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* The first season of ''Series/{{Moonlighting}}'' was a standard noir-esque detective show with the fourth wall firmly in place. It wasn't until the second season that the show's trademark [[{{Postmodernism}} meta-awareness]] was introduced.
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* ''Series/OddSquad'':
** The first episode, "Zero Effect", shows Olive and Oprah communicating with landline phones. While Oprah would later come to always communicate with the phone in her office, Olive would move on to using the more standardized badge phone as a form of communication, whether in Headquarters or on the field.
** "The Confalones" has Otto mentioning that Sabatino Confalone should take his report of a robbery to the police. Future episodes would show that ThereAreNoPolice and Odd Squad serves as the next-best equivalent to a police force.
** The Big Office, where the Big O and everyone else in the department of the same name works, is referred to as the Head Office in "Odd Squad Needs You". Later episodes would use the correct term of "the Big Office".
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* What's now known as ''Series/GamingInTheClintonYears'' began as a public access show titled ''Flights of Fantasy'', and was focused on the collectible arts, as creator and host George Wood is a massive comic book fan and collector. They originally introduced segments focused on video games as time-filler, since they shared the same "geek" audience the show was aimed at. But as the series progressed, the games grew more prominent and elaborate until they were the primary focus, even getting briefly renamed to ''The Video Game Show''. Indeed, when clips from it were officially re-released online as ''Gaming in The Clinton Years'', only the video game segments were featured, and [[KeepCirculatingTheTapes fans have had to rely on bootleg tapes for the rest of the show as it first aired]].
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** Season 2's "The Gang Runs for Office" features a handful of scenes focused on "normal" supporting characters. The creators explain in the podcast recap that at a certain point they found it was funnier to play such roles as [[StraightMan Straight Men]] highlighting [[IgnorantOfTheirOwnIgnorance the absurdity of the main characters' behavior]], and that this episode comes across to them more as a WorldOfHam.
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* The pilot of ''Series/Lucifer2016'' fits in BroadStrokes with the show as it later developed, but contains a few discrepancies and stylistic changes (Lucifer's Devil eyes look different than they do later on, Creator/TomEllis uses a slightly different accent, etc). It also gestures at worldbuilding and characterization far closer to those of the [[ComicBook/TheSandman source material]], with Lucifer seeming more in-control and unafraid to kill, him actively being responsible for the punishment of the damned, and Hell not functioning properly in his absence. Bit by bit, these elements were retconned as the series built up its own identity, with it later being made explicit that Hell is self-sustaining in this universe and was working as normal even without Lucifer, and also that Lucifer is not only "retired" but was actually ''never'' truly "evil" in the way usually ascribed to the Devil. The ContinuitySnarl caused by Mazikeen being presented as a physical torturer (like in the comics), compared to the self-generated, nightmare-like psychological torture Hell is depicted as when it's eventually shown, is never fully resolved.
** Throughout Season 1, Lucifer showing people his "Devil face" is also rendered with [[DisneyAcidSequence rushing hellfire and distortion effects in the background]], giving the impression that he is dropping a glamour and allowing mortals to see his celestial essence. In later seasons, it would go on to be depicted as much more of a straightforward bit of [[GameFace shapeshifting]], with the Devil face "merely" a corpselike face with red skin and eyes, without added surreal effects. It was even revealed that Lucifer only "self-actualized" the ability to put on this face due to his own self-loathing, and that the unsullied Tom Ellis face ''is'' his "default" appearance, rather than any kind of glamour or disguise.
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** Munch being partnered first with Cassidy and later with Jefferies in Season 1 can be a little off-putting for those who are used to seeing him partnered with Fin.

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** Munch being partnered first with Cassidy and later with Jefferies in Season 1 can be a little off-putting for those who are used to seeing him partnered with Fin. In fact, the first season in general evinces much of the RevolvingDoorCasting for which the parent series was and is so well-known. Once Fin and Alex Cabot (and in supporting roles, M.E. Warner and Dr. Huang) show up in season 2, the cast is mostly stable for the next ''eight years'', excepting Cabot being swapped out for Novak partway through, Benson disappearing for a stint to account for Mariska Hargitay's maternity leave, and Lake showing up for one season.

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** The show's much lower budget is evident in early episodes, which show Adam and Jamie having to go to sometimes considerable trouble to obtain a single car or enough weather balloons and helium to lift a lawn chair.

