songs are about the feeling of isolation and depression, and growing anxieties over the world's problems, with increasingly bizarre and discordant sound and visual effects.
* TheScottishTrope: Throughout the run of ''Inside'', Burnham never actually refers to the coronavirus pandemic by name, instead referring to "the funniest thing [happening]" that forced him to stay isolated just when he was getting out of his depressive funk.
Is there an issue? Send a MessageReason:
Not really relevant


''Bo Burnham: Inside'' (sometimes referred to as just ''Inside'') is a 2021 musical special written, directed, filmed, edited and performed by comedian Creator/BoBurnham. The special was his first in five years following a hiatus from stage work that he took following 2016's ''Make Happy'' due to struggling with performance-related anxiety during the special's tour that culminated in him having panic attacks while performing onstage.

to:

''Bo Burnham: Inside'' (sometimes referred to as just ''Inside'') is a 2021 musical special written, directed, filmed, edited and performed by comedian Creator/BoBurnham. The special was his first in five years following a hiatus from stage work that he took following 2016's ''Make Happy'' due to struggling with performance-related anxiety during the special's tour that culminated in him having panic attacks while performing onstage.
Happy''.

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