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* PragmaticAdaptation: Charlie approaches adapting the book in every way possible, going to far as to open the story with the beginning of the universe... and still getting nowhere. The movie itself is Charlie's answer to adapting a book that could not ''possibly'' make for a good movie (at least without an amazing level of AdaptationDecay). The irony is that the film is able to cover all important details of ''The Orchid Thief'' through Charlie's obsession with the lack of any narrative, only going off on completely original material towards the end.



* StylisticSuck: Donald's cliched thriller. Also, [[spoiler:the entire final act; Charlie finally allows Donald to assist with the ''Orchid Thief'' script he's writing, thereby altering their own reality in the process.]]

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* StylisticSuck: Donald's cliched thriller. At least, how much it sucks is based on Charlie's opinion of the material as described by Donald. Also, [[spoiler:the entire final act; Charlie finally allows Donald to assist with the ''Orchid Thief'' script he's writing, thereby altering their own reality in the process.]]

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* PolarOppositeTwins: Donald and Charlie Kaufman

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* OpeningNarration: The film opens with a black screen and Donald talking about his loser life for 90 seconds.
* PolarOppositeTwins: Donald and Charlie KaufmanKaufman.
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The film was directed by Creator/SpikeJonze.
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* FanService: It's surprisingly abundant. There is a lot of toplessness (some of it coming from {{Meryl Streep}} of all people)

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* FanService: It's surprisingly abundant. There is a lot of toplessness (some of it coming from {{Meryl Streep}} Creator/MerylStreep of all people)
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* TheCameo: JohnMalkovich appears as himself on the set of ''BeingJohnMalkovich'' (Kaufman's previous movie where Malkovich played himself), along with several other cast members.

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* TheCameo: JohnMalkovich Creator/JohnMalkovich appears as himself on the set of ''BeingJohnMalkovich'' (Kaufman's previous movie where Malkovich played himself), along with several other cast members.
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** Well, maybe [[CoenBrothers Roderick Jayne]].
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* GeniusDitz: LaRoche.
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Crosswicking.

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* TheKillerInMe: Spoofed. Donald's hackneyed script "The Three" has the twist that the killer, the detective, and the victim are all the same person. Charlie complains that it makes no sense, but it's a smash hit anyway.
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* ChekhovsGun [[spoiler: The montage at the beginning showed two alligators in the swamp where Laroche is stealing orchids with the natives which could be taken as a ChekhovsGun. They would later show up in the climax to save Charlie and Donald from Laroche.]]

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* ChekhovsGun [[spoiler: The montage at the beginning showed two alligators in the swamp where Laroche is stealing orchids with the natives which could be taken as a ChekhovsGun.natives. They would later show up in the climax to save Charlie and Donald from Laroche.]]
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* ChekhovsGun [[spoiler: The montage at the beginning showed two alligators in the swamp where Laroche is stealing orchids with the natives which could be taken as a ChekhovsGun. They would later show up in the climax to save Charlie and Donald from Laroche.]]

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Deus Ex Machina and Chekhovs Gun are pretty mutually exclusive.


Screenwriter Creator/CharlieKaufman, fresh off the success of ''BeingJohnMalkovich'', had a problem. He'd been hired to adapt the Susan Orlean book ''The Orchid Thief'', about her experiences with rare flower hunter John Laroche, into a film, only to find out it had no real story and was mostly about flowers. Going out of his mind with writer's block, he eventually went off the deep end and wrote a screenplay beginning with:

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Screenwriter Creator/CharlieKaufman, fresh off the success of ''BeingJohnMalkovich'', ''Film/BeingJohnMalkovich'', had a problem. He'd been hired to adapt the Susan Orlean book ''The Orchid Thief'', about her experiences with rare flower hunter John Laroche, into a film, only to find out it had no real story and was mostly about flowers. Going out of his mind with writer's block, he eventually went off the deep end and wrote a screenplay beginning with:



* DeusExMachina: Charlie and Donald are saved from Orlean and Laroche by [[spoiler: alligators appearing and attacking Laroche]].
** Also a late hung ChekhovsGun as just before the third act where everything gets weird Charlie is told by screenwriting guru Robert [=McKee=] that DeusExMachina is lazy writing.
*** [[spoiler: The montage at the beginning showed two alligators in the swamp where Laroche is stealing orchids with the natives which could be taken as a ChekhovsGun.]]