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** The show's much lower budget is evident in early episodes, which show Adam and Jamie having to go to sometimes considerable trouble to obtain a single car or enough weather balloons and helium to lift a lawn chair. Eventually the support staff and budget (and the addition of the Build Team to have more parallel experiments) grew large enough to make filming these scenes unnecessary.



** Until the Build Team was instituted, a lot of time was also devoted to getting the weird props and supplies for the myth. Eventually the support staff and budget (and the addition of the Build Team to have more parallel experiments) grew large enough to make these interludes unnecessary.
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For children's shows, see EarlyInstallmentWeirdness/ChildrensShowGToO
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* ''Series/GreysAnatomy'' used to have an opening credits sequence that emphasized the show's interplay of medical and romantic drama. It was dropped partway through season 2, and hasn't been seen since.
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* ''Franchise/KamenRider''
** Right off the bat, the name Kamen Rider was originally solely referring to Takeshi Hongo's heroic namesake. Even when Hayato Ichimonji came in to temporarily replace him, he is still labeled as Kamen Rider. It didn't become a "title" for succeeding Kamen Riders until ''[[Series/KamenRiderV3 V3's]]'' debut where they would affix 1 and 2 at them to distinguish the two.
** Early episodes are more sci-fi horror ([[{{Narm}} or]] [[SpecialEffectsFailure at]] [[NoBudget least]], they were meant to be) than the conventional toku we know today. The famous Rider Kick hadn't even been established yet, and thus Hongo would defeat his enemies with really anything, including a "Rider Throw". (That is, ''tossing your opponent off of a roof to go 'splat.''') The Rider Kick wouldn't show up until episode 4

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* ''Franchise/KamenRider''
''Franchise/KamenRider'':
** Right off the bat, bat in [[Series/KamenRider the original series]], the name Kamen Rider was originally solely referring to Takeshi Hongo's heroic namesake. Even when Hayato Ichimonji came in to temporarily replace him, he is still labeled as Kamen Rider. It didn't become a "title" for succeeding Kamen Riders until ''[[Series/KamenRiderV3 V3's]]'' debut where they would affix 1 and 2 at them to distinguish the two.
** Early episodes are more sci-fi horror ([[{{Narm}} or]] [[SpecialEffectsFailure at]] [[NoBudget least]], they were meant to be) than the conventional toku superhero {{toku}}satsu property we know today. The famous Rider Kick hadn't even been established yet, and thus Hongo would defeat his enemies with really anything, including a "Rider Throw". (That is, ''tossing your opponent off of a roof to go 'splat.''') The Rider Kick wouldn't show up until episode 4



** Another thing you'll be surprised to not see when you start the original series: the old-school Shocker Soldiers don't get their familiar design for a very long time. We start with guys in funny beret-like hats. Then they get facepaint. Then a MonsterOfTheWeek from Mexico comes with his MaskedLuchador-based grunts in the same two-parter that introduces Hayato Ichimonji. They look almost like the ones we know, but lack the ribcage-like design on their chests. That design you probably think of as the "original" KR {{Mooks}}, a favorite at most every recent teamup? Yup, it's the ''fourth version.''

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** Another thing you'll be surprised to not see when you start the original series: the old-school Shocker Soldiers don't get their familiar design for a very long time. We start with guys in funny beret-like hats. Then they get facepaint. Then a MonsterOfTheWeek from Mexico comes with his MaskedLuchador-based grunts in the same two-parter that introduces Hayato Ichimonji. They look almost like the ones we know, but lack the ribcage-like design on their chests. That design you probably think of as the "original" KR ''Kamen Rider'' {{Mooks}}, a favorite at most every recent teamup? crossover? Yup, it's the ''fourth version.''



** Also, every pre-hiatus Rider was a HollywoodCyborg. Either they were kidnapped and altered like Hongo, or [[WeCanRebuildHim upgraded to save them from near-fatal injury]] and fight the bad guys who did it. The sole exception was Series/KamenRiderAmazon, magically infused with his powers rather than operated on (though they did make sure to call it a "magical operation" on multiple occasions because a Rider who didn't get his powers via an operation was ''that'' unheard of; if you're gonna do the ''unthinkable'' and have a Rider whose career didn't begin on the operating table of an organization that's an {{Expy}} of Shocker, you gotta HandWave like ''hell.'') Even Kuuga and Agito had their powers as part of them somehow; you don't get the traditonal "TransformationTrinket I can stick in my back pocket, or be screwed 'cause it got knocked away or stolen" until Ryuki.

