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-> I feel like sometimes being a religious person is like being a writer, in that I will quit, and just not tell anybody. Like, "This is just too hard, I quit for today." And then something inspirational will happen, and like, "I'm back on! I'm back on the wagon!"
Changed line(s) 14 (click to see context) from:
* ''Martyrs’ Crossing'' (2012)
to:
* ''Martyrs’ ''Martyrs' Crossing'' (2012)
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Changed line(s) 6,16 (click to see context) from:
* ''Mestiza, or Mixed''
* ''Pride & Prejudice''
* ''Little Happy Secrets''
* ''Persuasion''
* ''Jane and Emma, Freetown''
* ''Sweetheart Come''
* ''The Post Office''
* ''Mountain Law''
* ''Theatre/PilotProgram''
* ''Lady in Waiting''
* ''The Edible Complex''
* ''Pride & Prejudice''
* ''Little Happy Secrets''
* ''Persuasion''
* ''Jane and Emma, Freetown''
* ''Sweetheart Come''
* ''The Post Office''
* ''Mountain Law''
* ''Theatre/PilotProgram''
* ''Lady in Waiting''
* ''The Edible Complex''
to:
* ''Mestiza, or Mixed''
Mixed'' (2022)
* ''Gin Mummy'' (2021)
* ''Sweetheart Come'' (2019)
* ''The Post Office'' (2019)
* ''Mountain Law'' (2018)
* ''The Edible Complex'' (2016)
* ''Theatre/PilotProgram'' (2015)
* ''Pride &Prejudice''
Prejudice'' (2014)
* ''Martyrs’ Crossing'' (2012)
* ''Persuasion'' (2011)
* ''Little HappySecrets''
* ''Persuasion''
Secrets'' (2009)
----
!! Films:
* ''Jane andEmma, Freetown''
Emma'' (2018)
*''Sweetheart Come''
* ''The Post Office''
* ''Mountain Law''
* ''Theatre/PilotProgram''
* ''Lady in Waiting''
* ''The Edible Complex''''Freetown'' (2015)
* ''Gin Mummy'' (2021)
* ''Sweetheart Come'' (2019)
* ''The Post Office'' (2019)
* ''Mountain Law'' (2018)
* ''The Edible Complex'' (2016)
* ''Theatre/PilotProgram'' (2015)
* ''Pride &
* ''Martyrs’ Crossing'' (2012)
* ''Persuasion'' (2011)
* ''Little Happy
* ''Persuasion''
----
!! Films:
* ''Jane and
*
* ''The Post Office''
* ''Mountain Law''
* ''Theatre/PilotProgram''
* ''Lady in Waiting''
* ''The Edible Complex''
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Changed line(s) 14 (click to see context) from:
* ''Pilot Program''
to:
* ''Pilot Program''''Theatre/PilotProgram''
Changed line(s) 16,26 (click to see context) from:
* ''The Edible Complex''
----
!! Tropes:
* AmbiguousEnding: By the end of ''Pilot Program'', Abigail has not come to any firm conclusions about her marriage--neither is she content and settled in their new order, not is she thinking to leave.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' I feel like that it ends where it ends because answering those questions about where the marriage goes changes what the play ''is''. And there's nothing wrong with that--it's just, what I wanted to do with this play is explore the possibility of it happening to ''start''.
* EnforcedTrope: In interviews about ''Pilot Program'', she is consistently asked why Abigail says yes.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' People often ask me, they're like, "Why don't you spend more time on why she [Abigail] says yes and not no?" And I'll tell you straight up: from a dramaturgical perspective, her saying no makes this a very short play.
* IJustWriteTheThing: She describes Abigail as taking of the writing process of ''Pilot Program''.
* MostWritersAreWriters: In ''Pilot Program'', Abigail is a writer, and she uses her blog as an outlet.
----
!! Tropes:
* AmbiguousEnding: By the end of ''Pilot Program'', Abigail has not come to any firm conclusions about her marriage--neither is she content and settled in their new order, not is she thinking to leave.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' I feel like that it ends where it ends because answering those questions about where the marriage goes changes what the play ''is''. And there's nothing wrong with that--it's just, what I wanted to do with this play is explore the possibility of it happening to ''start''.
* EnforcedTrope: In interviews about ''Pilot Program'', she is consistently asked why Abigail says yes.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' People often ask me, they're like, "Why don't you spend more time on why she [Abigail] says yes and not no?" And I'll tell you straight up: from a dramaturgical perspective, her saying no makes this a very short play.
* IJustWriteTheThing: She describes Abigail as taking of the writing process of ''Pilot Program''.
* MostWritersAreWriters: In ''Pilot Program'', Abigail is a writer, and she uses her blog as an outlet.
to:
* ''The Edible Complex''
----
!! Tropes:
* AmbiguousEnding: By the end of ''Pilot Program'', Abigail has not come to any firm conclusions about her marriage--neither is she content and settled in their new order, not is she thinking to leave.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' I feel like that it ends where it ends because answering those questions about where the marriage goes changes what the play ''is''. And there's nothing wrong with that--it's just, what I wanted to do with this play is explore the possibility of it happening to ''start''.
* EnforcedTrope: In interviews about ''Pilot Program'', she is consistently asked why Abigail says yes.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' People often ask me, they're like, "Why don't you spend more time on why she [Abigail] says yes and not no?" And I'll tell you straight up: from a dramaturgical perspective, her saying no makes this a very short play.