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* DeusExMachina: Discussed and defied. Charlie and Donald are saved from Orlean and Laroche by [[spoiler: alligators appearing and attacking Laroche]].
** Also
Laroche]]. However, this use is really a late hung late-hung ChekhovsGun as just before the third act where everything gets weird weird, Charlie is told by screenwriting guru Robert [=McKee=] that DeusExMachina is lazy writing.
*** [[spoiler: The montage at the beginning showed two alligators in the swamp where Laroche is stealing orchids with the natives which could be taken as a ChekhovsGun.]]
writing.
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Ditto.


* ActingForTwo: NicolasCage plays Charlie and his twin brother Donald.

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Moved to the Trivia tab.


* CreatorBreakdown: Charlie goes through this, ultimately writing himself into the story.

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* CreatorBreakdown: [[invoked]] Charlie goes through this, ultimately writing himself into the story.



* {{Defictionalization}}: There exists a movie called ''[[http://www.imdb.com/title/tt0486028/ Thr3e]]'' that has a remarkably similar premise to Donald Kaufman's (fictional) script "The Three". (There's no chase scene with a horse and a motorcycle, though.) Amazingly enough, though, its similarity was entirely coincidental.
** It's not all that surprising when you think of how bland and cliche Donald's story was, [[StylisticSuck which the film was entirely aware of]]. Of course there would be several psychological thrillers using the same or very similar concept without the writers even having heard of ''Adaptation''.
** ''{{Identity}}'' has an extremely similar twist to ''The Three'', with the added bonus that it has multiple serial killers, multiple cops, and multiple damsels in distress all running concurrently and on different levels of reality.



* FlipFlopOfGod: God in this case being Charlie, who says he'll never [[spoiler:pack his screenplays with sex, drugs and violence]]...but just look at the third act of the film.



* TalkingToHimself: Nicolas Cage as Charlie and Donald Kaufman.
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* SelfInsertFic: Done professionally

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* SelfInsertFic: Done professionallyA more professional example than most.
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This only begins to touch upon the {{postmodern}} head trip that is ''Adaptation''. This film functions both as a surprisingly effective film version of Orlean's book, with MerylStreep as Orlean and Chris Cooper as Laroche (for which he won the 2002 Best Supporting Actor Oscar), retaining as much as possible the botanical and historical treatises on orchids; and as a layered deconstruction of the creative process, with neurotic intellectual Charlie (NicolasCage) and his tortured quest to write a movie where nothing happens, "like in real life", conflicting with his free-spirited twin Donald (oh yeah, Charlie Kaufman gave himself a twin brother [[ActingForTwo also played by]] NicolasCage) who has written a trashy thriller full of car chases and murders - the exact kind of movie Charlie hates. But it's also increasingly the movie he's in after a meeting with screenwriting mentor [[Literature/{{Story}} Robert [=McKee=]]] inspires him to move the story steadily further away from reality.

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This only begins to touch upon the {{postmodern}} head trip that is ''Adaptation''. This film functions both as a surprisingly effective film version of Orlean's book, with MerylStreep Creator/MerylStreep as Orlean and Chris Cooper as Laroche (for which he won the 2002 Best Supporting Actor Oscar), retaining as much as possible the botanical and historical treatises on orchids; and as a layered deconstruction of the creative process, with neurotic intellectual Charlie (NicolasCage) (Creator/NicolasCage) and his tortured quest to write a movie where nothing happens, "like in real life", conflicting with his free-spirited twin Donald (oh yeah, Charlie Kaufman gave himself a twin brother [[ActingForTwo also played by]] NicolasCage) Creator/NicolasCage) who has written a trashy thriller full of car chases and murders - the exact kind of movie Charlie hates. But it's also increasingly the movie he's in after a meeting with screenwriting mentor [[Literature/{{Story}} Robert [=McKee=]]] inspires him to move the story steadily further away from reality.
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* GeniusDitz: LaRoche.
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** It's not all that surprising when you think of how bland and cliche Donald's story was, which the film was entirely aware of. Of course there would be several psychological thrillers using the same or very similar concept without the writers even having heard of ''Adaptation''.