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** Also, every pre-hiatus Rider was a HollywoodCyborg. Either they were kidnapped and altered like Hongo, or [[WeCanRebuildHim upgraded to save them from near-fatal injury]] and fight the bad guys who did it. The sole exception was Series/KamenRiderAmazon, magically infused with his powers rather than operated on (though they did make sure to call it a "magical operation" on multiple occasions because a Rider who didn't get his powers via an operation was ''that'' unheard of; if you're gonna do the ''unthinkable'' and have a Rider whose career didn't begin on the operating table of an organization that's an {{Expy}} of Shocker, you gotta HandWave like ''hell.'') Even Kuuga and Agito had their powers as part of them somehow; you don't get the traditonal "TransformationTrinket I can stick in my back pocket, or be screwed 'cause it got knocked away or stolen" until Ryuki.''Ryuki''.



** [[Series/KamenRiderGaim Gaim]] and [[Series/KamenRiderDrive Drive]] actually somewhat avert this; Gaim's EarlyBirdCameo was actually in the last two episodes of ''Wizard'', when most of the stuff that he displayed became finalized[[note]]if you wanna get technical, you ''could'' count him joining Wizard in a double Rider Kick as such, since Rider Kicks aren't used as much in the show, although they were present[[/note]], and Drive had no pre-series cameo whatsoever, since [[spoiler: the only way a Rider could be more powerful than a ''PhysicalGod'' would be if they were a god themselves at the start of their series]].

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** [[Series/KamenRiderGaim Gaim]] and Gaim]], [[Series/KamenRiderDrive Drive]] and [[Series/KamenRiderSaber Saber]] actually somewhat avert this; Gaim's EarlyBirdCameo was actually in the last two episodes of ''Wizard'', when most of the stuff that he displayed became finalized[[note]]if you wanna get technical, you ''could'' count him joining Wizard in a double Rider Kick as such, since Rider Kicks aren't used as much in the show, although they were present[[/note]], and Drive and Saber had no pre-series cameo whatsoever, whatsoever; the former since [[spoiler: the only way a Rider could be more powerful than a ''PhysicalGod'' would be if they were a god themselves at the start of their series]].series]] and the latter because his predecessor [[Series/KamenRiderZeroOne Zero-One]]'s series, like just about every television series of the time, had its production derailed by the UsefulNotes/Covid19Pandemic.
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* Creator/{{Nickelodeon}} was significantly different in its early years. It didn't have commercials and its programming was more educational (with a low budget Sesame Street clone called ''Series/{{Pinwheel}}'' being their flagship series). Its ratings were dead last among cable channels, so it rebranded itself in 1984. It started airing commercials, changed its logo to the now-iconic "orange splat" logo, and changed its programming to give it a more "kids only" feel, changes that helped make it a household name.


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* ''Series/TheNoddyShop'':
** In Season 2, the toys and Johnny can now speak to Truman. Noddy is also promoted to a main character in the shop and talks to Truman as well (represented by a superimposed Noddy, similar to the part in the theme song that Planet Pup sings). Episodes prior to this season usually contained at least one song; in Season 2, it's common for an episode to have at least two.
** The official website posted song lyrics from the various episodes, some of which referred to characters by their original names. [[http://web.archive.org/web/20010501042043/http://www.pbs.org/kids/noddy/theater/activities/s102.html "Too Much Monkey Business"]] uses "Swami" instead of "Gaylord", and both [[http://web.archive.org/web/20010118230600/http://www.pbs.org/kids/noddy/theater/activities/s101-2.html "A What If World"]] and [[http://web.archive.org/web/20010215011939/http://www.pbs.org/kids/noddy/theater/activities/s110.html "Partytime"]] use "Crockodile" instead of "Gertie".
** [[http://www.gstatic.com/tv/thumb/tvbanners/453163/p453163_b_v7_ab.jpg An early promotional picture of the show]] depicts Warloworth in a jacket which he never wears.

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** There were also several segments in the first season that were scrapped in the following seasons. Chief among them were the Talking Houses and Wayne and Wanda. The At the Dance segments also continually appeared in season two, but made less appearances after that because the writers were running out of ways to make jokes for them.