* IJustWriteTheThing: She describes Abigail as taking of the writing process of ''Pilot Program''.
* MostWritersAreWriters: In ''Pilot Program'', Abigail is a writer, and she uses her blog as an outlet.Complex''
----
!! Tropes:
* AmbiguousEnding: By the end of ''Pilot Program'', Abigail has not come to any firm conclusions about her marriage--neither is she content and settled in their new order, not is she thinking to leave.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' I feel like that it ends where it ends because answering those questions about where the marriage goes changes what the play ''is''. And there's nothing wrong with that--it's just, what I wanted to do with this play is explore the possibility of it happening to ''start''.
* EnforcedTrope: In interviews about ''Pilot Program'', she is consistently asked why Abigail says yes.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' People often ask me, they're like, "Why don't you spend more time on why she [Abigail] says yes and not no?" And I'll tell you straight up: from a dramaturgical perspective, her saying no makes this a very short play.
* IJustWriteTheThing: She describes Abigail as taking of the writing process of ''Pilot Program''.
* MostWritersAreWriters: In ''Pilot Program'', Abigail is a writer, and she uses her blog as an outlet.
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Added DiffLines:
* AmbiguousEnding: By the end of ''Pilot Program'', Abigail has not come to any firm conclusions about her marriage--neither is she content and settled in their new order, not is she thinking to leave.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' I feel like that it ends where it ends because answering those questions about where the marriage goes changes what the play ''is''. And there's nothing wrong with that--it's just, what I wanted to do with this play is explore the possibility of it happening to ''start''.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' I feel like that it ends where it ends because answering those questions about where the marriage goes changes what the play ''is''. And there's nothing wrong with that--it's just, what I wanted to do with this play is explore the possibility of it happening to ''start''.
Added DiffLines:
* IJustWriteTheThing: She describes Abigail as taking of the writing process of ''Pilot Program''.
Is there an issue? Send a MessageReason:
Typo fixes
Changed line(s) 1,2 (click to see context) from:
Melissa Leilani Larson is an American Morman writer and playwright based in Salt Lake City, Utah. Her plays commonly feature women in leading roles, and some center around {{UsefulNotes/Mormonism}}. She is the youngest person and first woman to receive three Association for Mormon Letters (AML) awards.
to:
Melissa Leilani Larson is an American Morman Mormon writer and playwright based in Salt Lake City, Utah. Her plays commonly feature women in leading roles, and some center around {{UsefulNotes/Mormonism}}.on UsefulNotes/{{Mormonism}}. She is the youngest person and first woman to receive three Association for Mormon Letters (AML) awards.
Changed line(s) 6 (click to see context) from:
* ''Mestiza, Or Mixed''
to:
* ''Mestiza, Or or Mixed''
Changed line(s) 10 (click to see context) from:
* ''Jane And Emma, Freetown''
to:
* ''Jane And and Emma, Freetown''
Changed line(s) 15 (click to see context) from:
* ''Lady In Waiting''
to:
* ''Lady In in Waiting''
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
Melissa Leilani Larson is an American Morman writer and playwright based in Salt Lake City, Utah. Her plays commonly feature women in leading roles, and some center around the faith of UsefulNotes/Mormonism. She is the youngest person and first woman to receive three Association for Mormon Letters (AML) awards.
to:
Melissa Leilani Larson is an American Morman writer and playwright based in Salt Lake City, Utah. Her plays commonly feature women in leading roles, and some center around the faith of UsefulNotes/Mormonism.{{UsefulNotes/Mormonism}}. She is the youngest person and first woman to receive three Association for Mormon Letters (AML) awards.
Added DiffLines:
* EnforcedTrope: In interviews about ''Pilot Program'', she is consistently asked why Abigail says yes.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' People often ask me, they're like, "Why don't you spend more time on why she [Abigail] says yes and not no?" And I'll tell you straight up: from a dramaturgical perspective, her saying no makes this a very short play.
-->'''[[https://www.facebook.com/110843833962013/videos/277419540167432 Melissa]]:''' People often ask me, they're like, "Why don't you spend more time on why she [Abigail] says yes and not no?" And I'll tell you straight up: from a dramaturgical perspective, her saying no makes this a very short play.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
Melissa Leilani Larson is an American Morman writer and playwright based in Salt Lake City, Utah. Her plays commonly feature women in leading roles, and some center around the faith of UsefulNotes/Mormonism. She is the youngest person and first woman to receive three Association for Mormon Letters (AML) awards.
----
!! Plays:
* ''Mestiza, Or Mixed''
* ''Pride & Prejudice''
* ''Little Happy Secrets''
* ''Persuasion''
* ''Jane And Emma, Freetown''
* ''Sweetheart Come''
* ''The Post Office''
* ''Mountain Law''
* ''Pilot Program''
* ''Lady In Waiting''
* ''The Edible Complex''
----
!! Tropes:
* MostWritersAreWriters: In ''Pilot Program'', Abigail is a writer, and she uses her blog as an outlet.
----
!! Plays:
* ''Mestiza, Or Mixed''
* ''Pride & Prejudice''
* ''Little Happy Secrets''
* ''Persuasion''
* ''Jane And Emma, Freetown''
* ''Sweetheart Come''
* ''The Post Office''
* ''Mountain Law''
* ''Pilot Program''
* ''Lady In Waiting''
* ''The Edible Complex''
----
!! Tropes:
* MostWritersAreWriters: In ''Pilot Program'', Abigail is a writer, and she uses her blog as an outlet.