to:

** It's not all that surprising when you think of how bland and cliche Donald's story was, [[StylisticSuck which the film was entirely aware of.of]]. Of course there would be several psychological thrillers using the same or very similar concept without the writers even having heard of ''Adaptation''.

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* {{Defictionalization}}: There exists a movie called ''[[http://www.imdb.com/title/tt0486028/ Thr3e]]'' that has a remarkably similar premise to Donald Kaufman's (fictional) script "The Three". (There's no chase scene with a horse and a motorcycle, though.) Amazingly enough, though, its similarity was entirely coincidental.

to:

* {{Defictionalization}}: There exists a movie called ''[[http://www.imdb.com/title/tt0486028/ Thr3e]]'' that has a remarkably similar premise to Donald Kaufman's (fictional) script "The Three". (There's no chase scene with a horse and a motorcycle, though.) Amazingly enough, though, its similarity was entirely coincidental.
** It's not all that surprising when you think of how bland and cliche Donald's story was, which the film was entirely aware of. Of course there would be several psychological thrillers using the same or very similar concept without the writers even having heard of ''Adaptation''.
Is there an issue? Send a MessageReason:
None


[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/adaptation.jpg]][[caption-width-right:350:Yes, the screenplay for this film is co-credited to a fictional character in the movie. A good warning for what is about to come...]]

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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/adaptation.jpg]][[caption-width-right:350:Yes, jpg]][[caption-width-right:300:Yes, the screenplay for this film is co-credited to a fictional character in the movie. A good warning for what is about to come...]]
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This only begins to touch upon the {{postmodern}} head trip that is ''Adaptation''. This film functions both as a surprisingly effective film version of Orlean's book, with MerylStreep as Orlean and Chris Cooper in an Oscar-winning performance as Laroche, retaining as much as possible the botanical and historical treatises on orchids; and as a layered deconstruction of the creative process, with neurotic intellectual Charlie (NicolasCage) and his tortured quest to write a movie where nothing happens, "like in real life", conflicting with his free-spirited twin Donald (oh yeah, Charlie Kaufman gave himself a twin brother [[ActingForTwo also played by]] NicolasCage) who has written a trashy thriller full of car chases and murders - the exact kind of movie Charlie hates. But it's also increasingly the movie he's in after a meeting with screenwriting mentor [[Literature/{{Story}} Robert [=McKee=]]] inspires him to move the story steadily further away from reality.

to:

This only begins to touch upon the {{postmodern}} head trip that is ''Adaptation''. This film functions both as a surprisingly effective film version of Orlean's book, with MerylStreep as Orlean and Chris Cooper in an Oscar-winning performance as Laroche, Laroche (for which he won the 2002 Best Supporting Actor Oscar), retaining as much as possible the botanical and historical treatises on orchids; and as a layered deconstruction of the creative process, with neurotic intellectual Charlie (NicolasCage) and his tortured quest to write a movie where nothing happens, "like in real life", conflicting with his free-spirited twin Donald (oh yeah, Charlie Kaufman gave himself a twin brother [[ActingForTwo also played by]] NicolasCage) who has written a trashy thriller full of car chases and murders - the exact kind of movie Charlie hates. But it's also increasingly the movie he's in after a meeting with screenwriting mentor [[Literature/{{Story}} Robert [=McKee=]]] inspires him to move the story steadily further away from reality.
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Redundant.


* EvilTwin: Well, not actually "evil"; Donald writes LowestCommonDenominator screenplays, while Charlie wants to make TrueArt.
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Redundant.


* DeusExMachina: Charlie and Donald are saved from Orlean and Laroche by [[spoiler: alligators appearing and attacking Laroche]]. Justified in that the end of the movie is probably meant to correspond to Donald's cliched ending to the screenplay.