'''TV's Son of TV's Frank/Max''': Well, lots of shows don't get good until the fifth episode[[note]]this appears to be a direct reference to ''Series/{{Dollhouse}}'', whose fifth episode, "Man on the Street", featured Creator/PattonOswalt, who plays Max, and was and is widely noted for a huge jump in quality from the previous episodes[[/note]], so you spend your life watching, waiting to see why your friends love it so much, and sometimes it never happens!

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'''TV's Son of TV's Frank/Max''': Well, lots of shows don't get good until the fifth episode[[note]]this appears to be a direct reference to ''Series/{{Dollhouse}}'', whose fifth episode, "Man on the Street", featured Creator/PattonOswalt, who plays Max, and was and is widely noted for a huge jump in quality from the previous episodes[[/note]], so you spend your life watching, waiting to see why your friends love it so much, and sometimes it never happens!
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** The differences aren't quite as noticeable as other examples, but watching a current episode back to back with one of the first few episodes can be a little jarring - the director isn't a major part of the activities, making just a couple of appearances over the course of season one, Gibbs is a little more... sociable, there's the mysterious [[HeroesWantRedheads redhead]] he occasionally hitches a ride with, Tony's regularly the sole butt of jokes (no [=McGee=] for him to pick on), Abby's voice is a little huskier, Ducky's assistant is a man named Gerald, and, most jarring of all, Tony does ''not'' constantly make movie references, even being confused by one made by a guest character. By the end of the first season, though, things have just about settled in to something close to what we get now.

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** The differences aren't quite as noticeable as other examples, but watching a current episode back to back with one of the first few episodes can be a little jarring - the director isn't a major part of the activities, making just a couple of appearances over the course of season one, Gibbs is a little more... sociable, there's the mysterious [[HeroesWantRedheads redhead]] he occasionally hitches a ride with, Tony's regularly the sole butt of jokes (no [=McGee=] for him to pick on), Abby's voice is a little huskier, Ducky's assistant is a man named Gerald, lab assistants can be seen in the background of Abby's lab, and, most jarring of all, Tony does ''not'' constantly make movie references, even being confused by one made by a guest character. By the end of the first season, though, things have just about settled in to something close to what we get now.
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** In the first episode, [=McManus=]'s first name was Timmy rather than Tim.

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* Creator/{{Nickelodeon}} was significantly different in its early years. It didn't have commercials and its programming was more educational (with a low budget Sesame Street clone called ''Series/{{Pinwheel}}'' being their flagship series). Its ratings were dead last among cable channels, so it rebranded itself in 1984. It started airing commercials, changed its logo to the now-iconic "orange splat" logo, and changed its programming to give it a more "kids only" feel, changes that helped make it a household name.



* ''Series/TheNoddyShop'':
** In Season 2, the toys and Johnny can now speak to Truman. Noddy is also promoted to a main character in the shop and talks to Truman as well (represented by a superimposed Noddy, similar to the part in the theme song that Planet Pup sings). Episodes prior to this season usually contained at least one song; in Season 2, it's common for an episode to have at least two.
** The official website posted song lyrics from the various episodes, some of which referred to characters by their original names. [[http://web.archive.org/web/20010501042043/http://www.pbs.org/kids/noddy/theater/activities/s102.html "Too Much Monkey Business"]] uses "Swami" instead of "Gaylord", and both [[http://web.archive.org/web/20010118230600/http://www.pbs.org/kids/noddy/theater/activities/s101-2.html "A What If World"]] and [[http://web.archive.org/web/20010215011939/http://www.pbs.org/kids/noddy/theater/activities/s110.html "Partytime"]] use "Crockodile" instead of "Gertie".
** [[http://www.gstatic.com/tv/thumb/tvbanners/453163/p453163_b_v7_ab.jpg An early promotional picture of the show]] depicts Warloworth in a jacket which he never wears.




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For children's shows, see EarlyInstallmentWeirdness/ChildrensShowGToO

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* ''Series/MelrosePlace'' is a classic example. The early episodes reflect the show's original intention to be a realistic drama about the lives of young twentysomethings who lived in the same apartment complex. There are no hints of the PrimetimeSoap it grew into.

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* ''Series/MelrosePlace'' is a classic example. example, with several instances of this phenomenon in play:
**
The early episodes reflect first-season credits, like the show's original intention to be first season of ''Series/BeverlyHills90210'' (the show ''Melrose'' was a realistic SpinOff from), sell it as a comparatively-chaste drama about the lives a group of young close-knit twentysomethings who lived living in the same affluent neighbourhood, with not a hint of the PrimeTimeSoap it grew into.
** To that end, the show's trappings as a SpinOff are only apparent in the first few episodes, as Kelly Taylor (a ''90210'' character) spends several episodes engaged in a WillTheyOrWontThey plotline with ''Melrose'' character Jake, only for him to break it off when he becomes uncomfortable with her age. While the angle wasn't completely forgotten altogether (as it does get a couple of references), the idea of a MayDecemberRomance between two characters, particularly a teenage girl who was nearly underage, would never appear again in either franchise.
** The first season features Vanessa Estelle Williams as Rhonda Blair, the BlackBestFriend of the cast. After the showrunners failed to do anything with the character, Blair was written out, with Williams commenting after the fact that there was a lack of direction with the character -- but you wouldn't know if from the credits, which play her up as an integral member of the cast.
** The
apartment complex. There are no hints of tenants were a lot closer than in the PrimetimeSoap it grew into.first season than they were in later seasons. Additionally, Alison and Billy were more-or-less the main characters (since their WillTheyOrWontThey storyline seemed to be the one that dominated the season) while Michael had a kinder personality and was faithful to his wife, a 360 degree turn from his later personality and Jane was stated to be an only child (some episodes prior to Sydney's first appearance). It wasn't until Amanda came around 21 episodes into the season (an AuthorsSavingThrow used when the show was in danger of being canceled) that ''Melrose'' became the show that most people know and love.
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** In general, Season One was more PG than the rest, and relied far less on ribald humor. It was there to some degree, including Al's fondness for dirty magazines and Peg's sexual frustration with Al, but later seasons would pour on the cheesecake UpToEleven, regularly featuring scantily-clad women (often played by Playmates) and nearly every other joke was about sex to some degree, either Al's inability to enjoy it with Peg, Peg's inability to get it from Al, Bud's inability to get it from anyone (and his frequent [[ADateWithRosiePalms dates with Rosie Palms]]), Kelly getting it from just about everybody and Marcy going from uptight and prim to repressed and wanton. Season One would never have involved a plotline such as Marcy orgasming while giving a speech, or the Bundy's realizing their "romantic getaway" was being filmed.
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* The first series of ''Series/TheGrandTour'' effectively portrayed itself as a continuation of the three presenters' tenure on ''Series/TopGear'', replicating the format as far as they could without legal issues. Over subsequent series it gradually drifted away from that.
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* In ''Series/TheMandalorian'' Chapter 5: "The Gunslinger", Din Djarin communicates with some Tusken Raiders silently, through sign language. Beginning with the Season 2 premiere, Chapter 9: "The Marshal", Djarin and the Raiders communicate with both signs and verbal grunting.

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* In ''Series/TheMandalorian'' Chapter 5: "The Gunslinger", Din Djarin communicates with some Tusken Raiders silently, through sign language. Beginning with the Season 2 premiere, Chapter 9: "The Marshal", Djarin and the Raiders communicate with both signs sign language and verbal audible grunting.
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* In ''Series/TheMandalorian'' Chapter 5: "The Gunslinger", Din Djarin communicates with some Tusken Raiders silently, through sign language. Beginning with the Season 2 premiere, Chapter 9: "The Marshal", Djarin and the Raiders communicate with both signs and verbal grunting.

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** The first two seasons used "Rock Around the Clock" by Bill Haley and the Comets as its theme (in lieu of Pratt and [=McClain=]'s "Happy Days," which incidentally became a hit in its own right).

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** The first two seasons used "Rock Around the Clock" by Bill Haley and the Comets as its theme (in lieu of Pratt and [=McClain=]'s "Happy Days," which incidentally became a hit in its own right). Even when the normal theme was used, it initially had a lyric about "She's my steady, I'm her man, I'm gonna love her all I can", which wasn't in later episodes.



** Ralph himself wasn't initially a cowardly jokester; in fact, he seemed to be one of the more popular kids at the high school, and occasionally indulged in pranking, without his trademark "I still got it!" line.

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** Ralph himself wasn't initially a cowardly jokester; in fact, he seemed to be one of the more popular kids at the high school, and occasionally indulged in pranking, without his trademark "I still got it!" line. He was also dumber, for instance in "The Cunningham Caper", he suggests shooting the burglar before belatedly realising that he doesn't have a gun.