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* DeusExMachina: Charlie and Donald are saved from Orlean and Laroche by [[spoiler: alligators appearing and attacking Laroche]]. Justified in that the end of the movie is probably meant to correspond to Donald's cliched ending to the screenplay.
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* CreditsGag: "Screenplay by Charlie Kaufman and Donald Kaufman." [[spoiler: The film is [[InMemoriam dedicated to Donald's memory]] as well.]] The film was nominated for an Academy Award for Best Adapted Screenplay, so Donald is possibly the only fictional characters to receive any real-life awards nomination. (Donald's "picture" on the Oscarcast was a picture of Charlie reversed.)

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* CreditsGag: "Screenplay by Charlie Kaufman and Donald Kaufman." [[spoiler: The film is [[InMemoriam dedicated to Donald's memory]] as well.]] The film was nominated for an Academy Award for Best Adapted Screenplay, so Donald is possibly the only fictional characters character to receive any real-life awards nomination. (Donald's "picture" on the Oscarcast was a picture of Charlie reversed.)
Is there an issue? Send a MessageReason:


This only begins to touch upon the {{postmodern}} head trip that is ''{{Adaptation}}''. This film functions both as a surprisingly effective film version of Orlean's book, with MerylStreep as Orlean and Chris Cooper in an Oscar-winning performance as Laroche, retaining as much as possible the botanical and historical treatises on orchids; and as a layered deconstruction of the creative process, with neurotic intellectual Charlie (NicolasCage) and his tortured quest to write a movie where nothing happens, "like in real life", conflicting with his free-spirited twin Donald (oh yeah, Charlie Kaufman gave himself a twin brother [[ActingForTwo also played by]] NicolasCage) who has written a trashy thriller full of car chases and murders - the exact kind of movie Charlie hates. But it's also increasingly the movie he's in after a meeting with screenwriting mentor [[Literature/{{Story}} Robert [=McKee=]]] inspires him to move the story steadily further away from reality.

to:

This only begins to touch upon the {{postmodern}} head trip that is ''{{Adaptation}}''.''Adaptation''. This film functions both as a surprisingly effective film version of Orlean's book, with MerylStreep as Orlean and Chris Cooper in an Oscar-winning performance as Laroche, retaining as much as possible the botanical and historical treatises on orchids; and as a layered deconstruction of the creative process, with neurotic intellectual Charlie (NicolasCage) and his tortured quest to write a movie where nothing happens, "like in real life", conflicting with his free-spirited twin Donald (oh yeah, Charlie Kaufman gave himself a twin brother [[ActingForTwo also played by]] NicolasCage) who has written a trashy thriller full of car chases and murders - the exact kind of movie Charlie hates. But it's also increasingly the movie he's in after a meeting with screenwriting mentor [[Literature/{{Story}} Robert [=McKee=]]] inspires him to move the story steadily further away from reality.
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Crosswicking.

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* IndecisiveDeconstruction: The movie is this on purpose. First, it explicitly states all the tropes it's not going to use, and in the second half it gleefully goes all out in using them. Not [[DoingItForTheArt for the art]], but as a commentary about ExecutiveMeddling.
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* FlipFlopOfGod: God in this case being Charlie, who says he'll never [[spoiler:pack his screenplays with sex, drugs and violence]]...but just look at the third act of the film.
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Screenwriter CharlieKaufman, fresh off the success of ''BeingJohnMalkovich'', had a problem. He'd been hired to adapt the Susan Orlean book ''The Orchid Thief'', about her experiences with rare flower hunter John Laroche, into a film, only to find out it had no real story and was mostly about flowers. Going out of his mind with writer's block, he eventually went off the deep end and wrote a screenplay beginning with:

--> Screenwriter CharlieKaufman, fresh off the success of ''BeingJohnMalkovich'', has a problem...