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** The humour was more risque, and there were plots such as Richie wondering if he should go "all the way" with his new girlfriend and Fonzie almost marrying an exotic dancer. Later episodes did have occasional dirty jokes, but they were considerably less dirty.

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** Fonzie appeared far less often and was less essential to the plots. The show was more focused on the Cunninghams, Richie in particular. Fonzie also didn't have his leather jacket, instead wearing a light beige windbreaker, due to ExecutiveMeddling at Creator/{{ABC}} (they felt that a leather jacket made Fonzie come off as a hoodlum). Early on, Fonzie was also much more of a jerk than most people know him to be, and only became the all around good guy after becoming a major character. Possibly explained/retconned in a later episode detailing how Richie met him.

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** Fonzie appeared far less often and was less essential to the plots. The show was more focused on the Cunninghams, Richie in particular. Fonzie also didn't have his leather jacket, instead wearing a light beige windbreaker, due to ExecutiveMeddling at Creator/{{ABC}} (they felt that a leather jacket [[HollywoodDressCode made Fonzie come off as a hoodlum). hoodlum]]). Early on, Fonzie was also much more of a jerk than most people know him to be, and only [[TookALevelInKindness became the all around good guy guy]] after becoming a major character. Possibly explained/retconned in a later episode detailing how Richie met him.



* ''Series/HorribleHistories'' didn't introduce the memorable pastiche songs until series two. Furthermore, there's much more toilet humour than in later series (yes, even more people caked in excrements) and the presumably lower budget is also quite visible. A somewhat odd type of sketch featured the imaginations of the Rattus the rat, which was phased out after series two.

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* ''Series/HorribleHistories'' didn't introduce the memorable pastiche songs until series two. Furthermore, there's much more toilet humour than in later series (yes, even more [[CoveredInGunge people caked in excrements) excrements]]) and the presumably lower budget is also quite visible. A somewhat odd type of sketch featured the imaginations of the Rattus the rat, which was phased out after series two.


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* ''Series/MorkAndMindy'': Mork first appeared in an episode of ''Series/HappyDays'', where he was much more antagonistic than usual, freezing Fonzie in stasis and threatening to kill Richie or take him away for 2,000 years. Even in the pilot episode, he's seen creepily chasing Laverne out of lust. In the show proper, he's a very amiable, pacifistic alien.
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* ''{{Series/Matlock}}'' In the pilot and a few first season episodes, Matlock's house is shown to be in the country (rather than in town as it is in later seasons). Moreover, Matlock has a hen-house and is a few times seen collecting eggs.
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** The second half of Season Five would attempt to keep some of the original aspects despite losing Joel and Gizmonics Institute, including the bright lighting on the Satellite of Love and the Invention Exchange. By the start of the next season, the lighting had dimmed and the Invention Exchange was scuttled in favor of Dr. Forrester showing off some odd-ball science deal or him and Frank (or later Pearl) in oddball hijinx.

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** At the start of the series, the protagonists were [[JerkWithAHeartOfGold Jerks with Hearts of Gold]], similar to (but somewhat toned down from) the movie. As the show went on, the heroes became more and more moral as the series itself became more and more serious. A case in point is the show's portrayal of adultery. In the first season, it was implicit that all the men on the show were married and cheating on their wives back home. The only thing which made Frank different was that he was a hypocrite about it. The exception was Hawkeye, who was only "engaged" (because the network censors wouldn't let him say that he was "married" while hitting on Lt. Dish in the pilot). After the pilot, Hawkeye never mentions being engaged again and thereafter appears to be single. As early as the second season, an episode was dedicated to Henry Blake getting feelings for another woman and ultimately choosing to stay faithful to his wife -- despite the fact that in the first season, he gave no apparent thought to cavorting with various nurses. Following the departure of Trapper at the end of the third season, Frank was the only cheater left on the show. At this point, adultery started being portrayed as something which only a horrible villain like Frank would do.