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Screenwriter CharlieKaufman, Creator/CharlieKaufman, fresh off the success of ''BeingJohnMalkovich'', had a problem. He'd been hired to adapt the Susan Orlean book ''The Orchid Thief'', about her experiences with rare flower hunter John Laroche, into a film, only to find out it had no real story and was mostly about flowers. Going out of his mind with writer's block, he eventually went off the deep end and wrote a screenplay beginning with:

--> Screenwriter CharlieKaufman, Creator/CharlieKaufman, fresh off the success of ''BeingJohnMalkovich'', has a problem...
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None

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*** [[spoiler: The montage at the beginning showed two alligators in the swamp where Laroche is stealing orchids with the natives which could be taken as a ChekhovsGun.]]

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namespace change


[[redirect:{{Adaptation}}]]

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[[redirect:{{Adaptation}}]][[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/adaptation.jpg]][[caption-width-right:350:Yes, the screenplay for this film is co-credited to a fictional character in the movie. A good warning for what is about to come...]]

->'''Charlie:''' I've written myself into my screenplay.\\
'''Donald:''' That's kind of weird, huh?

Screenwriter CharlieKaufman, fresh off the success of ''BeingJohnMalkovich'', had a problem. He'd been hired to adapt the Susan Orlean book ''The Orchid Thief'', about her experiences with rare flower hunter John Laroche, into a film, only to find out it had no real story and was mostly about flowers. Going out of his mind with writer's block, he eventually went off the deep end and wrote a screenplay beginning with:

--> Screenwriter CharlieKaufman, fresh off the success of ''BeingJohnMalkovich'', has a problem...

This only begins to touch upon the {{postmodern}} head trip that is ''{{Adaptation}}''. This film functions both as a surprisingly effective film version of Orlean's book, with MerylStreep as Orlean and Chris Cooper in an Oscar-winning performance as Laroche, retaining as much as possible the botanical and historical treatises on orchids; and as a layered deconstruction of the creative process, with neurotic intellectual Charlie (NicolasCage) and his tortured quest to write a movie where nothing happens, "like in real life", conflicting with his free-spirited twin Donald (oh yeah, Charlie Kaufman gave himself a twin brother [[ActingForTwo also played by]] NicolasCage) who has written a trashy thriller full of car chases and murders - the exact kind of movie Charlie hates. But it's also increasingly the movie he's in after a meeting with screenwriting mentor [[Literature/{{Story}} Robert [=McKee=]]] inspires him to move the story steadily further away from reality.

All this plays against the raging existential crisis running incessantly through Charlie's mind. The theme of "adaptation" gains a triple meaning throughout the film, referring not only to Charlie's attempt to adapt Orleans' novel, but also to the evolutionary marvel of orchids, and also to Charlie's own attempt to evolve, to "learn how to live in the world".

This article is about the movie titled ''Adaptation''. For adaptation-related tropes, see DerivativeWorks.

----
!!This movie provides examples of:

* ActingForTwo: NicolasCage plays Charlie and his twin brother Donald.
* AdaptationDecay: Charlie's inability to adapt Orlean's story. The movie is unique in being ''about'' its own adaptation decay..
* AutoCannibalism: The modus operandi of the SerialKiller in Donald's script, ''The Three''. [[spoiler:He also dies from this as the villain and the leading lady are the same person.]]
* TheCameo: JohnMalkovich appears as himself on the set of ''BeingJohnMalkovich'' (Kaufman's previous movie where Malkovich played himself), along with several other cast members.
* CreatorBreakdown: Charlie goes through this, ultimately writing himself into the story.
* CreditsGag: "Screenplay by Charlie Kaufman and Donald Kaufman." [[spoiler: The film is [[InMemoriam dedicated to Donald's memory]] as well.]] The film was nominated for an Academy Award for Best Adapted Screenplay, so Donald is possibly the only fictional characters to receive any real-life awards nomination. (Donald's "picture" on the Oscarcast was a picture of Charlie reversed.)
* ADateWithRosiePalms: Charlie, rather frequently. We're even lucky enough to see what he's thinking..
* DeconReconSwitch: For movie clichés.
* {{Defictionalization}}: There exists a movie called ''[[http://www.imdb.com/title/tt0486028/ Thr3e]]'' that has a remarkably similar premise to Donald Kaufman's (fictional) script "The Three". (There's no chase scene with a horse and a motorcycle, though.) Amazingly enough, though, its similarity was entirely coincidental.
** ''{{Identity}}'' has an extremely similar twist to ''The Three'', with the added bonus that it has multiple serial killers, multiple cops, and multiple damsels in distress all running concurrently and on different levels of reality.
* DespairEventHorizon: By the end of the film Susan Orlean regrets everything she's done her entire life.
* DeusExMachina: Charlie and Donald are saved from Orlean and Laroche by [[spoiler: alligators appearing and attacking Laroche]]. Justified in that the end of the movie is probably meant to correspond to Donald's cliched ending to the screenplay.
** Also a late hung ChekhovsGun as just before the third act where everything gets weird Charlie is told by screenwriting guru Robert [=McKee=] that DeusExMachina is lazy writing.
* EvilTwin: Well, not actually "evil"; Donald writes LowestCommonDenominator screenplays, while Charlie wants to make TrueArt.
* FanService: It's surprisingly abundant. There is a lot of toplessness (some of it coming from {{Meryl Streep}} of all people)
* FantasticDrug: Susan and Laroche are apparently hooked on a drug made from the Ghost Orchids.
* GenreShift: Charlie asks Donald for help writing the film's ending...
* InnerMonologue: Which disappears the moment Robert [=McKee=] says it's hackneyed.
* KavorkaMan: Ron Livingston's character is an agent who isn't above using his job to score aspiring actresses. In conversation with Charlie he frequently breaks off in mid-sentence to mutter "Ooh, I fucked ''you'' in the ass!" at women passing in the background.
** Donald is another example.
* LampshadeHanging: "And God help you if you use [[InnerMonologue voice-over]] in your work, my friends. God help you. That's flaccid, sloppy writing."
** It must be noted that in real life, Robery [=McKee=] says he allows voice over "[[TakeThat despite what Charlie Kaufman tells you]]" as long as it does more than simply describe what's happening on the screen.
** Charlie questions the logistics of Donald's script, asking "How could you have somebody held prisoner in a basement and... and working at a police station at the same time?", and Donald responds "trick photography": This is of course in a scene where two characters played by the same actor interact with each other.
* LovableRogue: Laroche. The fictional version of him, at least. The real one actually organized that poaching operation to draw the authorities' attention to the legal loophole.
* MetaFiction
* MindScrew: Seriously. Just think about it for a minute, especially considering that most of this story is true.
** Though this depends a lot on your definition of "truth." [[RecursiveReality See Mind Screw.]]
* MoodWhiplash: The final act, very intentionally so.
* NeverSmileAtACrocodile
* PolarOppositeTwins: Donald and Charlie Kaufman
* {{Postmodernism}}
* SelfInsertFic: Done professionally
* ShadowArchetype: Donald functions as Charlie's Jungian Shadow, representing everything that he rejects about himself/his profession or doesn't want to become. And, true to Jung's idea, Charlie only grows as a person when [[spoiler: he accepts that there are good things about Donald and learns from them after Donald's death.]]
* ShaggyDogStory: ''The Orchid Thief''.
* SplitPersonality: In ''The Three'', the detective, killer and hostage all turn out to be the same person. However that's supposed to work.
* StylisticSuck: Donald's cliched thriller. Also, [[spoiler:the entire final act; Charlie finally allows Donald to assist with the ''Orchid Thief'' script he's writing, thereby altering their own reality in the process.]]
* TalkingToHimself: Nicolas Cage as Charlie and Donald Kaufman.
* TitleDrop: In Laroche's speech about evolution
* WritersSuck: Kaufman's self deprecation is the major theme of this film, and this self-loathing persists until TheClimax. At the same time, however, Kaufman (the real writer) uses his AuthorAvatar to capture the triumph and joy of the creative process, and the qualities that separate a talented writer from a hack like Donald.
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Click the edit button to start this new page. [[redirect:{{Adaptation}}]]

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