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** At the start of the series, the protagonists were [[JerkWithAHeartOfGold Jerks with Hearts of Gold]], similar to (but somewhat toned down from) the movie. As the show went on, the heroes became more and more moral as the series itself became more and more serious. A case in point is the show's portrayal of adultery. In the first season, it was implicit that all the men on the show were married and cheating on their wives back home. The only thing which made Frank different was that he was a hypocrite about it. The exception was Hawkeye, who was only "engaged" (because the network censors wouldn't let him say that he was "married" while hitting on Lt. Dish in the pilot). After the pilot, Hawkeye never mentions being engaged again and thereafter appears to be single. As early as the second season, an episode was dedicated to Henry Blake getting feelings went from merely dallying with nurses to preparing to leave his wife for another woman a much younger woman, but was talked out of it by Hawkeye and ultimately choosing Trapper. Following that episode, Henry appeared to stay mostly return to being faithful to his wife -- despite the fact that in the first season, he gave no apparent thought to cavorting with various nurses.wife. Following the departure of Trapper at the end of the third season, Frank was the only cheater left on the show. At this point, adultery started being portrayed as something which only a horrible villain like Frank would do.



** Radar, notable for being the "kid" character who preferred grape Nehis over beer, was seen drinking gin and brandy in earlier episodes.

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** Radar, notable for being the "kid" character character, a perpetual virgin who preferred grape Nehis over beer, was seen drinking gin and brandy in earlier episodes.episodes, not to mention at least three episodes implied rather bluntly that he was not or no longer a virgin.
** Cpl. Klinger was originally just a guest character for one episode, but was popular enough that he was brought back for many more, eventually joining the regular cast. While his first appearance showed him dressing in skirts in an attempt to pull a Section 8 and get sent home (which became a running gag), his second appearance had him wearing fatigues and the only accessory he wore was a handkerchief his mother gave him. It was the handkerchief, not women's clothes, that Frank Burns insisted he remove while working with patients or in the OR. The cross-dressing was brought back in his third appearance, to the point where he later develops a psychosomatic rash when forced to wear fatigues. In the same episode, Klinger becomes so angry with Burns's blaming him for a dropped tray (he actually knocked it out of Klinger's hands) that he was going to threaten Burns with a grenade. Such an outburst, not to mention casually playing with patient care (as he was going to do this in the OR) is entirely unlike the Klinger of later episodes, who respected life above all things.
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'''TV's Son of TV's Frank/Max''': Well, lots of shows don't get good until the fifth episode[[note]]this appears to be a direct reference to ''Series/{{Dollhouse}}'', whose fifth episode, "Man on the Street", featured Creator/PattonOswalt and was and is widely noted for a huge jump in quality from the previous episodes[[/note]], so you spend your life watching, waiting to see why your friends love it so much, and sometimes it never happens!

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'''TV's Son of TV's Frank/Max''': Well, lots of shows don't get good until the fifth episode[[note]]this appears to be a direct reference to ''Series/{{Dollhouse}}'', whose fifth episode, "Man on the Street", featured Creator/PattonOswalt Creator/PattonOswalt, who plays Max, and was and is widely noted for a huge jump in quality from the previous episodes[[/note]], so you spend your life watching, waiting to see why your friends love it so much, and sometimes it never happens!
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* In the pilot of ''{{Leverage}}'' all of the characters, but particularly Parker, start off as more well-rounded, vs. Later episodes where Parker can't grift and Hardison can't do do lifts

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* In the pilot of ''{{Leverage}}'' ''Series/{{Leverage}}'' all of the characters, but particularly Parker, start off as more well-rounded, vs. Later episodes where Parker can't grift and Hardison can't do do lifts
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** Marcy was a StepfordSmiler yuppie Republican who was mildly disgusted over Al's misogyny and tried to explain to Peg everything wrong with how Al thinks. Later episodes had Marcy as a man-hating StrawFeminist who actively tried to destroy Al's life (though this can be explained away as Marcy's personality changed because she got demoted from her bank job, Steve left her, she accidentally got married to a handsome, but lazy conman [Jefferson], and she lives next door to the Bundys).

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** Marcy was a StepfordSmiler yuppie Republican who was mildly disgusted over Al's misogyny and tried to explain to Peg everything wrong with how Al thinks. She and Al even got along on occasion, like when she called him a "good friend" when he comforted her over the death of a beloved relative. Later episodes had Marcy as a man-hating StrawFeminist who actively tried to destroy Al's life (though this can be explained away as Marcy's personality changed because she got demoted from her bank job, Steve left her, she accidentally got married to a handsome, but lazy conman [Jefferson], and she lives next door to the Bundys).
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** A couple of his iconic paints had different names in earlier seasons as well. Most notably, the Liquid White which he coated his canvases with to achieve his wet-on-wet technique was called "Magic White" instead.
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* ''Theatre/TheOddCouple'':

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* ''Theatre/TheOddCouple'':''Series/TheOddCouple1970'':

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